CONVERSATION BETWEEN GODOLPHIN AND CONSTANCE.—THE COUNTRY LINE AND THE TOWN LINE.
And Godolphin came on the appointed Wednesday. He was animated that day even to brilliancy. Lady Erpingham thought him the most charming of men; and even Constance forgot that he was no match for herself. Gifted and cultivated as she was, it was not without delight that she listened to his glowing descriptions of scenery, and to his playful yet somewhat melancholy strain of irony upon men and their pursuits. The peculiar features of her mind made her, indeed, like the latter more than she could appreciate the former; for in her nature there was more bitterness than sentiment. Still, his rich language and fluent periods, even in description, touched her ear and fancy, though they sank not to her heart; and she yielded insensibly to the spells she would almost have despised in another.
The next day, Constance, who was no very early riser, tempted by the beauty of the noon, strolled into the gardens. She was surprised to hear Godolphin’s voice behind her: she turned round and he joined her.
“I thought you were on your shooting expedition?”
“I have been shooting, and I am returned. I was out by daybreak, and I came back at noon in the hope of being allowed to join you in your ride or walk.”
Constance smilingly acknowledged the compliment; and as they passed up the straight walks of the old-fashioned and stately gardens, Godolphin turned the conversation upon the varieties of garden scenery; upon the poets who have described those varieties best; upon that difference between the town life and the country, on which the brothers of the minstrel craft have, in all ages, so glowingly insisted. In this conversation, certain points of contrast between the characters of these two young persons might be observed.
“I confess to you,” said Godolphin, “that I have little faith in the permanence of any attachment professed for the country by the inhabitants of cities. If we can occupy our minds solely with the objects around us,—if the brook and the old tree, and the golden sunset, and the summer night, and the animal and homely life that we survey,—if these can fill our contemplation, and take away from us the feverish schemes of the future,—then indeed I can fully understand the reality of that tranquil and happy state which our elder poets have described as incident to a country life. But if we carry with us to the shade all the restless and perturbed desires of the city; if we only employ present leisure in schemes for an agitated future—then it is in vain that we affect the hermit and fly to the retreat. The moment the novelty of green fields is over, and our projects are formed, we wish to hurry to the city to execute them. We have, in a word, made our retirement only a nursery for schemes now springing up, and requiring to be transplanted.”
“You are right,” said Constance, quickly; “and who would pass life as if it were a dream? It seems to me that we put retirement to the right use when we make it only subservient to our aims in the world.”
“A strange doctrine for a young beauty,” thought Godolphin, “whose head ought to be full of groves and love.” “Then,” said he aloud, “I must rank among those who abuse the purposes of retirement; for I have hitherto been flattered to think that I enjoy it for itself. Despite the artificial life I have led, everything that speaks of nature has a voice that I can rarely resist. What feelings created in a city can compare with those that rise so gently and so unbidden within us when the trees and the waters are our only companions—our only sources of excitement and intoxication? Is not contemplation better than ambition?”
“Can you believe it?” said Constance, incredulously.
“I do.”
Constance smiled; and there would have been contempt in that beautiful smile, had not Godolphin interested her in spite of herself.
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