Mark Twain: A Biography. Complete






CXXIX. FURTHER AFFAIRS AT THE FARM

It was at Elmira, in July (1880), that the third little girl came—Jane Lampton, for her grandmother, but always called Jean. She was a large, lovely baby, robust and happy. When she had been with them a little more than a month Clemens, writing to Twichell, said:

    DEAR OLD JOE,—Concerning Jean Clemens, if anybody said he “didn't
    see no pints about that frog that's any better'n any other frog,” I
    should think he was convicting himself of being a pretty poor sort
    of observer. She is the comeliest and daintiest and perfectest
    little creature the continents and archipelagos have seen since the
    Bay and Susy were her size. I will not go into details; it is not
    necessary; you will soon be in Hartford, where I have already hired
    a hall; the admission fee will be but a trifle.

    It is curious to note the change in the stock-quotations of the
    Affection Board brought about by throwing this new security on the
    market. Four weeks ago the children still put Mama at the head of
    the list right along, where she had always been. But now:

              Jean
              Mama
              Motley  |cats
              Fraulein |
              Papa

    That is the way it stands now. Mama is become No. 2; I have dropped
    from No. 4, and am become No. 5. Some time ago it used to be nip
    and tuck between me and the cats, but after the cats “developed” I
    didn't stand any more show.

    Been reading Daniel Webster's Private Correspondence. Have read a
    hundred of his diffuse, conceited, “eloquent,” bathotic (or
    bathostic) letters, written in that dim (no, vanished) past, when he
    was a student. And Lord! to think that this boy, who is so real to
    me now, and so booming with fresh young blood and bountiful life,
    and sappy cynicisms about girls, has since climbed the Alps of fame
    and stood against the sun one brief, tremendous moment with the
    world's eyes on him, and then——fzt! where is he? Why, the only
    long thing, the only real thing about the whole shadowy business, is
    the sense of the lagging dull and hoary lapse of time that has
    drifted by since then; a vast, empty level, it seems, with a
    formless specter glimpsed fitfully through the smoke and mist that
    lie along its remote verge.

    Well, we are all getting along here first-rate. Livy gains strength
    daily and sits up a deal; the baby is five weeks old and——But no
    more of this. Somebody may be reading this letter eighty years
    hence. And so, my friend (you pitying snob, I mean, who are holding
    this yellow paper in your hand in 1960), save yourself the trouble
    of looking further. I know how pathetically trivial our small
    concerns would seem to you, and I will not let your eye profane
    them. No, I keep my news; you keep your compassion. Suffice it you
    to know, scoffer and ribald, that the little child is old and blind
    now, and once more tooth less; and the rest of us are shadows these
    many, many years. Yes, and your time cometh!
                                          MARK.

It is the ageless story. He too had written his youthful letters, and later had climbed the Alps of fame and was still outlined against the sun. Happily, the little child was to evade that harsher penalty—the unwarranted bitterness and affront of a lingering, palsied age.

Mrs. Clemens, in a letter somewhat later, set down a thought similar to his:

“We are all going so fast. Pretty soon we shall have been dead a hundred years.”

Clemens varied his work that summer, writing alternately on 'The Prince and the Pauper' and on the story about 'Huck Finn', which he had begun four years earlier.

He read the latter over and found in it a new interest. It did not fascinate him, as did the story of the wandering prince. He persevered only as the spirit moved him, piling up pages on both the tales.

He always took a boy's pride in the number of pages he could complete at a sitting, and if the day had gone well he would count them triumphantly, and, lighting a fresh cigar, would come tripping down the long stair that led to the level of the farm-house, and, gathering his audience, would read to them the result of his industry; that is to say, he proceeded with the story of the Prince. Apparently he had not yet acquired confidence or pride enough in poor Huck to exhibit him, even to friends.

The reference (in the letter to Twichell) to the cats at the farm introduces one of the most important features of that idyllic resort. There were always cats at the farm. Mark Twain himself dearly loved cats, and the children inherited this passion. Susy once said:

“The difference between papa and mama is, that mama loves morals and papa loves cats.”

The cats did not always remain the same, but some of the same ones remained a good while, and were there from season to season, always welcomed and adored. They were commendable cats, with such names as Fraulein, Blatherskite, Sour Mash, Stray Kit, Sin, and Satan, and when, as happened now and then, a vacancy occurred in the cat census there followed deep sorrow and elaborate ceremonies.

Naturally, there would be stories about cats: impromptu bedtime stories, which began anywhere and ended nowhere, and continued indefinitely through a land inhabited only by cats and dreams. One of these stories, as remembered and set down later, began:

    Once upon a time there was a noble, big cat whose christian name was
    Catasaqua, because she lived in that region; but she didn't have any
    surname, because she was a short-tailed cat, being a manx, and
    didn't need one. It is very just and becoming in a long-tailed cat
    to have a surname, but it would be very ostentatious, and even
    dishonorable, in a manx. Well, Catasaqua had a beautiful family of
    catlings; and they were of different colors, to harmonize with their
    characters. Cattaraugus, the eldest, was white, and he had high
    impulses and a pure heart; Catiline, the youngest, was black, and he
    had a self-seeking nature, his motives were nearly always base, he
    was truculent and insincere. He was vain and foolish, and often
    said that he would rather be what he was, and live like a bandit,
    yet have none above him, than be a cat-o'-nine-tails and eat with
    the king.

And so on without end, for the audience was asleep presently and the end could wait.

There was less enthusiasm over dogs at Quarry Farm.

Mark Twain himself had no great love for the canine breed. To a woman who wrote, asking for his opinion on dogs, he said, in part:

    By what right has the dog come to be regarded as a “noble” animal?
    The more brutal and cruel and unjust you are to him the more your
    fawning and adoring slave he becomes; whereas, if you shamefully
    misuse a cat once she will always maintain a dignified reserve
    toward you afterward—you can never get her full confidence again.

He was not harsh to dogs; occasionally he made friends with them. There was once at the farm a gentle hound, named Bones, that for some reason even won his way into his affections. Bones was always a welcome companion, and when the end of summer came, and Clemens, as was his habit, started down the drive ahead of the carriage, Bones, half-way to the entrance, was waiting for him. Clemens stooped down, put his arms around him, and bade him an affectionate good-by. He always recalled Bones tenderly, and mentioned him in letters to the farm.

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