Charles X. made a solemn re-entrance into Paris, June 6, 1825. According to the Moniteur, Paris was divided between a lively desire for the day to come and fear that the weather, constantly rainy, should spoil the splendor of the royal pomp. At the barrier of La Villette there had been erected amphitheatres and a triumphal arch. The streets were hung with white flags and the arms of the sovereign, with the inscription: "Long live Charles X.! Long live our well-beloved King!" The Rue Saint Denis, the Rue du Roule, the Rue Saint Honore, presented a picturesque spectacle. The merchants of these business streets had converted the facades of their houses into an exposition of the rich tissues of their shops, and the cortege was thus to traverse a sort of bazaar. What a pity if the rain was going to spoil so many fine preparations! By a good luck, on which every one congratulated himself, the weather in the morning ceased its gloomy look, and a merchant of the Rue Saint Denis inscribed on his balcony these two celebrated lines,—
"Nocte pluit tota, redeunt spectacula mane,
Divisum imperium cum Jove Caesar habet."
At 1 P.M. a salvo of one hundred and one guns announced the arrival of the monarch at the barrier of La Villette. The Prefect of the Seine addressed him an allocution and presented him the keys of the city. The King responded: "I feel a great satisfaction in re-entering these walls. I always recall with lively emotion the reception given me eleven years ago when I preceded the King, my brother. I return here, having received the holy unction that has given me new strength. I consecrate it all, and all that I have of life and all my resources, to the happiness of France. It is my firm resolve, gentlemen, and I give you the assurance of it."
The cortege then took up its march. It was formed of a squadron of gendarmerie, several squadrons of the lancers and cuirassiers of the royal guard, the mounted National Guard of Paris, the staff of the garrison and of the first military division, a numerous group of general and superior officers.
The Count d'Haussonville wrote on the subject:—
"I was in the cortege, and as the staff of the National Guard followed pretty close to the royal carriage, I had occasion to note how far below what had been hoped was the reception at the gate of La Villette, where a triumphal arch had been erected. Some groups, plainly soldiers, after the discourse of the Prefect of Paris and the response of the King, uttered some huzzas that found no echo. When we approached the boulevards, the public warmed up a little. The windows were lined with women, of whom the greater number waved their handkerchiefs in sign of welcome. Around Notre-Dame, whither the cortege proceeded on its way to the Tuileries, the crowd was enormous behind the line of soldiers charged with restraining it. There was nothing offensive in their remarks; neither was there any emotion or sympathy. The magnificence of the equipages and the costumes, the beauty of the military uniforms, particularly of the CORPS D'ELITE, such as the Hundred Swiss and the body-guard, were the only things spoken of. The spectators sought to guess and name to each other the prominent persons."
During the passage the King received bouquets offered him by the market men and women, as well as by a number of workmen's corporations preceded by their banners. At the entrance of the Cathedral he was congratulated by the Archbishop of Paris at the head of the clergy. A te Deum was sung and the Marche du Sacre of Lesueur was played. Then the King returned to his carriage and directed his course to the Tuileries.
As the cortege drew near to the Chateau, the welcome grew more and more cordial. The balconies of many of the houses were draped. Women of the court, in rich toilet, threw bouquets and flowers to the King. The Count d'Haussonville says:—
"The untiring good grace with which the King returned the salutations of the crowd, and by gestures full of Bonhomie and affability, responded to the cries of persons whom he recognized as he passed, added every moment to his personal success. In fact, when, June 6, 1825, at evening, he descended from the magnificent coronation coach, to mount the stairs of the palace of his fathers, Charles X. had reason to be content with the day. I doubt whether among the witnesses of the splendid fetes that had followed without interruption at Rheims and at Paris, there were many who would not have been strongly surprised if there had been announced to them by what a catastrophe, in five years only, an end was to be put to the reign inaugurated under the happiest auspices."
The 8th of June, the city of Paris offered to the King a fete at which there were eight thousand guests. The sovereign made his entry, having the Dauphiness on his right, and on the left the Duchess of Berry, who opened the ball. A cantata was sung with words by Alexandre Soumet, and the music by Lesueur.
The 10th of June, the King went to the Opera with the Dauphin, the Dauphiness, and the Duchess of Berry. The back of the stage opened and showed, in an immense perspective, the most illustrious kings of France; at the farthest line were the statue of Henry IV., Paris, its monuments, the Louvre. The 19th of June, Charles X. again accompanied by the family went to the Theatre-Italien. Il Viaggio A Reims was played. Le Moniteur, apropos of this work, said:—
"It is an opera of a mould which, under the forms of the Opera Buffa, presents some ideas not destitute of comedy, in which homage of love and respect is at times expressed with an art that French taste cannot disavow. The author, M. Bellochi, has conceived the praiseworthy idea of introducing personages of all the nations of Europe, joining with the French in their prayers for the happiness of our country and of the august family that governs us. The composer is M. Rossini. The Morceaux are worthy of the reputation of this celebrated master. Madame Pasta displayed all the resources of her admirable talent. Bouquets of roses and lilies were distributed to the ladies."
There was an endless series of fetes, receptions, balls at court, at the houses of the ministers of the foreign ambassador, theatrical representations retracing the incidents of the coronation. The cities of the provinces imitated the example of Paris. All this movement stimulated business, and France appeared happy. But to an acute observer it was plain that the pomps of the coronation and the fetes that followed it pleased the people of the court more than the bourgeoisie. The Count d'Haussonville says, apropos of the nobility at that time:—
"I had the feeling—educated as I was at college, and provided early with a sort of precocious experience, the precious fruit of public education—that the nobility was a world a little apart. I instinctively perceived how much the preoccupations of the persons with whom I was then passing my time were of a nature particular, special to their class, not opposed—that would be saying too much certainly—but a little foreign to the great currents that swayed the opinion of their contemporaries. They had their way of loving the King and their country which was not very comprehensible, nor even, perhaps, very acceptable, to the mass of the people and the bourgeois classes, who were rather inclined to remain cold or even sullen in the presence of certain manifestations of an ultra-royalism, the outward signs of which were not always at this time entirely circumspect."
To one regarding the horizon attentively there were already some dark spots on the bright azure of the heavens. The struggles of the rival classes of French society existed in a latent state. The white flag had not made the tricolor forgotten. Charles X., consecrated by an archbishop, did not efface the memory of Napoleon crowned by a pope, and beneath royalist France were pressing upward already Bonapartist France and Revolutionary France.
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