The building up of a civilization is at once the noblest and the most practical of all enterprises, in which human faculties are exalted to their highest, and beauties and majesties are manifested in multitude as they are never by solitary man or by disunited peoples. In the highest civilizations the individual citizen is raised above himself and made part of a greater life, which we may call the National Being. He enters into it, and it becomes in oversoul to him, and gives to all his works a character and grandeur and a relation to the works of his fellow-citizens, so that all he does conspires with the labors of others for unity and magnificence of effect. So ancient Egypt, with its temples, sphinxes, pyramids, and symbolic decorations, seems to us as if it had been created by one grandiose imagination; for even the lesser craftsmen, working on the mummy case for the tomb, had much of the mystery and solemnity in their work which is manifest in temple and pyramid. So the city States in ancient Greece in their day were united by ideals to a harmony of art and architecture and literature. Among the Athenians at their highest the ideal of the State so wrought upon the individual that its service became the overmastering passion of life, and in that great oration of Pericles, where he told how the Athenian ideal inspired the citizens so that they gave their bodies for the commonwealth, it seems to have been conceived of as a kind of oversoul, a being made up of immortal deeds and heroic spirits, influencing the living, a life within their life, molding their spirits to its likeness. It appears almost as if in some of these ancient famous communities the national ideal became a kind of tribal deity, that began first with some great hero who died and was immortalized by the poets, and whose character, continually glorified by them, grew at last so great in song that he could not be regarded as less than a demi-god. We can see in ancient Ireland that Cuchulain, the dark sad man of the earlier tales, was rapidly becoming a divinity, a being who summed up in himself all that the bards thought noblest in the spirit of their race; and if Ireland had a happier history no doubt one generation of bardic chroniclers after another would have molded that half-mythical figure into the Irish ideal of all that was chivalrous, tender, heroic, and magnanimous, and it would have been a star to youth, and the thought of it a staff to the very noblest. Even as Cuchulain alone at the ford held it against a host, so the ideal would have upheld the national soul in its darkest hours, and stood in many a lonely place in the heart. The national soul in a theocratic State is a god; in an aristocratic age it assumes the character of a hero; and in a democracy it becomes a multitudinous being, definite in character if the democracy is a real social organism. But where the democracy is only loosely held together by the social order, the national being is vague in character, is a mood too feeble to inspire large masses of men to high policies in times of peace, and in times of war it communicates frenzy, panic, and delirium.
None of our modern States create in us such an impression of being spiritually oversouled by an ideal as the great States of the ancient world. The leaders of nations too have lost that divine air that many leaders of men wore in the past, and which made the populace rumor them as divine incarnations. It is difficult to know to what to attribute this degeneration. Perhaps the artists who create ideals are to blame. In ancient Ireland, in Greece, and in India, the poets wrote about great kings and heroes, enlarging on their fortitude of spirit, their chivalry and generosity, creating in the popular mind an ideal of what a great man was like; and men were influenced by the ideal created, and strove to win the praise of the bards and to be recrowned by them a second time in great poetry. So we had Cuchulain and Oscar in Ireland; Hector of Troy, Theseus in Greece; Yudisthira, Rama, and Arjuna in India, all bard-created heroes molding the minds of men to their image. It is the great defect of our modern literature that it creates few such types. How hardly could one of our modern public men be made the hero of an epic. It would be difficult to find one who could be the subject of a genuine lyric. Whitman, himself the most democratic poet of the modern world, felt this deficiency in the literature of the later democracies, and lamented the absence of great heroic figures. The poets have dropped out of the divine procession, and sing a solitary song. They inspire nobody to be great, and failing any finger-post in literature pointing to true greatness our democracies too often take the huckster from his stall, the drunkard from his pot, the lawyer from his court, and the company promoter from the director's chair, and elect them as representative men. We certainly do this in Ireland. It is—how many hundred years since greatness guided us? In Ireland our history begins with the most ancient of any in a mythical era when earth mingled with heaven. The gods departed, the half-gods also, hero and saint after that, and we have dwindled down to a petty peasant nationality, rural and urban life alike mean in their externals. Yet the cavalcade, for all its tattered habiliments, has not lost spiritual dignity. There is still some incorruptible spiritual atom in our people. We are still in some relation to the divine order; and while that uncorrupted spiritual atom still remains all things are possible if by some inspiration there could be revealed to us a way back or forward to greatness, an Irish polity in accord with national character.
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