Gloom brooded over Herons' Holt that evening. Gloom hung thickly about the rooms: blanketed conversation; veiled eyes that might have sparkled; choked appetites.
Nevertheless this was an atmosphere in which one member of the household felt most comfortable.
Margaret, Mr. Marrapit's only child, was nineteen; of sallow complexion, petite, pretty; with large brown eyes in which sat always a constant quest—an entreaty, a wistful yearning.
Hers was a clinging nature, readily responsive to the attraction of any stouter mind. Enthusiasm was in this girl, but it lay well-like—not as a spring. To stir it the influence of another was wanted; of itself, spontaneous, it could not leap. Aroused, there was no rush and surge of emotion—it welled, rose deeply; thickly, without ripple; crestless, flinging no intoxicating spume. Waves rush triumphant, hurtling forward the stick they support: the pool swells, leaving the stick quiescent, floating.
Many persons have this order of enthusiasm; it is a clammy thing to attract. A curate with a glimpse at Shelley's mind once roused Margaret's enthusiasm for the poet. It welled so suffocatingly about him that he came near to damning Shelley and all his works; threw up his hat when opportunity put out a beckoning finger and drew him elsewhere.
Margaret walked in considerable fear of her father; but she clung to him despite his oppressive foibles, because this was her nature. She loved church; incense; soft music; a prayer-book tastefully bound. She “wrote poetry.”
Warmed by the gloom that lay over Herons' Holt upon this evening, she sat brooding upon her cousin George's failure until a beautiful picture was hatched. He had gone to his room directly after dinner; during the meal had not spoken. She imagined him seated on his bed, hands deep in pockets, chin sunk, brow knitted, wrestling with that old devil despair. She knew that latterly he had worked tremendously hard. He had told her before the examination how confident of success he was, had revealed how much in the immediate prospect of freedom he gloried. She recalled his gay laugh as he had bade her good-bye on the first day, and the recollection stung her just as, she reflected, it must now be stinging him.... Only he must a thousand times more fiercely be feeling the burn of its venom....
Margaret moved impatiently with a desire to shake into herself a profounder sense of her cousin's misfortune. By ten she was plunged in a most pleasing melancholy.
She was of those who are by nature morbid; who deceive themselves if they imagine they have enjoyment from the recreations that provoke lightness of heart in the majority. Only the surface of their spirits ripples under such breezes; to stir the whole, to produce the counterpart of a hearty laugh in your vigorous animal, a feast on melancholy must be provided. This is a quality that is common among the lower classes who find their greatest happiness in funerals. The sombre trappings; white handkerchiefs against black dresses; tears; the mystery of gloom—these trickle with a warm glow through all their senses. They are as aroused by grief, unpleasant to the majority, as the drunkard is quickened by wine, to many abhorrent.
Thus it was with Margaret, and to her the shroud of melancholy in which she was now wrapped brought an added boon—arrayed in it she was best able to make her verses. Not of necessity sad little verses; many of her brightest were conceived in profoundest gloom. With a pang at the heart she could be most merry—tinkling out her laughing little lines just as martyrs could breathe a calm because, rather than spite of, they were devilishly racked.
But this was no hour for tinkling lines. A manuscript returned by the last post emphasised her gloom.
Kissing her father good-night, Margaret crept to her room, aching with desire to write.
She undressed, read a portion of the Imitation, then to her table by the open window.
Two hours brought relief. Margaret placed her poem in an envelope against its presentation to George in the morning, then from her window leaned.
From her thoughts at once George sped; they rushed across the sleeping fields to cling about the person of that Mr. William Wyvern who had spoken of Mr. Marrapit as reminding him of a minor prophet—shaved. This was Margaret's nightly practice, but to-night this girl was most exquisitely melancholy, and with melancholy her thoughts of her William were tinged. She had not seen him that day; and now she brooded upon the bitter happening that had forced all her meetings with her lover to be snatched—fugitive, secret.
For Mr. William Wyvern was not allowed at Herons' Holt. When love first sent its herald curiosity into William's heart, the young man had sought to relieve its restlessness by a visit ostensibly on George, really upon Margaret, and extremely ill-advised in that at his heels gambolled his three bull-terriers.
Korah, Dathan, and Abiram these were named, and they were abrupt dogs to a point reaching brusqueness.
At the door, as William had approached, beamed Mr. Marrapit; upon the drive the queenly Rose of Sharon sat; and immediately tragedy swooped.
The dogs sighted the Rose. Red-mouthed the shining pack flew at her. Dignity fell before terror: wildly, with streaming tail, she fled.
Orange was the cat, white the dogs: like some orange and snow-white ribbon magically inspired, thrice at enormous speed they set a belt about the house. With tremendous bounds the Rose kept before her pursuers—heavily labouring, horrid with thirsty glee. Impotent in the doorway moaned Mr. Marrapit, his dirge rushing up to a wail of grief each time the parti-coloured ribbon flashed before his eyes.
With Mr. Fletcher the end had come. Working indoors, aroused by the din, the gardener burst out past his master just as the ribbon fluttered into sight upon the completion of its fourth circuit. Like a great avalanche it poured against his legs; as falls the oak, so pressed he fell.
Each eager jaw snapped once. Korah bit air, Dathan the cat's right ear. She wrenched; freed; sprang high upon the porch to safety, blood on her coat.
Abiram put a steely nip upon Mr. Fletcher's right buttock.
William called off his dogs; stood aghast. Mr. Marrapit stretched entreating arms to his adored. Mr. Fletcher writhed prone.
The torn Rose slipped to Mr. Marrapit's bosom. Clasping her he turned upon William—“You shall pay for this blood!”
William stammered: “I'm very sorry, sir. If—”
“Never again enter my gates. I'll have your curs shot!”
Curs was unfortunate; the evil three were whelped of a mighty strain.
“If your fool of a man hadn't got in the way, the cat would have escaped,” William hotly cried. Indignant he turned. Banishment was nothing then; in time it came to be a bitter thing.
Mr. Marrapit had raged on to Mr. Fletcher, yet writhing.
“You hear that?” he had cried. “Dolt! You are responsible for this!” He touched the blood-flecked side, the abrased ear; clasped close the Rose; called for warm water.
Mr. Fletcher clapped a hand to his wound as shakily he rose.
“I go to rescue his cat!” he said; “I'm near worried to death by 'ounds. I'm a dolt. I'm responsible. It's 'ard,—damn 'ard. I'm a gardener, I am; not a dog muzzle.”
A dimness clouded Margaret's beautiful eyes as this bitter picture—she had watched it—was again reviewed. She murmured “Oh, Bill!”; stretched her soft arms to the night; moved her pretty lips in a message to her lover; snuggled between the sheets and made melancholy her bedfellow.
By seven she was up and in the fresh garden. George was before her.
She cried brightly: “Why, how early you are!” and ran to him—very pretty in her white dress: at her breast a rose, the poem fluttering in her hand.
“Yes; for once before you.”
George's tone did not give back her mood, purposely keyed high. She played on it again: “Turning a new leaf?”
He drummed at the turf with his heel: “Yes—for to-day.” He threw out a hand towards her: “But in the same old book. I've had eight—nine years of it, and now there are three more months.”
“Poor George! But only three months, think how they will fly!”
He was desperately gloomy: “I haven't your imagination. Each single day of them will mean a morning—here; a night—here.”
“Oh, is it so hard?”
“Yes, now. It's pretty deadly now. You know, when I wasn't precisely killing myself with overwork, I didn't mind so much. When it was three or four years, anyway, before I could possibly be free, a few extra months or so through failing an exam, didn't trouble me. But this is different. I was right up against getting clear of all this”—he comprehended garden and house in a sweep of the hand—“counted it a dead certainty—and here I am pitched back again.”
“But, George, you did work so hard this time. It isn't as though you had to blame yourself.” She put a clinging hand into his arm. “You can suffer no—remorse. That is what makes failure so dreadful—the knowledge that things might have been otherwise if one had liked.”
George laughed quite gaily. Gloom never lay long upon this young man.
“You're a sweet little person,” he said. “You ought to be right, but you are wrong. When I didn't work I didn't mind failing. It's when I've tried that I get sick.”
Margaret's eyes brightened. There was melancholy here.
“Oh, I know what you mean. I know so well. I have felt that. You mean the—the haunting fear that you may never be able to succeed; that you have not the—the talent, the capacity.” She continued pleadingly: “Oh, you mustn't think that. You can—you will succeed next time, you know.”
“Rather!” responded George brightly.
Margaret was quite pained. She would have had him express doubt, despondently sigh; would have heartened him with her poem. The confident “rather!” jarred. She hurried from its vigour.
She asked: “What had you intended to do?”
“I was to have got a locum tenens. I think it would have developed into a permanency. A big, rough district up in Yorkshire with a man who keeps six horses going. His second assistant—a pal of mine—wants to chuck it.”
“Why?”
“Why? Oh, partly because he's fed up with it, partly because he wants a practice of his own.”
“Ah! ... But, George, don't you want a practice of your own? You don't want to be another man's assistant, do you?”
George laughed. “I can't choose, Margi. You know, if you imagine there are solid groups of people all over England anxiously praying for the arrival of a doctor, you must adjust that impression, as your father would say. These things have to be bought. I've got about three pounds, so I'm not bidding. They seldom go so cheap.”
Margaret never bantered. She had no battledore light enough to return an airy shuttlecock. Now, as always, when this plaything came buoyantly towards her she swiped it with heavy force clean out of the conversational field.
She said gravely: “Ah, I know what you mean. You mean that father ought to buy you a practice—ought to set you up when you are qualified. I can't discuss that, can I? It wouldn't be loyal.”
“Of course not. I don't ask you.”
They moved towards the sound of the breakfast bell.
“You think,” Margaret continued, “that father ought to buy you a practice because your mother left him money for the purpose?”
“I know she left him nearly five thousand pounds for my education and all that. I think I may have cost him three thousand, possibly four—so I think I am entitled to something, but I shan't get it, therefore I don't worry. My hump is gone; in three months I shall be gone. Forward: I smell bacon!”
Margaret smiled the wan smile of an invalid watching vigorous youth at sport. Firmly she banged the shuttlecock out of sight.
“How bright you are!” she told him. “Look, here is a little poem I wrote for you last night. It's about failure and success. Don't read it now.”
George was very fond of his cousin. “Oh, but I must!” he cried. “I think this was awfully nice of you. He's not down yet. Let's sit on this seat and read it together.”
“Oh, not aloud. It's a silly little thing—really.”
“Yes—aloud.”
He smoothed the paper. She pressed against him; thrilled as she regarded the written lines. George begged her read. She would not—well, she would. She paused. Modesty and pride gathered on her cheeks, tuned her voice low. She read:
“So you have tried—So you have known The burning effort for success, The quick belief in your own prowess and your skill, The bitterness of failure, and the joy Of sweet success.”
“'Burning effort,'” George said. “That's fine!”
“I'm glad you like that. And 'quick belief'—you know what I mean?”
“Oh, rather.”
The poet warmed again over her words.
“So you have tried— So you have known The blind-eyed groping towards the goal That flickers on the far horizon of Attempt, Gleaming to sudden vividness, anon Fading from sight.”
“Sort of blank verse, isn't it?” George asked.
“Well, sort of,” the poet allowed. “Not exactly, of course.”
“Of course not,” George agreed firmly.
Margaret breathed the next fine lines.
“So you have tried— So you have known The bitter-sweetness of Attempt, The quick determination and the dread despair That grapple and possess you as you strive For imagery.”
George questioned: “Imagery...?”
“That verse is more for me than you,” the poet explained. “'For imagery'—to get the right word, you know.”
“Rather!” said George. “It does for me too—in exams, when one is floored, you know.”
“Yes,” Margaret admitted doubtfully. “Ye-es. Don't interrupt between the verses, dear.”
Now emotion swelled her voice.
“Success be yours! May you achieve To heights you do not dream you'll ever touch; The power's to your hand, the road before you lies— Forward! The gods not always frown; anon They'll kindly smile.”
“Why, that's splendid!” George cried. He put a cousinly arm about the poet; squeezed her to him. “Fancy you writing that for me! What a sympathetic little soul you are—and how clever!”
Breathless she disengaged herself: “I'm so glad you like it. It's a silly little thing—but it's real, isn't it? Come, there's father.”
She paused against denial of the poem's silliness, affirmation of its truth; but George, moody beneath Mr. Marrapit's eye, glinting behind the window, had moved forward.
Margaret thrust the paper in her bosom, tucked in where heart might warm it, drummed its rare lines.
All books are sourced from Project Gutenberg