The thunder boomed, the lightning glared, the storm-winds raged, the deluge poured down. The mimic royalty on the stage, with their soaked satins clinging to their bodies, slopped about ankle-deep in water, warbling their sweetest and best, the fiddlers under the eaves of the stage sawed away for dear life, with the cold overflow spouting down the backs of their necks, and the dry and happy King sat in his lofty box and wore his gloves to ribbons applauding.
"More yet!" cried the King; "more yet—let loose all the thunder, turn on all the water! I will hang the man that raises an umbrella!"
When this most tremendous and effective storm that had ever been produced in any theater was at last over, the King's approbation was measureless. He cried:
"Magnificent, magnificent! ENCORE! Do it again!"
But the manager succeeded in persuading him to recall the encore, and said the company would feel sufficiently rewarded and complimented in the mere fact that the encore was desired by his Majesty, without fatiguing him with a repetition to gratify their own vanity.
During the remainder of the act the lucky performers were those whose parts required changes of dress; the others were a soaked, bedraggled, and uncomfortable lot, but in the last degree picturesque. The stage scenery was ruined, trap-doors were so swollen that they wouldn't work for a week afterward, the fine costumes were spoiled, and no end of minor damages were done by that remarkable storm.
It was a royal idea—that storm—and royally carried out.
But observe the moderation of the King; he did not
insist upon his encore. If he had been a gladsome,
unreflecting American opera-audience, he probably would
have had his storm repeated and repeated until he drowned
all those people.
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