The house of Captain Masterton Dows, at Pineville, Kentucky, was a fine specimen of Southern classical architecture, being an exact copy of Major Fauquier's house in Virginia, which was in turn only a slight variation from a well-known statesman's historical villa in Alabama, that everybody knew was designed from a famous Greek temple on the Piraeus. Not but that it shared this resemblance with the County Court House and the Odd Fellows' Hall, but the addition of training jessamine and Cherokee rose to the columns of the portico, and over the colonnade leading to its offices, showed a certain domestic distinction. And the sky line of its incongruously high roof was pleasantly broken against adjacent green pines, butternut, and darker cypress.
A nearer approach showed the stuccoed gateposts—whose red brick core was revealed through the dropping plaster—opening in a wall of half-rough stone, half-wooden palisade, equally covered with shining moss and parasitical vines, which hid a tangled garden left to its own unkempt luxuriance. Yet there was a reminiscence of past formality and even pretentiousness in a wide box-bordered terrace and one or two stuccoed vases prematurely worn and time-stained; while several rare exotics had, however, thriven so unwisely and well in that stimulating soil as to lose their exclusive refinement and acquire a certain temporary vulgarity. A few, with the not uncommon enthusiasm of aliens, had adopted certain native peculiarities with a zeal that far exceeded any indigenous performance. But dominant through all was the continual suggestion of precocious fruition and premature decay that lingered like a sad perfume in the garden, but made itself persistent if less poetical in the house.
Here the fluted wooden columns of the portico and colonnade seemed to have taken upon themselves a sodden and unwholesome age unknown to stone and mortar. Moss and creeper clung to paint that time had neither dried nor mellowed, but left still glairy in its white consistency. There were rusty red blotches around inflamed nail-holes in the swollen wood, as of punctures in living flesh; along the entablature and cornices and in the dank gutters decay had taken the form of a mild deliquescence; and the pillars were spotted as if Nature had dropped over the too early ruin a few unclean tears. The house itself was lifted upon a broad wooden foundation painted to imitate marble with such hopeless mendacity that the architect at the last moment had added a green border, and the owner permitted a fallen board to remain off so as to allow a few privileged fowls to openly explore the interior. When Miss Sally Dows played the piano in the drawing-room she was at times accompanied by the uplifted voice of the sympathetic hounds who sought its quiet retreat in ill-health or low spirits, and from whom she was separated only by an imperfectly carpeted floor of yawning seams. The infant progeny of “Mammy Judy,” an old nurse, made this a hiding-place from domestic justice, where they were eventually betrayed by subterranean giggling that had once or twice brought bashful confusion to the hearts of Miss Sally's admirers, and mischievous security to that finished coquette herself.
It was a pleasant September afternoon, on possibly one of these occasions, that Miss Sally, sitting before the piano, alternately striking a few notes with three pink fingers and glancing at her reflection in the polished rosewood surface of the lifted keyboard case, was heard to utter this languid protest:—
“Quit that kind of talk, Chet, unless you just admire to have every word of it repeated all over the county. Those little niggers of Mammy Judy's are lying round somewhere and are mighty 'cute, and sassy, I tell you. It's nothin' to ME, sure, but Miss Hilda mightn't like to hear of it. So soon after your particular attention to her at last night's pawty too.”
Here a fresh-looking young fellow of six-and-twenty, leaning uneasily over the piano from the opposite side, was heard to murmur that he didn't care what Miss Hilda heard, nor the whole world, for the matter of that. “But,” he added, with a faint smile, “folks allow that you know how to PLAY UP sometimes, and put on the loud pedal, when you don't want Mammy's niggers to hear.”
“Indeed,” said the young lady demurely. “Like this?”
She put out a distracting little foot, clothed in the white stocking and cool black prunella slipper then de rigueur in the State, and, pressing it on the pedal, began to drum vigorously on the keys. In vain the amorous Chet protested in a voice which the instrument drowned. Perceiving which the artful young lady opened her blue eyes mildly and said:—
“I reckon it IS so; it DOES kind of prevent you hearing what you don't want to hear.”
“You know well enough what I mean,” said the youth gloomily. “And that ain't all that folks say. They allow that you're doin' a heap too much correspondence with that Californian rough that killed Tom Jeffcourt over there.”
“Do they?” said the young lady, with a slight curl of her pretty lip. “Then perhaps they allow that if it wasn't for me he wouldn't be sending a hundred dollars a month to Aunt Martha?”
“Yes,” said the fatuous youth; “but they allow he killed Tom for his money. And they do say it's mighty queer doin's in yo' writin' religious letters to him, and Tom your own cousin.”
“Oh, they tell those lies HERE, do they? But do they say anything about how, when the same lies were told over in California, the lawyer they've got over there, called Colonel Starbottle,—a Southern man too,—got up and just wrote to Aunt Martha that she'd better quit that afore she got prosecuted? They didn't tell you that, did they, Mister Chester Brooks?”
But here the unfortunate Brooks, after the fashion of all jealous lovers, deserted his allies for his fair enemy. “I don't cotton to what THEY say, Sally, but you DO write to him, and I don't see what you've got to write about—you and him. Jule Jeffcourt says that when you got religion at Louisville during the revival, you felt you had a call to write and save sinners, and you did that as your trial and probation, but that since you backslided and are worldly again, and go to parties, you just keep it up for foolin' and flirtin'! SHE ain't goin' to weaken on the man that shot her brother, just because he's got a gold mine and—a mustache!”
“She takes his MONEY all the same,” said Miss Sally.
“SHE don't,—her mother does. SHE says if she was a man she'd have blood for blood!”
“My!” said Miss Sally, in affected consternation. “It's a wonder she don't apply to you to act for her.”
“If it was MY brother he killed, I'd challenge him quick enough,” said Chet, flushing through his thin pink skin and light hair.
“Marry her, then, and that'll make you one of the family. I reckon Miss Hilda can bear it,” rejoined the young lady pertly.
“Look here, Miss Sally,” said the young fellow with a boyish despair that was not without a certain pathos in its implied inferiority, “I ain't gifted like you—I ain't on yo' level no how; I can't pass yo' on the road, and so I reckon I must take yo' dust as yo' make it. But there is one thing, Miss Sally, I want to tell you. You know what's going on in this country, you've heard your father say what the opinion of the best men is, and what's likely to happen if the Yanks force that nigger worshiper, Lincoln, on the South. You know that we're drawing the line closer every day, and spottin' the men that ain't sound. Take care, Miss Sally, you ain't sellin' us cheap to some Northern Abolitionist who'd like to set Marm Judy's little niggers to something worse than eavesdropping down there, and mebbe teach 'em to kindle a fire underneath yo' own flo'.”
He had become quite dialectic in his appeal, as if youthfully reverting to some accent of the nursery, or as if he were exhorting her in some recognized shibboleth of a section. Miss Sally rose and shut down the piano. Then leaning over it on her elbows, her rounded little chin slightly elevated with languid impertinence, and one saucy foot kicked backwards beyond the hem of her white cotton frock, she said: “And let me tell you, Mister Chester Brooks, that it's just such God-forsaken, infant phenomenons as you who want to run the whole country that make all this fuss, when you ain't no more fit to be trusted with matches than Judy's children. What do YOU know of Mr. Jo Corbin, when you don't even know that he's from Shelbyville, and as good a Suth'ner as you, and if he hasn't got niggers it's because they don't use them in his parts? Yo'r for all the world like one o' Mrs. Johnson's fancy bantams that ain't quit of the shell afore they square off at their own mother. My goodness! Sho! Sho-o-o!” And suiting the action to the word the young lady, still indolently, even in her simulation, swirled around, caught her skirts at the side with each hand, and lazily shaking them before her in the accepted feminine method of frightening chickens as she retreated backwards, dropped them suddenly in a profound curtsey and swept out of the parlor.
Nevertheless, as she entered the sitting-room she paused to listen, then, going to the window, peeped through the slits of the Venetian blind and saw her youthful admirer, more dejected in the consciousness of his wasted efforts and useless attire, mount his showy young horse, as aimlessly spirited as himself, and ride away. Miss Sally did not regret this; neither had she been entirely sincere in her defense of her mysterious correspondent. But, like many of her sex, she was trying to keep up by the active stimulus of opposition an interest that she had begun to think if left to itself might wane. She was conscious that her cousin Julia, although impertinent and illogical, was right in considering her first epistolary advances to Corbin as a youthful convert's religious zeal. But now that her girlish enthusiasm was spent, and the revival itself had proved as fleeting an excitement as the old “Tournament of Love and Beauty,” which it had supplanted, she preferred to believe that she enjoyed the fascinating impropriety because it was the actual result of her religious freedom. Perhaps she had a vague idea that Corbin's conversion would expiate her present preference for dress and dancing. She had certainly never flirted with him; they had never exchanged photographs; there was not a passage in his letters that might not have been perused by her parents,—which, I fear, was probably one reason why she had never shown her correspondence; and beyond the fact that this letter-writing gave her a certain importance in her own eyes and those of her companions, it might really be stopped. She even thought of writing at once to him that her parents objected to its further continuance, but remembering that his usual monthly letter was now nearly due, she concluded to wait until it came.
It is to be feared that Miss Sally had little help in the way of family advice, and that the moral administration of the Dows household was as prematurely developed and as precociously exhausted as the estate and mansion themselves. Captain Dows' marriage with Josephine Jeffcourt, the daughter of a “poor white,” had been considered a mesalliance by his family, and his own sister, Miranda Dows, had abandoned her brother's roof and refused to associate with the Jeffcourts, only returning to the house and an armed neutrality at the death of Mrs. Dows a few years later. She had taken charge of Miss Sally, sending her to school at Nashville until she was recalled by her father two years ago. It may be imagined that Miss Sally's correspondence with Jeffcourt's murderer had afforded her a mixed satisfaction; it was at first asserted that Miss Sally's forgiveness was really prompted by “Miss Mirandy,” as a subtle sarcasm upon the family. When, however, that forgiveness seemed to become a source of revenue to the impoverished Jeffcourts, her Christian interference had declined.
For this reason, possibly, the young girl did not seek her aunt in the bedroom, the dining-room, or the business-room, where Miss Miranda frequently assisted Captain Dows in the fatuous and prejudiced mismanagement of the house and property, nor in any of the vacant guest-rooms, which, in their early wreck of latter-day mahogany and rosewood, seemed to have been unoccupied for ages, but went directly to her own room. This was in the “L,” a lately added wing that had escaped the gloomy architectural tyranny of the main building, and gave Miss Sally light, ventilation, the freshness and spice of new pine boards and clean paper, and a separate entrance and windows on a cool veranda all to herself. Intended as a concession to the young lady's traveled taste, it was really a reversion to the finer simplicity of the pioneer.
New as the apartment appeared to be, it was old enough to contain the brief little records of her maidenhood: the childish samplers and pictures; the sporting epoch with its fox-heads, opossum and wild-cat skins, riding-whip, and the goshawk in a cage, which Miss Sally believed could be trained as a falcon; the religious interval of illustrated texts, “Rock of Ages,” cardboard crosses, and the certificate of her membership with “The Daughters of Sion” at the head of her little bed, down to the last decadence of frivolity shown in the be-ribboned guitar in the corner, and the dance cards, favors, and rosettes, military buttons, dried bouquets, and other love gages on the mantelpiece.
The young girl opened a drawer of her table and took out a small packet of letters tied up with a green ribbon. As she did so she heard the sound of hoofs in the rear courtyard. This was presently followed by a step on the veranda, and she opened the door to her father with the letters still in her hand. There was neither the least embarrassment nor self-consciousness in her manner.
Captain Dows, superficially remarkable only for a certain odd combination of high military stock and turned-over planter's collar, was slightly exalted by a sympathetic mingling of politics and mint julep at Pineville Court House. “I was passing by the post-office at the Cross Roads last week, dear,” he began, cheerfully, “and I thought of you, and reckoned it was about time that my Pussy got one of her letters from her rich Californian friend—and sure enough there was one. I clean forgot to give it to you then, and only remembered it passing there to-day. I didn't get to see if there was any gold-dust in it,” he continued, with great archness, and a fatherly pinch of her cheek; “though I suspect that isn't the kind of currency he sends to you.”
“It IS from Mr. Corbin,” said Miss Sally, taking it with a languid kind of doubt; “and only now, paw, I was just thinking that I'd sort of drop writing any more; it makes a good deal of buzzing amongst the neighbors, and I don't see much honey nor comb in it.”
“Eh,” said the Captain, apparently more astonished than delighted at his daughter's prudence. “Well, child, suit yourself! It's mighty mean, though, for I was just thinking of telling you that Judge Read is an old friend of this Colonel Starbottle, who is your friend's friend and lawyer, and he says that Colonel Starbottle is WITH US, and working for the cause out there, and has got a list of all the So'thern men in California that are sound and solid for the South. Read says he shouldn't wonder if he'd make California wheel into line too.”
“I don't see what that's got to do with Mr. Corbin,” said the young girl, impatiently, flicking the still unopened letter against the packet in her hand.
“Well,” said the Captain, with cheerful vagueness, “I thought it might interest you,—that's all,” and lounged judicially away.
“Paw thinks,” said Miss Sally, still standing in the doorway, ostentatiously addressing her pet goshawk, but with one eye following her retreating parent, “Paw thinks that everybody is as keen bent on politics as he is. There's where paw slips up, Jim.”
Re-entering the room, scratching her little nose thoughtfully with the edge of Mr. Corbin's letter, she went to the mantelpiece and picked up a small ivory-handled dagger, the gift of Joyce Masterton, aged eighteen, presented with certain verses addressed to a “Daughter of the South,” and cut open the envelope. The first glance was at her own name, and then at the signature. There was no change in the formality; it was “Dear Miss Sarah,” and “Yours respectfully, Jo Corbin,” as usual. She was still secure. But her pretty brows contracted slightly as she read as follows:—
“I've always allowed I should feel easier in my mind if I could ever get to see Mrs. Jeffcourt, and that may be she might feel easier in hers if I stood before her, face to face. Even if she didn't forgive me at once, it might do her good to get off what she had on her mind against me. But as there wasn't any chance of her coming to me, and it was out of the question my coming to her and still keeping up enough work in the mines to send her the regular money, it couldn't be done. But at last I've got a partner to run the machine when I'm away. I shall be at Shelbyville by the time this reaches you, where I shall stay a day or two to give you time to break the news to Mrs. Jeffcourt, and then come on. You will do this for me in your Christian kindness, Miss Dows—won't you? and if you could soften her mind so as to make it less hard for me I shall be grateful.
“P. S.—I forgot to say I have had HIM exhumed—you know who I mean—and am bringing him with me in a patent metallic burial casket,—the best that could be got in 'Frisco, and will see that he is properly buried in your own graveyard. It seemed to me that it would be the best thing I could do, and might work upon her feelings—as it has on mine. Don't you?
“J. C.”
Miss Sally felt the tendrils of her fair hair stir with consternation. The letter had arrived a week ago; perhaps he was in Pineville at that very moment! She must go at once to the Jeffcourts,—it was only a mile distant. Perhaps she might be still in time; but even then it was a terribly short notice for such a meeting. Yet she stopped to select her newest hat from the closet, and to tie it with the largest of bows under her pretty chin; and then skipped from the veranda into a green lane that ran beside the garden boundary. There, hidden by a hedge, she dropped into a long, swinging trot, that even in her haste still kept the languid deliberation characteristic of her people, until she had reached the road. Two or three hounds in the garden started joyously to follow her, but she drove them back with a portentous frown, and an ill-aimed stone, and a suppressed voice. Yet in that backward glance she could see that her little Eumenides—Mammy Judy's children—were peering at her from below the wooden floor of the portico, which they were grasping with outstretched arms and bowed shoulders, as if they were black caryatides supporting—as indeed their race had done for many a year—the pre-doomed and decaying mansion of their master.
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