Having been informed that the Chapel of the Virgin at Saint-Germain-des-Pres was being repaved, I entered the church with the hope of discovering some old inscriptions, possibly exposed by the labours of the workmen. I was not disappointed. The architect kindly showed me a stone which he had just had raised up against the wall. I knelt down to look at the inscription engraved upon that stone; and then, half aloud, I read in the shadow of the old apsis these words, which made my heart leap:
“Cy-gist Alexandre, moyne de ceste eglise, qui fist mettre en argent le menton de Saint-Vincent et de Saint-Amant et le pie des Innocens; qui toujours en son vivant fut preud’homme et vayllant. Priez pour l’ame de lui.”
I wiped gently away with my handkerchief the dust covering that gravestone; I could have kissed it.
“It is he! it is Alexander!” I cried out; and from the height of the vaults the name fell back upon me with a clang, as if broken.
The silent severity of the beadle, whom I saw advancing towards me, made me ashamed of my enthusiasm; and I fled between the two holy water sprinklers with which tow rival “rats d’eglise” seemed desirous of barring my way.
At all events it was certainly my own Alexander! there could be no more doubt possible; the translator of the “Golden Legend,” the author of the saints lives of Saints Germain, Vincent, Ferreol, Ferrution, and Droctoveus was, just as I had supposed, a monk of Saint-Germain-des-Pres. And what a monk, too—pious and generous! He had a silver chin, a silver head, and a silver foot made, that certain precious remains should be covered with an incorruptible envelope! But shall I never be able to view his handiwork? or is this new discovery only destined to increase my regrets?
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