London “Punch” persistently maintained throughout the War for the Union that the question of what to do with the blacks was the most bothersome of all the problems President Lincoln had to solve. “Punch” thought the Rebellion had its origin in an effort to determine whether there should or should not be slavery in the United States, and was fought with this as the main end in view. “Punch” of August 15th, 1863, contained the cartoon reproduced on this page, the title being “Brutus and Caesar.”
President Lincoln was pictured as Brutus, while the ghost of Caesar, which appeared in the tent of the American Brutus during the dark hours of the night, was represented in the shape of a husky and anything but ghost-like African, whose complexion would tend to make the blackest tar look like skimmed milk in comparison. This was the text below the cartoon: (From the American Edition of Shakespeare.) The Tent of Brutus (Lincoln). Night. Enter the Ghost of Caesar.
BRUTUS: “Wall, now! Do tell! Who’s you?”
CAESAR: “I am dy ebil genus, Massa Linking. Dis child am awful impressional!”
“Punch’s” cartoons were decidedly unfriendly in tone toward President Lincoln, some of them being not only objectionable in the display of bad taste, but offensive and vulgar. It is true that after the assassination of the President, “Punch,” in illustrations, paid marked and deserved tribute to the memory of the Great Emancipator, but it had little that was good to say of him while he was among the living and engaged in carrying out the great work for which he was destined to win eternal fame.
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