London Life—Love of Music—Miss Egerton-Smith—Periodical Nervous Exhaustion—Mers; 'Aristophanes' Apology'—'Agamemnon'—'The Inn Album'—'Pacchiarotto and other Poems'—Visits to Oxford and Cambridge—Letters to Mrs. Fitz-Gerald—St. Andrews; Letter from Professor Knight—In the Savoyard Mountains—Death of Miss Egerton-Smith—'La Saisiaz'; 'The Two Poets of Croisic'—Selections from his Works.
The period on which we have now entered, covering roughly the ten or twelve years which followed the publication of 'The Ring and the Book', was the fullest in Mr. Browning's life; it was that in which the varied claims made by it on his moral, and above all his physical energies, found in him the fullest power of response. He could rise early and go to bed late—this, however, never from choice; and occupy every hour of the day with work or pleasure, in a manner which his friends recalled regretfully in later years, when of two or three engagements which ought to have divided his afternoon, a single one—perhaps only the most formally pressing—could be fulfilled. Soon after his final return to England, while he still lived in comparative seclusion, certain habits of friendly intercourse, often superficial, but always binding, had rooted themselves in his life. London society, as I have also implied, opened itself to him in ever-widening circles, or, as it would be truer to say, drew him more and more deeply into its whirl; and even before the mellowing kindness of his nature had infused warmth into the least substantial of his social relations, the imaginative curiosity of the poet—for a while the natural ambition of the man—found satisfaction in it. For a short time, indeed, he entered into the fashionable routine of country-house visiting. Besides the instances I have already given, and many others which I may have forgotten, he was heard of, during the earlier part of this decade, as the guest of Lord Carnarvon at Highclere Castle, of Lord Shrewsbury at Alton Towers, of Lord Brownlow and his mother, Lady Marian Alford, at Belton and Ashridge. Somewhat later, he stayed with Mr. and Lady Alice Gaisford at a house they temporarily occupied on the Sussex downs; with Mr. Cholmondeley at Condover, and, much more recently, at Aynhoe Park with Mr. and Mrs. Cartwright. Kind and pressing, and in themselves very tempting invitations of this nature came to him until the end of his life; but he very soon made a practice of declining them, because their acceptance could only renew for him the fatigues of the London season, while the tantalizing beauty and repose of the country lay before his eyes; but such visits, while they continued, were one of the necessary social experiences which brought their grist to his mill.
And now, in addition to the large social tribute which he received, and had to pay, he was drinking in all the enjoyment, and incurring all the fatigue which the London musical world could create for him. In Italy he had found the natural home of the other arts. The one poem, 'Old Pictures in Florence', is sufficiently eloquent of long communion with the old masters and their works; and if his history in Florence and Rome had been written in his own letters instead of those of his wife, they must have held many reminiscences of galleries and studios, and of the places in which pictures are bought and sold. But his love for music was as certainly starved as the delight in painting and sculpture was nourished; and it had now grown into a passion, from the indulgence of which he derived, as he always declared, some of the most beneficent influences of his life. It would be scarcely an exaggeration to say that he attended every important concert of the season, whether isolated or given in a course. There was no engagement possible or actual, which did not yield to the discovery of its clashing with the day and hour fixed for one of these. His frequent companion on such occasions was Miss Egerton-Smith.
Miss Smith became only known to Mr. Browning's general acquaintance through the dedicatory 'A. E. S.' of 'La Saisiaz'; but she was, at the time of her death, one of his oldest women friends. He first met her as a young woman in Florence when she was visiting there; and the love for and proficiency in music soon asserted itself as a bond of sympathy between them. They did not, however, see much of each other till he had finally left Italy, and she also had made her home in London. She there led a secluded life, although free from family ties, and enjoying a large income derived from the ownership of an important provincial paper. Mr. Browning was one of the very few persons whose society she cared to cultivate; and for many years the common musical interest took the practical, and for both of them convenient form, of their going to concerts together. After her death, in the autumn of 1877, he almost mechanically renounced all the musical entertainments to which she had so regularly accompanied him. The special motive and special facility were gone—she had been wont to call for him in her carriage; the habit was broken; there would have been first pain, and afterwards an unwelcome exertion in renewing it. Time was also beginning to sap his strength, while society, and perhaps friendship, were making increasing claims upon it. It may have been for this same reason that music after a time seemed to pass out of his life altogether. Yet its almost sudden eclipse was striking in the case of one who not only had been so deeply susceptible to its emotional influences, so conversant with its scientific construction and its multitudinous forms, but who was acknowledged as 'musical' by those who best knew the subtle and complex meaning of that often misused term.
Mr. Browning could do all that I have said during the period through which we are now following him; but he could not quite do it with impunity. Each winter brought its searching attack of cold and cough; each summer reduced him to the state of nervous prostration or physical apathy of which I have already spoken, and which at once rendered change imperative, and the exertion of seeking it almost intolerable. His health and spirits rebounded at the first draught of foreign air; the first breath from an English cliff or moor might have had the same result. But the remembrance of this fact never nerved him to the preliminary effort. The conviction renewed itself with the close of every season, that the best thing which could happen to him would be to be left quiet at home; and his disinclination to face even the idea of moving equally hampered his sister in her endeavour to make timely arrangements for their change of abode.
This special craving for rest helped to limit the area from which their summer resort could be chosen. It precluded all idea of 'pension'-life, hence of any much-frequented spot in Switzerland or Germany. It was tacitly understood that the shortening days were not to be passed in England. Italy did not yet associate itself with the possibilities of a moderately short absence; the resources of the northern French coast were becoming exhausted; and as the August of 1874 approached, the question of how and where this and the following months were to be spent was, perhaps, more than ever a perplexing one. It was now Miss Smith who became the means of its solution. She had more than once joined Mr. and Miss Browning at the seaside. She was anxious this year to do so again, and she suggested for their meeting a quiet spot called Mers, almost adjoining the fashionable Treport, but distinct from it. It was agreed that they should try it; and the experiment, which they had no reason to regret, opened also in some degree a way out of future difficulties. Mers was young, and had the defect of its quality. Only one desirable house was to be found there; and the plan of joint residence became converted into one of joint housekeeping, in which Mr. and Miss Browning at first refused to concur, but which worked so well that it was renewed in the three ensuing summers: Miss Smith retaining the initiative in the choice of place, her friends the right of veto upon it. They stayed again together in 1875 at Villers, on the coast of Normandy; in 1876 at the Isle of Arran; in 1877 at a house called La Saisiaz—Savoyard for the sun—in the Saleve district near Geneva.
The autumn months of 1874 were marked for Mr. Browning by an important piece of work: the production of 'Aristophanes' Apology'. It was far advanced when he returned to London in November, after a visit to Antwerp, where his son was studying art under M. Heyermans; and its much later appearance must have been intended to give breathing time to the readers of 'Red Cotton Nightcap Country'. Mr. Browning subsequently admitted that he sometimes, during these years, allowed active literary occupation to interfere too much with the good which his holiday might have done him; but the temptations to literary activity were this time too great to be withstood. The house occupied by him at Mers (Maison Robert) was the last of the straggling village, and stood on a rising cliff. In front was the open sea; beyond it a long stretch of down; everywhere comparative solitude. Here, in uninterrupted quiet, and in a room devoted to his use, Mr. Browning would work till the afternoon was advanced, and then set forth on a long walk over the cliffs, often in the face of a wind which, as he wrote of it at the time, he could lean against as if it were a wall. And during this time he was living, not only in his work, but with the man who had inspired it. The image of Aristophanes, in the half-shamed insolence, the disordered majesty, in which he is placed before the reader's mind, was present to him from the first moment in which the Defence was conceived. What was still more interesting, he could see him, hear him, think with him, speak for him, and still inevitably condemn him. No such instance of always ingenious, and sometimes earnest pleading foredoomed to complete discomfiture, occurs in Mr. Browning's works.
To Aristophanes he gave the dramatic sympathy which one lover of life can extend to another, though that other unduly extol its lower forms. To Euripides he brought the palm of the higher truth, to his work the tribute of the more pathetic human emotion. Even these for a moment ministered to the greatness of Aristophanes, in the tear shed by him to the memory of his rival, in the hour of his own triumph; and we may be quite sure that when Mr. Browning depicted that scene, and again when he translated the great tragedian's words, his own eyes were dimmed. Large tears fell from them, and emotion choked his voice, when he first read aloud the transcript of the 'Herakles' to a friend, who was often privileged to hear him.
Mr. Browning's deep feeling for the humanities of Greek literature, and his almost passionate love for the language, contrasted strongly with his refusal to regard even the first of Greek writers as models of literary style. The pretensions raised for them on this ground were inconceivable to him; and his translation of the 'Agamemnon', published 1877, was partly made, I am convinced, for the pleasure of exposing these claims, and of rebuking them. His preface to the transcript gives evidence of this. The glee with which he pointed to it when it first appeared was no less significant.
At Villers, in 1875, he only corrected the proofs of 'The Inn Album' for publication in November. When the party started for the Isle of Arran, in the autumn of 1876, the 'Pacchiarotto' volume had already appeared.
When Mr. Browning discontinued his short-lived habit of visiting away from home, he made an exception in favour of the Universities. His occasional visits to Oxford and Cambridge were maintained till the very end of his life, with increasing frequency in the former case; and the days spent at Balliol and Trinity afforded him as unmixed a pleasure as was compatible with the interruption of his daily habits, and with a system of hospitality which would detain him for many hours at table. A vivid picture of them is given in two letters, dated January 20 and March 10, 1877, and addressed to one of his constant correspondents, Mrs. Fitz-Gerald, of Shalstone Manor, Buckingham.
Dear Friend, I have your letter of yesterday, and thank you all I can for its goodness and graciousness to me unworthy . . . I returned on Thursday—the hospitality of our Master being not easy to set aside. But to begin with the beginning: the passage from London to Oxford was exceptionally prosperous—the train was full of men my friends. I was welcomed on arriving by a Fellow who installed me in my rooms,—then came the pleasant meeting with Jowett who at once took me to tea with his other guests, the Archbishop of Canterbury, Bishop of London, Dean of Westminster, the Airlies, Cardwells, male and female. Then came the banquet—(I enclose you the plan having no doubt that you will recognise the name of many an acquaintance: please return it)—and, the dinner done, speechifying set in vigorously. The Archbishop proposed the standing 'Floreat domus de Balliolo'—to which the Master made due and amusing answer, himself giving the health of the Primate. Lord Coleridge, in a silvery speech, drank to the University, responded to by the Vice-Chancellor. I forget who proposed the visitors—the Bishop of London, perhaps Lord Cardwell. Professor Smith gave the two Houses of Parliament,—Jowett, the Clergy, coupling with it the name of your friend Mr. Rogers—on whom he showered every kind of praise, and Mr. Rogers returned thanks very characteristically and pleasantly. Lord Lansdowne drank to the Bar (Mr. Bowen), Lord Camperdown to—I really forget what: Mr. Green to Literature and Science delivering a most undeserved eulogium on myself, with a more rightly directed one on Arnold, Swinburne, and the old pride of Balliol, Clough: this was cleverly and almost touchingly answered by dear Mat Arnold. Then the Dean of Westminster gave the Fellows and Scholars—and then—twelve o'clock struck. We were, counting from the time of preliminary assemblage, six hours and a half engaged: fully five and a half nailed to our chairs at the table: but the whole thing was brilliant, genial, and suggestive of many and various thoughts to me—and there was a warmth, earnestness, and yet refinement about it which I never experienced in any previous public dinner. Next morning I breakfasted with Jowett and his guests, found that return would be difficult: while as the young men were to return on Friday there would be no opposition to my departure on Thursday. The morning was dismal with rain, but after luncheon there was a chance of getting a little air, and I walked for more than two hours, then heard service in New Coll.—then dinner again: my room had been prepared in the Master's house. So, on Thursday, after yet another breakfast, I left by the noon-day train, after all sorts of kindly offices from the Master. . . . No reporters were suffered to be present—the account in yesterday's Times was furnished by one or more of the guests; it is quite correct as far as it goes. There were, I find, certain little paragraphs which must have been furnished by 'guessers': Swinburne, set down as present—was absent through his Father's illness: the Cardinal also excused himself as did the Bishop of Salisbury and others. . . . Ever yours R. Browning.
The second letter, from Cambridge, was short and written in haste, at the moment of Mr. Browning's departure; but it tells the same tale of general kindness and attention. Engagements for no less than six meals had absorbed the first day of the visit. The occasion was that of Professor Joachim's investiture with his Doctor's degree; and Mr. Browning declares that this ceremony, the concert given by the great violinist, and his society, were 'each and all' worth the trouble of the journey. He himself was to receive the Cambridge degree of LL.D. in 1879, the Oxford D.C.L. in 1882. A passage in another letter addressed to the same friend, refers probably to a practical reminiscence of 'Red Cotton Nightcap Country', which enlivened the latter experience, and which Mrs. Fitz-Gerald had witnessed with disapprobation.*
* An actual red cotton nightcap had been made to flutter
down on to the Poet's head.
. . . You are far too hard on the very harmless drolleries of the young men, licensed as they are moreover by immemorial usage. Indeed there used to be a regularly appointed jester, 'Filius Terrae' he was called, whose business it was to jibe and jeer at the honoured ones, by way of reminder that all human glories are merely gilded bubbles and must not be fancied metal. You saw that the Reverend Dons escaped no more than the poor Poet—or rather I should say than myself the poor Poet—for I was pleased to observe with what attention they listened to the Newdigate. . . . Ever affectionately yours, R. Browning.
In 1875 he was unanimously nominated by its Independent Club, to the office of Lord Rector of the University of Glasgow; and in 1877 he again received the offer of the Rectorship of St. Andrews, couched in very urgent and flattering terms. A letter addressed to him from this University by Dr. William Knight, Professor of Moral Philosophy there, which I have his permission to publish, bears witness to what had long been and was always to remain a prominent fact of Mr. Browning's literary career: his great influence on the minds of the rising generation of his countrymen.
The University, St. Andrews N.B.: Nov. 17, 1877.
My dear Sir,—. . . The students of this University, in which I have the honour to hold office, have nominated you as their Lord Rector; and intend unanimously, I am told, to elect you to that office on Thursday.
I believe that hitherto no Rector has been chosen by the undivided suffrage of any Scottish University. They have heard however that you are unable to accept the office: and your committee, who were deeply disappointed to learn this afternoon of the way in which you have been informed of their intentions, are, I believe, writing to you on the subject. So keen is their regret that they intend respectfully to wait upon you on Tuesday morning by deputation, and ask if you cannot waive your difficulties in deference to their enthusiasm, and allow them to proceed with your election.
Their suffrage may, I think, be regarded as one sign of how the thoughtful youth of Scotland estimate the work you have done in the world of letters.
And permit me to say that while these Rectorial elections in the other Universities have frequently turned on local questions, or been inspired by political partisanship, St. Andrews has honourably sought to choose men distinguished for literary eminence, and to make the Rectorship a tribute at once of intellectual and moral esteem.
May I add that when the 'perfervidum ingenium' of our northern race takes the form not of youthful hero-worship, but of loyal admiration and respectful homage, it is a very genuine affair. In the present instance I may say it is no mere outburst of young undisciplined enthusiasm, but an honest expression of intellectual and moral indebtedness, the genuine and distinct tribute of many minds that have been touched to some higher issues by what you have taught them. They do not presume to speak of your place in English literature. They merely tell you by this proffered honour (the highest in their power to bestow), how they have felt your influence over them.
My own obligations to you, and to the author of Aurora Leigh, are such, that of them 'silence is golden'. Yours ever gratefully. William Knight.
Mr. Browning was deeply touched and gratified by these professions of esteem. He persisted nevertheless in his refusal. The Glasgow nomination had also been declined by him.
On August 17, 1877, he wrote to Mrs. Fitz-Gerald from La Saisiaz:
'How lovely is this place in its solitude and seclusion, with its trees and shrubs and flowers, and above all its live mountain stream which supplies three fountains, and two delightful baths, a marvel of delicate delight framed in with trees—I bathe there twice a day—and then what wonderful views from the chalet on every side! Geneva lying under us, with the lake and the whole plain bounded by the Jura and our own Saleve, which latter seems rather close behind our house, and yet takes a hard hour and a half to ascend—all this you can imagine since you know the environs of the town; the peace and quiet move me the most—And I fancy I shall drowse out the two months or more, doing no more of serious work than reading—and that is virtuous renunciation of the glorious view to my right here—as I sit aerially like Euripides, and see the clouds come and go and the view change in correspondence with them. It will help me to get rid of the pain which attaches itself to the recollections of Lucerne and Berne "in the old days when the Greeks suffered so much," as Homer says. But a very real and sharp pain touched me here when I heard of the death of poor Virginia March whom I knew particularly, and parted with hardly a fortnight ago, leaving her affectionate and happy as ever. The tones of her voice as on one memorable occasion she ejaculated repeatedly 'Good friend!' are fresh still. Poor Virginia! . . .'
Mr. Browning was more than quiescent during this stay in the Savoyard mountains. He was unusually depressed, and unusually disposed to regard the absence from home as a banishment; and he tried subsequently to account for this condition by the shadow which coming trouble sometimes casts before it. It was more probably due to the want of the sea air which he had enjoyed for so many years, and to that special oppressive heat of the Swiss valleys which ascends with them to almost their highest level. When he said that the Saleve seemed close behind the house, he was saying in other words that the sun beat back from, and the air was intercepted by it. We see, nevertheless, in his description of the surrounding scenery, a promise of the contemplative delight in natural beauty to be henceforth so conspicuous in his experience, and which seemed a new feature in it. He had hitherto approached every living thing with curious and sympathetic observation—this hardly requires saying of one who had animals for his first and always familiar friends. Flowers also attracted him by their perfume. But what he loved in nature was essentially its prefiguring of human existence, or its echo of it; and it never appeared, in either his works or his conversation, that he was much impressed by its inanimate forms—by even those larger phenomena of mountain and cloud-land on which the latter dwells. Such beauty as most appealed to him he had left behind with the joys and sorrows of his Italian life, and it had almost inevitably passed out of his consideration. During years of his residence in London he never thought of the country as a source of pleasurable emotions, other than those contingent on renewed health; and the places to which he resorted had often not much beyond their health-giving qualities to recommend them; his appetite for the beautiful had probably dwindled for lack of food. But when a friend once said to him: 'You have not a great love for nature, have you?' he had replied: 'Yes, I have, but I love men and women better;' and the admission, which conveyed more than it literally expressed, would have been true I believe at any, up to the present, period of his history. Even now he did not cease to love men and women best; but he found increasing enjoyment in the beauties of nature, above all as they opened upon him on the southern slopes of the Alps; and the delight of the aesthetic sense merged gradually in the satisfied craving for pure air and brilliant sunshine which marked his final struggle for physical life. A ring of enthusiasm comes into his letters from the mountains, and deepens as the years advance; doubtless enhanced by the great—perhaps too great—exhilaration which the Alpine atmosphere produced, but also in large measure independent of it. Each new place into which the summer carries him he declares more beautiful than the last. It possibly was so.
A touch of autumnal freshness had barely crept into the atmosphere of the Saleve, when a moral thunderbolt fell on the little group of persons domiciled at its base: Miss Egerton-Smith died, in what had seemed for her unusually good health, in the act of preparing for a mountain excursion with her friends—the words still almost on her lips in which she had given some directions for their comfort. Mr. Browning's impressionable nervous system was for a moment paralyzed by the shock. It revived in all the emotional and intellectual impulses which gave birth to 'La Saisiaz'.
This poem contains, besides its personal reference and association, elements of distinctive biographical interest. It is the author's first—as also last—attempt to reconstruct his hope of immortality by a rational process based entirely on the fundamental facts of his own knowledge and consciousness—God and the human soul; and while the very assumption of these facts, as basis for reasoning, places him at issue with scientific thought, there is in his way of handling them a tribute to the scientific spirit, perhaps foreshadowed in the beautiful epilogue to 'Dramatis Personae', but of which there is no trace in his earlier religious works. It is conclusive both in form and matter as to his heterodox attitude towards Christianity. He was no less, in his way, a Christian when he wrote 'La Saisiaz' than when he published 'A Death in the Desert' and 'Christmas Eve and Easter Day'; or at any period subsequent to that in which he accepted without questioning what he had learned at his mother's knee. He has repeatedly written or declared in the words of Charles Lamb:* 'If Christ entered the room I should fall on my knees;' and again, in those of Napoleon: 'I am an understander of men, and he was no man.' He has even added: 'If he had been, he would have been an impostor.' But the arguments, in great part negative, set forth in 'La Saisiaz' for the immortality of the soul, leave no place for the idea, however indefinite, of a Christian revelation on the subject. Christ remained for Mr. Browning a mystery and a message of Divine Love, but no messenger of Divine intention towards mankind.
* These words have more significance when taken with their
context. 'If Shakespeare was to come into the room, we
should all rise up to meet him; but if that Person [meaning
Christ] was to come into the room, we should all fall down
and try to kiss the hem of his garment.'
The dialogue between Fancy and Reason is not only an admission of uncertainty as to the future of the Soul: it is a plea for it; and as such it gathers up into its few words of direct statement, threads of reasoning which have been traceable throughout Mr. Browning's work. In this plea for uncertainty lies also a full and frank acknowledgment of the value of the earthly life; and as interpreted by his general views, that value asserts itself, not only in the means of probation which life affords, but in its existing conditions of happiness. No one, he declares, possessing the certainty of a future state would patiently and fully live out the present; and since the future can be only the ripened fruit of the present, its promise would be neutralized, as well as actual experience dwarfed, by a definite revelation. Nor, conversely, need the want of a certified future depress the present spiritual and moral life. It is in the nature of the Soul that it would suffer from the promise. The existence of God is a justification for hope. And since the certainty would be injurious to the Soul, hence destructive to itself, the doubt—in other words, the hope—becomes a sufficient approach to, a working substitute for it. It is pathetic to see how in spite of the convictions thus rooted in Mr. Browning's mind, the expressed craving for more knowledge, for more light, will now and then escape him.
Even orthodox Christianity gives no assurance of reunion to those whom death has separated. It is obvious that Mr. Browning's poetic creed could hold no conviction regarding it. He hoped for such reunion in proportion as he wished. There must have been moments in his life when the wish in its passion overleapt the bounds of hope. 'Prospice' appears to prove this. But the wide range of imagination, no less than the lack of knowledge, forbade in him any forecast of the possibilities of the life to come. He believed that if granted, it would be an advance on the present—an accession of knowledge if not an increase of happiness. He was satisfied that whatever it gave, and whatever it withheld, it would be good. In his normal condition this sufficed to him.
'La Saisiaz' appeared in the early summer of 1878, and with it 'The Two Poets of Croisic', which had been written immediately after it. The various incidents of this poem are strictly historical; they lead the way to a characteristic utterance of Mr. Browning's philosophy of life to which I shall recur later.
In 1872 Mr. Browning had published a first series of selections from his works; it was to be followed by a second in 1880. In a preface to the earlier volume, he indicates the plan which he has followed in the choice and arrangement of poems; and some such intention runs also through the second; since he declined a suggestion made to him for the introduction or placing of a special poem, on the ground of its not conforming to the end he had in view. It is difficult, in the one case as in the other, to reconstruct the imagined personality to which his preface refers; and his words on the later occasion pointed rather to that idea of a chord of feeling which is raised by the correspondence of the first and last poems of the respective groups. But either clue may be followed with interest.
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