The Lady of Lyons; Or, Love and Pride






ACT III.—SCENE I.

The exterior of the Golden Leon—time, twilight. The moon rises during the scene.

Enter Landlord and his Daughter from the Inn.

Land. Ha—ha—ha! Well, I never shall get over it. Our Claude is a prince with a vengeance now. His carriage breaks down at my inn—ha—ha!

Janet. And what airs the young lady gives herself! “Is this the best room you have, young woman?” with such a toss of the head.

Land. Well, get in, Janet: get in and see to the supper: the servants must sup before they go back. [Exeunt.

Enter BEAUSEANT and GLAVIS.

Beau. You see our princess is lodged at last—one stage more, and she’ll be at her journey’s end—the beautiful palace at the foot of the Alps!—ha—ha!

Gla. Faith, I pity the poor Pauline—especially if she’s going to sup at the Golden Lion [makes a wry face]. I shall never forget that cursed ragout.

Enter MELNOTTE from the Inn.

Beau. Your servant, my prince; you reigned most worthily, I condole with you on your abdication. I am afraid that your highness’s retinue are not very faithful servants. I think they will quit you in the moment of your fall ‘tis the fate of greatness. But you are welcome to your fine clothes—also the diamond snuff-box, which Louis XIV. gave to your great-great-grandmother.

Gla. And the ring, with which your grandfather the Dodge of Venice married the Adriatic.

Mel. I have kept my oath, gentlemen—say, have I kept my oath?

Beau. Most religiously.

Mel. Then you have done with me and mine—away with you!

Beau. How, knave?

Mel. Look you, our bond is over. Proud conquerors that we are, we have won the victory over a simple girl compromised her honor—embittered her life—blasted, in their very blossoms, all the flowers of her youth. This is your triumph,—it is my shame! [Turns to BEAUSEANT.] Enjoy thy triumph, but not in my sight. I was her betrayer—I am her protector! Cross but her path—one word of scorn, one look of insult—nay, but one quiver of that mocking lip, and I will teach thee that bitter word thou hast graven eternally in this heart—Repentance.

Beau. His highness is most grandiloquent.

Mel. Highness me no more! Beware! Remorse has made me a new being. Away with you! There is danger in me. Away!

Gla. [aside]. He’s an awkward fellow to deal with: come away, Beauseant.

Beau. I know the respect clue to rank. Adieu, my prince. Any commands at Lyons? Yet hold—I promised you 200 Louis on your wedding-day; here they are.

Mel. [dashing the purse to the ground]. I gave you revenge, I did not sell it. Take up your silver, Judas; take it. Ay, it is fit you should learn to stoop.

Beau. You will beg my pardon for this some clay. [Aside to GLAVIS.] Come to my chateau—I shall return hither to morrow, to learn how Pauline likes her new dignity.

Mel. Are you not gone yet?

Beau. Your highness’s most obedient, most faithful

Gla. And most humble servants. Ha! ha! [Exeunt BEAUSEANT and GLAVIS.

Mel. Thank heaven I had no weapon, or I should have slain them. Wretch! what can I say? Where turn? On all sides mockery—the very boors within—[Laughter from the Inn].—‘Sdeath, if even in this short absence the exposure should have chanced. I will call her. We will go hence. I have already sent one I can trust to my mother’s house. There, at least, none can insult her agony—gloat upon her shame! There alone must she learn what a villain she has sworn to love. [As he turns to the door enter PAULINE from the Inn.

Pauline. Ah! my lord, what a place! I never saw such rude people. They stare and wink so. I think the very sight of a prince, though he travels incognito, turns their honest heads. What a pity the carriage should break down in such a spot! You are not well—the drops stand on your brow—your hand is feverish.

Mel. Nay, it is but a passing spasm;—the air

Pauline. Is not the soft air of your native south—How pale he is!—indeed thou art not well. Where are our people? I will call them.

Mel. Hold! I—I am well.

     Pauline. Thou art!—Ah! now I know it.
     Thou fanciest, my kind lord—I know thou dost—
     Thou fanciest these rude walls, these rustic gossips,
     Brick’d floors, sour wine, coarse viands, vex Pauline;
     And so they might, but thou art by my side,
     And I forget all else.

Enter Landlord, the Servants peeping and laughing over his shoulder.

Land. My lord—your highness—Will your most noble excellency choose—

     Mel. Begone, sir! [Exit Landlord laughing.

     Pauline. How could they have learn’d thy rank?
     One’s servants are so vain!—nay, let it not
     Chafe thee, sweet prince!—a few short days and we
     Shall see thy palace by its lake of silver,
     And—nay, nay, spendthrift, is thy wealth of smiles,
     Already drain’d, or dost thou play the miser?

     Mel. Thine eyes would call up smiles in deserts, fair one.
     Let us escape these rustics: close at hand
     There is a cot, where I have bid prepare
     Our evening lodgment—a rude, homely roof,
     But honest, where our welcome will not be
     Made torture by the vulgar eyes and tongues
     That are as death to Love! A heavenly night!
     The wooing air and the soft moon invite us.
     Wilt walk? I pray thee, now,—I know the path,
     Ay, every inch of it!

     Pauline. What, thou! Methought
     Thou wert a stranger in these parts? Ah, truant,
     Some village beauty lured thee;—thou art now
     Grown constant?

Mel. Trust me.

Pauline. Princes are so changeful!

Mel. Come, dearest, come.

Pauline. Shall I not call our people To light us?

Mel. Heaven will lend its stars for torches! It is not far.

Pauline. The night breeze chills me.

Mel. Nay, Let me thus mantle thee;—it is not cold.

Pauline. Never beneath thy smile!

Mel. [aside.] O Heaven! forgive me! [Exeunt

SCENE II.

MELNOTTE’S cottage—Widow bustling about—a table spread for supper.

Widow. So, I think that looks very neat. He sent me a line, so blotted that I can scarcely read it, to say he would be here almost immediately. She must have loved him well indeed to have forgotten his birth; for though he was introduced to her in disguise, he is too honorable not to have revealed to her the artifice, which her love only could forgive. Well, I do not wonder at it; for though my son is not a prince, he ought to be one, and that’s almost as good, [Knock at the door.] Ah! here they are.

Enter MELNOTTE and PAULINE.

Widow. Oh, my boy—the pride of my heart!—welcome, welcome! I beg pardon, ma’am, but I do love him so!

Pauline. Good woman, I really—why prince, what is this?—does the old lady know you? Oh, I guess, you have done her some service. Another proof of your kind heart? is it not?

Mel. Of my kind heart, ay!

Pauline. So you know the prince?

Widow. Know him, madam?—Ah, I begin to fear it is you who know him not!

Pauline. Do you think she is mad? Can we stay here, my lord? I think there’s something very wild about her.

Mel. Madam, I—no, I cannot tell her; my knees knock together: what a coward is a man who has lost his honor! Speak to her—speak to her [to his mother]—tell her that—O Heaven, that I were dead!

Pauline. How confused he looks!—this strange place?—this woman—what can it mean?—I half suspect—Who are you, madam!—who are you! can’t you speak? are you struck dumb?

Widow. Claude, you have not deceived her?—Ah, shame upon you! I thought that, before you went to the altar, she was to have known all.

Pauline. All! what!—My blood freezes in my veins!

Widow. Poor lady!—dare I tell her, Claude? [MELNOTTE makes a sign of assent.] Know you not then, madam, that this young man is of poor though honest parents? Know you not that you are wedded to my son, Claude Melnotte?

Pauline. Your son! hold—hold! do not speak to me.—[Approaches MELNOTTE, and lays her hand on his arm.]—Is this a jest? is it? I know it is, only speak—one word—one look one smile. I cannot believe—I who loved thee so—I cannot believe that thou art such a—No, I will not wrong thee by a harsh word—Speak!

Mel. Leave us—have pity on her, on me: leave us.

Widow. Oh, Claude, that I should live to see thee bowed by shame! thee of whom I was so proud! [Exit by the staircase.

Pauline. Her son—her son!

Mel. Now, lady, hear me.

Pauline. Hear thee! Ay, speak—her son! have fiends a parent? speak, That thou mayst silence curses—speak!

Mel. No, curse me: Thy curse would blast me less than thy forgiveness.

     Pauline [laughing wildly].
     “This is thy palace, where the perfumed light
     Steals through the mist of alabaster lamps,
     And every air is heavy with the sighs
     Of orange-groves, and music from the sweet lutes,
     And murmurs of low fountains, that gush forth
     I’ the midst of roses!” Dost thou like the picture?
     This is my bridal home, and thou my bridegroom.
     O fool—O dupe—O wretch!—I see it all
     Thy by-word and the jeer of every tongue
     In Lyons. Hast thou in thy heart one touch
     Of human kindness? if thou hast, why, kill me,
     And save thy wife from madness. No, it cannot
     It cannot be: this is some horrid dream:
     I shall wake soon.—[Touching him.] Art flesh art man? or but
     The shadows seen in sleep? It is too real.
     What have I done to thee? how sinn’d against thee,
     That thou shouldst crush me thus?

     Mel. Pauline, by pride
     Angels have fallen ere thy time: by pride
     That sole alloy of thy most lovely mould
     The evil spirit of a bitter love,
     And a revengeful heart, had power upon thee.
     From my first years my soul was fill’d with thee:
     I saw thee midst the flow’rs the lowly boy
     Tended, unmark’d by thee—a spirit of bloom,
     And joy, and freshness, as if Spring itself
     Were made a living thing, and wore thy shape!
     I saw thee, and the passionate heart of man
     Enter’d the breast of the wild-dreaming boy.
     And from that hour I grew—what to the last
     I shall be—thine adorer! Well, this love
     Vain, frantic, guilty, if thou wilt, became
     A fountain of ambition and bright hope;
     I thought of tales that by the winter hearth
     Old gossips tell—how maidens sprung from kings
     Have stoop’d from their high sphere; how love, like death
     Levels all ranks, and lays the shepherd’s crook
     Beside the sceptre. Thus I made my home
     In the soft palace of a fairy Future!
     My father died; and I, the peasant-born,
     Was my own lord. Then did I seek to rise
     Out of the prison of my mean estate;
     And, with such jewels as the exploring mind
     Brings from the caves of knowledge, buy my ransom
     From those twin gaolers of the daring heart
     Low birth and iron fortune. Thy bright image
     Glass’d in my soul, took all the hues of glory,
     And lured me on to those inspiring toils
     By which man masters men! For thee I grew
     A midnight student o’er the dreams of sages.
     For thee I sought to borrow from each grace,
     And every muse, such attributes as lend
     Ideal charms to love. I thought of thee,
     And passion taught me poesy—of thee,
     And on the painter’s canvas grew the life
     Of beauty! Art became the shadow
     Of the dear starlight of thy haunting eyes
     Men call’d me vain—some mad—I heeded not;
     But still toil’d on—hoped on—for it was sweet,
     If not to win, to feel more worthy thee?

     Pauline. Has he a magic to exorcise hate!

     Mel. At last, in one mad hour, I dared to pour
     The thoughts that burst their channels into song,
     And sent them to thee—such a tribute, lady,
     As beauty rarely scorns, even from the meanest.
     The name—appended by the burning heart
     That long’d to show its idol what bright things
     It had created—yea, the enthusiast’s name,
     That should have been thy triumph, was thy scorn!
     That very hour—when passion, turn’d to wrath,
     Resembled hatred most—when thy disdain
     Made my whole soul a chaos—in that hour
     The tempters found me a revengeful tool
     For their revenge! Thou hadst trampled on the worm
     It turn’d and stung thee!

     Pauline. Love, sir, hath no sting.
     What was the slight of a poor powerless girl
     To the deep wrong of this most vile revenge?
     Oh, how I loved this man!—a serf!—a slave!

     Mel. Hold, lady! No, not slave! Despair is free!
     I will not tell thee of the throes—the struggles
     The anguish—the remorse: No, let it pass!
     And let me come to such most poor atonement
     Yet in my power. Pauline!

     [Approaching her with great emotion, and about to take her hand.

     Pauline. No, touch me not!
     I know my fate. You are, by law, my tyrant;
     And I—O Heaven!—a peasant’s wife! I’ll work
     Toil—drudge—do what thou wilt—but touch me not;
     Let my wrongs make me sacred!

     Mel. Do not fear me.
     Thou dost not know me, madam: at the altar
     My vengeance ceased—my guilty oath expired!
     Henceforth, no image of some marble saint,
     Niched in cathedral aisles, is hallow’d more
     From the rude hand of sacrilegious wrong.
     I am thy husband—nay, thou need’st not shudder;
     Here, at thy feet, I lay a husband’s rights.
     A marriage thus unholy—unfulfill’d—
     A bond of fraud—is, by the laws of France,
     Made void and null. To-night sleep—sleep in peace.
     To-morrow, pure and virgin as this morn
     I bore thee, bathed in blushes, from the shrine,
     Thy father’s arms shall take thee to thy home.
     The law shall do thee justice, and restore
     Thy right to bless another with thy love.
     And when thou art happy, and hast half forgot
     Him who so loved—so wrong’d thee, think at least
     Heaven left some remnant of the angel still
     In that poor peasant’s nature!

     Ho! my mother! [Enter Widow.

     Conduct this lady—(she is not my wife;
     She is our guest,—our honor’d guest, my mother)—
     To the poor chamber, where the sleep of virtue,
     Never, beneath my father’s honest roof,
     Ev’n villains dared to mar! Now, lady, now,
     I think thou wilt believe me. Go, my mother!

Widow. She is not thy wife!

Mel. Hush, hush! for mercy’s sake! Speak not, but go.

[Widow ascends the stairs; PAULINE follows weeping—turns to look back.

Mel. [sinking down]. All angels bless and guard her!

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