Mavis was again workless, this time with a capital of fifteen shillings and sixpence halfpenny.
Immediately after her interview with Orgles, she had gone to her room to change into her out-of-door clothes.
She disregarded the many questions that several of the girls came upstairs to ask her. She packed up her things as a preliminary to leaving "Dawes'" for good. For many hours she paced the streets, heedless of where her steps led her, her heart seemingly breaking with rage and shame at the insults to which she had been subjected.
About eight, she felt utterly exhausted, and turned into the first shop where she could get refreshment.
This was a confectioner's. The tea and dry biscuits she ordered enabled her to marshal her distracted thoughts into something approaching coherence; she realised that, as she was not going back to "Dawes'," she must find a roof for the night.
She had several times called on her old friend Mrs Ellis; she decided to make for her house. She asked her way to the nearest station, which was Notting Hill; here she took a ticket to Hammersmith and then walked to Kiva Street, where she knocked at the familiar door. A powerful-looking man in corduroy trousers and shirt sleeves opened it.
"Mrs Ellis?" asked Mavis.
"'Orspital."
"I'm very sorry. What's the matter with her?"
"Werry bad."
"I wanted rooms. I used to lodge here."
At this piece of information the man made as if he would close the door.
"Can you tell me where I can get a room for the night?" asked Mavis.
The man by way of reply muttered something about the lady at the end of the row wanting a lodger.
"Which hospital is Mrs Ellis at?" asked Mavis.
By way of reply, the door was slammed in her face. Mavis dragged her weary limbs to the end house in the row, where, in reply to her knock, a tall, pasty-faced, crossed-eyed woman, who carried an empty jug, answered the door.
"I thought you was Mrs Bonus," remarked the woman.
"I want a room for the night. I used to lodge with Mrs Ellis at number 20."
"Did yer? There! I do know yer face. Come inside."
Mavis followed the landlady into a faded and formal little sitting-room, where the latter sat wearily in a chair, still clasping her jug.
"Can I have a room?" asked Mavis.
"I think so. My name's Bilkins."
"Mine is Keeves."
"That's a funny name. I 'ope you ain't married."
"No."
"It's only fools who get married. You jest hear what Mrs Bonus says."
"I'm very tired," said Mavis. "Can you give me anything to eat?"
"I've nothing in the 'ouse, but I'll get you something when I go out. And, if Mrs Bonus comes, ask her to wait, an' say I've jes gone out to get a little Jacky."
Mavis waited in the dark room of the deserted house. Had she not been tired and heartsick, she would have been amused at this strange experience. A quarter of an hour passed without anyone calling, when she heard the sound of a key in the latch, and Mrs Bilkins returned.
"No Mrs Bonus?"
"No one's been."
"It isn't her washing day neither, though it would be late for a lady like 'er to be out all alone. Drink this."
"But it's stout," said Mavis, as Mrs Bilkins lit the gas.
"I call it jacky. A glass will do you good."
Mavis drank some of the liquor and certainly felt the better for it.
"I bought you a quarter of German," declared Mrs Bilkins, as she enrolled a paper parcel.
"You mean German sausage," said Mavis, as she caught sight of the mottled meat, a commodity which her old friend Mr Siggers sold.
"I always call it German," remarked Mrs Bilkins, a trifle huffily.
"But what am I to eat it on?"
"That is funny. I'm always forgetting," said Mrs Bilkins, as she faded from the room.
After some time, she came back with a coarse cloth, a thick plate, a wooden-handled knife, together with a fork made of some pliant material; these she put before Mavis.
The coarse food and more of the stout put fresh heart into the girl. She got a room from Mrs Bilkins for six shillings a week, on the understanding that she did not give much trouble.
"There's only one thing. I suppose you have a bath of some sort?" said Mavis.
"That is funny," said Mrs Bilkins. "I've never been asked such a thing in my life."
"Don't you wash?"
"In penny pieces; a bit at a time."
"But never all over, properly?"
"You are funny. Why, three years ago, I had the rheumatics; then I was covered all over with flannel. Now I don't know which is flannel and which is skin."
It was arranged, however, that, if Mrs Bilkins could not borrow a bath from a neighbour in the morning, she would bring Mavis her washing-tin, which would answer the same purpose. Mavis slept soundly in a fairly clean room, her wanderings after leaving "Dawes'" having tired her out.
The next morning she came down to a breakfast of which the tea was smoked and her solitary egg was scarcely warm; when she opened this latter, the yolk successfully eluded the efforts of her spoon to get it out. It may be said at once that this meal was a piece with the entire conduct of Mrs Bilkins's house, she being a unit in the vast army of incapable, stupid women who, sooner or later, drift into the letting of lodgings as a means of livelihood. After breakfast, Mavis wrote to "Dawes'," requesting that her boxes might be sent to her present address. Now that the sun of cold reason, which reaches its zenith in the early morning, illumined the crowded events of yesterday, Mavis was concerned for the consequences of the violence she had offered Orgles. Her faith in human justice had been much disturbed; she feared that Orgles, moved with a desire for vengeance, would represent her as the aggressor, himself as the victim of an unprovoked assault: any moment she feared to find herself in the clutches of the law. She was too dispirited to look for work; to ease the tension in her mind, she tried to discover what had become of Mrs Ellis, but without success.
About five, two letters came for her, one of these being, as the envelope told her, from "Dawes'." She fearfully opened it. To her great surprise, the letter regretted the firm's inability to continue her temporary engagement; it enclosed a month's salary in place of the usual notice, together with the money due to her for her present month's services; it concluded by stating that her conduct had given great satisfaction to the firm, and that it would gladly give her further testimonials should she be in want of these to secure another place.
Mavis could hardly believe her good fortune; she read and re-read the letter; she gratefully scanned the writing on the cheque. The other letter attracted her attention, which proved to be from Miss Meakin. This told her that, if Mavis could play the piano and wanted temporary work, she could get this by at once applying at "Poulter's" Dancing Academy in Devonport Road, Shepherd's Bush, which Miss Meakin attended; it also said that the writer would be at the academy soon after nine, when she would tell Mavis how she had found her address. Mavis put on her hat and cloak with a light heart. The fact of escaping from the debasing drudgery of "Dawes'," of being the possessor of a cheque for L2. 12S., the prospect of securing work, if only of a temporary nature, made her forget her loneliness and her previous struggles to wrest a pittance from a world indifferent to her needs. After all, there was One who cared: the contents of the two letters which she had just received proved that; the cheque and promise of employment were in the nature of compensation for the hurt to her pride which she had suffered yesterday at Orgles's hands. She thought her sudden good fortune justified a trifling extravagance; she had no fancy for Mrs Bilkins's smoked tea, so she turned into the first teashop she came to, where she revelled in scrambled eggs, strong tea, bread, butter, and jam. She ate these unaccustomed delicacies slowly, deliberately, hugely enjoying the savour of each mouthful. She then walked in the direction of Shepherd's Bush.
The garish vulgarity of the Goldhawk Road, along which a procession of electric trams rushed and whizzed, took away her breath. Devonport Road, in which she was to find the academy, was such a quiet, retiring little turning that Mavis could hardly believe it joined a noisy thoroughfare like the Goldhawk Road. "Poulter's" Dancing Academy took some finding; she had no number to guide her, so she asked the two or three people she met if they could direct her to this institution, but not one of them appeared to know anything about it. She walked along the road, keeping a sharp look-out on either side for door plate or lamp, which she believed was commonly the out-ward and visible sign of the establishment she sought. A semicircle of brightly illuminated coloured glass, placed above an entrance gate, attracted her, but nearer inspection proved this to be an advertisement of "painless dentistry."
Further down the road, a gaily coloured lamp caught her eye, the lettering on which read "Gellybrand's Select Dancing Academy. Terms to suit all pockets. Inquire within." Mavis was certain that the name of which she was in search was none other than Poulter: she looked about her and wondered if it were possible for such a down-at-heel neighbourhood to support more than one dancing academy. The glow of a light in an open doorway on the other side of the way next attracted her. She crossed, to find this light came from a lamp which was held aloft by a draped female statue standing just inside the door: beyond the statue was another door, the upper part of which was of glass, the lower of wood. Written upon the glass in staring gilt letters was the name "Poulter's."
Mavis walked up the steps to the front door. Her heart sank as she noticed that the plaster had worn away and was broken from various parts of the house, which had a shabby and dilapidated appearance. Mavis set going a bell, which could be heard faint-heartedly tinkling in the distance; she employed the time that she was kept waiting in examining the statue. This was as depressing as the house: its smile was cracked in the middle; a rude boy had reddened the lady's nose; its dress cried aloud for some kindly disposed person to give it a fresh coat of paint. Presently, a drab of a little servant opened the inner door.
"'Pectus?" said the girl, directly she caught sight of Mavis.
"I want to see Mr Poulter."
"Not a 'pectus?"
Mavis repeated her request.
"Come insoide. 'E's 'avin' 'is tea."
Mavis followed the drab along a passage: at the end of this was a door, above which was inscribed "Ladies' Cloak Room."
Opening this, the drab said mechanically:
"Walk insoide. What nime?"
"Miss Keeves. I've come from Miss Meakin."
Mavis walked inside, to find herself in a smallish room, the walls of which were decorated with rows of hooks, beneath each of which was a number printed in large type. There were a cracked toilette glass, a few rickety chairs, a heavy smell of stale toilet powder, and little else. A few moments later, a little, shrivelled-up, elderly woman walked into the room with a slight hobble. Mavis noticed her narrow, stooping shoulders, which, although the weather was warm, were covered by a shawl; her long upper lip; her snub nose; also that she wore her right arm in a sling.
"Was you waiting to see Mr Poulter particular?" she asked.
"I was rather."
"'E's 'avin' 'is tea, and—and you know what these artists are at meal-time," said the little woman confidentially.
"I'm in no hurry. I can easily wait," said Mavis.
"Was you come about 'privates'?" asked the little woman wistfully.
"Privates?"
"I mean private lessons. 'Poulter's' always calls 'em 'privates.'"
"I heard you were in want of an accompanist. I came to offer my services."
"It won't be for long; my fingers is nearly healed of the chilblains."
"Anything is better than nothing," remarked Mavis.
"Would you mind if I heard you play?"
"Not at all."
"My word might go some way with Mr Poulter. See?" said the little woman confidentially.
"It's very good of you," remarked Mavis, who was beginning to like the little, shrivelled-up old thing.
The woman with the chilblains led the way to a door in a corner of the cloak-room, which Mavis had not noticed before. Mavis followed her down an inclined, boarded-in gangway, decorated with coloured presentation plates from long forgotten Christmas numbers of popular weeklies, to the ballroom, which was a portable iron building erected in the back garden of the academy. At the further end was a platform, which supported a forlorn-looking piano.
"Be careful not to slip," said Mavis's conductor.
"Thank you, I won't," replied Mavis, who was not in the least danger of losing her foothold.
"'E invented it."
"Invented what?"
"This floor wax. It's Poulter's patent," the little woman reverently informed Mavis.
"He must be rather clever!"
"Rather clever! It's plain you've never met 'im."
Mavis sat down to the piano, but did not do herself justice over the first waltz she played, owing to the faultiness of the instrument. As with many other old pianos, the keys were small; also, the treble was weak and three notes were broken in the bass.
"Try again!" said the little woman dubiously.
By this time, Mavis had mastered the piano's peculiarities; she played her second waltz resonantly, rhythmically.
"I think you're up to 'Poulter's,'" said the little woman critically, when Mavis had finished. "And what about terms?"
"What about them?" asked Mavis pleasantly.
"It's a great honour being connected with 'Poulter's,'" the little woman hazarded.
"No doubt."
"And what with the undercutting and all, on the part of those who ought to know better, it makes it 'ard to make both ends meet."
"I'm sure it does."
"But there! We'll leave it to Mr Poulter."
"That's the best thing to do."
"I'll see if Mr Poulter's finished 'is tea."
Mavis followed the woman across the ballroom, and back to the cloak-room, where she was left alone for quite five minutes. Then the little woman put her head into the room to say:
"Mr Poulter won't be many minutes now. 'E's come to the cake," at which Mavis smiled as she said:
"I can wait any time."
Mavis already quite liked the odd little woman. She waited some minutes longer, till at last her friend excitedly re-entered to say, in the manner of one conveying information of much moment:
"Mr Poulter is reelly coming on purpose to see you."
Mavis nerved herself for the ordeal of meeting the dancing-master.
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