Lady Sellingworth belonged to a great English family, and had been brought up in healthy splendour, saved from the canker of too much luxury by the aristocratic love of sport which is a tradition in such English families as hers. As a girl she had been what a certain sporting earl described as “a leggy beauty.” Even then she had shown a decided inclination to run wild and had seldom checked the inclination. Unusually tall and athletic, rather boyish in appearance, and of the thin, greyhound type, she had excelled in games and held her own in sports. She had shot in an era when comparatively few women shot, and in the hunting-field she had shown a reckless courage which had fascinated the hard-riding men who frequented her father’s house. As she grew older her beauty had rapidly developed, and with it an insatiable love of admiration. Early she had realized that she was going to be a beauty, and had privately thanked the gods for her luck. She could scarcely have borne not to be a beauty; but, mercifully, it was all right. Woman’s greatest gift was to be hers. When she looked into the glass and knew that, when she looked into men’s eyes and knew it even more definitely, she felt merciless and eternal. In the dawn no end was in sight; in the dawn no end seemed possible.
From the age of sixteen onwards hers was the intimate joy, certainly one of the greatest, if not the greatest of all the joys of women, of knowing that all men looked at her with pleasure, that many men looked at her with longing, that she was incessantly desired.
From the time when she was sixteen she lived perpetually in that atmosphere which men throw round a daring and beautiful woman without even conscious intention, creating it irresistibly merely by their natural desire. And that atmosphere was the breath of life to her. Soon she could not imagine finding any real value in life without it. She often considered plain girls, dull girls, middle-aged women who had never had any beauty, any saving grace but that of freshness, and wondered how they managed to get along at all. What was the use of life to them? Nobody bothered about them, except, perhaps, a few relations, or what are called “old friends”—that is, people who, having always been accustomed to you, put up with you comfortably, and wear their carpet slippers in your presence without troubling whether you like slippers or would prefer them in high-heeled shoes.
As to old women, those from whom almost the last vestiges of what they once had been physically had fallen away, she was always charming to them; but she always wondered why they still seemed to cling on to life. They were done with. It was long ago all over for them. They did not matter any more, even if once they had mattered. Why did they still keep a hold on life with their skinny hands? Was it from fear of death, or what? Once she expressed her wonder about this to a man.
“Of course,” she said. “I know they can’t go just because they want to. But why do they want to stay?”
“Oh,” he said, “I think lots of old ladies enjoy themselves immensely in their own way.”
“Well, I can’t understand it!” she said.
And she spoke the truth.
She flirted, of course. Her youthful years were complicated by a maze of flirtations, through which she wandered with apparently the greatest assurance, gaining knowledge of men.
Finally she married. She made what is called “a great match,” the sort of match in every way suitable to such an aristocratic, beautiful and daring girl.
Then began her real reign.
Although such a keen sportswoman, she was also a woman who had a good brain, a quick understanding, and a genuine love of the intellectual and artistic side of life, for its own sake, not for any reason of fashion. She was of the type that rather makes fashions than follows them. As a married woman she was not only Diana in the open country, she was Egeria elsewhere. She liked and she wanted all types of men; the hard-bitten, keen-eyed, lean-flanked men who could give her a lead or take a lead from her over difficult country, and the softer breed of men, whose more rounded bodies were informed by sharp spirits, who, many of them, could not have sat a horse over the easiest fence, or perhaps even have brought down a stag at twenty paces, but who would dominate thousands from their desks, or from the stages of opera houses, or from adjustable seats in front of pianos, or from studios hung with embroideries and strewn with carpets of the East.
These knew how to admire and long for a beautiful woman quite as well as the men of the moors and the hunting field, and they were often more subtle in their ways of showing their feelings.
Lady Sellingworth had horses named after her and books dedicated to her. She moved in all sets which were penetrated by the violent zest for the life of the big world, and in all sets she more than held her own. She was as much at home in Chelsea as she was at Newmarket. Her beautifully disguised search for admiration extended far and wide, and she found what she wanted sometimes in unexpected places, in sombre Oxford libraries, in time-worn deaneries, in East-End settlements, through which she flashed now and then like a bird of Paradise, darting across the murk of a strange black country on its way to golden regions, as well as in Mayfair, in the Shires, in foreign capitals, and on the moors of Scotland.
Her husband was no obstacle in her way. She completely dominated him, even though she gave him no child. He knew she was, as he expressed it, “worth fifty” of him. Emphatically he was the husband of his wife, and five years after their marriage he died still adoring her.
She was sorry; she was even very sorry. And she withdrew from the great world in which she had been a moving spirit now for over ten years for the period of mourning, a year. But she was not overwhelmed by sorrow. It is so very difficult for the woman who lives by, and for, her beauty and her charm for men to be overwhelmed. One man has gone and she mourns him; but there are so many men left, all of them with eyes in which lamps may be set and with hearts to be broken.
It was at this time that she became very familiar with Paris.
She wanted to be away from London, so she took an apartment in Paris, and began to live there very quietly. Friends, of course, came to see her, and she began to study Paris thoroughly, not the gay, social Paris, but a very interesting Paris. Presently her freedom from the ordinary social ties began to amuse her. She had now so much time for all sorts of things which women very much in society miss more often than not. Never going to parties, she was able to go elsewhere. She went elsewhere. Always there had dwelt caged in her a certain wildness which did not come from her English blood. There was a foreign strain in her from the borders of Asia mingled with a strong Celtic strain. This wildness which in her girlhood she had let loose happily in games and sports, in violent flirtations, and in much daring skating over thin ice, which in her married life had spent itself in the whirl of society, and in the energies necessary to the attainment of an unchallenged position at the top of things, in her widowhood began to seek an outlet in Bohemia.
Paris can be a very kind or a very cruel city, in its gaiety hiding velvet or the claws of a tiger. To Lady Sellingworth—then Lady Manham—it was kind. It gave her its velvet. She knew a fresh type of life there, with much for the intellect, with not a little for the senses, even with something for the heart. It was there that she visited out-of-the-way cafes, where clever men met and talked over every subject on earth. A place like the Cafe Royal in London had no attraction for the Lady Sellingworth over sixty. That sort of thing, raised to the nth degree, had been familiar to her years and years ago, before Beryl Van Tuyn and Enid Blunt had been in their cradles.
And the freedom of her widowhood, with no tie at all, had become gradually very dear to her. She had felt free enough in her marriage. But this manner of life had more breathing space in it. There is no doubt that in that Paris year, especially in the second half of it, she allowed the wild strain in her to play as it had never played before, like a reckless child out of sight of parents and all relations.
When the mourning was over and she returned to London she was a woman who had progressed, but whether upon an upward or a downward path who shall decide? She had certainly become more fascinating. Her beauty was at its height. The year in Paris, lived almost wholly among clever and very unprejudiced French people, had given her a peculiar polish—one Frenchman who knew English slang called it “a shine”—which made her stand out among her English contemporaries. Many of them when girls had received a “finish” in Paris. But girls cannot go about as she had gone about. They had learnt French; she had learnt Paris. From that time onward she was probably the most truly cosmopolitan of all the aristocratic Englishwomen of her day. Distinguished foreigners who visited London generally paid their first private call on her. Her house was European rather than English. She kept, too, her apartment in Paris, and lived there almost as much as she lived in London. And, perhaps, her secret wildness was more at home there.
Scandal, of course, could not leave her untouched. But her position in society was never challenged. People said dreadful things about her, but everyone who did not know her wanted to know her, and no one who knew her wished not to know her. She “stood out” from all the other women in England of her day, not merely because of her beauty—she was not more beautiful than several of her contemporaries—but because of her gay distinction, a daring which was never, which could not be, ill bred, her extraordinary lack of all affectation, and a peculiar and delightful bonhomie which made her at home with everyone and everyone at home with her. Servants and dependents loved her. Everyone about her was fond of her. And yet she was certainly selfish. Invariably almost she was kind to people, but herself came first with her. She made few sacrifices, and many sacrificed themselves to her. There was seldom a moment when incense was not rising up before her altar, and the burnt offerings to her were innumerable.
And all through these years she was sinking more deeply into slavery, while she was ruling others. Her slavery was to herself. She was the captive of her own vanity. Her love of admiration had developed into an insatiable passion. She was ceaselessly in her tower spying out for fresh lovers. From afar off she perceived them, and when they drew near to her castle she stopped them on their way. She did not love them and cast them to death like Tamara of the Caucasus. No; but she required of them the pause on their travels, which was a tribute to her power. No one must pass her by as if she were an ordinary woman.
Probably there is no weed in all the human garden which grows so fast as vanity. Lady Sellingworth’s vanity grew and grew with the years until it almost devoured her. It became an idee fixe in her. A few people no doubt knew this—a few women. But she was saved from all vulgarity of vanity by an inherent distinction, not only of manner but of something more intimate, which never quite abandoned her, which her vanity was never able to destroy. Although her vanity was colossal, she usually either concealed it, or if she showed it showed it subtly. She was not of the type which cannot pass a mirror in a restaurant without staring into it. She only looked into mirrors in private. Nor was she one of those women who powder their faces and rouge their lips before men in public places. It was impossible for her to be blatant. Nevertheless, her moral disease led her gradually to fall from her own secret standard of what a woman of her world should be. Craven had once said to himself that Lady Sellingworth could never seek the backstairs. He was not wholly right in this surmise about her. There was a time in her life—the time when she was, or was called, a professional beauty—when she could scarcely see a man’s face without watching it for admiration. Although she preserved her delightfully unselfconscious manner she was almost ceaselessly conscious of self. Her own beauty was the idol which she worshipped and which she presented to the world expectant of the worship of others. There have been many women like her, but few who have been so clever in hiding their disease. But always seated in her brain there was an imp who understood, was contemptuous and mocked, an imp who knew what was coming to her, what comes to all the daughters of men who outlive youth and its shadowy triumphs. Her brain was ironic, while her temperament was passionate, and greedy in its pursuit of the food it clamoured for; her brain watched the unceasing chase with almost a bitterness of sarcasm, merging sometimes into a bitterness of pity. In some women there seems at times to be a dual personality, a woman of the blood at odds with a woman of the grey matter. It was so in Lady Sellingworth’s case, but for a long time the former woman dominated the latter, whose empire was to come later with white hair and a ravaged face.
At the age of thirty-five, after some years of brilliant and even of despotic widowhood, she married again—Lord Sellingworth.
He was twenty-five years older than she was, ruggedly handsome, huge, lean, self-possessed, very clever, very worldly, and that unusual phenomenon, a genuine atheist. There was no doubt that he had a keen passion for her, one of those passions which sometimes flare up in a man of a strong and impetuous nature, who has lived too much, who is worn out, haunted at times by physical weariness, yet still fiercely determined to keep a tight grip on life and life’s few real pleasures, the greatest of which is perhaps the indulgence of love.
Like her first marriage this marriage was apparently a success. Lord Sellingworth’s cleverness fascinated his wife’s brain, and led her to value the pursuits of the intellect more than she had ever done before. She was proud of his knowledge and wit, proud of being loved by a man of obvious value. After this marriage her house became more than ever the resort of the brilliant men of the day. But though Lord Sellingworth undoubtedly improved his wife’s mental capacities, enlarged the horizon of her mind, and gave her new interests, without specially intending it he injured her soul. For he increased her worldliness and infected her with his atheism. She had always been devoted to the world. He continually suggested to her that there was nothing else, nothing beyond. All sense of mysticism had been left out of his nature. What he called “priestcraft” was abhorrent to him. The various religions seemed to him merely different forms of superstition, the assertions of their leaders only varying forms of humbug. He was greedy in searching for food to content the passions of the body, and was restless in pursuit of nutriment for the mind. But not believing in the soul he took no trouble about it.
Lady Sellingworth had this man at her feet. Nevertheless, in a certain way he dominated her. In hard mental power he was much her superior, and her mind became gradually subservient to his in many subtle ways. It was in his day that she developed that noticeable and almost reckless egoism which is summed up by the laconic saying, “after me the deluge.” For Lord Sellingworth’s atheism was not of the type which leads to active humanitarianism, but of the opposite type which leads to an exquisite selfishness. And he led his wife with him. He taught her the whole art of self-culture, and with it the whole art of self-worship, subtly extending to her mind that which for long had been concerned mainly with the body. They were two of the most selfish and two of the most charming people in London. For they were both thorough bred and naturally kind-hearted, and so there were always showers of crumbs falling from their well-spread table for the benefit of those about them. Their friends had a magnificent time with them and so did their servants. They liked others to be pleased with them and satisfied because of them. For they must live in a warm atmosphere. And nothing makes the atmosphere so cold about a man or woman as the egoism which shows itself in miserliness, or in the unwillingness that others should have a good time.
When Lady Sellingworth was thirty-nine Lord Sellingworth died abruptly. The doctors said that his heart was worn out; others said something different, something less kind.
For the second time Lady Sellingworth was a widow; for the second time she spent the period of mourning in Paris. And when it was over she went for a tour round the world with a small party of friends; Sir Guy Letchworth and his plain, but gay and clever wife, and Roger Brand, a millionaire and a famous Edwardian.
Brand was a bachelor, and had long been a devoted adherent of Lady Sellingworth’s, and people, of course, said that he was going to marry her. But they eventually came back from their long tour comfortably disengaged. Brand went back to his enormous home in Park Lane, and Lady Sellingworth settled down in number 18A Berkeley Square.
She was now forty-one. She had arrived at a very difficult period in the life of a beauty. The freshness and bloom of youth had inevitably left her. The adjectives applied to her were changing. The word “lovely” was dropped. Its place was taken by such epithets as “handsome,” “splendid looking,” “brilliant,” “striking,” “alluring.” People spoke of Lady Sellingworth’s “good days”; and said of her, “Isn’t she astonishing?” The word “zenith” was occasionally used in reference to her. A verb which began to be mixed up with her a good deal was the verb “to last.” It was said of her that she “lasted” wonderfully. Women put the question, “Isn’t it miraculous how Adela Sellingworth lasts?”
All this might, perhaps, be called complimentary. But women are not as a rule specially fond of such compliments. When kind friends speak of a woman’s “good days” there is an implication that some of her days are bad. Lady Sellingworth knew as well as any woman which compliments are left-handed and which are not. On one occasion soon after she returned to London from her tour round the world a woman friend said to her:
“Adela, you have never looked better than you do now. Do you know what you remind me of?”
The woman was an American. Lady Sellingworth replied carelessly:
“I haven’t the slightest idea.”
“You remind me of our wonderful Indian summers that come in October. How do you manage it?”
That come in October?
These words struck a chill through Lady Sellingworth. Suddenly she felt the autumn in her. She had been in America: she had known the glory of its Indian summer; she had also known that Indian summer’s startling sudden collapse. Winter comes swiftly after those almost unnaturally golden days. And what is there left in winter for a woman who has lived for her beauty since she was sixteen years old? The freedom of a second widowhood would be only chill loneliness in winter. She saw herself like a figure in the distance, sitting over a fire alone. But little warmth would come from that fire. The warmth that was necessary to her came from quite other sources than coal or wood kindled and giving out flames.
Her vanity shuddered. She realized strongly, perhaps, for the first time, that people were just beginning to think of her as a woman inevitably on the wane. She looked into her mirror, stared into it, and tried to consider herself impartially. She was certainly very good-looking. Her tall figure had never been made ugly by fatness. She was not the victim of what is sometimes called “the elderly spread.” But although she was slim, considering her great height, she thought that she discerned signs of a thickening tendency. She must take that in time. Her figure must not be allowed to degenerate. And her face?
She was so accustomed to her face, and so accustomed to its being a beautiful face, that it was difficult to her to regard it with cold impartiality. But she tried to; tried to look at it as she might have looked at the face of another woman, of say, a rival beauty.
What age did the face seem to be? If she had seen it passing by in the street what age would she have guessed its owner to be? Something in the thirties; but perhaps in the late thirties? She wasn’t quite certain about it. Really it is so difficult to look at yourself quite impartially. And she did not wish to fall into exaggeration, to be hypercritical. She wished to be strictly reasonable, to see herself exactly as she was. The eyes were brilliant, but did they look like young eyes?
No, they didn’t. And yet they were full of light. There was nothing faded about them. But somehow at that moment they looked terribly experienced. With a conscious effort she tried to change their expression, to make them look less full of knowledge. But it seemed to her that she failed utterly. No, they were not young eyes; they never could be young eyes. The long accustomed woman of the world was mirrored in them with her many experiences. They were beautiful in their way, but their way had nothing to do with youth. And near the eyes, very near, there were definite traces of maturity. A few, as yet very faint, lines showed; and there were shadows; and there was—she could only call it to herself “a slightly hollow look,” which she had never observed in any girl, or, so far as she remembered, in any young woman.
She gazed at her mouth and then at her throat. Both showed signs of age; the throat especially, she thought. The lips were fine, finely curved, voluptuous. But they were somehow not fresh lips. In some mysterious way, which really she could not define, life had marked them as mature. There were a couple of little furrows in the throat and there was also a slightly “drawn” look on each side just below the line of the jaw. By the temples also, close to the hair, there was something which did not look young.
Lady Sellingworth felt very cold. At that moment she probably exaggerated in her mind the effect of her appearance. She plunged down into pessimism about herself. A sort of desperation came upon her. Underneath all her conquering charm, hidden away like a trembling bird under depths of green leaves, there was a secret diffidence of which she had occasionally been conscious during her life. It had no doubt been born with her, had lived in her as long as she had lived. Very few people knew of its existence. But she knew, had known of it as long as she remembered. Now that diffidence seemed to hold her with talons, to press its beak into her heart.
She felt that she could not face the world with any assurance if she lost her beauty. She had charm, cleverness, rank, position, money. She knew all her advantages. But at that moment she seemed to be confronting penury. And as she continued to look into the mirror ugliness seemed to grow in the woman she saw like a spreading disease till she felt that she would be frightened to show herself to anyone, and wished she could hide from everyone who knew her.
That absurdly morbid fit passed, of course. It could not continue, except in a woman who was physically ill, and Lady Sellingworth was quite well. But it left its mark in her mind. From that day she began to take intense trouble with herself. Hitherto she had been inclined to trust her own beauty. She had relied on it almost instinctively. And that strange, hidden diffidence, when it had manifested itself, had manifested itself in connexion with social things, the success of a dinner, or with things of the mind, the success or non-success of a conversation with a clever man. She had never spoken of it to anyone, for she had always been more or less ashamed of it, and had brought silence to her aid in the endeavour to stamp it out lest it should impair her power over others. But now it was quickened within her. It grew, and in its growth tortured her.
“How do you manage it?”
That not very kind question of the friend who had compared her to an Indian summer remained with Lady Sellingworth. Since she had considered herself in the mirror she had realized that she had attained that critical period in a beauty’s life when she must begin incessantly to manage to continue a beauty. Hitherto, beyond always dressing perfectly and taking care to be properly “turned out,” she had done less to herself than many women habitually do. Now she swung to the opposite extreme. There is no need to describe what she did. She did, or had done to her, all that she considered necessary, and she considered that a very great deal was necessary.
A certain Greek, who was a marvellous expert in his line, helped her at a very high figure. And she helped herself by much rigid abstinence, by denying natural appetites, by patient physical discipline. Her fight against the years was tremendous, and was conducted with extraordinary courage.
But nevertheless it seemed to her that a curse was put upon her; in that she was surely one of those women who, once they take the first step upon the downward slope, are compelled to go forward with a damnable rapidity.
The more she “managed it” the more there seemed to be to manage. From the time when she frankly gave herself into the clutches of artificiality the natural physical merit of her seemed to her to deteriorate at a speed which was headlong.
A hideous leap in the downward course took place presently. She began to dye her hair. She was not such a fool as to change its natural colour. She merely concealed the fact that white hairs were beginning to grow on her head at an age when many simple people, who don’t care particularly what they look like—sensible clergymen’s wives in the provinces, and others unknown to fashion—remain as brown as a berry, or as pleasantly auburn as the rind of a chestnut.
The knowledge of those hidden white hairs haunted her. She felt horribly ashamed of them. She hated them with an intense, and almost despairing, hatred. For they stamped the terrific difference between her body and her nature.
It seemed to her that in her nature she retained all the passions of youth. This was not strictly true, for no woman over forty has precisely the same passions as an ardent girl, however ardent she may be. But the “wild heart,” spoken of by Lady Sellingworth to Craven, still beat in her breast, and the vanity of the girl, enormously increased by the passage of the years, still lived intensely in the middle-aged woman. It was perhaps this natural wildness combined with her vanity which tortured Lady Sellingworth most at this period of her life. She still desired happiness and pleasure greedily, indeed with almost unnatural greediness; she still felt that life robbed of the admiration and the longing of men would not be worth living.
Beryl Van Tuyn had spoken of a photograph of Lady Sellingworth taken when she was about forty-nine, and had said that, though very handsome, it showed a fausse jeunesse, and revealed a woman looking vain and imperious, a woman with the expression of one always on the watch for new lovers. And there had been a cruel truth in her words. For, from the time when she had given herself to artificiality until the time, some nine years later, when she had plunged into what had seemed to her, and to many others, something very like old age, Lady Sellingworth had definitely and continuously deteriorated, as all those do who try to defy any natural process. Carrying on a fight in which there is a possibility of winning may not do serious harm to a character, but carrying on a fight which must inevitably be lost always hardens and embitters the combatant. During those years of her fausse jeunesse Lady Sellingworth was at her worst.
For one thing she became the victim of jealousy. She was secretly jealous of good-looking young women, and, spreading her evil wide like a cloud, she was even jealous of youth. To be young was to possess a gift which she had lost, and a gift which men love as they love but few things. She could not help secretly hating the possessors of it.
She had now become enrolled in the “old guard,” and had adopted as her device their motto, “Never give up.” She was one of the more or less mysterious fighters of London. She fought youth incessantly, and she fought Time. And sometimes the weariness and the nausea of battle lay heavy upon her. Her expression began to change. She never lost, she never could lose, her distinction, but it was slightly blurred, slightly tarnished. She preserved the appearance of bonhomie, but her cordiality, her good nature, were not what they had been. Formerly she had had marvellous spirits; now she was often accompanied into the world by the black dog. And when she was alone he sat by the hearth with her.
She began to hate being a widow. Sometimes she thought that she wished she had had children. But then it occurred to her that they might have been daughters, lovely girls now perhaps, showing to society what she had once been. With such daughters she would surely have been forced into abdication. For she knew that she could never have entered into a contest with her own children. Perhaps it was best as it was, best that she was childless.
She might no doubt have married a third time. Sir Seymour Portman, a bachelor for her sake, would have asked nothing better than to become her husband. And there were other middle-aged and old men who would gladly have linked themselves with her, and who did not scruple to tell her so. But now she could not bear the idea of making a “suitable” match. Lord Sellingworth had been old, and she had been happy with him. But she had felt, and had considered herself to be, young when she had married him. The contrast between him and herself had been flattering to her vanity. It would be different now. And besides, with the coming of middle age, and the fatal fading of physical attraction, there had come into her a painful obsession.
As much as she hated youth in women she was attracted by it in men. She began secretly to worship youth as it showed itself in the other sex. Something in her clamoured for the admiration and the longing of the young men who were amorous of life, who were comparatively new to the fray, who had the ardour and the freshness which could have mated with hers when she was a girl, but which now contrasted violently with her terribly complete experience and growing morbidity. She felt that now she could never marry a man of her own age or older than herself, not simply because she could not love such a man, but because she would be perpetually in danger of loving a man of quite another type.
She entered upon a very ugly period, perhaps the ugliest there can be in the secret life of a woman. And it was then that there came definitely into her face, and was fixed there, the expression noted by Miss Van Tuyn in the photograph in Mrs. Ackroyd’s drawing-room, the expression of a woman on the pounce.
There is no food so satisfying to the vanity of a middle-aged woman as the admiration and desire of young men. Lady Sellingworth longed for, and sought for, that food, but not without inward shame, and occasionally something that approached inward horror. For she had, and never was able to lose, a sense of what was due not merely to herself but to her better self. Here the woman of the blood was at grips with the woman of the grey matter. And the imp enthroned somewhere within her watched, marked, remembered, condemned.
That imp began to persecute Lady Sellingworth. She would have slain him if she could, for he was horribly critical, and remained cold through all her intensities. In Paris he had often been useful to her, for irony is appreciated in Paris, and he was strongly ironical. Often she felt as if he had eyes fixed upon her sardonically, when she was giving way to the woman in her blood. In Paris it had been different. For there, at any rate in all the earlier years, he had been criticizing and laughing at others. Now his attention was always on her. There were moments when she could almost hear his ugly, whispering voice telling her all he thought about her, about her appearance, her conduct, her future, about her connexions with others now, about the loneliness that was coming upon her. She saw many other women who were evidently content in, and unconscious of, their follies. Why was she not like them? Why had she been singled out for this persecution of the brain. It is terrible to have a brain which mocks at you instead of happily mocking at others. And that was her case. Later she was to understand herself better; she was to understand that her secret diffidence was connected with the imp, was the imp’s child in her as it were; later, too, she was to learn that the imp was working for her eventual salvation, in the moral sense.
But she had not yet reached that turning in the path of her life.
During all this period her existence was apparently as successful and brilliant as ever. She was still a leader in London, knowing and known to everyone, going to all interesting functions, receiving at her house all the famous men and women of the day. To an observer it would have seemed that she occupied an impregnable position and that she was having a wonderful time. But she was really a very unhappy woman at violent odds with herself.
On one occasion when she was giving a dinner in her house a discussion broke out on the question of happiness. It was asked by someone, “If you could demand of the gods one gift, with the certainty of receiving it, what gift would you demand?” Various answers were given. One said, “Youth for as long as I lived”; another “Perfect health”; another “Supreme beauty”; another “The most brilliant intellect of my time”; another “The love and admiration of all I came in contact with.” Finally a sad-looking elderly man, poet, philosopher, and the former administrator of a great province in India, was appealed to. His answer was, “Complete peace of mind.” And on his answer followed the general discussion about happiness.
When the party broke up and Lady Sellingworth was alone she thought almost desperately about that discussion and about the last answer to the question which had been put.
Complete peace of mind! How extraordinary it would be to possess that! She could scarcely conceive of it, and it seemed to her that even in her most wonderful days, in her radiant and careless youth, when she had had almost everything, she had never had that. But then she had not even wanted to have it. Complete peace seems but a chilly sort of thing to youth in its quick-silver time. But later on in life we love combat less.
Suddenly Lady Sellingworth realized the age of her mind, and it seemed to her that she was a horrible mixture of incongruities. She was physically aging slowly but surely. She had appetites which were in direct conflict with age. She had desires all of which turned towards youth. And her mind was quite old. It must be, she said to herself, because now she was sitting still and longing to know that complete peace of mind which an old man had talked of that evening at her dinner table.
A sort of panic shook her as she thought of all the antagonists which at a certain period of life gather together to attack and slay youth, all vestiges of youth, in the human being; the unsatisfied appetites, the revolts of the body, the wearinesses of soul, and the subtle and contradictory desires which lie hidden deep in the mind.
She was now intensely careful about her body, had brought its care almost to the level of a finely finished art. But she had not troubled about the disciplining of her mind. Yet the undisciplined mind can work havoc in the tissues of the body. Youth of the mind, if preserved, helps the body to continue apparently young. It may not be able to cause the body actually to look young, but in some mysterious way it throws round the body a youthful atmosphere which deceives many people, which creates an illusion. And the strange thing is that the more intimate people are with one possessing that mental youthfulness, the more strong is the illusion upon them. Atmosphere has a spell which increases upon us the longer we remain bathed in it. Lady Sellingworth said all this to herself that night, and rebuked herself for letting her mind go towards old age. She rebelled against the longing for complete peace of mind because she now connected such a longing with stagnation. And men, especially young men, love vivacity, restlessness, the swift flying temperament. Such a temperament suggests to them youth. It is old age which sits still. Youth is for ever on the move.
“I must not long for peace or anything of that kind!” she said to herself.
Nevertheless the lack of all mental peace ravages the body.
She scarcely knew what to do for the best. But eventually she tried to take her mind in hand, for she was afraid of it, afraid of its age, afraid of the effect its age might eventually have upon her appearance. So she strove to train it backwards towards youthfulness. For now she was sure that she was not one of those fortunate women who have naturally young minds which refuse to grow old. She knew a few such women. She envied them almost bitterly. There was no need for them to strive. She watched them surreptitiously, studied them, tried to master their secret.
Presently a tragic episode occurred in her life.
She fell in love with a man of about twenty-three. He was the son of people whom she knew very well in Paris, French people who were almost her contemporaries, and was the sporting type of Frenchman, very good-looking, lively, satirical and strong. He was a famous lawn tennis player and came over to London for the tournament at Wimbledon. She had already seen him in Paris, and had known him when he was little more than a boy. But she had never thought much about him in those days. For in those days she had not been haunted by the passion for youth which possessed her now.
Louis de Rocheouart visited at her house as a matter of course, was agreeable and gallant to her because she was a charming and influential woman and an old friend of his family. But he did not think of her as a woman to whom it was possible that a man of his age could make love. He looked upon her as one who had been a famous beauty, but who was now merely a clever, well-preserved and extremely successful member of the “old guard” of society in London. Her “day” as a beauty was in his humble opinion quite over. She belonged to his mother’s day. He knew that. And his mother happened to be one of those delightful Frenchwomen who are spirituelle at all ages, but who never pretend to be anything they are not. His mother’s hair was already grey, and she had two married daughters, one of whom had been trusting enough to make her a grandmother.
While Rocheouart was in London a number of popular middle-aged women banded together and gave a very smart ball at Prince’s. Lady Sellingworth was one of the hostesses, all of whom danced merrily and appeared to be in excellent spirits and health. It was certainly one of the very best balls of the season, and young men turned up at it in large numbers. Among them was young Rocheouart.
Lady Sellingworth danced with him more than once. That night she had almost managed to deceive herself as to the real truth of life. The ball was being such a success; the scramble for invitations had been so great; the young men evidently found things so lively, and seemed to be in such exuberant spirits, that she was carried away, and really felt as if youth were once more dancing through her veins and shining out of her eyes.
The “old guard” were in excelsis that night; the Edwardians were in their glory on the top of the world. Probably more than one of them thought, “They can say what they like but we can cut out the girls when we choose.” Their savoir faire was immense. Many of them still possessed an amazing amount of the joie de vivre. And some of them were thoroughly sensible women, saved from absurdity by the blessed sense of humour.
But Lady Sellingworth was by this time desperately in love with Louis de Rocheouart, and her sense of humour was in abeyance that night. In consequence, she was the victim of a mortification which she was never to forget as long as she lived.
Towards the end of the evening she happened to be standing with Sir Seymour Portman near the entrance to the ballroom, and overheard a scrap of conversation between two people just behind them.
A girl’s light voice said:
“Have you heard the name Cora Wellingborough has given to this ball?”
(The Duchess of Wellingborough was one of the hostesses.)
“No,” replied a voice, which Lady Sellingworth recognized as the voice of young Rocheouart. “What is it?”
“She calls it ‘The Hags’ Hop’! Isn’t it delicious of her? It will be all over London to-morrow. The name will stick. In the annuals of London festivities to-night will always be remembered as the night of the famous Hags’ Hop.”
Lady Sellingworth heard Rocheouart’s strong, manly young laugh.
“That’s just like the duchess!” he said. “She’s simply made of humour and always hits the nail on the head. And how clever of her to give the right name to the ball herself instead of leaving it for some pretty girl to do. The Hags’ Hop! It’s perfect! If she hadn’t said that, you would have before the evening was out, and then all the charming hags would have been furious with you.”
The girl laughed, and she and Rocheouart passed Lady Sellingworth without noticing her and went into the ballroom.
She looked at them as they began to dance; then she looked at the Duchess of Wellingborough, who was also dancing.
The duchess was frankly middle-aged. She was very good-looking, but she had let her figure go. She was quite obviously the victim of the “elderly spread.” Her health was excellent, her sense of humour unfailing. She never pretended to anything, but was as natural almost as a big child. Although a widow, she wanted no lover. She often said that she had “got beyond all that sort of thing.” Another of her laughingly frank sayings was: “No young man need be afraid of me.” In consequence of her gaiety, humour, frankness and hospitality she was universally popular.
But that night Lady Sellingworth almost hated her.
The Hags’ Hop!
That terrible name stuck in Lady Sellingworth’s mind and seemed to fasten there like a wound in a body.
As Rocheouart’s partner had foretold, the name went all over London. The duchess’s mot even got into a picture paper, and everyone laughed about it. The duchess was delighted. Nobody seemed to mind. Even Lady Sellingworth forced herself to quote the saying and to make merry over it. But from that day she gave up dancing entirely. Nothing would induce her even to join in a formal royal quadrille.
Before his return to Paris, Rocheouart came to bid her good-bye. Although she was still, as she supposed, madly in love with him, she concealed it, or, if she showed it, did so only by being rather unnaturally cold with him. When he was gone she felt desperate.
Her imp had perhaps controlled her during the short time of Rocheouart’s final visit, had mocked and made her fear him. When she was alone, however, he vanished for the moment.
From that time the hidden diffidence in Lady Sellingworth was her deadly enemy, because it fought perpetually with her vanity and with her almost uncontrollable desires. Sometimes she was tempted to give way to it entirely and to retire from the fray. But she asked herself what she had to retire to. The thought of a life lived in the shade, or of a definitely middle-aged life, prolonged in such sunshine as falls upon grey-haired heads, was terrible to her. She was not like the Duchess of Wellingborough. She was cursed with what was called in her set “a temperament,” and she did not know how to conquer it, did not dare, even, to try to conquer it.
She soon forgot Louis de Rocheouart, but his place was not long left empty. She fell in love with another young man.
Eventually—by this time she had almost ceased to struggle, was not far from being a complete victim to her temperament—she seriously considered the possibility of marrying again, and of marrying a man many years younger than herself. Several women whom she knew had done this. Why should not she do it? Such marriages seldom turned out well, seldom lasted very long. But there were exceptions to every rule. Her marriage, if she made it, might be an exception. She was now only forty-eight. (She had reached the age when that qualifying word is applied to the years.) Women older, much older, than herself, had married mere boys. She did not intend to do that. But why should she not take a charming man of, say, thirty into her life?
The mere thought of having such a husband, such a companion in Number 18A, Berkeley Square, sent a glow through her mind and body. What a flood of virility, anticipation, new strength, new interests he would bring with him! She imagined his loud, careless step on the stairs, his strong bass or baritone voice resounding in the rooms; she heard the doors banged by his reckless hand; she saw his raincoats, his caps, his golf clubs, his gun cases littering the hall. When she motored he would be at the wheel instead of a detached and rigid-faced chauffeur, and he would whirl her along, taking risk, all the time.
But would he be able to love her?
Her diffidence and her vanity fought over that question; fought furiously, and with an ugly tenacity. It seemed that the vanity conquered. For she resolved to make the trial.
Many striking advantages were on her side. She could give any man a magnificent social position, could take him into the heart of the great world. Her husband, unless he were absolutely impossible—and of course he would not be—would be welcomed everywhere because of her. She was rich. She had unusual charm. She was quick witted, intelligent, well read, full of tact and knowledge of the world. Surely she could be a splendid companion, even a great aid, to any man of the least ambition. And she was still very handsome—with difficulty.
She and her Greek alone knew exactly how much trouble had to be taken to keep her as she was when she went among people.
She had not been able to do much with her mind. It seemed uncontrollable by her. There was no harmony in her inner life. The diversities within her were sharp, intense. In her kingdom of self there was perpetual rebellion. And the disorder in her moral life had hastened the aging process more even than she was aware of. Underneath the artificial beauty of her appearance she was now older than her years.
But she was still very handsome—with difficulty.
She hardened herself after the fight and resolved that, if she chose, she could still make almost any man love her. That she could easily fascinate she knew. Most people were subject to her easy charm and to the delightfully unaffected manner which no amount of vanity had ever been able to rid her of. Surely the temporarily fascinated man might easily be changed into the permanent lover! Fear assailed her certainly when she thought of the danger of deliberately contrasting with her maturity the vividness of youth. To do what she thought of doing would be to run a great risk. When she had married Lord Sellingworth she had provided herself with a foil to her beauty and to her comparative youth. To marry a young man would be to make herself the foil. He would emphasize her age by his lack of years. Could she dare it?
Again she hardened herself and resolved that she would dare it. The wildness in her came uppermost, rose to recklessness. After me the deluge! She might not be happy long if she married a young husband, but she might be happy for a time. The mere marriage would surely be a triumph for her. And if she had three years, two years, even one year of happiness, she would sing a Laus Deo and let the deluge close over her head.
She began, in woman’s quiet but penetrating way, to look about her. She met many young men in the world, in fact nearly all the young eligible men of the time. Many of them came to her house, for she often gave parties to which she asked not only the “old guard” and the well-known men of the day, but also the young married women. Now she began to give small dances to which she asked pretty young girls. There was a ballroom built out at the back of her house. It was often in use. The pretty young girls began to say she was “a dear” to bother so much about them. Dancing men voted her a thundering good hostess and a most good-natured woman. In popularity she almost cut out the Duchess of Wellingborough, who sometimes gave dances, too, for young people.
Really through it all she was on the watch, was seeking the possible husband.
Presently she found the man with whom she could imagine being almost desperately happy if he would only fall in with her hidden views. They were so carefully hidden that not one of her friends, not one of the “old guard,” suspected that she had made up her mind to marry again and to make what is universally called “a foolish marriage.”
His name was Rupert Louth, and he was the fourth son of an impecunious but delightful peer, Lord Blyston. He was close upon thirty, and had spent the greater part of his time, since his twentieth year, out of England. He had ranched in Canada, and had also done something vague of the outdoor kind in Texas. He had fought, and was a good man of his hands. His health was splendid. He was as hard as nails in condition, and as lively and ready as they make them. Many things he could do, but one thing he had never been able to do. He had never been able to make money. His gift lay rather in the direction of joyously spending it. This gift distracted his father, who confided to Lady Sellingworth his fears for the lad’s—he would insist on calling Rupert the lad—for the lad’s future. Here he was back on the family’s hands with expensive tastes and no prospects whatever!
“And he’s always after the women, too!” said Lord Blyston, with admiring despair. “He’s been away from them so long there’s no holding him.”
After a pause he added:
“My dear Adela, if you want to do me a good turn find the lad a wife. His poor mother’s gone, or she would have done it. What he wants is a wife who can manage him, with a decent amount of money.”
Without exactly saying so, Lady Sellingworth implied that she would see what she could do for Rupert.
From that moment Lord Blyston pushed “the lad” perpetually towards 18A Berkeley Square.
Rupert Louth was fair and very good-looking, reckless and full of go. And wherever he went he carried with him an outdoor atmosphere. He cared nothing for books, music, or intellectual pursuits. Nevertheless, he was at home everywhere, and quite as much at ease in a woman’s drawing-room as rounding up cattle in Canada or lassooing wild horses in Texas. He lived entirely and wholeheartedly for the day, and was a magnificent specimen of dashing animal life; for certainly the animal predominated in him.
Lady Sellingworth fell in love with him—it really was like falling in love each time—and resolved to marry him. A wonderful breath of manhood and youth exhaled from “the lad” and almost intoxicated her. It called to her wildness. It brought back to her the days when she had been a magnificent girl, had shot over the moors, and had more than held her own in the hunting field. After she had married Lord Sellingworth she had given up shooting and hunting, had devoted herself more keenly to the arts, to mental and purely social pursuits, to the opera, the forming of a salon, to politics and to entertaining, than to the physical pleasures which had formerly played such a prominent part in her life. Since his death she had put down her horses. But now she began to change her mode of living. She went with Rupert to Tattersalls, and they picked up some good horses together. She began riding again, and lent him a mount. She was perpetually at Hurlingham and Ranelagh, and developed a passion for polo, which he played remarkably well. She played lawn tennis at King’s Club in the morning, and renewed her energy at golf.
Louth was really struck by her activity and competence, and said of her that she was a damned good sport and as active as a cat. He also said that there wasn’t a country in the world that bred such wonderful old women as England. This remark he made to his father, who rejoined that Adela Sellingworth was not an old woman.
“Well, she must be near fifty!” said his son. “And if that isn’t old for a woman where are we to look for it?”
Lord Blyston replied that there were many women far older than Adela Sellingworth, to which his son answered:
“Anyhow, she’s as active as a cat, so why don’t you marry her?”
“She’s twenty years too young for me,” said Lord Blyston. “I should bore her to death.”
It had just occurred to him that Rupert could be very comfortable on Lord Sellingworth’s and Lord Manham’s combined fortunes, though he had no idea that Lady Sellingworth had ever thought of “the lad” as a possible husband.
Other people, however, noticed the new development in her life.
Every morning quite early she was to be seen, perfectly mounted, cantering in the Row, often with Rupert Louth beside her. Her extraordinary interest in every branch of athletics was generally remarked. She even went to boxing matches, and was persuaded to give away prizes at a big meeting at Stamford Bridge.
Although she never said a word about it to anyone, this sudden outburst of intense bodily activity at her age presently began to tire, then almost to exhaust her. The strain upon her was great, too great. Whatever Rupert Louth did, he never turned a hair. But she was nearly twenty years older than he was, and decidedly out of training. She fought desperately against her physical fatigue, and showed a gay face to the world. But a horrible conviction possessed her. She began presently to feel certain that her effort to live up to Rupert Louth’s health and vigour was hastening the aging process in her body. By what she was doing she was marring her chance of preserving into old age the appearance of comparative youth. Sometimes at night, when all the activities of the day were over and there was no prospect of seeing Rupert again until, at earliest, the following morning, she felt absolutely haggard with weariness of body—felt as she said to herself with a shudder, like an old hag. But she could not give up, could not rest, for Rupert expected of everyone who was not definitely laid on the shelf inexhaustible energy, tireless vitality. His own perpetual freshness was a marvel, and fascinated Lady Sellingworth. To be with him was like being with eternal youth, and made her long for her own lost youth with an ache of desperation. But to act being young is hideously different from being actually young. She acted astonishingly well, but she paid for every moment of the travesty, and Rupert never noticed, never had the least suspicion of all she was going through on account of him.
To him she was merely a magnificently hospitable pal of his father’s, who took a kindly interest in him. He found her capital company. He, like everyone else, felt her easy fascination, enjoyed being with her. But, like Rocheouart of the past days, he never thought of her as a possible lover. Nor did it ever occur to him that she was thinking of him as a possible husband. He always wanted, and generally managed to have a splendid time; and he was quite willing to be petted and spoilt and made much of; but he was not, under a mask of carelessness, a cold and persistent egoist. He really was just what he seemed to be, a light-hearted, rather uproarious, and very healthy young man, intent on enjoying himself, and recklessly indifferent to the future. He was quite willing to eat Lady Sellingworth’s excellent dinners, to ride her spirited horses, to sit in her opera box and look at pretty women while others listened to music, but it never occurred to him that it would be the act of a wise man to try to put her fortune into his own pocket at the price of marrying her.
His lack of self-interest, which she divined, charmed Lady Sellingworth; on the other hand, she was tormented by his detachment from her, by his lack of all vision of the truth of the situation. And she was perpetually tortured by jealousy.
Before she had been in love with Rupert she had often felt jealous. All women of her temperament are subject to jealousy, and all middle-aged people who worship youth unsuitably have felt its sting. But she had never before known jealousy as she knew it now.
Although she was so often with Rupert she was more often not with him. He made no pretences of virtue to her or to anyone else. He was a cheery Pagan, a good sport and—no doubt—a devil among the women. Being a thorough gentleman he never talked, as some vulgar men do, of his conquests. But Lady Sellingworth knew that his silence probably covered a multitude of sins. And her ignorance of the greater part of his life often ravaged her.
What was he doing when he was not with her? Who was he making love to?
His name was not specially connected with that of any girl whom she knew in society. But she had reason to know that he spent a lot of his time out of society in circles to which she had never penetrated. Doubtless he met quantities of women whose names she had never heard of, unknown women of the stage, women who went to night clubs, women of the curious world which floats between the aristocracy and the respectable middle classes, which is as well dressed as the one and greedier even than the other, which seems always to have unlimited money, and which, nevertheless, has often no visible means of subsistence.
She lay awake often, when she badly needed sleep, wondering where Rupert was and what he was doing.
Jealousy, combined with unnatural physical exertion, and the perpetual endeavour to throw round her an atmosphere of youth, energy and unceasing cheerfulness, wrought havoc in Lady Sellingworth. Her appearance began to deteriorate. Deeper lines became visible near her eyes, and the light of those eyes was feverish. Her nerves began to go to pieces. Restlessness increased upon her. She was scarcely able to keep still for a moment. The more she needed repose the more incapable of repose she became. The effort to seem younger, gayer, stronger than she was became at last almost convulsive. Her social art was tarnished. The mechanism began to be visible.
People noticed the change in her and began to discuss it, and more than one of the “old guard” hit upon the reason of it. It became subtly known and whispered about that Adela Sellingworth was desperately in love with Rupert Louth. Several of her friends hinted at their knowledge to Lady Sellingworth, and she was forced to laugh at the idea as absurd, knowing that her laughter would serve no good end. These experienced women knew. Impossible to deceive them about a thing of that kind! They were mercilessly capable in detecting a hidden passion in one of their body. Their intrigues and loves were usually common property, known to, and frankly discussed by them all.
Lady Sellingworth presently had the satisfaction of knowing that the whole of the “old guard” was talking about her passion for Rupert Louth. This fact drove her to a hard decision which was not natural to her. She wanted to marry Rupert because she was in love with him. But now she felt she must marry him to save her own pride before her merciless fellow-women. She decided that the time had come when she must trample on her own delicacy and prove that she still possessed the power of a conqueror. Otherwise she would be laughed at by the greater part of the society in which she usually lived.
She resolved to open Rupert Louth’s eyes and to make him understand that she and all she stood for were at his disposal. She knew he was up to the eyes in debt. She knew he had no prospects. Lord Blyston had no money to give him, and was for ever in difficulties himself. It was a critical moment for Louth, and a critical moment for her. Their marriage would smooth out the whole situation, would set him free from all money miseries, and her from greater miseries still—torments of desire, and the horror of being laughed at or pitied by her set. And in any case she felt that the time had arrived when she must do something drastic; must either achieve or frankly and definitely give up. She knew that she was nearing the end of her tether. She could not much longer keep up the brilliant pretence of being an untiring Amazon crammed full of the joie de vivre which she had assumed for the purpose of winning Rupert Louth as a husband. Her powers of persistence were rapidly waning. Only will drove her along, in defiance of the warnings and protests of her body. But the untiring Amazon was cracking up, to use a favourite expression of Louth’s. Soon the weary, middle-aged woman must claim her miserable rights: the right to be tired occasionally, the right to “slack off” at certain hours of the day, the right to find certain things neither suitable nor amusing to her, the right, in fact, to be now and then a middle-aged woman. Certainly something in her said to Lady Sellingworth: “In your marriage, if you marry, you will have to act even better, even more strenuously, than you are acting now. Being in love as you are, you will never be able to dare to be your true self. Your whole married life will be a perpetual throwing of dust in the eyes of your husband. To keep him you will have to live backwards, or to try to live backwards, all the time. If you are tired now, what will you be then?” And she knew that the voice was speaking the truth. Her imp, too, was watching her closely and with an ugly intensity of irony as she approached her decision.
Nevertheless, she defied him; she defied the voice within her, and took it. She said to herself, or her worn nervous system said to her, that there was nothing else to be done. In her fatigue of body and nerves she felt reckless as only the nearly worn out feel. Something—she didn’t know what—had cast the die for her. It was her fate to open Rupert Louth’s eyes, to make him see; it was her fate to force her will into a last strong spasm. She would not look farther than the day. She would not contemplate her married life imaginatively, held in contemplation, like a victim, by the icy hands of reason. She would kick reason out, harden herself, give her wildness free play, and act, concentrating on the present with all the force of which her diseased nerves were capable.
Instead of thinking just then “after me the deluge,” her thought was “after my marriage to Rupert Louth the deluge.” She would, she must, make him her husband. It would be perhaps the last assertion of her power. She knew enough of men to know that such an assertion might well be followed by disaster. But she was prepared to brave any disaster except one, the losing of Louth and the subsequent ironical amusement of the “old guard.”
Two or three days later Louth called, mounted on one of her horses, to take her for a ride in the park.
During the previous night Lady Sellingworth had scarcely slept at all. She had got up feeling desperately nervous and almost lightheaded. On looking in the glass she had been shocked at her appearance, but she had managed to alter that considerably, although not so completely as she wished. Depression, following inevitably on insomnia, had fixed its claws in her. She felt deadly, almost terrible, and as if her face must be showing plainly the ugliness of her mental condition. For she seemed to have lost control over it. The facial muscles seemed to have hardened, to have become fixed. When the servant came to tell her that Louth and the horses were at the door she was almost afraid to go down, lest he should see at once in her face the strong will power which she had summoned up; as a weapon in this crisis of her life.
As she went slowly downstairs she forced herself to smile. The smile came with difficulty, but it came, and when she met Louth he did not seem to notice any peculiarity in her. But, to tell the truth, he scarcely seemed to notice her at all with any particularity. For her strange and abnormal pre-occupation was matched by a like pre-occupation in him. He took off his hat, bade her good morning, and helped her skilfully to mount. But she saw at once that he was not as usual. His face was grave and looked almost thoughtful. The merry light had gone out of his eyes. And, strangest phenomenon of all, he was tongue-tied. They started away from the house, and rode through Mayfair towards the park in absolute silence.
She began to wonder very much what was the matter with Rupert, and guessed that he had “come an awful cropper” of some kind. It must certainly be an exceptional cropper to cloud his spirit. Perhaps he had lost a really large sum of money, or perhaps he—The thought of a woman came suddenly to her, she did not know why. Suspicion, jealousy woke in her. She glanced sideways at Rupert under her hard hat. He looked splendid on horseback, handsomer even than when he was on foot. For he was that rare thing, a really perfect horseman. His appearance disarmed her. She longed to do something for him, by some act of glowing generosity to win him completely. But they were still in the streets, and she said nothing. Directly they turned into the green quietude of the park, however, she yielded to her impulse and spoke, and asked him bluntly what was the matter.
He did not fence with her. Fencing was not easy to him. He turned in the saddle, faced her, and told her that he had made a damned fool of himself. Still bent on generosity, on being more than a friend to him, she asked him to tell her how. His reply almost stunned her. A fortnight previously he had secretly married a Miss Willoughby—really a Miss Bertha Crouch, and quite possibly of Crouch End—who was appearing in a piece at the Alhambra Theatre, but who had not yet arrived at the dignity of a “speaking part.” This young lady, it seemed, had already “landed” Louth in expenses which he didn’t know how to meet. What was he to do? She was the loveliest thing on earth, but she was accustomed to living in unbridled luxury. In fact she wanted the earth, and he was longing to give it to her. But how? Where could he possibly get hold of enough money for the purchase of the earth on behalf of Miss Bertha Crouch—now Willoughby, or, rather, now the Hon. Mrs. Rupert Louth? His face softened, his manner grew almost boyishly eager, as he poured confidences into Lady Sellingworth’s ears. She was his one real friend! She was a woman of the world. She had lived ever so much longer than he had and knew five times as much. What would she advise? Might he bring little Bertha to see her? Bertha was really the most splendid little sort, although naturally she wanted to have the things other women had—etc., etc.
When she got home that day Lady Sellingworth almost crumbled. By a supreme effort during the rest of the ride she had managed to conceal the fact that she had received a blow over the heart. The pride on which she had been intending to trample when she came downstairs that morning had come to her aid in that difficult moment. The woman of the world had, as Louth would have said, “come up to the scratch.” But when she was alone she gave way to an access of furious despair; and, shut up in her bedroom behind locked doors, was just a savage human being who had been horribly wounded, and who was unable to take any revenge for the wound. She would not take any revenge, because she was not the sort of woman who could go quite into the gutter. And she knew even in her writhings of despair that Rupert Louth would go scot free. She would never try to punish him for what he had done to her: and he would never know he had done it, unless one of the “old guard” told him.
It was when she thought of the “old guard” that Lady Sellingworth almost crumbled, almost went to pieces. For she knew that whatever she did, or left undone, she would never succeed in deceiving its members. She would not have been deceived herself if circumstances had been changed, if another woman had been in her situation and she had been an onlooker. “They” would all know.
For a moment she thought of flight.
But this episode ended in the usual way; it ended in the usual effort of the poor human being to safeguard the sacred things by deception. Lady Sellingworth somehow—how do human beings achieve such efforts?—pulled herself together and gave herself to pretence. She pretended to Louth that she was his best friend and had never thought of being anything else. She was the receptacle for the cascade of his confidences. She swore to help him in any way she could. Even after she received “the Crouch,” once Willoughby and still Willoughby to the “nuts” who frequented the stalls of the Alhambra. She received that tall and voluptuous young woman, with her haughty face and her disdainful airs, and she bore with her horrible proprietorship of Louth. And finally she broke it to Lord Blyston at Rupert’s earnest request.
That should have been her supreme effort. But it was not. There was no rest in pretence. As soon as Lord Blyston knew, everyone knew, including the “old guard.” And then, of course, Lady Sellingworth’s energies had all to be called into full play.
It was no wonder if underneath the cleverness of her Greek she aged rapidly, more rapidly than was natural in a woman of her years. For she had piled effort on effort. She had been young for Rupert Louth until she had been physically exhausted; and then she had been old for him until she was mentally exhausted. The hardy Amazon had been forced to change in a moment, in the twinkling of an eye, into the calm and middle-aged adviser of hot passioned youth, into the steady unselfish confidante, into the breaker of untoward news to the venerable parent—in fact, into Mother Hubbard, as Lady Sellingworth more than once desperately told herself.
“Mother Hubbard! Mother Hubbard! I’m just Mother Hubbard to him and to that horrible girl!”
And she saw herself as Mother Hubbard, a “dame.” And she alone knew how absolutely bare her cupboard was at that time. But she struggled on magnificently, taking no rest; she faced the “old guard” with splendid courage, in fact with such courage that most of them pretended to be deceived, and perhaps—for is not everything possible in this life?—perhaps two or three of them really were deceived.
The Duchess of Wellingborough said often at this time: “Addie Sellingworth has the stuff in her of a leader of forlorn hopes!”
Lord Blyston paid up for “the Crouch,” once Willoughby, who had now left the Alhambra disconsolate. He paid up by selling the only estate he still possessed, and letting his one remaining country house to an extraordinarily vulgar manufacturer from the Midlands, who did not know a Turner from a Velasquez until he was told. And for the time “the Crouch” was as satisfied as a woman of her type can ever be.
Time passed on. Lady Sellingworth went about everywhere with a smiling carefully-made-up face and a heart full of dust and ashes.
But even then she could not make up her mind finally to abandon all pretence of youth, all hope of youth’s distractions, pleasures, even joys. She had a terribly obstinate nature, it seemed, a terribly strong lust after life.
Even her imp could not lash her into acceptance of the inevitable, could not drive her with his thongs of irony into the dignity which only comes when the human being knows how to give up, and when.
But what the imp could not achieve was eventually achieved by a man, whose name Lady Sellingworth did not know.
This was how it happened.
One day when Lady Sellingworth was walking down Bond Street—it was in the morning and she was with the Duchess of Wellingborough—an extraordinarily handsome young man, whom neither of them knew, met them and passed by. He was tall, brown skinned, with soft, very intelligent brown eyes, and strong, manly and splendidly cut features. His thick brown hair was brushed, his little brown moustache was cut, like a Guardsman’s. But he was certainly not a Guardsman. He was not even an Englishman, although he was dressed in a smart country suit made evidently by a first-rate London tailor. There was something faintly exotic about his eyes, and his way of holding himself and moving, which suggested to Lady Sellingworth either Spain or South America. She was not quite sure which. He gave her a long look as he went by, and she felt positive that he turned to glance after her when he had passed her. But this she never knew, as naturally she did not turn her head.
“What an extraordinarily good-looking man that was!” said the Duchess of Wellingborough. “I wonder who he is. If—,” and she mentioned a well-known Spanish duke, “had a brother that might be the man. Do you know who he is?”
“No,” said Lady Sellingworth.
“Well, he must know who you are.”
“Why?”
“He seemed deeply interested in you.”
Lady Sellingworth wanted to say that a young man might possibly be deeply interested in her without knowing who she was. But she did not say it. It was not worth while. And she knew the duchess had not meant to be ill-mannered.
She lunched with the duchess that day in Grosvenor Square, and met several of the “old guard” whom she knew very well, disastrously well. After lunch the duchess alluded to the brown man they had met in Bond Street, described him minutely, and asked if anyone knew him. Nobody knew him. But after the description everyone wanted to know him. It was generally supposed that he must be one of the strangers from distant countries who are perpetually flocking to London.
“We shall probably all know him in a week or two,” said someone. “A man of that type is certain to have brought introductions.”
“If he has brought one for Adela I’m sure he’ll deliver that first,” said the duchess, with her usual almost boisterous good humour.
And thereupon she told the “old guard” of the stranger’s evident interest in Lady Sellingworth.
Although she completely concealed it, Lady Sellingworth felt decided interest in the brown man. The truth was that his long and ardent—yet somehow not impudently ardent—look at her had stirred the dust and ashes in her heart. It was as if a little of the dust rose and floated away, as if some of the ashes crumbled into a faint grey powder which was almost nothingness.
At that moment she was in the dangerous mood when a woman of her type will give herself to almost any distraction which promises a possible adventure, or which holds any food for her almost starving vanity. Her love—or was it really lust—for Rupert Louth still ravaged her. The thought of “the Crouch’s” triumph still persecuted her mind. Terrible pictures of a happiness she had no share in still made every night hideous to her. She longed for Rupert Louth, but she longed also to be reinstated in her self-esteem. That glance of a stranger had helped her. She asked herself whether a man of that type, young, amazingly handsome, would ever send such a glance to Mother Hubbard. Suddenly she felt safer, as if she could hold up her head once more. Really she had always held it up, but to herself, since Louth’s blunt confession, she had been a woman bowed down, old, done with, a thing fit for the scrap heap. Now a slight, almost trembling sensation of returning self-esteem stole through her. She could not have been mistaken about the brown man’s interest in her, for the Duchess of Wellingborough had specially noticed it. She wondered who he was, whether he really had brought introductions, where he was staying, whether he would presently appear in her set. His brown eyes were gentle and yet enterprising. He looked like a sportsman, she thought, and yet as if he were more intellectual, more subtle than Louth. There seemed to be a slight thread of sympathy between her and him! She had felt it immediately when they had met in Bond Street. She wondered whether he had felt it too.
In all probability if Lady Sellingworth had been in a thoroughly normal condition at this time she would not have thought twice about such a trifling episode as a stranger’s glance at her in the street. But she was not in a normal condition. She was the prey of acute depression and morbidity. Life was becoming hideous to her. She exaggerated her loneliness in the midst of society. She had mentally constructed for herself a new life with Louth as her husband. Imaginatively she had lived that life until it had become strangely familiar to her, as an imagined life can become to a highly strung woman. The abrupt and brutal withdrawal of all possibility of it as a reality had made the solitude of her widowhood seem suddenly terrible, unnatural, a sort of nightmare. She had moments of desperation in which she said to herself, “This cannot go on. I can’t live alone any more or I shall go mad.” In such moments she sometimes thought of rewarding Sir Seymour Portman’s long fidelity. But something in her, something imperious, shrank at the thought. She did not want to marry an elderly man.
And yet it seemed that no young man would ever want to marry her.
She shuddered before the mysteries of the flesh. Often she was shaken by a storm of self-pity. Darkness yawned before her. And she still longed, as she thought no other woman could ever have longed, for happiness, companionship, a virile affection.
For some days she did not see the stranger again, although she was several times in Bond Street. She began to think, to fear, he had left London; yes—to fear! It had come to that! Realizing it, she felt humiliation. But his eyes had seemed to tell her that she possessed for him great attraction! She longed to see those eyes again, to decipher their message more carefully. The exact meaning of it might have escaped her in that brief instant of encounter. She wondered whether the young man had known who she was, or whether he had merely been suddenly struck by her appearance, and had thought, “I wish I knew that woman.” She wondered what exactly was his social status. No doubt if he had been English she could have “placed” him at once, or if he had been French. But he was neither the one nor the other. And she had had little time to make up her mind about him, although, of course, his good looks had leaped to the eye.
She had begun to think that Destiny had decided against another encounter between her and this man when one day Seymour Portman asked her to lunch with him at the Carlton. She accepted and went into the restaurant at the appointed time. It was crowded with people, many of whom she knew, but one table near that allotted to the general’s party had two empty chairs before it. On it was a card with the word “Reserved.” Soon after the general’s guests had begun to lunch, when Lady Sellingworth was in the full flow of conversation with her host, by whose side she was sitting, and with a hunting peer whom she had known all her life, and who sat on her other side, two people made their way to the table near by and sat down in the empty chairs. One was an old woman in a coal-black wig, with a white face and faded eyes, rather vague and dull in appearance, but well dressed and quietly self-assured, the other was the man Lady Sellingworth had met in Bond Street. He took the chair which was nearly opposite to her; but whether deliberately or by accident she had no time to notice. He did not look at her for several minutes after sitting down. He was apparently busy ordering lunch, consulting with a waiter, and speaking to his old companion, whose coal-black wig made a rather strange contrast with her lined white cheeks and curiously indefinite eyes. But presently, with a sort of strong deliberation, his gaze was turned on Lady Sellingworth, and she knew at once that he had seen her when he came in. She met his gaze for an instant, and this time seemed to be definitely aware of some mysterious thread of sympathy between her and him. Sir Seymour spoke to her in his quiet, rather deep voice, and she turned towards him, and as she did so she felt she knew, as she had never known before, that she could never marry him, that something in her that was of her essence was irrevocably dedicated to youth and the beauty of youth, which is like no other beauty. The wildness of her which did not die, which probably would never die, was capable of trampling over Sir Seymour’s fidelity to get to unstable, selfish and careless youth, was capable of casting away his fidelity for the infidelity of youth. As she met her host’s grave eyes, she sentenced him in her heart to eternal watching at her gate. She could not, she never would be able to, let him into the secret room where she was really at home.
During lunch she now and then glanced towards the old woman and the stranger. They evidently knew no one, for no one took any notice of them, and they did not seem to be on the look out for acquaintances. Many people passed by them, entering and leaving the restaurant, but there were no glances of recognition, no greetings. Only some of the women looked at the young man as if struck, or almost startled, by his good looks. Certainly he was amazingly handsome. His brown skin suggested the sun; his figure athletic exercises; the expression of his face audacity and complete self-possession. Yet there was in his large eyes a look of almost appealing gentleness, as if he were seeking something, some sympathy, some affection, perhaps, which he needed and had never yet found. Several times when she glanced towards him with careful casualness, Lady Sellingworth found his eyes fixed upon her with this no doubt unconsciously appealing expression in them. She knew that this man recognized her as the woman he had met in Bond Street. She felt positive that for some reason he was intent upon her, that he was deeply interested in her. For what reason? Her woman’s vanity, leaping eagerly up like a flame that had been damped down for a time but that now was being coaxed into bright burning, told her that there could be only one reason. Why is a handsome young man interested in a woman whom he does not know and has only met casually in the street? The mysterious attraction of sex supplied, Lady Sellingworth thought, the only possible answer. She had not been able to attract Rupert Louth, but she attracted this man, strongly, romantically, perhaps. The knowledge—for it seemed like knowledge, though it was really only surmise—warmed her whole nature. She felt again the delicious conquering sensation which she had lost. She emerged out of humiliation. Her vivacity grew as the lunch progressed. Suddenly she felt good-looking, fascinating, even brilliant. The horrible dreariness of life had departed from her, driven away by the look in a stranger’s eyes.
Towards the end of lunch the woman on Sir Seymour’s other side said to him:
“Do you know who that man is—the young man opposite to that funny South American-looking old woman with the black wig?”
Sir Seymour looked for a moment at the brown man with his cool, direct, summing-up, soldier’s eyes.
“No,” he answered. “I’ve never set eyes on him before.”
“I think he is the best-looking man I have ever seen,” said the woman.
“No doubt—very good-looking, very good-looking!” said her host; “but on the wrong side of the line, I should say.”
“The wrong side of the line? What do you mean?”
“The shady side,” said Sir Seymour.
And then he turned to speak to Lady Sellingworth.
She had overheard the conversation, and felt suddenly angry with him. But she concealed her vexation and merely said to herself that men are as jealous of each other as women are jealous, that a man cannot bear to hear another man praised by a woman. Possibly—she was not sure of this—possibly Sir Seymour had noticed that she was interested in the stranger. He was very sharp in all matters connected with her. His affection increased his natural acuteness. She resolved to be very careful, even very deceptive. And she said:
“Isn’t it odd how good looks, good manners and perfect clothes, even combined with charm, cannot conceal the fact that a man is an outsider?”
“Ah, you agree with me!” Sir Seymour said, looking suddenly pleased. “That’s good! Men and women are seldom at one on such matters.”
Lady Sellingworth shot a glance at the man discussed and felt absurdly like a traitor.
Soon afterwards Sir Seymour’s lunch party broke up.
In leaving the restaurant Lady Sellingworth passed so close to the young man that her gown almost brushed against him. He looked up at her, and this time the meaning of his glance was unmistakable. It said: “I want to know you. How can I get to know you?”
She went home feeling almost excited. On the hall table of her house she found a note from Rupert Louth asking her whether she would help “little Bertha” by speaking up for her to a certain great dressmaker, who had apparently been informed of the Louths’ shaky finances. Louth’s obstinate reliance on her as a devoted friend of him and his disdainfully vulgar young wife began to irritate Lady Sellingworth almost beyond endurance. She took the letter up with her into the drawing-room, and sat down by the writing-table holding it in her hand. It had come at a dangerous moment.
Louth’s blindness now exasperated her, although she had desperately done her best to close his eyes to the real nature of her feeling for him and to the unexpressed intentions she had formed concerning him and had been forced to abandon. It was maddening to be tacitly rejected as a possible wife and to be enthusiastically claimed as a self-sacrificing friend. Surely no woman born of woman could be expected to stand it. At that moment Lady Sellingworth began almost to hate Rupert Louth.
What a contrast there was between his gross misunderstanding of her and the brown man’s understanding! Already she began to tell herself that this man who did not know her nevertheless in some subtle, almost occult, way had a clear understanding of her present need. He wanted sympathy—his eyes said that—but he had sympathy to give. She began to hate the controlling absurdities of civilization. All her wildness seemed to rise up and rush to the surface. How inhuman, how against nature it was, that two human beings who wished to know each other should be held back from such knowledge by mere convention, by the unwritten law of the solemn and formal introduction! A great happiness might lie in their intercourse, but conventionality solemnly and selfishly forbade it, unless they could find a common acquaintance to mumble a few unmeaning words over them. Mumbo-Jumbo! What a fantastic world of stupidly obedient puppets this world of London was! She said to herself that she hated it. Then she thought of her first widowhood and of her curious year in Paris.
There she might more easily have made the acquaintance of the unknown man in some Bohemian cafe, where people talked to each other casually, giving way to their natural impulses, drifting in and out as the whim took them, careless of the convenances or actively despising them. In London, at any rate if one is English and cursed by being well known, one lives in a strait waist-coat. Lady Sellingworth felt the impossibility of speaking to a stranger without an introduction in spite of her secret wildness.
And if he spoke to her?
She remembered Sir Seymour’s instant judgment on him. It had made her feel very angry at the time when it was delivered, but then she had not held any mental debate about it. She had simply been secretly up in arms against an attack on the man she was interested in. Now she thought about it more seriously.
Although she had never been able to love Sir Seymour, she esteemed him very highly and valued his friendship very much. She also respected his intellect and his character. He was not a petty man, but an honest, brave and far-seeing man of the world. Such a man’s opinion was certainly worth something. One could not put it aside as if it were the opinion of a fool. And after a brief glance at the stranger Sir Seymour had unhesitatingly pronounced him to be an outsider.
Was he an outsider?
As a rule Lady Sellingworth was swift in deciding what was the social status of a man. She could “place” a man as quickly as any woman. But, honestly, she could not make up her mind about the stranger. Although he was so exceptionally good-looking, perhaps, he was not exactly distinguished looking. But she had known dukes and Cabinet Ministers who resembled farmers and butlers, young men of high rank who had the appearance of grooms or bookies. It was difficult to be sure about anyone without personal knowledge of him.
When she had first seen the young man in Bond Street it had certainly not occurred to her that there was anything common or shady in his appearance. And the Duchess of Wellingborough had not hinted that she held such an opinion about him. And surely women are quicker about such matters than men.
Lady Sellingworth decided that Seymour Portman was prejudiced. Old courtiers are apt to be prejudiced. Always mixing with the most distinguished men of their time, they acquire, perhaps too easily, a habit of looking down upon ordinary but quite respectable people.
Here Lady Sellingworth suddenly smiled. The adjective “respectable” certainly did not fit the Bond Street young man. He looked slightly exotic! That, no doubt, had set Sir Seymour against him. He was not of the usual type of club man. He “intrigued” her terribly. As the Duchess of Wellingborough would have phrased it, she was “crazy” to know him. She even said to herself that she did not care whether he was on the shady side of the line or not. Abruptly a strong democratic feeling took possession of her. In the affections, in the passions, differences of rank did not count.
Rupert Louth had married a Crouch!
Lady Sellingworth looked at his note which was still in her hand, and memories of the disdainful young beauty “queening it”—that really was the only appropriate expression—“queening it” with vulgar gentility among the simple mannered, well-bred people to whom Louth belonged rose up in her mind. How terrible were those definite airs of being a lady! How truly unspeakable were those august condescensions of the undeniable Crouch!
When Lady Sellingworth mused on them her sense of the equality before God of all human creatures decidedly weakened.
She wrote a brief letter to Louth declining to “speak up” to the great dressmaker. “Little Bertha” must manage without her aid. She made this quite clear, but she wrote very charmingly, and sent her love at the end to little Bertha. That done, almost violently she dismissed Louth and his wife from her mind and became democratic again!
Putting Louth and little Bertha aside, when it came to the affections and the passions what could one be but just a human being? Rank did not count when the heart was awake. She felt intensely human just then. And she continued to feel so. Life was quickened for her by the presence in London of a stranger whom nobody knew. This might be a humiliating fact. But how many facts connected with human beings if sternly considered are humiliating!
And nobody knew of her fact.
Every morning at this time she woke up with the hope of a little adventure during the day. When she went out she was alive to the possibility of a new encounter with the unknown man. And she met him several times, walking about town, sometimes alone, sometimes with the old lady, and once with another man, a thin sallow individual who looked like a Frenchman. And each time he sent her a glance which seemed almost to implore her to know him.
But how could she know him? She never met him in society. Evidently he knew no one whom she knew. She began to be intensely irritated by her leaping desire which was constantly thwarted. That this man was in love with her and longing to know her she now firmly believed. She wished to know him. She wished it more than she wished for anything else in the world just then. But the gulf of conventionality yawned between them, and there seemed no likelihood of its ever being bridged. Sometimes she condemned the man for not being adventurous, for not taking his courage in both hands and speaking to her without an introduction. At other times she told herself that his not doing this proved him to be a gentleman, in spite of what Sir Seymour Portman had thought him. In defiance of his longing to know her he would not insult her.
But if he only knew how she was pining for the insult!
And yet if he had spoke to her perhaps she would have been angry.
She discovered eventually that he was staying at the Carlton Hotel, for one day on her way to the restaurant she saw him with a key in his hand—evidently the key of his room. That same day she heard him speak for the first time. After lunch, when she was in the Palm Court, he came and stood quite close to where she was sitting. The thin, sallow individual was with him. They lighted cigars and looked about them. And presently she heard them talking in French. The thin man said something which she did not catch. In reply the other said, speaking very distinctly, almost loudly:
“I shall go over to Paris on Thursday morning next. I shall stay at the Ritz Hotel.”
That was all Lady Sellingworth heard. He had intended her to hear it. She was certain of that. For immediately afterwards he glanced at her and then moved away, like a man who has carried out an intention and can relax and be idle. He sat down by a table a little way off, and a waiter brought coffee for him and his companion.
His voice, when he spoke the few words, had sounded agreeable. His French was excellent, but he had a slight foreign accent which Lady Sellingworth at once detected.
Paris! He was going to Paris on Thursday!
She was quite positive that he had wished her to know that. Why?
There could be only one reason. She guessed that he had become as fiercely irritated by their situation as she was, that he was tempting her to break away and to do something definite, that he wanted her to leave London. She still had her apartment in Paris. Could he know that? Could he have seen her in Paris without her knowledge and have followed her to London?
She began to feel really excited, and there was something almost youthful in her excitement. Yet she was on the eve of a horrible passing. For that day was her last day in the forties. On the following morning she would wake up a woman of fifty.
While the two men were still having their coffee Lady Sellingworth and her friend got up to go away. As her tall figure disappeared the brown man whispered something to his companion and they both smiled. Then they continued talking in very low voices, and not in French.
Paris! All the rest of that day Lady Sellingworth thought about Paris! Already it stood for a great deal in her life. Was it perhaps going to stand for much more? In Paris long ago—she wished it were not so long ago—she had tasted a curious freedom, had given herself to her wildness, had enlarged her boundaries. And now Paris called her again, called her through the voice of this man whom she did not yet know.
Deliberately that day he had summoned her to Paris. She had no doubt about that. And if she went? He must have some quite definite intention connected with his wish for her to go. It could only be a romantic intention.
And yet to-morrow she would be fifty!
He was quite young. He could not be more than five-and-twenty.
For a moment her imp spoke loudly in her ear. He told her that by this time she must have learnt her lesson, that it was useless to pretend that she had not, that Rupert Louth’s marriage had taught her all that she needed to know, and that now she must realize that the time for adventures, for romance, for the secret indulgence of the passions, was in her case irrevocably over. “Fifty! Fifty! Fifty!” he knelled in her ears. And there were obscure voices within her which backed him up, faintly, as if half afraid, agreeing with him.
She listened. She could not help listening, though she hated it. And for a moment she was almost inclined to submit to the irony of the imp, to trample upon her desire, and to grasp hands once and for all with her self-respect.
The imp said to her: “If you go to Paris you will be making a fool of yourself. That man doesn’t really want you to go. He is only a mischievous boy amusing himself at your expense. Perhaps he has made a bet with that friend of his that you will cross on the same day that he does. You are far too old for adventures. Look in the glass and see yourself as you really are. Remember your folly with Rupert Louth, and this time try to be wise.”
But something else in her, the persistent vanity, perhaps, of a once very beautiful woman, told her that her attraction was not dead, and that if she obeyed her imp she would simply be throwing away the chance of a great joy. Once again her thoughts went to marriage. Once again she dreamed of a young man falling romantically in love with her, and of taking him into her life, and of making his life wonderful by her influence and her connexions.
Once again she was driven by her wildness.
The end of it was that she summoned her maid and told her that they were going over to Paris for a few days on the following Thursday. The maid was not surprised. She supposed that my lady wanted some new gowns. She asked, and was told, what to pack.
Now Lady Sellingworth, as all her friends and many others knew, possessed an extremely valuable collection of jewels, and seldom, or never, moved far without taking a part of the collection with her. She loved jewels, and usually wore them in the evening, and as she was often seen in public—at the opera and elsewhere—her diamonds, emeralds, sapphires and pearls had often been admired, and perhaps longed for, by strangers.
When she went to Paris on this occasion she took a jewel-case with her. In it there were perhaps fifty thousand pounds’ worth of gems. Her maid, a woman who had been with her for years, was in charge of the case except when Lady Sellingworth was actually in the train. Then Lady Sellingworth had it with her in a reserved first-class carriage for the whole of which she paid.
The journey was not eventful. But to Lady Sellingworth it was an adventure.
The brown man was on the train with his thin, sardonic friend, and with the old woman Lady Sellingworth had seen with him in London.
The sight of this party—she saw them stepping into the Pullman car as she was going to her reserved carriage—surprised her. She had expected that the stranger would travel alone. As she sat down in her corner facing the engine, with the jewel-case on the seat next to her, she felt an obscure irritation. A man in search of adventure does not usually take two people—one of them an old woman in a black wig—with him when he sets out on his travels. A trio banishes romance. And how can a woman be thrilled by a family party?
For a moment Lady Sellingworth felt anger against the stranger. For a moment she wished she had not undertaken the journey. It occurred to her that perhaps she had made a humiliating mistake when she thought that the brown man wished, and intended, her to go to Paris because he was going. Her pride was alarmed. She saw plainly for a moment the mud into which vanity had led her, and she longed to get out of the train and to remain in London. But how could she account to her maid for such a sudden change of plans? What could she say to her household? She knew, of course, that she owed them no explanation. But still—and her friends? She had told everybody that she was going to Paris. They would think her crazy for giving up the journey after she was actually in the train. And she had seen two or three acquaintances on the platform. No; she must make the journey now. It was too late to give it up. But she wished intensely she had not undertaken it.
At the moment of this wish of hers, coming from the Pullman, the brown man walked slowly by on the platform, alone. His eyes were searching the train with keen attention. But Lady Sellingworth happened to be leaning back, and he did not see her. She knew he was looking for her. He went on out of her sight. She sat still in her corner, and presently saw him coming back. This time he saw her, and did something which for the moment startled her. On the window of the carriage, next the seat opposite to hers, was pasted a label with “Reserved” printed on it in big letters. Underneath was written: “For the Countess of Sellingworth.” When the man saw Lady Sellingworth in her corner he gave no sign of recognition but he took out of the breast pocket of his travelling coat a pocket-book, went deliberately up to the window, looked hard at the label, and then wrote something—her name, no doubt—in his book. This done, he put the book back in his pocket and walked gravely away without glancing at her again.
And now Lady Sellingworth no longer regretted that she was going to Paris. What the man had just done had reassured her. It was now evident to her that the first time they had met in Bond Street he had not known who she was or anything about her. He must simply have been struck by her beauty, and from that moment had wished to know her. Ever since then he must have been longing to know who she was. The fact that he had evidently not discovered her name till he had read it on the label pasted on the railway carriage window convinced her that, in spite of his boldness in showing her his feelings, he was a scrupulous man. A careless man could certainly have found out who she was at the Carlton, by asking a waiter. Evidently he had not chosen to do that. The omission showed delicacy, refinement of nature. It pleased her. It made her feel safe. She felt that the man was a gentleman, one who could respect a woman. Sir Seymour had been wrong in his hasty judgment. An outsider would not have behaved in such a way. That the stranger had deliberately taken down her name in his book while she was watching him did not displease her at all. He wished her to know of his longing, but he was evidently determined to keep it hidden from others.
She felt now in the very heart of a romantic adventure, and thrilled with excitement about the future. What would happen when they all got to Paris? It was evident to her now that he did not know she had an apartment there—unless, indeed, he had first seen her in Paris and had, perhaps, followed her to London! But even if that were so it was unlikely that he knew where she lived.
In any case she knew he was going to the Ritz.
The train flew on towards the sea while she mused over possibilities and imagined events in Paris.
She knew now, of course, that the stranger was absolutely out of her world. His ignorance proved to her that he could not be in any society she moved in. She guessed that he was some charming young man from a distance, come to Europe perhaps for the first time—some ardent youth from Brazil, from Peru, from Mexico! The guess gave colour to the adventure. He knew her name now. She wondered what his name was. And she wondered about the old woman in the wig and about the sardonic friend. In what relation did the three people stand to each other?
She could not divine. But she thought that perhaps the old woman was the mother of the man she wished to know.
She had a private cabin on the boat. It was on the top deck. But, as the weather was fine and the sea fairly calm, her maid occupied it with the jewel-case, while she sat in the open on a deck chair, well wrapped up in a fur rug. Presently an acquaintance, a colonel in the Life Guards, joined her, established himself in a chair at her side, and kept her busy with conversation.
When the ship drew out into the Channel several men began to pace up and down the deck with the sturdy determination of good sailors resolved upon getting health from the salt briskness of the sea. Among them were the two men of the trio. The old woman had evidently gone into hiding.
As Lady Sellingworth conversed with her colonel she made time, as a woman can, for a careful and detailed consideration of the man on whom her thoughts were concentrated. Although he did not look at her as he passed up and down the deck, she knew that he had seen where she was sitting. And, without letting the colonel see what she was doing, she followed the tall, athletic figure in the long, rough, greenish-brown overcoat with her eyes, looking away when it drew very near to her. And now and then she looked at its companion.
In the Paris rapide she was again alone in a carriage reserved for her. She did not go into the restaurant to lunch, as she hated eating in a crowd. Instead, her maid brought her a luncheon basket which had been supplied by the chef in Berkeley Square. After eating she smoked a cigarette and read the French papers which she had bought at the Calais station. And then she sat still and looked out of the window, and thought and dreamed and wondered and desired.
Although she did not know it, she was living through almost the last of those dreams which are the rightful property of youth, but which sometimes, obstinate and deceitful, haunt elderly minds, usually to their undoing.
The light began to fade and the dream to become more actual. She lived again as she had lived in the days when she was a reigning beauty, when there was no question of her having to seek for the joys and the adventures of life. In the twilight of France she reigned.
A shadow passed by in the corridor. She had scarcely seen it. Rather she had felt its passing. But the dream was gone. She was alert, tense, expectant. Paris was near. And he was near. She linked the two together in her mind. And she felt that she was drawing close to a climax in her life. A conviction took hold of her that some big, some determining event was going to happen in Paris, that she would return to London different—a changed woman.
Happiness changes! She was travelling in search of happiness. The wild blood in her leaped at the thought of grasping happiness. And she felt reckless. She would dare all, would do anything, if only she might capture happiness. Dignity, self-respect, propriety, the conventions—what value had they really? To bow down to them—does that bring happiness? Out of the way with them, and a straight course for the human satisfaction which comes only in following the dictates of the nature one is born with!
Lights twinkled here and there in the gloom. Again the shadow passed in the corridor. A moment later Lady Sellingworth’s maid appeared to take charge of the jewel-case.
The crowd at the Gare du Nord was great, and the station was badly lit. Lady Sellingworth did not see her reason for coming to Paris. A carriage was waiting for her. She got into it with her jewel-case, and drove away to her apartment, leaving her maid to follow with the luggage.
In the evening she dined alone, and she went to bed early.
She had made no engagements in Paris; had not told any of her friends there that she was going to be there for some days. She had no wish to go into society. Her wish was to be perfectly free. But as she lay in bed in her pretty, familiar room, she began to wonder what she was going to do. She had come to Paris suddenly, driven by an intense caprice, without making any plans, without even deciding how long she was going to stay. She had imagined that in loneliness she would keep a hold on liberty. But now she began to wonder about things.
Even her secret wildness did not tell her that she could “knock about” in Paris like a man. For one thing she was far too well known for that. Many people might recognize her. When she had been much younger she had certainly been to all sorts of odd places, and had had a wonderful time. But somehow, with the passing of the years, she had learnt to pay some attention to the imp within her, though there were moments when she defied him. And he told her that she simply could not now do many of the daring things which she had done when she was a brilliant and lovely young woman. Besides, what would be the use? Almost suddenly she realized the difficulty of her situation.
She could not very well go about Paris alone. And yet to go about in company must inevitably frustrate the only purpose which had brought her to Paris. She had come there with an almost overwhelming desire, but with no plan for its realization.
But surely he had a plan. He must certainly have one if, as she still believed, in spite of the trio, he had meant her to come to Paris when he did. She wondered intensely what his plan was. He looked very determined, audacious even, in spite of the curious and almost pleading softness of his eyes, a softness which had haunted her imagination ever since she had first seen him. She felt convinced that, once thoroughly roused, he would be a man who would stick at very little, perhaps at nothing, in carrying out a design he had formed. His design was surely to make her acquaintance, and to make it in Paris. Yet he had come over with two people, while she had come alone. What was he going to do? She longed to know his plan. She wished to conform to it. Yet how could she do that in total ignorance of what his plan was? Perhaps he knew her address and would communicate with her. But that morning he had not even known her name! She felt excited but puzzled. As the night grew late she told herself that she must cease from thinking and try to sleep. She must leave the near future in the lap of the gods. But she could not make her mind a blank. Over and over again she revolved the matter which obsessed her in her mind. Almost for the first time in her life she ardently wished she were a man, able to take the initiative in any matter of love.
The clocks of Paris were striking three before at last she fell asleep.
When she woke in the morning late and had had her coffee she did not know how she was going to spend the day. She felt full of anticipation, excited, yet vague, and usually lonely. The post brought her nothing. About noon she was dressed and ready for the day. She must go out, of course. It would be folly to remain shut up indoors after all the bother of the journey. She must lunch somewhere, do something afterwards. There was a telephone in her bedroom. She knew lots of people in Paris. She might telephone to someone to join her at lunch at the Ritz or somewhere. Afterwards they might go to a matinee or to a concert. But she was afraid of getting immersed in engagements, of losing her freedom. She thought over her friends and acquaintances in Paris. Which of them would be the safest to communicate with? Which would be most useful to her, and would trouble her least? Finally she decided on telephoning to a rich American spinster whom she had known for years, a woman who was what is called “large minded,” who was very tolerant, very understanding, and not more curious than a woman has to be. Caroline Briggs could comprehend a hint without demanding facts to explain it.
She telephoned to Caroline Briggs. Miss Briggs was at home and replied, expressing pleasure and readiness to lunch with Lady Sellingworth anywhere. After a moment’s hesitation Lady Sellingworth suggested the Ritz. Miss Briggs agreed that the Ritz would be the best place.
They met at the Ritz at one o’clock.
Miss Briggs, a small, dark, elderly and animated person, immensely rich and full of worldly wisdom, wondered why Lady Sellingworth had come over to Paris, was told “clothes,” and smilingly accepted the explanation. She knew Lady Sellingworth very well, and, being extremely sharp and intuitive, realized at once that clothes had nothing to do with this sudden visit. A voice within her said: “It’s a man!”
And presently the man came into the restaurant, accompanied by the eternal old woman in the black wig.
Now Caroline Briggs had an enormous and cosmopolitan acquaintance. She was the sort of woman who knows wealthy Greeks, Egyptian pashas, Turkish princesses, and wonderful exotic personages from Brazil, Persia, Central America and the Indies. She gave parties which were really romantic, which had a flavour, as someone had said, of the novels of Ouida brought thoroughly up to date. Lady Sellingworth had been to some of them, and had not forgotten them. And it had occurred to her that if anyone she knew was acquainted with the brown man, that person might be Caroline Briggs. She had, therefore, come to the Ritz with a faint hope in her mind.
Miss Brigs happened to be seated with her smart back to the man and old woman when they entered the restaurant, and they sat down at a table behind her, but in full view of Lady Sellingworth, who wished to draw her companion’s attention to them, but who also was reluctant to show any interest in them. She knew that Miss Briggs knew a great deal about her, and she did not mind that. But nevertheless, she felt at this moment a certain pudeur which was almost like the pudeur of a girl. Had it come to her with her entrance into the fifties? Or was it a cruel gift from her imp? She was not sure; but she could not persuade herself to draw Miss Briggs’s attention to the people who interested her until the bill was presented and it was almost time to leave the restaurant.
Then at last she could keep silence no longer, and she said:
“The people one sees in Paris seem to become more and more extraordinary! Many of them one can’t place at all.”
Miss Briggs, who had lived in Paris for quite thirty years, remarked:
“Do you think they are more extraordinary than the people one sees about London?”
“Yes, really I do. That old woman in the black wig over there, for instance, intrigues me. Where can she come from? Who can she be?”
Miss Briggs looked carelessly round, and at once understood the reason of Lady Sellingworth’s remarks. “The man” was before her, and she knew it. How? She could not have said. Had she been asked she would probably have replied: “My bones told me.”
“Oh,” she said, after the look. “She’s the type of old woman who is born and brought up in Brazil, and who, when she is faded, comes to European spas for her health. I have met many of her type at Aix and Baden Baden.”
“Ah!” replied Lady Sellingworth carelessly. “You don’t know her then?”
“No. But I have seen her two or three times within the last few months—three times to be exact. Twice she has travelled in the same train as I was in, though not in the same compartment, and once I saw her dining here. Each time she was with that marvelously handsome young man. I really noticed her—don’t blame me—because of him.”
“Perhaps he’s her son.”
“He may be her husband.”
“Oh—but the difference in their ages! She must be seventy at least, if not more.”
“She may be very rich, too,” said Miss Briggs dryly.
Lady Sellingworth remembered that it was always said that Miss Briggs’s enormous fortune had kept her a spinster. She was generally supposed to be one of those unfortunately cynical millionairesses who are unable to believe in man’s disinterested affection.
“Shall we go?” said Lady Sellingworth.
Miss Briggs assented, and they left the restaurant.
They spent the afternoon together at a matinee at the Opera Comique, and afterwards Miss Briggs came to tea at Lady Sellingworth’s apartment. Not another word had been said about the two strangers, but Lady Sellingworth fully realized that Caroline Briggs had found her out. When her friend finally got up to go she asked Lady Sellingworth how long she intended to stay in Paris.
“Oh, only a day or two,” Lady Sellingworth said. “I’ve got to see two or three dressmakers. Then I shall be off. I haven’t told anyone that I am here. It didn’t seem worth while.”
“And you won’t be dull all alone?”
“Oh, no, I am never dull. I love two or three days of complete rest now and then. One isn’t made of cast iron, although some people seem to think one is, or at ay rate ought to be.”
There was a tired sound in her voice as she said this, and Miss Briggs’s small and sharp, but kind, eyes examined her face rather critically. But Miss Briggs only said:
“Come and dine with me to-morrow night in my house. I shall be quite alone.”
“Thank you, Caroline.”
She spoke rather doubtfully and paused. But finally she said:
“I will with pleasure. What time?”
“Half-past eight.”
When Miss Briggs had gone Lady Sellingworth gave way to an almost desperate fit of despondency. She felt ashamed of herself, like a sensitive person found out in some ugly fault. She sat down, and almost for the first time in her life mentally she wrestled with herself.
Something, she did not quite know what, in Caroline Briggs’s look, or manner, or surmised mental attitude that day, had gone home to her. And that remark, “He may be her husband,” followed by, “she may be very rich, too,” had dropped upon her like a stone.
It had never occurred to her that the old woman in the wig might be the young man’s wife. But she now realized that it was quite possible.
She had always known, since she had known Caroline, that her friend was one of those few women who are wholly free from illusions. Miss Briggs had not only never fallen into follies; she had avoided natural joys. She had perhaps even been the slave of her self-respect. Never at all good-looking though certainly not ugly, she had been afraid of the effect of her wealth upon men. And because she was so rich she had never chosen to marry. She was possibly too much of a cynic, but she had always preserved her personal dignity. No one had ever legitimately laughed at her, and no one had ever had the chance of contemptuously pitying her. She must have missed a great deal, but now in middle-age she was surround by friends who respected her.
That was something.
And—Lady Sellingworth was sure of it—Caroline was not ravaged by the Furies who attack “foolish” middle-aged women.
What did Caroline Briggs think of her? What must she think?
Caroline knew well nearly all the members of the “old guard,” and most of them were fond of her. She had never got in any woman’s way with a man, and she was never condemnatory. So among women she was a very popular woman. Many people confided in her. Lady Sellingworth had never done this. But now she wished that she could bring herself to do it. Caroline must certainly know her horribly well. Perhaps she could be helped by Caroline.
She needed help, for she was abominably devoid of moral courage.
She did not quite know why at this particular moment she was overwhelmed by a feeling of degradation; she only knew that she was overwhelmed. She felt ashamed of being in Paris. She even compared herself with the horrible old woman in the wig, who, perhaps, had bought the brown man as she might have bought a big Newfoundland dog.
Fifty! Fifty! Fifty! It knelled in her ears. Caroline saw her as a woman of fifty. Perhaps everyone really saw her so. And yet—why had the man given her that strange look in Bond Street? Why had he wished her to come to Paris? She tried, with a really unusual sincerity, to find some other reason than the reason which had delighted her vanity. But she failed. Sincerely she failed.
And yet—was it possible?
She thought of giving up, of becoming like Caroline. It would be a great rest. But how empty her life would be. Caroline’s life was a habit. But such a life for her would be an absolute novelty. No doubt Caroline’s reward had come to her in middle-age. Middle-age was bringing something to her, Adela Sellingworth, which was certainly not a reward. One got what one earned. That was certain. And she had earned wages which she dreaded having paid to her.
She had a good brain, and she realized that if she had the moral courage she might—it was possible—be rewarded by a peace of mind such as she had never yet known. She was able as it were to catch a glimpse of a future in which she might be at ease with herself. It even enticed her. But something whispered to her, “It would be stagnation—death in life.” And then she was afraid of it.
She spent the evening in miserable depression, not knowing what she could do. She distrusted and almost hated herself. And she could not decide whether or not on the morrow to give Caroline some insight into her state of mind.
On the following day she was still miserable, even tormented, and quite undecided as to what she was going to do.
She spent the morning at her dressmaker’s, and walked, with her maid, in the Rue de la Paix. There she met a Frenchwoman whom she knew well, Madame de Gretigny, who begged her to come to lunch at her house in the Faubourg St. Honore. She accepted. What else could she do? After lunch she drove with her friend in the Bois. Then they dropped in to tea with some French mutual friends.
The usual Paris was gently beginning to take possession of her. What was the good of it all? What had she really expected of this visit? She had started from London with a crazy sense of adventure. And here she was plunged in the life of convention! Oh, for the freedom of a man! Or the stable content of a Caroline Briggs!
At moments she felt enraged.
She saw the crowds passing in the streets, women tripping along consciously, men—flaneurs—strolling with their well-known look of watchful idleness, and she felt herself to be one of life’s prisoners. And she knew she would never again take hands with the Paris she had once known so well. Why was that? Because of something in herself, something irrevocable which had fixed itself in her with the years. She was changing, had changed, not merely in body, but in something else. She felt that her audacity was sinking under the influence of her diffidence. Suddenly it occurred to her that perhaps this sudden visit to Paris on the track of an adventure was the last strong effort of her audacity. How would it end? In a meek and ridiculous return to London after a lunch with Caroline Briggs, a dinner with Caroline, a visit to the Opera Comique with Caroline! That really seemed the probable conclusion of the whole business. And yet—and yet she still had a sort of queer under feeling that she was drawing near to a climax in her life, and that, when she did return to London, she would return a definitely changed woman.
At half-past eight that night she walked into Caroline’s wonderful house in the Champs-Elysees.
During dinner the two women talked as any two women of their types might have talked, quite noncommittally, although, in a surface way, quite intimately. Miss Briggs was a creature full of tact, and was the last person in the world to try to force a confidence from anyone. She was also not given at any time to pouring out confidences of her own.
After dinner they sat in a little room which Miss Briggs had had conveyed from Persia to Paris. Everything in it was Persian. When the door by which it was entered had been shut there was absolutely nothing to suggest Europe to those within. A faint Eastern perfume pervaded this strange little room, which suggested a deep retirement, an almost cloistered seclusion. A grille in one of the walls drew the imagination towards the harem. It seemed that there must be hidden women over there beyond it. Instinctively one listened for the tinkle of childish laughter, for the distant plash of a fountain, for the shuffle of slippers on marble.
Lady Sellingworth admired this room, and envied her friend for possessing it. But that night it brought to her a thought which she could not help expressing.
“Aren’t you terribly lonely in this house, Caroline?” she said. “It is so large and so wonderful that I should think it must make solitude almost a bodily shape to you. And this room seems to be in the very heart of the house. Do you ever sit here without a friend or guest?”
“Now and then, but not often at night,” said Miss Briggs, with serene self-possession.
“You are an extraordinary woman!” said Lady Sellingworth.
“Extraordinary! Why?”
“Because you always seem so satisfied to live quite alone. I hate solitude. I’m afraid of it.”
Suddenly she felt that she must be partially frank with her hostess.
“Is self-respect a real companion for a woman?” she said. “Can one sit with it and be contented? Does it repay a woman for all the sacrifices she has offered up to it? Is it worth the sacrifices? That’s what I want to know.”
“I dare say that depends on the woman’s mental make up,” replied Miss Briggs. “One woman, perhaps, might find that it was, another that it was not.”
“Yes, we are all so different, so dreadfully different, one from another.”
“It would be very much duller if we weren’t.”
“Even as it is life can be very dull.”
“I should certainly not call your life dull,” said Miss Briggs.
“Anyhow, it’s dreadful!” said Lady Sellingworth, with sudden abandonment.
“Why is it dreadful?”
“Caroline, I was fifty a few days ago.”
As Lady Sellingworth said this she observed her friend closely to see if she looked surprised. Miss Briggs did not look surprised. And she only said:
“Were you? Well, I shall be fifty-eight in a couple of months.”
“You don’t look it.”
“Perhaps that’s because I haven’t looked young for the last thirty years.”
“I hate being fifty. The difficulty with me is that my—my nature and my temperament don’t match with my age. And that worries me. What is one to do?”
“Do you want me to advise you about something?”
“I think I do. But it’s so difficult to explain. Perhaps there is a time to give up. Perhaps I have reached it. But if I do give up, what am I to do? How am I to live? I might marry again.”
“Why not?”
“It would have to be an elderly man, wouldn’t it?”
“I hope so.”
“I—I shouldn’t care to marry an elderly man. I don’t want to.”
“Then don’t do it.”
“You think if I were to marry a comparatively young man—”
She paused, looking almost pleadingly at the uncompromising Miss Briggs.
“I’m convinced of this, that no really normal young man could ever be contented long if he married a middle-aged woman. And what intelligent woman is happy with an abnormal man?”
“Caroline, you are so dreadfully frank!”
“I say just what I think.”
“But you think so drastically. And you are so free from sentiment.”
“What is called sentiment is very often nothing but what is described in the Bible as the lust of the eye.”
This shaft, perhaps not intended to be a shaft, went home. Lady Sellingworth reddened and looked down.
“I dare say it is,” she murmured. “But—no doubt some of us are more subject to temptation than others.”
“I’m sure that is so.”
“It’s very difficult to give up deliberately nearly all that has made life interesting and attractive to you ever since you can remember. Caroline, would you advise me to—to abdicate? You know what I mean.”
Miss Briggs’s rather plain, but very intelligent, face softened.
“Adela, my dear,” she said, “I understand a great deal more than you have cared to hint at to me.”
“I know you do.”
“I think that unless you change your way of life in time you are heading straight for tragedy. We both know a lot of women who try to defy the natural law. Many of them are rather beautiful women. But do you think they are happy women? I don’t. I know they aren’t. Youth laughs at them. I don’t know what you feel about it, but I think I would rather be pelted with stones than be jeered at by youth in my middle age. Respect may sound a very dull word, but I think there’s something very warm in it when it surrounds you as you get old. In youth we want love, of course, all of us. But in middle age we want respect too. And nothing else takes its place. There’s a dignity of the soul, and women like us—I’m older than you, but still we are neither of us very young any longer—only throw it away at a terrible price. When I want to see tragedy I look at the women who try to hang on to what refuses to stay with them. And I soon have to shut my eyes. It’s too painful. It’s like looking at bones decked out with jewels.”
Lady Sellingworth sat very still. There was a long silence between the two friends. When they spoke again they spoke of other things.
That night Lady Sellingworth told her maid to pack up, as she was returning to London by the morning express on the following day.
At the Gare du Nord there was the usual bustle. But there was not a great crowd of travellers for England, and Lady Sellingworth without difficulty secured a carriage to herself. Her maid stood waiting with the jewel-case while she went to the bookstall to buy something to read on the journey. She felt dull, almost miserable, but absolutely determined. She knew that Caroline was right. She thought she meant to take her advice. At any rate, she would not try to pursue the adventure which had lured her to Paris. How she would be able to live when she got home she did not know. But she would go home. It had been absurd, undignified of her to come to Paris. She would try to forget all about it.
She bought a book and some papers; then she walked to the train.
“Are you going to get in, my lady?” said the maid.
“Yes. You can put in the jewel-case.”
The maid did so, and Lady Sellingworth got into the carriage and sat next to the window on the platform side, facing the engine, with the jewel-case beside her on the next seat. The corridor was between her and the platform. On the right, beyond the carriage door, the line was blocked by another train at rest in the station.
She sat still, not reading, but thinking. The maid went away to her second-class carriage.
Lady Sellingworth continued to feel very dull. Now that she was abandoning this adventure, or promise of adventure, she knew how much it had meant to her. It had lifted her out of the anger and depression in which she had been plunged by the Rupert Louth episode. It had appealed to her wildness, had given her new hope, something to look forward to, something that was food for her imagination. She had lived in an imagined future that was romantic, delicious and turbulent. Now she knew exactly how much she had counted on this visit to Paris as the door through which she would pass into a new and extraordinary romance. She had felt certain that something wonderful, something unconventional, bizarre, perhaps almost maddening, was going to happen to her in Paris.
And now—At this moment she became aware of some influence which drew her attention to the platform on her left. She had not seen anyone; she had simply felt someone. She turned her head and looked through the window of the corridor.
The brown man was on the platform alone, standing still and looking intently towards her carriage. Two or three people passed him. He did not move. She felt sure that he was waiting for her to get out, that this time he meant to speak to her.
In a moment all her good resolutions, all the worldly wise advice of Miss Briggs, all her dullness and despair were forgotten. The wildness that would not die surged up in her. Her vanity glowed. She had been wrong, utterly wrong. Miss Briggs had been wrong. Despite the difference between their ages, this man, young, strong, amazingly handsome, must have fallen in love with her at first sight. He must have—somehow—been watching her in Paris. He must have ascertained that she was leaving Paris that morning, have followed her to the station determined at all costs to have a word with her.
Should she let him have that word?
Just for an instant she hesitated. Then, almost passionately, she gave way to a turbulent impulse. She felt reckless. At that moment she was almost ready to let the train go without her. But there were still a few, a very few, minutes before the time for its departure. She got up, left the carriage, and stood in the corridor looking out of the window. Immediately the man slightly raised his hat, sent her a long and imploring look, and then moved slowly away down the platform in the direction of the entrance to it. She gazed after him. He paused, again raised his hat, and made a very slight, scarcely noticeable gesture with his hand. Then he remained where he was.
Saying to herself that she would certainly not obey his obvious wish and follow him, but would simply get out of the train and take a few breaths of air on the platform—as any woman might to while away the time—Lady Sellingworth made her way to the end of the corridor and descended to the platform. The brown man was still there, a little way off. Several people were hurrying to take their places in the train. Porters were carrying hand luggage, or wheeling trucks of heavy luggage to the railway vans. No one seemed to have any time to take notice of her or of the man. She did not look at him, but began slowly to stroll up and down, keeping near to her carriage. She had given him his chance. Now it was for him to take firm hold on it. She fully expected that he would come up and speak to her. She thrilled with excitement at the prospect. What would he say? How would he act? Would he explain why he had done nothing in Paris? Would he beg her to stay on in Paris? Would he ask to be allowed to visit her in London? Would he—But he did not come up to her.
After taking several short turns, keeping her eyes resolutely away from the place where he was standing, Lady Sellingworth could not resist the impulse to look towards him to see what he was doing. She lifted her eyes.
He was gone.
“En voiture!” cried a hoarse voice.
She stood still.
“En voiture! En voiture!”
Mechanically she moved. She went to her carriage, put her hand on the rail, mounted the steps, passing into the corridor, and reached her compartment just as the train began to move.
What had happened to him? What was the meaning of it all? Was he travelling to England too? Had he got into the train?
She sat down wondering, almost confused.
Mechanically she let her right hand drop on to the seat beside her. She was so accustomed when travelling to have her jewel-case beside her that her hand must have missed it though her thoughts were far from it. For immediately after dropping her hand she looked down.
The jewel-case was gone.
Instantly her feeling of confusion was swept away; instantly she understood.
She had been caught in a trap by a clever member of the swell mob operating with a confederate. While she had been on the platform, to which she had been deliberately enticed, the confederate had entered the compartment from the line, through the doorway on the right-hand side of her carriage, and had carried off the jewel-case.
The revelation of the truth almost stunned something in her. Yet she was able to think quite clearly. She did nothing. She just sat still and understood, and went on understanding, while the train quickened its pace on its way towards the sea.
By the time it slowed down, and the dull houses of Calais appeared, she had made up her mind about the future. Her vanity had received at last a mortal blow. The climax had come. It was not what she had expected, but her imp—less satirical now than desperately tragic and powerfully persuasive, told her that it was what she deserved. And she bowed her head to his verdict, not with tears, but with a cold and stormy sense of finality.
When the train stopped at the harbour station her maid appeared in the corridor.
“Shall I take the jewel-case, my lady?”
Lady Sellingworth stood up. She had not decided what to say to her maid. She was taken by surprise. As she stood, her tall figure concealed the seat on which the jewel-case had been lying. For an instant she looked at the maid in silence. Perhaps the expression of her face as strange, for after a pause the maid said anxiously:
“Whatever is it, my lady?”
“Never mind about the jewel-case!” said Lady Sellingworth.
“But—”
“It’s gone!”
“Gone, my lady!” said the maid, looking aghast. “Gone where?”
“It was taken at the station in Paris.”
“Taken, my lady! But it was in the carriage by the side of your ladyship! I never left it. I had it in my own hands till your ladyship—”
“I know—I know! Don’t say anything more about it. It’s gone, and we shall never see it again.”
The maid stared, horrified, and scenting a mystery.
“Get that porter! Make haste!”
They got down from the train. Lady Sellingworth turned to make her way to the ship.
“But, my lady, surely we ought to speak to the police? All your beautiful jewels—”
“The police could do nothing. It is too late! I should only have endless trouble, and no good would come of it.”
“But your ladyship was in the carriage with them!”
“Yes, I know! Now don’t say any more about the matter!”
There was something in her tone which struck the maid to silence. She said not another word till they were on the ship.
Then Lady Sellingworth went to the cabin which she had telegraphed for.
“I am going to lie down,” she said. “You can leave me.”
“Yes, my lady.”
After arranging things in the cabin the maid was about to go when Lady Sellingworth said:
“You have been with me a long time, Henderson. You have been very useful to me. And I think I have been a good mistress to you.”
“Oh, yes, my lady, indeed you have. I would do anything for your ladyship.”
“Would you? Then try to hold your tongue about this unfortunate occurrence. Talking can do no good. I shall not inform the police. The jewels are gone, and I shan’t get them back. I have a great dislike of fuss and gossip, and only wish to be left in peace. If you talk, all this is sure to get into the papers. I should hate that.”
“Yes, my lady. But surely the police—”
“It is my business, and no one else’s, to decide what is best in this matter. So hold your tongue, if you can. You will not repent it if you do.”
“Yes, my lady. Certainly, my lady.”
The maid was obviously horrified and puzzled. But she left her mistress without another word.
They arrived in Berkeley Square in the evening.
That evening which Lady Sellingworth spent in solitude was the turning point in her life. During it and the succeeding night she went down to the bedrock of realization. She allowed her brains full liberty. Or they took full liberty as their right. The woman of the grey matter had it out with the woman of the blood. She stared her wildness in the face and saw it just as it was, and resolved once for all to dominate it for the rest of her days. She was not such a fool as to think that she could ever destroy it. No doubt it would always be there to trouble her, perhaps often to torture her. But rule her, as it had ruled her in the past, it never should again. Her resolve about that was hard, of a rock-like quality.
She had done with a whole side of life, and it was the side for which she had lived ever since she was a girl of sixteen. The renunciation was tremendous, devastating almost. She thought of a landslide carrying away villages, whole populations. How true had been the instinct which had told her that she was drawing near to a climax in her life! Had ever a woman before her been brought in a flash to such a cruel insight? It was as if a tideless sea, by some horrible miracle, retreated, leaving naked rocks which till that moment had never been seen by mortal eyes, hideous and grotesque rocks covered with slime and ooze.
And she stood alone, staring at them.
She remembered the dinner in her house at which there had been the discussion about happiness, and the desire of the old Anglo-Indian for complete peace of mind. Could a woman gain that mysterious benefit by giving up? Could such a thing ever be hers? She did not believe it. But she knew all the torture of striving. In her renunciation she would at least be able to rest, to rest in being frankly and openly what she was. And she knew she was tired. She was very tired. Perhaps some of the “old guard” were made of cast iron. But she was not.
The “old guard”! With the thought of that body of wonderful women came a flood of memories. She remembered “The Hags’ Hop.” She saw Rocheouart standing before her; Rupert Louth; other young men, all lively, handsome, ardent, bursting with life and the wish to enjoy.
Was there ever a time when the human being could utterly forego the wish to enjoy? To her there seemed to be hidden in desire seeds of eternity. The struggle for her, then, was not yet over. Perhaps it would only cease in the grave. And after? Sellingworth had often told her that there was no hereafter. And at the time she had believed him. But she was not sure now. For even the persistence of desire seemed to point to something beyond. But she would not bother about that. She was held fast enough in the present.
What would the “old guard” say of her, think of her, in a very short time? What a defection hers would be! For she had resolved to take a plunge into middle age. No gliding into it for her! She would let everything go which was ready to go naturally. Her Greek had already lost his job, although as yet he did not know it.
Caroline Briggs would believe that the change which was at hand, the change which would be discussed, perhaps laughed at, praised by some, condemned by others, had been brought about by the conversation in the Persian Room. She would never know the truth. No one of Lady Sellingworth’s set would ever know it. For no one, except a thief and his underlings, knew of the last folly of poor old Adela Sellingworth!
Poor old Adela Sellingworth!
As Lady Sellingworth called herself bitterly by that name tears at last came into her luminous eyes. Secretly she wept over herself, although the tears did not fall down upon her cheeks. She had done many foolish things, many wild things, many almost crazy things in her life. But that day she had surely been punished for them all. When she thought of the thieves’ plot against her, of the working out of it, she saw herself lying, like a naked thing, in the dust. Such men! How had they known her character? Somehow they must have got to know it, and devised their plan to appeal to it. They had woven just the right net to catch her in its folds. She seemed to hear their hideous discussions about her. The long look in Bond Street had been the first move in the horrible game. And she in her folly had connected the game with romance, with something like love even.
Love! A life such as hers had been was the prostitution of love, and now she deserved to be loveless for the rest of her life. Vanity and sensuality had been her substitutes for love. She had dealt in travesty and had pretended, even to herself, that she was following reality. It was amazing how she had managed to deceive herself.
She would never do that again.
Very late that night, alone in her bedroom, she sat before a mirror and looked into it, saying good-bye to the self which she had cherished and fostered so long, had lived for recklessly sometimes, ruthlessly almost always. She saw a worn, but still very handsome woman. But she told herself that the woman was hideous. For really she was looking at the woman underneath, the woman who was going to emerge very soon into the daylight with a frankly lined face crowned with grey or perhaps even white hair, at the woman who was the truth, at herself. This woman before her was only a counterfeit, a marvellously clever artificiality.
There were two electric lights at the sides of the mirror. She turned them both on. She wanted crude light just then. Cruelty she was taking to her bosom. She was grasping her nettle with both hands.
Yes, the artificiality was marvellously clever! The Greek had been worth his money. He had created a sort of human orchid whose petals showed few, wonderfully few, signs of withering.
But she had wanted to be not the orchid but really the rose. And so she was down in the dust.
Poor old Adela Sellingworth, who in a very short time—how long exactly would the Greek’s work take to crumble—would look even older than fifty!
She turned out the lights presently and got into bed. When she had made the big bedroom dark, and had stretched her long body out between the sheets of Irish linen, she felt terrifically tired, tired in body and spirit, but somehow not in mind. Her mind was almost horribly alive and full of agility. It brought visions before her; it brought voices into her ears.
She saw men of the underworld sitting together in shadows and whispering about her, using coarse words, undressing her character, commenting upon it without mercy, planning how they would make use of it to their advantage. She heard them laughing about her and about all the women like her.
And presently she saw an old woman with a white face, a withered throat and vague eyes, an old woman in a black wig, smiling as she decked herself out in the Sellingworth jewels.
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