An Introduction to the Study of Robert Browning's Poetry






Pictor Ignotus.

{Florence, 15—.}

   I could have painted pictures like that youth’s
     Ye praise so.  How my soul springs up!  No bar
   Stayed me—ah, thought which saddens while it soothes!
   —Never did fate forbid me, star by star,
   To outburst on your night, with all my gift
     Of fires from God:  nor would my flesh have shrunk
   From seconding my soul, with eyes uplift
     And wide to heaven, or, straight like thunder, sunk
   To the centre, of an instant; or around
     Turned calmly and inquisitive, to scan                     {10}
   The license and the limit, space and bound,
     Allowed to truth made visible in man.
   And, like that youth ye praise so, all I saw,
     Over the canvas could my hand have flung,
   Each face obedient to its passion’s law,
     Each passion clear proclaimed without a tongue:
   Whether Hope rose at once in all the blood,
     A-tiptoe for the blessing of embrace,
   Or Rapture drooped the eyes, as when her brood
     Pull down the nesting dove’s heart to its place;           {20}
   Or Confidence lit swift the forehead up,
     And locked the mouth fast, like a castle braved,—
   O human faces! hath it spilt, my cup?
     What did ye give me that I have not saved?
   Nor will I say I have not dreamed (how well!)
     Of going—I, in each new picture,—forth,
   As, making new hearts beat and bosoms swell,
     To Pope or Kaiser, East, West, South, or North,
   Bound for the calmly satisfied great State,
     Or glad aspiring little burgh, it went,                    {30}
   Flowers cast upon the car which bore the freight,
     Through old streets named afresh from the event,
   Till it reached home, where learned age should greet
     My face, and youth, the star not yet distinct
   Above his hair, lie learning at my feet!—
     Oh, thus to live, I and my picture, linked
   With love about, and praise, till life should end,
     And then not go to heaven, but linger here,
   Here on my earth, earth’s every man my friend,
     The thought grew frightful, ‘twas so wildly dear!          {40}
   But a voice changed it.  Glimpses of such sights
     Have scared me, like the revels through a door
   Of some strange house of idols at its rites!
     This world seemed not the world it was, before:
   Mixed with my loving trusting ones, there trooped
     . . .  Who summoned those cold faces that begun
   To press on me and judge me?  Though I stooped
     Shrinking, as from the soldiery a nun,
   They drew me forth, and spite of me. . .enough!
     These buy and sell our pictures, take and give,            {50}
   Count them for garniture and household-stuff,
     And where they live needs must our pictures live
   And see their faces, listen to their prate,
     Partakers of their daily pettiness,
   Discussed of,—“This I love, or this I hate,
     This likes me more, and this affects me less!”
    Wherefore I chose my portion.  If at whiles
     My heart sinks, as monotonous I paint
   These endless cloisters and eternal aisles
     With the same series, Virgin, Babe, and Saint,             {60}
   With the same cold calm beautiful regard,—
     At least no merchant traffics in my heart;
   The sanctuary’s gloom at least shall ward
     Vain tongues from where my pictures stand apart:
   Only prayer breaks the silence of the shrine
     While, blackening in the daily candle-smoke,
   They moulder on the damp wall’s travertine,
     ‘Mid echoes the light footstep never woke.
   So, die my pictures! surely, gently die!
     O youth, men praise so,—holds their praise its worth?   {70}
   Blown harshly, keeps the trump its golden cry?
     Tastes sweet the water with such specks of earth?

— 3. ah, thought which saddens while it soothes: the thought saddens him that he has not realized his capabilities, and soothes him that he has resisted the temptations to earthly fame, and been true to his soul.

14-22. he could have expressed Hope, Rapture, Confidence, and all other passions, in the human face, each clear proclaimed without a tongue.

23. hath it spilt, my cup?: the cup of his memory.

24. What did ye give me that I have not saved?: he has retained all the impressions he has received from human faces.

25 et seq.: Nor will I say I have not dreamed (how well I have dreamed!) of going forth in each new picture, as it went to Pope or Kaiser, etc., making new hearts beat and bosoms swell.

34. the star not yet distinct above his hair: his fame not having yet shone brightly out; “his” refers to “youth”.

35. lie learning: and should lie.

41. But a voice changed it: the voice of his secret soul.

67. travertine: coating of lime; properly a limestone. Lat., ‘lapis Tiburtinus’, found near Tibur, now Tivoli.

All books are sourced from Project Gutenberg