A Siren


CHAPTER IX

Conclusion

Little more need be added to complete this story of a great singer's Carnival engagement, and the consequences that arose out of it.

The consternation, the talk, the moralizings, of the little city may be readily imagined.

Of course the written statement left by the unhappy Marchese made all further judicial inquiry unnecessary. When the hand of a mightier power than that of any earthly judge struck him down before the eyes of all that world whose good opinion he had valued so highly, in the manner that has been related, the tribunal, of course, declared the business before it to be suspended. The result made it needless ever to resume the sitting. No retarded evidence against the Marchese had been given in court—no record of any accusation against him remained in the archives of it: and this was deemed to be a great point among a people who do not, by any means, hold that the law is the same "de non apparentibus et de non existentibus."

Of course there was no further obstacle to the marriage, in due time, of Ludovico and Paolina. A proper interval had, of course, to be allowed to elapse before the knot was definitively tied; but it was settled, and known to be settled by all Ravenna, and the strange and moving circumstances which had attended the young Marchese's fortunes had the effect of causing his marriage with the Venetian artist to be accepted by the "Society" more tolerantly than, perhaps, might otherwise have been the case. There was a sort of feeling that the whole affair was exceptional; that the higher powers had visibly taken the management of it into their own hands; that it was destined so to be, and must be, as such, accepted. Too much of pity, of wonder, of congratulation, and of condolence, were due from all his world to leave any space for censure on account of his marriage.

Doubtless there were explanations between them as to that hapless expedition to the Pineta; and doubtless they were satisfactory. Assuredly Ludovico never in his moments of most severe self-examination, sharpened, as such self-examination was, by the terrible nature of the result which had seemed to grow out of his conduct on that Ash Wednesday morning, could accuse himself of having done aught that could reasonably be held to leave at his door the responsibility of the events that had followed from it. Italian men are not apt to bring into any prominence the idea that where evil or misfortune is found there fault of some kind must exist also. They are content, for the most part, to accept the notion that all such matters are sufficiently accounted for by attributing them to "disgrazia"—the absence of favour, that is to say—the want of that favour at the Heavenly Court which it is on every occasion of life seen to be so necessary to successful well-being to possess at the Courts of Heaven's ecclesiastical, or lay vice-gerents.

Paolina insisted on employing a part of the time which necessarily elapsed before her marriage in completing the engagement she had undertaken, and the promise she had made to her English patron. But she found herself compelled to beg that some other specimen, chosen from among the wonderful wealth of early Christian art that remains at Ravenna, might be substituted for that in the choir of St. Apollinare. She made the attempt to return to the scaffolding by the side of the window, but she found that her strength was unequal to the task. She could not bear to look on the prospect from that window. By agreement with her employer, some further figures from the mosaics in San Vitale were substituted for those which had originally been selected in St. Apollinare. Her associations with the former church were of a more pleasant character; and Paolina never visited the desolate old building "in Classe" again. When the specimens selected in lieu of those in the latter building had been completed, Paolina and her friend and protectress returned with them to Venice, where it had been arranged that they were to be delivered to the Director of the Gallery.

In the ensuing Carnival Ludovico came hither, and the marriage was there solemnized. It is not intended to insinuate that he had not often made the journey from Ravenna to Venice in the interval. More of his time was probably passed there than in his native city. From Venice the newly married couple proceeded to Rome, and it was not till three or four years later, that the Marchese and Marchesa di Castelmare, bringing with them their two boys Lamberto and Ludovico, and their little Violante, the most exquisite little fairy that ever was seen, returned to make the Marchese's ancestral palace, ancestral city, their home.

There was one other stranger in Ravenna whose lamentations over the fate that had ever brought him thither were as loud as they were sincere. The poor old singing-master, Quinto Lalli, was left, by the death of his adopted daughter, as destitute of the means of support as desolate in his home and heart. He was not worth much; but it would be unjust to suppose of him that his violent outcry on her murderer was wholly or mainly prompted by the former consideration. There had been a real and strong affection between him and his adopted daughter, and her death in truth left him utterly desolate.

Yet he never again quitted the city he so much regretted having ever seen. His comfortable support was adequately provided for by the Marchese Ludovico. And often in after years—on summer evenings on a stone bench beneath a fig-tree in the garden of the cottage provided for him, and in winter at the chimney corner of its tiny parlour—might be seen the tall spare nun-like figure of a grave and gentle lady, earnestly labouring at the somewhat up-hill task of consoling the old man, and striving to shape the teachings of his Bohemian life to a better lesson than he was apt to draw from them. It was the Contessa Violante; and it may be concluded from her occupation both that she succeeded in escaping the pursuit of the Duca di San Sisto, and that her great-uncle the Cardinal did not succeed in becoming Pope at the most recent vacancy.

spent in the home of her little god-daughter Violante di Castelmare, and of her friend Paolina.

THE END


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