Perhaps in no other of Mr. Browning’s poems are the spiritual uses of “the love of wedded souls” more fully set forth than in the poem, ‘By the Fireside’.
The Monologue is addressed by a happy husband to his “perfect wife, my Leonor”. He looks forward to what he will do when the long, dark autumn evenings come—the evenings of declining age, when the pleasant hue of his soul shall have dimmed, and the music of all its spring and summer voices shall be dumb in life’s November. In his “waking dreams” he will “live o’er again” the happy life he has spent with his loved and loving companion. Passing out where the backward vista ends, he will survey, with her, the pleasant wood through which they have journeyed together. To the hazel-trees of England, where their childhood passed, succeeds a rarer sort, till, by green degrees, they at last slope to Italy, and youth,—Italy, the woman-country, loved by earth’s male-lands. She being the trusted guide, they stand at last in the heart of things, the heaped and dim woods all around them, the single and slim thread of water slipping from slab to slab, the ruined chapel perched half-way up in the Alpine gorge, reached by the one-arched bridge where the water is stopped in a stagnant pond, where all day long a bird sings, and a stray sheep drinks at times. Here, where at afternoon, or almost eve, the silence grows conscious to that degree, one half feels it must get rid of what it knows, they walked side by side, arm in arm, and cheek to cheek; cross silent the crumbling bridge, pity and praise the sweet chapel, read the dead builder’s date, ‘five, six, nine, recross the bridge, take the path again—but wait! Oh moment one and infinite! the west is tender, with its one star, the chrysolite! the sights and sounds, the lights and shades, make up a spell; a moment after, and unseen hands are hanging the night around them fast, but they know that a bar has been broken between life and life, that they are mixed at last in spite of the mortal screen.
“The forests had done it; there they stood;
We caught for a moment the powers at play:
They had mingled us so, for once and for good,
Their work was done—we might go or stay,
They relapsed to their ancient mood.”
Browning everywhere lays great stress on those moments of exalted feeling, when the soul has an unchecked play and is revealed to itself. See in the section of the Introduction on Personality and Art, the passage quoted from the Canon’s Monologue in ‘The Ring and the Book’, and the remarks on conversion.
Mr. Nettleship, in his ‘Essays on Browning’s Poetry’, has traced somewhat minutely the symbolical meaning which he sees in the scenery and circumstances of ‘By the Fireside’. Readers are referred to these Essays.
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