No man took more pleasure than M. de Nailles in finding himself in his own home—partly, perhaps, because circumstances compelled him to be very little there. The post of deputy in the French Chamber is no sinecure. He was not often an orator from the tribune, but he was absorbed by work in the committees—“Harnessed to a lot of bothering reports,” as Jacqueline used to say to him. He had barely any time to give to those important duties of his position, by which, as is well known, members of the Corps Legislatif are shamelessly harassed by constituents, who, on pretence that they have helped to place the interests of their district in your hands, feel authorized to worry you with personal matters, such as the choice of agricultural machines, or a place to be found for a wet-nurse.
Besides his public duties, M. de Nailles was occupied by financial speculations—operations that were no doubt made necessary by the style of living commented on by his cousin, Madame de Monredon, who was as stingy as she was bitter of tongue. The elegance that she found fault with was, however, very far from being great when compared with the luxury of the present day. Of course, the Baronne had to have her horses, her opera-box, her fashionable frocks. To supply these very moderate needs, which, however, she never insisted upon, being, so far as words went, most simple in her tastes, M. de Nailles, who had not the temperament which makes men find pleasure in hard work, became more and more fatigued. His days were passed in the Chamber, but he never neglected his interest on the Bourse; in the evening he accompanied his young wife into society, which, she always declared, she did not care for, but which had claims upon her nevertheless. It was therefore not surprising that M. de Nailles’s face showed traces of the habitual fatigue that was fast aging him; his tall, thin form had acquired a slight stoop; though only fifty he was evidently in his declining years. He had once been a man of pleasure, it was said, before he entered politics. He had married his first wife late in life. She was a prudent woman who feared to expose him to temptation, and had kept him as far as possible away from Paris.
In the country, having nothing to do, he became interested in agriculture, and in looking after his estate at Grandchaux. He had been made a member of the Conseil General, when unfortunately death too early deprived him of the wise and gentle counsellor for whom he felt, possibly not a very lively love, but certainly a high esteem and affection. After he be came a widower he met in the Pyrenees, where, as he was whiling away the time of seclusion proper after his loss, a young lady who appeared to him exactly the person he needed to bring up his little daughter—because she was extremely attractive to himself. Of course M. de Nailles found plenty of other reasons for his choice, which he gave to the world and to himself to justify his second marriage—but this was the true reason and the only one. His friends, however, all of whom had urged on him the desirability of taking another wife, in consideration of the age of Jacqueline, raised many objections as soon as he announced his intention of espousing Mademoiselle Clotilde Hecker, eldest daughter of a man who had been, at one time, a prefect under the Empire, but who had been turned out of office by the Republican Government. He had a large family and many debts; but M. de Nailles had some answer always ready for the objections of his family and friends. He was convinced that Mademoiselle Hecker, having no fortune, would be less exacting than other women and more disposed to lead a quiet life.
She had been almost a mother to her own young brothers and sisters, which was a pledge for motherliness toward Jacqueline, etc., etc. Nevertheless, had she not had eyes as blue as those of the beauties painted by Greuze, plenty of audacious wit, and a delicate complexion, due to her Alsatian origin—had she not possessed a slender waist and a lovely figure, he might have asked himself why a young lady who, in winter, studied painting with the commendable intention of making her own living by art, passed the summers at all the watering-places of France and those of neighboring countries, without any perceptible motive.
But, thanks to the bandage love ties over the eyes of men, he saw only what Mademoiselle Clotilde was willing that he should see. In the first place he saw the great desirability of a talent for painting which, unlike music—so often dangerous to married happiness—gives women who cultivate it sedentary interests. And then he was attracted by the model daughter’s filial piety as he beheld her taking care of her mother, who was the victim of an incurable disorder, which required her by turns to reside at Cauterets, or sometimes at Ems, sometimes at Aix in Savoy, and sometimes even at Trouville. The poor girl had assured him that she asked no happier lot than to live eight months of the year in the country, where she would devote herself to teaching Jacqueline, for whom at first sight she had taken a violent fancy (the attraction indeed was mutual). She assured him she would teach her all she knew herself, and her diplomas proved how well educated she had been.
Indeed, it seemed as if only prejudice could find any objection to so prudent and reasonable a marriage, a marriage contracted principally for the good of Jacqueline.
It came to pass, however, that the air of Grandchaux, which is situated in the most unhealthful part of Limouzin, proved particularly hurtful to the new Madame de Nailles. She could not live a month on her husband’s property without falling into a state of health which she attributed to malaria. M. de Nailles was at first much concerned about the condition of things which seemed likely to upset all his plans for retirement in the country, but, his wife having persuaded him that his position in the Conseil General was only a stepping-stone to a seat in the Corps Legislatif, where his place ought to be, he presented himself to the electors as a candidate, and was almost unanimously elected deputy, the conservative vote being still all powerful in that part of the country.
His wife, it was said, had shown rare zeal and activity at the time of the election, employing in her husband’s service all those little arts which enable her sex to succeed in politics, as well as in everything else they set their minds to. No lady ever more completely turned the heads of country electors. It was really Madame de Nailles who took her seat in the Left Centre of the Chamber, in the person of her husband.
After that she returned to Limouzin only long enough to keep up her popularity, though, with touching resignation, she frequently offered to spend the summer at Grandchaux, even if the consequences should be her death, like that of Pia in the Maremma. Her husband, of course, peremptorily set his face against such self-sacrifice.
The facilities for Jacqueline’s education were increased by their settling down as residents of Paris. Madame de Nailles superintended the instruction of her stepdaughter with motherly solicitude, seconded, however, by a ‘promeneuse’, or walking-governess, which left her free to fulfil her own engagements in the afternoons. The walking-governess is a singular modern institution, intended to supply the place of the too often inconvenient daily governess of former times. The necessary qualifications of such a person are that she should have sturdy legs, and such knowledge of some foreign language as will enable her during their walks to converse in it with her pupil. Fraulein Schult, who came from one of the German cantons of Switzerland, was an ideal ‘promeneuse’. She never was tired and she was well-informed. The number of things that could be learned from her during a walk was absolutely incredible.
Madame de Nailles, therefore, after a time, gave up to her, not without apparent regret, the duty of accompanying Jacqueline, while she herself fulfilled those duties to society which the most devoted of mothers can not wholly avoid; but the stepmother and stepdaughter were always to be seen together at mass at one o’clock; together they attended the Cours (that system of classes now so much in vogue) and also the weekly instruction given in the catechism; and if Madame de Nailles, when, at night, she told her husband all she had been doing for Jacqueline during the day (she never made any merit of her zeal for the child’s welfare), added: “I left Jacqueline in this place or in that, where Mademoiselle Schult was to call for her,” M. de Nailles showed no disposition to ask questions, for he well understood that his wife felt a certain delicacy in telling him that she had been to pay a brief visit to her own relatives, who, she knew, were distasteful to him. He had, indeed, very soon discerned in them a love of intrigue, a desire to get the most they could out of him, and a disagreeable propensity to parasitism. With the consummate tact she showed in everything she did, Madame de Nailles kept her own family in the background, though she never neglected them. She was always doing them little services, but she knew well that there were certain things about them that could not but be disagreeable to her husband. M. de Nailles knew all this, too, and respected his wife’s affection for her family. He seldom asked her where she had been during the day. If he had she would have answered, with a sigh: “I went to see my mother while Jacqueline was taking her dancing-lesson, and before she went to her singing-master.”
That she was passionately attached to Jacqueline was proved by the affection the little girl conceived for her. “We two are friends,” both mother and daughter often said of each other. Even Modeste, old Modeste, who had been at first indignant at seeing a stranger take the place of her dead mistress, could not but acknowledge that the usurper was no ordinary step mother. It might have been truly said that Madame de Nailles had never scolded Jacqueline, and that Jacqueline had never done anything contrary to the wishes of Madame de Nailles. When anything went wrong it was Fraulein Schult who was reproached first; if there was any difficulty in the management of Jacqueline, she alone received complaints. In the eyes of the “two friends,” Fraulein Schult was somehow to be blamed for everything that went wrong in the family, but between themselves an observer might have watched in vain for the smallest cloud. Madame de Nailles, when she was first married, could not make enough of the very ugly yet attractive little girl, whose tight black curls and gypsy face made an admirable contrast to her own more delicate style of beauty, which was that of a blonde. She caressed Jacqueline, she dressed her up, she took her about with her like a little dog, and overwhelmed her with demonstrations of affection, which served not only to show off her own graceful attitudes, but gave spectators a high opinion of her kindness of heart.
When from time to time some one, envious of her happiness, pitied her for being childless, Madame de Nailles would say: “What do you mean? I have one daughter; she is enough for me.”
It is a pity children grow so fast, and that little girls who were once ugly sometimes develop into beautiful young women. The time came when the model stepmother began to wish that Jacqueline would only develop morally, intellectually, and not physically. But she showed nothing of this in her behavior, and replied to any compliments addressed to her concerning Jacqueline with as much maternal modesty as if the dawning loveliness of her stepdaughter had been due to herself.
“Her nose is rather too long-don’t you think so? And she will always be too dark, I fear.” But she used always to add, “She is good enough and pretty enough to pass muster with any critic—poor little pussy-cat!” She became desirous to discover some tendency to ill-health in the plant that was too ready to bloom into beauty and perfection. She would have liked to be able to assert that Jacqueline’s health would not permit her to sit up late at night, that fashionable hours would be injurious to her, that it would be undesirable to let her go into society as long as she could be kept from doing so. But Jacqueline persisted in never being ill, and was calculating with impatience how many years it would be before she could go to her first ball—three or four possibly. Was Madame de Nailles in three or four years to be reduced to the position of a chaperon? The young stepmother thought of such a possibility with horror. Her anxiety on this subject, however, as well as several other anxieties, was so well concealed that even her husband suspected nothing.
The complete sympathy which existed between the two beings he most loved made M. de Nailles very happy. He had but one thing to complain of in his wife, and that thing was very small. Since she had married she had completely given up her painting. He had no knowledge of art himself, and had therefore given her credit for great artistic capacity. The fact was that in her days of poverty she had never been artist enough to make a living, and now that she was rich she felt inclined to laugh at her own limited ability. Her practice of art, she said, had only served to give her a knowledge of outline and of color; a knowledge she utilized in her dress and in the smallest details of house decoration and furniture. Everything she wore, everything that surrounded her, was arranged to perfection. She had a genius for decoration, for furniture, for trifles, and brought her artistic knowledge to bear even on the tying of a ribbon, or the arrangement of a nosegay.
“This is all I retain of your lessons,” she said sometimes to Hubert Marien, when recalling to his memory the days in which she sought his advice as to how to prepare herself for the “struggle for life.”
This phrase was amusing when it proceeded from her lips. What!—“struggle for life” with those little delicate, soft, childlike hands? How absurd! She laughed at the idea now, and all those who heard her laughed with her; Marien laughed more than any one. He, who had befriended her in her days of adversity, seemed to retain for the Baroness in her prosperity the same respectful and discreet devotion he had shown her as Mademoiselle Hecker. He had sent a wonderful portrait of her, as the wife of M. de Nailles, to the Salon—a portrait that the richer electors of Grandchaux, who had voted for her husband and who could afford to travel, gazed at with satisfaction, congratulating themselves that they had a deputy who had married so pretty a woman. It even seemed as if the beauty of Madame de Nailles belonged in some sort to the arrondissement, so proud were those who lived there of having their share in her charms.
Another portrait—that of M. de Nailles himself—was sent down to Limouzin from Paris, and all the peasants in the country round were invited to come and look at it. That also produced a very favorable impression on the rustic public, and added to the popularity of their deputy. Never had the proprietor of Grandchaux looked so grave, so dignified, so majestic, so absorbed in deep reflection, as he looked standing beside a table covered with papers—papers, no doubt, all having relation to local interests, important to the public and to individuals. It was the very figure of a statesman destined to high dignities. No one who gazed on such a deputy could doubt that one day he would be in the ministry.
It was by such real services that Marien endeavored to repay the friendship and the kindness always awaiting him in the small house in the Parc Monceau, where we have just seen Jacqueline eagerly offering him some spiced cakes. To complete what seemed due to the household there only remained to paint the curiously expressive features of the girl at whom he had been looking that very day with more than ordinary attention. Once already, when Jacqueline was hardly out of baby-clothes, the great painter had made an admirable sketch of her tousled head, a sketch in which she looked like a little imp of darkness, and this sketch Madame de Nailles took pains should always be seen, but it bore no resemblance to the slender young girl who was on the eve of becoming, whatever might be done to arrest her development, a beautiful young woman. Jacqueline disliked to look at that picture. It seemed to do her an injury by associating her with her nursery. Probably that was the reason why she had been so pleased to hear Hubert Marien say unexpectedly that she was now ready for the portrait which had been often joked about, every one putting it off to the period, always remote, when “the may-pole” should have developed a pretty face and figure.
And now she was disquieted lest the idea of taking her picture, which she felt was very flattering, should remain inoperative in the painter’s brain. She wanted it carried out at once, as soon as possible. Jacqueline detested waiting, and for some reason, which she never talked about, the years that seemed so short and swift to her stepmother seemed to her to be terribly long. Marien himself had said: “There is a great interval between a dream and its execution.” These words had thrown cold water on her sudden joy. She wanted to force him to keep his promise—to paint her portrait immediately. How to do this was the problem her little head, reclining on Madame de Nailles’s lap after the departure of their visitors, had been endeavoring to solve.
Should she communicate her wish to her indulgent stepmother, who for the most part willed whatever she wished her to do? A vague instinct—an instinct of some mysterious danger—warned her that in this case her father would be her better confidant.
All books are sourced from Project Gutenberg