Allan Breck Stewart was a man likely in such a matter to keep his word. James Drummond MacGregor and he, like Katherine and Petruchio, were well matched “for a couple of quiet ones.” Allan Breck lived till the beginning of the French Revolution. About 1789, a friend of mine, then residing at Paris, was invited to see some procession which was supposed likely to interest him, from the windows of an apartment occupied by a Scottish Benedictine priest. He found, sitting by the fire, a tall, thin, raw-boned, grim-looking, old man, with the petit croix of St. Louis. His visage was strongly marked by the irregular projections of the cheek-bones and chin. His eyes were grey. His grizzled hair exhibited marks of having been red, and his complexion was weather-beaten, and remarkably freckled. Some civilities in French passed between the old man and my friend, in the course of which they talked of the streets and squares of Paris, till at length the old soldier, for such he seemed, and such he was, said with a sigh, in a sharp Highland accent, “Deil ane o' them a' is worth the Hie Street of Edinburgh!” On inquiry, this admirer of Auld Reekie, which he was never to see again, proved to be Allan Breck Stewart. He lived decently on his little pension, and had, in no subsequent period of his life, shown anything of the savage mood in which he is generally believed to have assassinated the enemy and oppressor, as he supposed him, of his family and clan.
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