Orion Clemens records that he met “Sam and Livy” on their arrival from England, November 2d, and that the president of the Mercantile Library Association sent up his card “four times,” in the hope of getting a chance to propose a lecture engagement—an incident which impressed Orion deeply in its evidence of his brother's towering importance. Orion himself was by this time engaged in various projects. He was inventing a flying-machine, for one thing, writing a Jules Verne story, reading proof on a New York daily, and contemplating the lecture field. This great blaze of international appreciation which had come to the little boy who used to set type for him in Hannibal, and wash up the forms and cry over the dirty proof, made him gasp.
They went to see Booth in Hamlet [he says], and Booth sent for Sam to come behind the scenes, and when Sam proposed to add a part to Hamlet, the part of a bystander who makes humorous modern comment on the situations in the play, Booth laughed immoderately.
Proposing a sacrilege like that to Booth! To what heights had this printer-pilot, miner-brother not attained!—[This idea of introducing a new character in Hamlet was really attempted later by Mark Twain, with the connivance of Joe Goodman [of all men], sad to relate. So far as is known it is the one stain on Goodman's literary record.]
Clemens returned immediately to England—the following Saturday, in fact—and was back in London lecturing again after barely a month's absence. He gave the “Roughing It” address, this time under the title of “Roughing It on the Silver Frontier,” and if his audiences were any less enthusiastic, or his houses less crowded than before, the newspapers of that day have left no record of it. It was the height of the season now, and being free to do so, he threw himself into the whirl of it, and for two months, beyond doubt, was the most talked-of figure in London. The Athenaeum Club made him a visiting member (an honor considered next to knighthood); Punch quoted him; societies banqueted him; his apartments, as before; were besieged by callers. Afternoons one was likely to find him in “Poets' Corner” of the Langham smoking-room, with a group of London and American authors—Reade, Collins, Miller, and the others—frankly rioting in his bold fancies. Charles Warren Stoddard was in London at the time, and acted as his secretary. Stoddard was a gentle poet, a delightful fellow, and Clemens was very fond of him. His only complaint of Stoddard was that he did not laugh enough at his humorous yarns. Clemens once said:
“Dolby and I used to come in after the lecture, or perhaps after being out to some dinner, and we liked to sit down and talk it over and tell yarns, and we expected Stoddard to laugh at them, but Stoddard would lie there on the couch and snore. Otherwise, as a secretary, he was perfect.”
The great Tichborne trial was in progress then, and the spectacle of an illiterate impostor trying to establish his claim as the rightful heir to a great estate was highly diverting to Mark Twain.—[In a letter of this period he speaks of having attended one of the Claimant's “Evenings.”]—He wanted to preserve the evidence as future literary material, and Stoddard day after day patiently collected the news reports and neatly pasted them into scrap-books, where they still rest, a complete record of that now forgotten farce. The Tichborne trial recalled to Mark Twain the claimant in the Lampton family, who from time to time wrote him long letters, urging him to join in the effort to establish his rights to the earldom of Durham. This American claimant was a distant cousin, who had “somehow gotten hold of, or had fabricated a full set of documents.”
Colonel Henry Watterson, just quoted (also a Lampton connection), adds:
During the Tichborne trial Mark and I were in London, and one day he
said to me: “I have investigated this Durham business down at the
Herald's office. There is nothing to it. The Lamptons passed out
of the earldom of Durham a hundred years ago. There were never any
estates; the title lapsed; the present earldom is a new creation,
not in the same family at all. But I'll tell you what: if you'll
put up $500, I'll put up $500 more; we'll bring our chap over here
and set him in as claimant, and, my word for it, Kenealy's fat boy
won't be a marker to him.”
It was a characteristic Mark Twain project, one of the sort he never earned out in reality, but loved to follow in fancy, and with the pen sometimes. The “Rightful Earl of Durham” continued to send letters for a long time after that (some of them still exist), but he did not establish his claim. No one but Mark Twain ever really got anything out of it. Like the Tennessee land, it furnished material by and by for a book. Colonel Watterson goes on to say that Clemens was only joking about having looked up the matter in the peerage; that he hadn't really looked it up at all, and that the earldom lies still in the Lampton family.
Another of Clemens's friends in London at this time was Prentice Mulford, of California. In later years Mulford acquired a wide reputation for his optimistic and practical psychologies. Through them he lifted himself out of the slough of despond, and he sought to extend a helping hand to others. His “White Cross Library” had a wide reading and a wide influence; perhaps has to this day. But in 1873 Mulford had not found the tangibility of thought, the secret of strength; he was only finding it, maybe, in his frank acknowledgment of shortcoming:
Now, Mark, I am down-very much down at present; you are up-where you
deserve to be. I can't ask this on the score of any past favors,
for there have been none. I have not always spoken of you in terms
of extravagant praise; have sometimes criticized you, which was due,
I suppose, in part to an envious spirit. I am simply human. Some
people in the same profession say they entertain no jealousy of
those more successful. I can't. They are divine; I am not.
It was only that he wished Clemens to speak a word for him to Routledge, to get him a hearing for his work. He adds:
I shall be up myself some day, although my line is far apart from
yours. Whether you can do anything that I ask of you or not, I
shall be happy then, as I would be now, to do you any just and right
service.... Perhaps I have mistaken my vocation. Certainly, if I
was back with my rocker on the Tuolumne, I'd make it rattle livelier
than ever I did before. I have occasionally thought of London
Bridge, but the Thames is now so d—-d cold and dirty, and besides I
can swim, and any attempt at drowning would, through the mere
instinct of self-preservation, only result in my swimming ashore and
ruining my best clothes; wherefore I should be worse off than ever.
Of course Mark Twain granted the favor Mulford asked, and a great deal more, no doubt, for that was his way. Mulford came up, as he had prophesied, but the sea in due time claimed him, though not in the way he had contemplated. Years after he was one day found drifting off the shores of Long Island in an open boat, dead.
Clemens made a number of notable dinner speeches during this second London lecture period. His response to the toast of the “Ladies,” delivered at the annual dinner of the Scottish Corporation of London, was the sensational event of the evening.
He was obliged to decline an invitation to the Lord Mayor's dinner, whereupon his Lordship wrote to urge him to be present at least at the finale, when the welcome would be “none the less hearty,” and bespoke his attendance for any future dinners.
Clemens lectured steadily at the Hanover Square Rooms during the two months of his stay in London, and it was only toward the end of this astonishing engagement that the audience began to show any sign of diminishing. Early in January he wrote to Twichell:
I am not going to the provinces because I cannot get halls that are large enough. I always felt cramped in the Hanover Square Rooms, but I find that everybody here speaks with awe and respect of that prodigious hall and wonders that I could fill it so long.
I am hoping to be back in twenty days, but I have so much to go home to and enjoy with a jubilant joy that it hardly seems possible that it can come to pass in so uncertain a world as this.
In the same letter he speaks of attending an exhibition of Landseer's paintings at the Royal Academy:
Ah, they are wonderfully beautiful! There are such rich moonlights
and dusks in the “Challenge” and the “Combat,” and in that long
flight of birds across a lake in the subdued flush of sunset (or
sunrise, for no man can ever tell t'other from which in a picture,
except it has the filmy morning mist breathing itself up from the
water), and there is such a grave analytical profundity in the face
of the connoisseurs; and such pathos in the picture of a fawn
suckling its dead mother on a snowy waste, with only the blood in
the footprints to hint that she is not asleep. And the way that he
makes animals' flesh and blood, insomuch that if the room were
darkened ever so little, and a motionless living animal placed
beside the painted one, no man could tell which was which.
I interrupted myself here, to drop a line to Shirley Brooks and suggest a cartoon for Punch. It was this: in one of the Academy saloons (in a suite where these pictures are) a fine bust of Landseer stands on a pedestal in the center of the room. I suggested that some of Landseer's best known animals be represented as having come down out of their frames in the moonlight and grouped themselves about the bust in mourning attitudes.
He sailed January 13 (1874.), on the Paythia, and two weeks later was at home, where all was going well. The Gilded Age had been issued a day or two before Christmas, and was already in its third edition. By the end of January 26,000 copies had been sold, a sale that had increased to 40,000 a month later. The new house was progressing, though it was by no means finished. Mrs. Clemens was in good health. Little Susy was full of such American activities as to earn the name of “The Modoc.” The promise of the year was bright.
All books are sourced from Project Gutenberg