Peter: A Novel of Which He is Not the Hero






CHAPTER III

Long before the two had reached the top floor of the building in which the dinner was to be given, they had caught the hum of the merrymakers, the sound bringing a smile of satisfaction to Peter's face, but it was when he entered the richly colored room itself, hazy with cigarette smoke, and began to look into the faces of the guests grouped about him and down the long table illumined by myriads of wax candles that all his doubts and misgivings faded into thin air. Never since his school days, he told me afterwards, had he seen so many boisterously happy young fellows grouped together. And not only young fellows, with rosy cheeks and bright eyes, but older men with thoughtful faces, who had relinquished for a day the charge of some one of the important buildings designed in the distinguished architect's office, and had spent the night on the train that they might do honor to their Chief.

But it was when Morris, with his arm fast locked in his, began introducing him right and left as the “Guest of Honor of the Evening,” the two shaking hands first with one and then another, Morris breaking out into joyous salvos of welcome over some arrival from a distant city, or greeting with marked kindness and courtesy one of the younger men from his own office, that the old fellow's enthusiasm became uncontrollable.

“Isn't it glorious, Holker!” he cried joyously, with uplifted hands. “Oh, I'm so glad I came! I wouldn't have missed this for anything in the world. Did you ever see anything like it? This is classic, my boy—it has the tang and the spice of the ancients.”

Morris's greeting to me was none the less hearty, although he had left me but half an hour before.

“Late, as I expected, Major,” he cried with out-stretched hand, “and serves you right for not sitting in Peter's lap in the cab. Somebody ought to sit on him once in a while. He's twenty years younger already. Here, take this seat alongside of me where you can keep him in order—they were at table when I entered. Waiter, bring back that bottle—Just a light claret, Major—all we allow ourselves.”

As the evening wore away the charm of the room grew upon me. Vistas hazy with tobacco smoke opened up; the ceiling lost in the fog gave one the impression of out-of-doors—like a roof-garden at night; a delusion made all the more real by the happy uproar. And then the touches here and there by men whose life had been the study of color and effects; the appointments of the table, the massing of flowers relieving the white cloth; the placing of shaded candles, so that only a rosy glow filtered through the room, softening the light on the happy faces—each scalp crowned with chaplets of laurel tied with red ribbons: an enchantment of color, form and light where but an hour before only the practical and the commonplace had held sway.

No vestige of the business side of the offices remained. Peter pointed out to me a big plaster model of the State House, which filled one end of the room, and two great figures, original plaster casts, heroic in size, that Harding, the sculptor, had modelled for either side of the entrance of the building; but everything that smacked of T-square or scale was hidden from sight. In their place, lining the walls, stood a row of standards of red and orange silk, stretched on rods and supported by poles; the same patterns of banners which were carried before Imperial Caesars when they took an airing; and now emblazoned with the titles of the several structures conceived in the brain of Holker Morris and executed by his staff: the Imperial Library in Tokio; the great Corn Exchange covering a city block; the superb Art Museum crowning the highest hill in the Park; the beautiful chateau of the millionaire surrounded by thousands of acres of virgin forest; the spacious warehouses on the water front, and many others.

With the passing of the flagons an electric current of good fellowship flashed around the circle. Stories that would have been received with but a bare smile at the club were here greeted with shouts of laughter. Bon-mots, skits, puns and squibs mouldy with age or threadbare with use, were told with a new gusto and welcomed with delight.

Suddenly, and without any apparent reason, these burst forth a roar like that of a great orchestra with every instrument played at its loudest—rounds of applause from kettle-drums, trombones and big horns; screams of laughter from piccolos, clarionettes and flutes, buzzings of subdued talk by groups of bass viols and the lesser strings, the whole broken by the ringing notes of a song that soared for an instant clear of the din, only to be overtaken and drowned in the mighty shout of approval. This was followed by a stampede from the table; the banners were caught up with a mighty shout and carried around the room; Morris, boy for the moment, springing to his feet and joining in the uproar.

The only guest who kept his chair, except Peter and myself, was a young fellow two seats away, whose eyes, brilliant with excitement, followed the merrymaking, but who seemed too much abashed, or too ill at ease, to join in the fun. I had noticed how quiet he was and wondered at the cause. Peter had also been watching the boy and had said to me that he had a good face and was evidently from out of town.

“Why don't you get up?” Peter called to him at last. “Up with you, my lad. This is one of the times when every one of you young fellows should be on your feet.” He would have grabbed a banner himself had any one given him the slightest encouragement.

“I would, sir, but I'm out of it,” said the young man with a deferential bow, moving to the empty seat next to Peter. He too had been glancing at Peter from time to time.

“Aren't you with Mr. Morris?”

“No, I wish I were. I came with my friend, Garry Minott, that young fellow carrying the banner with 'Corn Exchange' marked on it.”

“And may I ask, then, what you do?” continued Peter.

The young fellow looked into the older man's kindly eyes—something in their expression implied a wish to draw him the closer—and said quite simply: “I don't do anything that is of any use, sir. Garry says that I might as well work in a faro bank.”

Peter leaned forward. For the moment the hubbub was forgotten as he scrutinized the young man, who seemed scarcely twenty-one, his well-knit, well-dressed body, his soft brown hair curled about his scalp, cleanly modelled ears, steady brown eyes, white teeth—especially the mobile lips which seemed quivering from some suppressed emotion—all telling of a boy delicately nurtured.

“And do you really work in a faro bank?” Peter's knowledge of human nature had failed him for once.

“Oh, no sir, that is only one of Garry's jokes. I'm clerk in a stock broker's office on Wall Street. Arthur Breen & Company. My uncle is head of the firm.”

“Oh, that's it, is it?” answered Peter in a relieved tone.

“And now will you tell me what your business is, sir?” asked the young man. “You seem so different from the others.”

“Me! Oh, I take care of the money your gamblers win,” replied Peter, at which they both laughed, a spark of sympathy being kindled between them.

Then, seeing the puzzled expression on the boy's face, he added with a smile: “I'm Receiving Teller in a bank, one of the oldest in Wall Street.”

A look of relief passed over the young fellow's face.

“I'm very glad, sir,” he said, with a smile. “Do you know, sir, you look something like my own father—what I can remember of him—that is, he was—” The lad checked himself, fearing he might be discourteous. “That is, he had lost his hair, sir, and he wore his cravats like you, too. I have his portrait in my room.”

Peter leaned still closer to the speaker. This time he laid his hand on his arm. The tumult around him made conversation almost impossible. “And now tell me your name?”

“My name is Breen, sir. John Breen. I live with my uncle.”

The roar of the dinner now became so fast and furious that further confidences were impossible. The banners had been replaced and every one was reseated, talking or laughing. On one side raged a discussion as to how far the decoration of a plain surface should go—“Roughing it,” some of them called it. At the end of the table two men were wrangling as to whether the upper or the lower half of a tall structure should have its vertical lines broken; and, if so, by what. Further down high-keyed voices were crying out against the abomination of the flat roof on the more costly buildings; wondering whether some of their clients would wake up to the necessity of breaking the sky-line with something less ugly—even if it did cost a little more. Still a third group were in shouts of laughter over a story told by one of the staff who had just returned from an inspection trip west.

Young Breen looked down the length of the table, watched for a moment a couple of draughtsmen who stood bowing and drinking to each other in mock ceremony out of the quaint glasses filled from the borrowed flagons, then glanced toward his friend Minott, just then the centre of a cyclone that was stirring the group midway the table.

“Come over here, Garry,” he called, half rising to his feet to attract his friend's attention.

Minott waved his hand in answer, waited until the point of the story had been reached, and made his way toward Peter's end of the table.

“Garry,” he whispered, “I want to introduce you to Mr. Grayson—the very dearest old gentleman you ever met in your whole life. Sits right next to me.”

“What, that old fellow that looks like a billiard ball in a high collar?” muttered Minott with a twinkle in his eye. “We've been wondering where Mr. Morris dug him up.”

“Hush,” said Breen—“he'll hear you.”

“All right, but hurry up. I must say he doesn't look near so bad when you get close to him.”

“Mr. Grayson, I want you to know my friend Garry Minott.”

Peter rose to his feet. “I DO know him,” he said, holding out his hand cordially. “I've been knowing him all the evening. He's made most of the fun at his end of the table. You seem to have flaunted your Corn Exchange banner on the smallest provocation, Mr. Minott,” and Peter's fingers gripped those of the young man.

“That's because I've been in charge of the inside work. Great dinner, isn't it, Mr. Grayson. But it's Britton who has made the dinner. He's more fun than a Harlem goat with a hoopskirt. See him—that's Brit with a red head and blue neck-tie. He's been all winter in Wisconsin looking after some iron work and has come back jam full of stories.” The dignity of Peter's personality had evidently not impressed the young man, judging from the careless tone with which he addressed him. “And how are you getting on, Jack—glad you came, ar'n't you?” As he spoke he laid his hand affectionately on the boy's shoulder. “Didn't I tell you it would be a corker? Out of sight, isn't it? Everything is out of sight around our office.” This last remark was directed to Peter in the same casual way.

“I should say that every stopper was certainly out,” answered Peter in graver tones. He detested slang and would never understand it. Then again the bearing and air of Jack's friend jarred on him. “You know, of course, the old couplet—'When the wine flows the—'”

“No, I don't know it,” interrupted Minott with an impatient glance. “I'm not much on poetry—but you can bet your bottom dollar it's flowing all right.” Then seeing the shade of disappointment on Breen's face at the flippant way in which he had returned Peter's courtesies, but without understanding the cause, he added, tightening his arm around his friend's neck, “Brace up, Jack, old man, and let yourself go. That's what I'm always telling Jack, Mr. Grayson. He's got to cut loose from a lot of old-fashioned notions that he brought from home if he wants to get anywhere around here. I had to.”

“What do you want him to give up, Mr. Minott?” Peter had put on his glasses now, and was inspecting Garry at closer range.

“Oh, I don't know—just get into the swing of things and let her go.”

“That is no trouble for you to do,” rejoined Jack, looking into his friend's face. “You're doing something that's worth while.”

“Well, aren't you doing something that's worth while? Why you'll be a millionaire if you keep on. First thing you know the lightning will strike you just as it did your uncle.”

Morris leaned forward at the moment and called Minott by name. Instantly the young man's manner changed to one of respectful attention as he stepped to his Chief's side.

“Yes, Mr. Morris.”

“You tell the men up your way to get ready to come to order, or we won't get through in time—it's getting late.”

“All right, sir, I'll take care of 'em. Just as soon as you begin to speak you won't hear a sound.”

As Minott moved from Morris's seat another and louder shout arose from the other end of the table:

“Garry, Garry, hurry up!” came the cry. It was evident the young man was very popular.

Peter dropped his glasses from his nose, and turning toward Morris said in a low voice:

“That's a very breezy young man, Holker, the one who has just left us. Got something in him, has he, besides noise?”

“Yes, considerable. Wants toning down once in a while, but there's no question of his ability or of his loyalty. He never shirks a duty and never forgets a kindness. Queer combination when you think of it, Peter. What he will make of himself is another matter.”

Peter drew his body back and sent his thoughts out on an investigating tour. He was wondering what effect the influence of a young man like Minott would have on a young man like Breen.

The waiters at this point brought in huge trays holding bowls of tobacco and long white clay pipes, followed by even larger trays bearing coffee in little cups. Morris waited a moment and then rapped for order. Instantly a hush fell upon the noisy room; plates and glasses were pushed back so as to give the men elbow room; pipes were hurriedly lighted, and each guest turned his chair so as to face the Chief, who was now on his feet.

As he stood erect, one hand behind his back, the other stretched toward the table in his appeal for silence, I thought for the hundredth time how kind his fifty years had been to him; how tightly knit his figure; how well his clothes became him. A handsome, well-groomed man at all times and in any costume—but never so handsome or so well groomed as in evening dress. Everything in his make-up helped: the broad, square shoulders, arms held close to his side; flat waist; incurving back and narrow hips. His well-modelled, aristocratic head, too, seemed to gain increased distinction when it rose clear from a white shirt-front which served as a kind of marble pedestal for his sculptured head. There was, moreover, in his every move and look, that quality of transparent sincerity which always won him friends at sight. “If men's faces are clocks,” Peter always said, “Holker's is fitted with a glass dial. You can not only see what time it is, but you can see the wheels that move his heart.”

He was about to speak now, his eyes roaming the room waiting for the last man to be still. No fumbling of glasses or rearranging of napkin, but erect, with a certain fearless air that was as much a part of his nature as was his genius. Beginning in a clear, distinct voice which reached every ear in the room, he told them first how welcome they were. How great an honor it was for him to have them so close to him—so close that he could look into all their faces with one glance; not only those who came from a distance but those of his personal staff, to whom really the success of the year's work had been due. As for himself, he was, as they knew, only the lead horse in the team, going ahead to show them the way, while they did the effective pulling that brought the load to market! Here he slipped his hand in his pocket, took from it a small box which he laid beside his plate, and continued:

“At these festivals, as you know, and if my memory serves me this is our third, it has always been our custom to give some slight token of our appreciation to the man who has done most during the year to further the work of the office. This has always been a difficult thing to decide, because every one of you, without a single exception, has given the best that is in you in the general result. Three years ago, you remember, it was awarded to the man who by common consent had carried to completion, and without a single error, the detailed drawings of the Museum which was finished last year. I am looking at you, Mr. Downey, and again congratulate you. Last year it was awarded to Mr. Buttrick for the masterly way with which he put together the big arches of the Government warehouses—a man whom it would have been my pleasure to congratulate again to-night had it been possible for him to reach us. To-night I think you will all agree with me that this small token, not only of my own, but of your 'personal regard and appreciation'” (here he opened the box and took from it a man's ring set with three jewels), “should be given to the man who has carried out in so thorough a way the part allotted to him in the Corn Exchange, and who is none other than Mr. Garrison Minott, who for—”

The rest of the sentence was lost in the uproar.

“Garry! Garry! Garry Minott!” came from all parts of the room. “Bully for Garry! You deserve it, old man! Three cheers for Garry Minott! Hip... Hip...!”

Morris's voice now dominated the room.

“Come this way, Mr. Minott.”

The face of the young superintendent, which had been in a broad laugh all the evening, grew white and red by turns. Out of pure astonishment he could neither move nor speak.

“All right—stay where you are!” cried Morris laughing. “Pass it up to him, please.”

John Breen sprang from his chair with the alertness of a man who had been accustomed to follow his impulse. In his joy over his friend's good fortune he forgot his embarrassment, forgot that he was a stranger; forgot that he alone, perhaps, was the only young man in the room whose life and training had not fitted him for the fullest enjoyment of what was passing around him; forgot everything, in fact, but that his comrade, his friend, his chum, had won the highest honors his Chief could bestow.

With cheeks aflame he darted to Morris's chair.

“Let me hand it to him, sir,” he cried, all the love for his friend in his eyes, seizing the ring and plunging toward Garry, the shouts increasing as he neared his side and placed the prize in his hand. Only then did Minott find his breath and his feet.

“Why, Mr. Morris!—Why, fellows!—Why, there's plenty of men in the office who have done more than I have to—”

Then he sat down, the ring fast in his hand.

When the applause had subside—the young fellow's modesty had caused a fresh outburst—Morris again rose in his chair and once more the room grew still.

“Twelve o'clock, gentlemen,” he said. “Mr. Downey, you are always our stand-by in starting the old hymn.”

The diners—host and guests alike—rose to their feet as one man. Then to Peter's and my own intense surprise that most impressive of all chants, the Doxology in long metre, surged out, gaining in volume and strength as its strains were caught up by the different voices.

With the ending of the grand old hymn—it had been sung with every mark of respect by every man in the room—John Breen walked back to his chair, leaned toward Peter, and with an apologetic tone in his voice—he had evidently noticed the unfavorable impression that Garry had made on his neighbor—said:

“Don't misjudge Garry, Mr. Grayson; he's the kindest hearted fellow in the world when you know him. He's a little rough sometimes, as you can see, but he doesn't mean it. He thinks his way of talking and acting is what he calls 'up-to-date.'” Then he added with a sigh: “I wish I had a ring like that—one that I had earned. I tell you, Mr. Grayson, THAT'S something worth while.”

Peter laid his hand on the young man's shoulder and looked him straight in the face, the same look in his eyes that a proud father would have given a son who had pleased him. He had heard with delight the boy's defence of his friend and he had read the boy's mind as he sang the words of the hymn, his face grave, his whole attitude one of devotion. “You'd think he was in his father's pew at home,” Peter had whispered to me with a smile. It was the latter outburst though—the one that came with a sigh—that stirred him most.

“And you would really have liked a ring yourself, my lad?”

“Would I like it! Why, Mr. Grayson, I'd rather have had Mr. Morris give me a thing like that and DESERVED IT, than have all the money you could pile on this table.”

One of those sudden smiles which his friends loved so well irradiated Peter's face.

“Keep on the way you're going, my son,” he said, seizing the boy's hand, a slight tremble in his voice, “and you'll get a dozen of them.”

“How?” The boy's eyes were wide in wonderment.

“By being yourself. Don't let go of your ideals no matter what Minott or anybody else says. Let him go his way and do you keep on in yours. Don't... but I can't talk here. Come and see me. I mean it.”

Breen's eyes glistened. “When?”

“To-morrow night, at my rooms. Here's my card. And you, too, Mr. Minott—glad to see both of you.” Garry has just joined them.

“Thanks awfully,” answered Minott. “I'm very sorry, Mr. Grayson, but I'm booked for a supper at the Magnolia. Lot of the fellows want to whoop up this—” and he held the finger bearing the ring within an inch of Peter's nose. “And they want you, too, Jack.”

“No, please let me have him,” Peter urged. Minott, I could see, he did not want; Breen he was determined to have.

“I would love to come, sir, and it's very kind of you to ask me. There's to be a dance at my uncle's tomorrow night, though I reckon I can be excused. Would you—would you come to see me instead? I want you to see my father's portrait. It's not you, and yet it's like you when you turn your head; and there are some other things. I'd like—” Here the boy stopped.

Peter considered for a moment. Calling at the house of a man he did not know, even to continue the acquaintance of so charming a young fellow as his nephew, was not one of the things punctilious Mr. Grayson—punctilious as to forms of etiquette—was accustomed to do. The young man read his thoughts and added quickly:

“Of course I'll do just as you say, but if you only would come we will be entirely alone and won't see anybody else in the house.”

“But couldn't you possibly come to me?” Peter urged. The fact that young Breen had a suite of rooms so sequestered as to be beyond the reach even of a dance, altered the situation to some extent, but he was still undecided. “I live all alone when my sister is not with me, and I, too, have many things I am sure would interest you. Say you'll come now—I shall expect you, shall I not?”

The boy hesitated. “You may not know exactly what I mean,” he said slowly. “Maybe you can't understand, for everybody about here seems to love you, and you must have lots of friends. The fact is, I feel out of everything. I get pretty lonely sometimes. Garry, here, never stays five minutes when he comes to see me, so many people are after him all the time. Please say you'll come!”

There was a note in the boy's voice that swept away all the older man's scruples.

“Come, my son! Of course I'll come,” burst out Peter. “I'll be there at nine o'clock.”

As Morris and the others passed between the table and the wall on their way to the cloak-room, Minott, who had listened to the whole conversation, waited until he thought Peter had gone ahead, and then, with an impatient gesture, said:

“What the devil, Jack, do you want to waste your time over an old fellow like that for?”

“Oh, Garry, don't—”

“Don't! A bald-headed old pill who ought to have—”

Then the two passed out of hearing.

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