The good landlady of the Hotel de France was not a little surprised next morning when Wilhelm came down to the kitchen and informed her that he must leave that forenoon. And when very soon afterward Anne appeared, and announced in her stiffest, most impenetrable manner that Madame la Comtesse desired two places, for herself and her maid, in the hotel omnibus which went to the station at Eu, the landlady remarked, "Indeed!" and there was a liberal interchange of meaning glances in the kitchen.
At no price would Wilhelm remain at Ault. The countess, who liked the place well enough, begged, entreated, and pouted in vain. He was not to be persuaded. He protested that he knew himself too well to think that he would be capable of keeping up the appearance of reserve toward her which decency demanded. And he need not, she declared; she considered herself free to do as she pleased, and so was he; their love did not interfere with their duty toward anybody, and so it was immaterial if people found it out and talked about it.
Her utter disregard for the trammels of convention, her cool contempt for the opinion of others, filled him with horror.
"No, no, I could not look one of them in the face again."
"But do you suppose that these people are any better? You surely don't imagine that the man with the calves and his ravening wolf are married?"
"How can you say such things!"
"Why, you big baby, one can see that at a glance. He is far too nice to her for her to be his legitime."
"That may be. At all events he has had so much consideration for outward appearance as to pass the person off as his wife. But we made our acquaintance here, under their very eye."
"Wilhelm!"—from her lips the name sounded more like Gwillem—"I should not know you for the same person. Why, where is your boasted philosophy and stoicism to which you were going to convert me? Is that your indifference to the world and its hypocritical ways, its prejudices and its sneers?"
She was quite right. He was untrue to his principles, but he could not do otherwise. He had had the courage to decline the duel with Herr von Pechlar, but he had not the boldness to let the foolish gossips of the table d'hote be witnesses of his new love-making. Why? For the very simple reason that, in his heart of hearts, he disapproved of his liaison with Pilar.
As he would not give in, the countess resigned herself to what she called his "schoolgirl crotchet," and they traveled together to St. Valery-en-Caux, another little seaside place several hours' journey from Ault.
Here they took rooms together at a hotel, and wrote themselves down as man and wife. The countess' letters were forwarded by the postmistress at Ault under cover to Anne. The only thing that disturbed Wilhelm's peace of mind was the presence of Anne. Her manner was just as impassive, her face as solemn as before, and she never showed that she noticed any change in her mistress way of life. But it was just this cold-blooded acceptance of facts which must at the very least excite her remark that upset him so much, and every time Anne came into the room and found him with Pilar, he was as much ashamed as if she had surprised him in some cowardly and wicked deed. Did he happen to be sitting beside her on the sofa, he started as if to jump up; if he had hold of her hand, he dropped it on the spot. Pilar noticed it, of course, and thought it an excellent joke. She was herself perfectly unconcerned before Anne, and put no constraint on herself whatever in her presence. On the contrary, she thought it great fun to throw her arms round Wilhelm when the maid came and he attempted to move away, or she would tutoyer him and kiss him to her face, and was intensely amused at his embarrassed and miserable air as he suffered her caresses, though not without a stolen gesture of objection. His shyness was not unobserved by Anne's quick though furtive eyes, and she owed him a grudge for wishing to exclude her from his secret.
But with the exception of the discomfort caused him by this silent witness, his happiness was unalloyed. He lived in a constant rapture of the senses, and Pilar took good care that he should not awake from it. She never left him to himself, except during the two hours in the morning which she devoted to her toilette. It was her peculiar habit to steal away in the early morning while Wilhelm was still asleep, and repair noiselessly to the dressing-room, where Anne was already waiting, and where she gave herself up into the skilled hands of the maid, who kneaded her, washed and rubbed her, and treated her hands, feet, and hair with consummate art, and the aid of an army of curious instruments and an exhaustive collection of cosmetics. She would then appear to wake Wilhelm with a kiss. On opening his eyes it was to see her in the full glory of her beauty, with the flush of health upon her cheeks, with rosy fingers, her skin cool, soft and perfumed, her eyes bright, her lips smiling, and her magnificent hair in order. But from that moment onward she was always about him, nestling close to him when they were alone, her eyes on his when they walked arm in arm through the streets.
In the morning she bathed in the sea while Wilhelm sat on the shore and watched her. She swam like a fish; he could not swim at all. She pledged her word to make him equally proficient in a few days, but her superiority made him feel small, and he would not accept her offer. For twenty minutes she practiced her art in the water, lay on her back and on her side, turned somersaults, dived, trod the water and finally came out, like Venus newly risen from the waves, and joined Wilhelm, who was waiting for her with her bath-mantle. He enveloped her in its soft folds, she roguishly shook the drops of water off her rosy finger-tips into his face and hurried to her bathing house without a glance for the spectators who had been watching her graceful play in the water, and devoured her with their eyes when she came on dry land.
The rest of the day was filled up by long walks broken by delightful rests under the shade of cornricks on grassy hillslopes beside some purling brook. Then Pilar would sit on the rug or the camp stool, while Wilhelm lay at her feet with his head in her lap caressed by the little hands that played with his hair or wandered softly over his face, resting fondly on his lips for him to kiss. If there were flowers within reach, she would pluck a quantity and strew his head and face with the fresh petals, while he gazed alternately into the blue summer sky and the bright brown eyes above him, or even closed his own for quarters of an hour of delicious dreaming. Then everything outside his immediate surroundings would fade from his mind, and he would be conscious only of what was nearest to him, the faint scent of ylang-ylang that hovered round the beautiful woman, her smooth, caressing fingers, and the low sound of her deep, regular breathing.
"You are so handsome," she whispered in his ear on one such occasion, and bending over him to kiss him; "do you know, I shall draw your portrait."
"Can you draw?" he asked, raising himself on his elbow.
"I hardly know whether I ought to say yes," she returned, with an arch, self-conscious smile that belied the humility of her tone. "But you shall see."
"Very well," said he, "and while you are drawing my portrait I shall draw yours."
"Bravo!" she cried, and wanted to go home at once, so that they might begin.
As was his custom, Wilhelm had all that was needful in his big trunk, and could supply Pilar with materials. The next afternoon they set to work. They established themselves in the middle of a great meadow, committing thereby an extreme act of trespass, and making their way to it over a ditch, a low wall, and through a blackberry hedge. Here no prying eye would annoy them, their sole and most discreet spectator being Fido, and he was generally asleep.
Pilar had a drawing-block and used a pencil, Wilhelm sketched his picture on a page of a large album in colored chalks like a pastel. She kept trying to peep at his work, but he would not allow it, and insisted on their making a compact not to look at one another's work of art till it was finished. Two sittings sufficed, however, and the portraits could be exchanged. Pilar gave a cry of surprise when Wilhelm handed her his picture.
"How strange that we should have had almost the same idea."
She was represented as a Sphinx, after the Greek rather than the Egyptian conception. A voluptuous, soft, round, feline body, graceful, cruel paws, a wonderful bosom as if hewn out of marble, and above it all Pilar's regally poised head with its crown of shimmering gold hair, shrewd eyes, and blood-red vampire lips. Between her forepaws she held a little trembling mouse in which Wilhelm's features were cleverly indicated, and she looked down upon her victim with a smile in which there was something of a foretaste of the joy of tearing a quivering creature to pieces and sucking its warm blood.
Pilar's drawing was a very good likeness of Wilhelm as Apollo in Olympian nudity, handsome, slender and vapid, in its resemblance to school copies of the antique. A charming little cat with Pilar's features was rubbing herself against his leg. The pussy blinked up at the young Greek god with an expression of adoration, half-comic, half-touching, while he bent his head and gazed down at her thoughtfully. Pilar took the sheet from Wilhelm's hand and compared it with hers.
"They are exactly the same," she said at last, "only that they are entirely the opposite of one another. Do you really feel that I am as you have drawn me?"
"Yes," he answered in a low voice.
"How unjust you are to yourself and to me—I a Sphinx and you a frightened mouse! To begin with, the Sphinx-cat did not condescend to mice, but occupied herself with men, and humbled herself before the right one when he came."
"You are decidedly too learned for me," laughed Wilhelm.
"No, no, seriously, it hurts me that you should regard our relations in that light. Am I not at your feet? Am I not your slave, your chattel, your plaything, what you will? Have I not chosen you to be lord and master over me? Am I a riddle to you? My love for you is the solution of any mystery you may find in me. Or do you accuse me of cruelty? That could only be in fun, you bad man."
"You take a mere playful idea too tragically, dearest Pilar. The character of your head suggested it to me, that was all. And then—"
"And then?"
"Well, if you must know it, the fearless, what shall I say, Amazon-like manner in which you seized upon a man and took possession of him, body and soul."
"Did I do that?"
He nodded.
"And you are mine?"
He nodded again.
"Tell me so, dearest, only love—say it."
He did not say it, but he kissed her.
"It is quite true," she remarked after a short pause, "I did take possession of you. That was unwomanly, but I could not help it. You are a cold-blooded German, and different from any man I ever knew before. You did not know how to appreciate the good fortune that befell you when chance set you down at my side in that dreary little hole. You abominable creature, for a whole fortnight you took not the slightest notice of me; you sat there beside me like a block, and never so much as looked at me. For a long time I did not know what to make of you. At first I tried to think you as ridiculous as the other idiots round the table, but I could not, try as I would. Your ugly owlish face had made too great an impression on me. And then I was annoyed by your reserve, and when I used to see you stalk in, looking so haughty, and you bowed so coldly to me and remained so distant, I thought to myself—just wait, monsieur the iceberg, some day you will be at my feet begging for love, and then it will be my turn to be proud, and I shall be triumphant."
"There you see the Sphinx and the mouse."
"Oh, but it all happened quite differently. I spoke first, I made you every sort of advance; and what did you do? You held forth to me on the mortification of the flesh. You ought to be ashamed of yourself. And even when I saw that love was burning in your eyes, you remained stiff-necked and tried to run away from me. If I was set upon happiness, I found I must take it by force. I know you better now. You were capable of never confessing your love to me, of never asking anything of me. Am I right or not, tell me?"
"You are right," he murmured.
"But that would have been a sin—a deadly sin, a capital crime against the High Majesty of Nature. What! Fate takes the trouble to think out the most improbable combinations, sets the most complicated machinery in motion to bring us together; it drags you out of the depths of Germany, and me from Castile, and brings us to a little hotel in a little village in Picardy, the very name of which was unknown to either of us a short time before; we instantly feel that we are made for one another and are certain to be happy together, and yet all these exertions on the part of Fate are to have been in vain? Never! Our paths crossed each other at a single point, for a moment they were united, it depended on us whether they should always remain so. And I was to let you go, never to meet again on this side of eternity? It was not possible, and as you were so clumsy, or so timid, or so self-torturing—"
She finished the sentence with a long kiss, at which he closed his eyes once more, and shut out everything but its flame.
Was it calculation, was it her natural instinct?—suffice it to say that Pilar never by any chance alluded in their conversations to her past. She was fond of talking, and talked a great deal, and her conversation was always startling, original and vivacious; her power of imagination as lively as her sparkling eyes, springing from the nearest object to the furthest, from the ordinary to the sublime, but never one word escaped her which might remind Wilhelm that she had gone through confessed and unconfessed experiences of every kind, and reached the turning-point of her existence without him. Her life, it would appear, had only begun with the moment at which he had risen upon her horizon. What went before that was torn out of the book of memory—one scarcely noticed the gaps where the pages were missing. She did all she could to make him forget that she was a stranger to him, and to strengthen in him the delusion that she belonged to him, that she was one with him, that it had always been so. She took possession of his past, she crept into his ideas and sentiments; she wanted to know everything about him, down to the smallest details. He must tell her about every day, every hour of his existence; she made the acquaintance of his entire circle of friends; she loathed Loulou, she adored Schrotter, she went into raptures over gentle, refined Bhani, she smiled at Paul Haber and his well-dressed Malvine, and her inventive grandmamma; she determined to send good Frau Muller (who had looked after Wilhelm for ten years like a mother) a beautiful Christmas present. She could make personal remarks on all his friends and acquaintances, and her only trouble was that she knew no German. What would she not have given to be able to read the letters he wrote or received, to converse with him in his mother-tongue! She loved and admired the French language, which, although she retained the ineradicable accent of her country, she spoke as fluently as Spanish; but now, for the first time, she felt something akin to hatred against it for being the one remaining barrier—certainly a very slight and scarcely perceptible one—between herself and Wilhelm, which forever drew his attention to the fact that she was not naturally a part of his life, and prevented their absolute union, the growing together of their souls. She therefore determined to learn German as soon as she returned to Paris, and, if need be, to stay for some length of time in Germany in order to master the language quickly and thoroughly.
She thought and spoke much of the future, and in all her dreams, plans, and resolves Wilhelm was always, and as a matter of course, the central figure and sharer of her life. In him her life found its consummation she had him fast, and would never let him go.
Her love was a curious mixture of ardent passion and melting, sentimental tenderness. At one moment the Bacchante, drinking long draughts of love and life from his lips, at another, the innocent girl who sought and found a chaste felicity in the mere rapturous contemplation of the man she adored. The longer she knew him, the deeper she penetrated into his character, the more did the Bacchante recede and yield her place to the Psyche. The allegory of Wilhelm's pastel seemed wrong, her own drawing right. She was no bloodthirsty Sphinx revelling in human victims, but a harmless little cat purring against the side of the young god. She was diffident, eager to learn, slow to contradict. She broke herself of her paradoxes, and concealed her originality. She liked best to listen while he talked. He must explain everything to her, enlarge her experience, correct and improve her judgment. Her favorite words were, give me, show me, tell me! From morning till night he must give, tell, show. The sea washed up a medusa to the shore—give it me! They surprised a crab in the act of shedding his armor—show me! A ride on donkeys to a neighboring village reminded him of a students' picnic at Heidelberg—tell me about it! Such of his peculiarities of temper as she did not understand, she guessed at and felt with her fine womanly instinct. If at Ault she had been extremely simple in her dress, here she was almost exaggeratedly so. She banished the "kohl" with which she had underlined her brilliant eyes, and strewed the violet powder to the four winds, as soon as she discovered that he preferred to stroke her full, firm cheeks when they were guiltless of powder. She dropped her former freedom of speech, gave up the telling of highly-spiced anecdotes, and checked her roving glances and the frolicsome imps—somewhat too deeply versed in Boccaccio—that haunted her lively brain, when she saw that he took umbrage at anything the least risky. Her cigarettes horrified him, so she threw them out of the window, and never smoked again. She even quelled the sensuality of her self-surrender, and veiled it with a show of shame-faced backwardness and the adorable ingenuousness of a schoolgirl on her honeymoon. She strove to obliterate the remembrances of the heathenish abandonment of the first days, with their unrestrained impulses, testifying all too plainly to the fact that she was a woman well versed in all the arts of seduction. At first this was dissimulation, the maneuvers of a shrewd, reader of character, but it soon came to be instinct and second nature; she deceived herself honestly, and returned, in her own mind, to the pristine virginity of her soul and body, finally coming to look upon herself as a simple-minded girl, ignorant of the world and of life, and conscious only of her boundless love for this one glorious man, and to whom the memories of a less harmless past seemed like wicked dreams sent by the Tempter to molest her chastity. This self-deception, or rather retrogression of her instincts, led her into touches of mysticism. The story of little Sonia who had fallen in love with the ten-year-old Wilhelm at first sight, to die shortly afterward with his name upon her lips, made a deep impression on her, and set her dreaming. "When sweet little Sonia died I was born." Now this was not quite accurate, as Pilar must have been at least two or three years old at the time, but mystic raptures take no count of time. "My life is a continuation of hers. Your Spanish love inherited the soul of your little Russian. Thus I have been yours since my birth—and before. I loved you before ever I knew you. I have had a presentiment of you, have felt and expected you from the beginning. Hence my troubled seeking all the time, hence my horror and shuddering when I discovered that I was mistaken, that it was not the one I yearned for whose image I bore secretly in my heart. Now I see why I was so irresistibly drawn to you from the first moment I set eyes on you. The man of my dreams stood in bodily shape before me. Here at last was my heart's dear image in flesh and blood. I had no need to get to know you; I knew you already. My own, my Wilhelm."
Real tears rolled down her cheeks as she spoke, and Wilhelm was not sufficiently blase to scoff at the doting nonsense of a love-sick woman. Love has enormous power, and at its heat all firmness, all resistance, melts away. Pilar's affection filled Wilhelm with heartfelt emotion and gratitude. He denied himself the right of judging her, suspecting or doubting her, or of discovering dark spots upon her shining orb. As she was forever at his side, and made it her sole care to occupy him entirely, body and soul, his whole world was soon filled by her and her alone. Wherever he looked his eyes fell upon her; she intercepted his view on all sides. Her shadow fell even upon his past, as far back as his childhood. He failed to notice that whole days passed now without his giving a thought to Schrotter or Paul, and he was quite surprised when he discovered that he had left a letter from the former unanswered for a week. His former life began to fade and grow dim, and, compared to the sun-flooded, glowing present, looked like the dark background of a courtyard beside an open space in the full blaze of a summer day.
The whole society of the place was deeply interested in the handsome couple, who took so little trouble to conceal their love. The young people thought it most affecting, the older ones, especially the ladies, turned up their noses, with the remark that even people on their honeymoon might put some restraint upon themselves on the beach, or in the street. Wilhelm and Pilar were quite unconscious of the talk for which they furnished the material. They had no eyes for anybody but each other. They were unconscious of the flight of time. Their lives passed as in a morning dream, or a wondrous fairy-tale, where two lovers wander in a sunny garden among great flowers and singing birds, or rest, surrounded by attendant sprites, who fulfill each wish before it is uttered.
They were disagreeably brought back to the realities of life when one day Anne asked, with her most impassive air, when Madame la Comtesse thought of leaving, for if she were going to stay any longer, they must provide themselves with winter clothing. They had reached the end of September; it rained nearly every day, the streets of the village were impassable, sitting on the shore out of the question, the equinoctial gales howled across the country from the tempestuous sea; all the world had gone home, and Wilhelm and Pilar were the last guests in the desolate hotel, spending most of the day in their room, where an inadequate fire spluttered on the hearth. For a fortnight past Anne had boiled with silent rage, which she sometimes let out on poor, snorting, asthmatic Fido. She had been absent from Paris since the middle of July, and had counted on being back by the beginning of September at the latest, and here was October coming upon them in this God-forsaken little hole, and her mistress showed no signs of returning home.
Anne's question came like a rough hand to shake Pilar out of sleep. Like a drowsy child who does not want to get up, she kept her eyes closed for awhile. Another week! Four days more! Two days more! But then she had to pack, for Anne exaggerated a slight cold, and at short intervals let off a dry cough with the suddenness and force of a pistol-shot, tied her head up in a white shawl, and begged to be allowed to send to Paris for warm underclothing and her fur cloak. In the hotel, too, from which all the servants had been dismissed, and only the landlord, his wife, and a half-grown daughter remained, the neglect became conspicuous. The rooms were not put in order till late in the evening, and even then the landlady would come and grumble that she could not manage so much work, and that was the reason everything was late. A leg of mutton appeared upon the table three days running, till nothing was left but the bone. In short, it was not to be misunderstood that the hotel family wished to be alone.
At last, at the beginning of the second week of October, the return to Paris took place. During the five hours' railway journey Pilar was silent and moody. She felt that an enchanting chapter of her love-story had come to an end, and a fresh one beginning, the unforeseen possibilities of which filled her with alarm. She held fast to Wilhelm, and would not let him go free; but what form was their life together going to take in Paris? Not that she cared for the opinion of the world—far from it; but other difficulties remained which menaced her happiness. At the seaside all the circumstances had combined to aid and befriend them. Surrounded by people to whom she and Wilhelm were alike strangers, they were thrown entirely upon one another, and even his scruples could find nothing to prevent him treating her openly as his wife. In Paris, on the other hand, all the circumstances became disturbing and inimical. Pilar had her circle of friends, and her accustomed way of life, to which Wilhelm would have to adapt himself. Would that occur without opposition on his part? Would not many a tender sentiment be wounded beyond the power of healing in that struggle? But of what avail were all these tormenting questions? She had to look the future in the face, and prepare to engage in a struggle in which he was determined to come off victorious.
From time to time she glanced at Wilhelm, and always found him deep in thought. He was reviewing, with a touch of self-mockery, the latest development of his affairs. Here he was on his way to Paris. He had not chosen this destination. Once again another will than his own had determined his path for him. He resigned himself without a struggle; he allowed himself to be taken along like an obedient child. Was it weakness? Perhaps. Possibly, however, it was not. Possibly he did not think it worth the trouble to call his will into play. Why should he, after all? As long as he might not live in Berlin, what did it matter where he lived? and Paris was as good a place as any other. To have resisted Pilar's persuasions would not have been an evidence of strength, but simply the obstinacy of a conceited fool, who wants to prove to himself that he is capable of setting somebody else at defiance. So that after all he was going to Paris because he wished it, or rather, because he saw no reason for not doing so. But as he spun the web of these thoughts in his mind, he heard all the time a still small voice, which contradicted him, and whispered: "It is not true. You are not your own master; you are going you know not whither; you are doing you know not what. Two beautiful eyes are your guiding star, and in following their magic beckoning your feet may slip at any moment, and you may be hurled into unknown depths."
Pilar must have divined that Wilhelm's thoughts were enemies to her peace, and must be dispersed. They were alone in the carriage, and she could give free rein to her feelings. She took his hand and kissed it, and laying her arm round his neck, she said fondly:
"Don't be so depressed, Wilhelm. Of course it is only natural that one should be afraid of any change after one has been so happy, but you shall have no cause to regret St. Valery. You will see, it will be still nicer in Paris. We remain the same as we were before, and surely my little home is a more fitting frame for our love than the bare room at the hotel!"
Wilhelm started back.
"You surely do not imagine that I am going to live in your house?" he cried.
"But there can be no question about it!" she answered in surprise.
"Never!" Wilhelm declared, with a determination that frightened Pilar, it was so new to her. "How could you think of such a thing?"
"But, Wilhelm," she returned, "what else could we do? I should not like to think that it was your plan we should part at the station and each go our different ways. If I believed that, I would throw myself under the wheels of the train this very instant. We have not been indulging in a little summer romance, entertaining enough at the seaside, but which must die a natural death as soon as we return to Paris. My love is a serious matter to me, and to you too, I hope. You are mine forever, and as long as there is life in this hand, it will hold you fast," and she cast herself passionately upon his breast, and clung to him as if he were going to be torn from her.
"I never said I would leave you," he returned gently, and trying to disengage himself; "but it is quite inconceivable that you should have thought you would simply bring me back with you from the journey and present me to your people."
"My people! You are my all, and nobody else exists for me."
"One says that in the heat of the moment, but you have relations—you told me so yourself. What will they think of us if I calmly settle down in your house?"
"Think?—always what people will think. That is the only fault you have, Wilhelm. How can you do people the honor to take them into consideration when it is a question of my life's happiness? Let them think what they like. They will think you are the master and I am your slave, who only lives in and for you."
Wilhelm only shook his head, for he was unwilling to wound her by saying what he thought of such an unworthy connection. She hung trembling on his looks, and asked, as he still did not answer:
"Well, darling, is it to be my way? We will drive quietly home and pretend we are at St. Valery?"
"No," he answered firmly, "that is impossible. I shall go to an hotel. No, do not try to dissuade me, for it would be useless."
"And you can let me go from you?"
"Only for a few hours. We shall be in the same town, and can see one another as often as we like."
"And you would be satisfied with that?"
"It will have to be so, as the circumstances will not permit of anything else."
She broke into a storm of tears, and sobbed, "You do not love me."
He soothed and comforted her; he kissed her eyes, he pressed her head to his heart, and tried to calm her as he would a child, but it was long before he brought her round. At last she raised her head and asked:
"You are determined to go to an hotel?"
"I must, dear heart."
"Very well; then I shall go too."
He had nothing to say against this and so it was settled.
It was close upon midnight when the train ran into the St. Lazare station. Anne came hurrying from the next carriage.
"You can drive home," said Pilar to her. "Take the large boxes with you. You can leave the small one and the portmanteau with me. I am going with monsieur. I shall come round to-morrow and see if things are in order."
Anne opened her eyes in astonishment, but her face did not betray any further emotion, and she answered calmly:
"Very good, Madame la Comtesse. Auguste is here with a cab. Does madame desire to use it?"
"No, Auguste can get us another. You take his."
Auguste, the man-servant, had come up meanwhile and greeted his mistress. He shot a quick glance at the strange gentleman on whose aim she leaned, but it was more expressive of curiosity than surprise; he then hurried away to carry out the remarkable orders Anne had dryly transmitted to him. Soon after he reappeared, and announced that the other fiacre was there. Fido, released from the captivity of the dog-box, sprang upon the countess with short-breathed barks that soon degenerated into a cough, and wagged his tail and frolicked madly about. When Pilar and Wilhelm entered their cab, Anne and Auguste remaining outside, the dog seemed undecided as to which party he was to follow. Chancing to catch Wilhelm's eye, he made up his mind, jumped into the cab, regardless of Anne's angry call, and licked Wilhelm's hand delightedly, accepting his friendly pat as an invitation to stay.
By Pilar's direction the cab took them to an hotel in the Rue de Rivoli. As they drove along Pilar leaned silently in her corner, only heaving a deep sigh from time to time; and Wilhelm, too, found nothing to say, oppressed as he was by the consciousness of being in an untenable situation, the eventual end of which he could not foresee. Arrived at the hotel, they retired at once to their rooms and to rest, scarcely touching the supper which Pilar had ordered rather for Wilhelm than herself. She lay awake for hours, and it was daybreak before she got any sleep.
It was nearly midday when she opened her eyes. Wilhelm was sitting fully dressed at the window that faced the Tuileries, gazing down upon the dreary autumnal park with its trees half-bare, the paths covered with dead leaves—its marble statues and silent fountains. She stretched out her arms to him, and he hastened over to kiss her fondly. As her eye fell upon her tiny jeweled watch, she gave a cry of dismay.
"Twelve o'clock! Oh, go away—quick—and send the chambermaid to me. I will do my best to be ready soon. Wait for me in the salon. You can read the papers or write letters. But whatever you do, you must not leave the hotel—do you hear?"
An hour later she appeared in the salon to fetch him to lunch, which was served in their room. Pilar was nervous and put out. The chambermaid's assistance had not been all that she could have wished. The slow waiting at lunch vexed her. Whatever trifle she might require she was obliged to go into the untidy bedroom herself and search in her boxes. Her head was full of schemes and plans, to none of which, however, she gave expression. Never had she had such an uncomfortable meal with Wilhelm.
"What are you going to do now?" asked Wilhelm, when the waiter had cleared the table.
"I think we had better go and have a look at our house," answered Pilar, trying hard to assume a perfectly unconcerned tone.
"Of course," said Wilhelm; "and while you go home, I will take a look at the streets of Paris."
"What—you are not coming with me?"
"I think it better you should go by yourself the first time. You have no doubt got a good deal to set in order, and I should only be in the way."
"Wilhelm," she said very gravely, "you are determined to hurt me. Have I deserved that of you?"
"But, dearest Pilar—"
"I want proofs that I am your dearest Pilar. I have given myself to you—body, soul and spirit. If you want my life as well, then say so. I should be overjoyed to give it you. And you? Since yesterday your every word and look tells me plainly that you regard me as a stranger, and want to have nothing more to do with me. Oh, yes, you do it all in a very delicate and considerate manner, that is your way, but there is no need to speak more plainly to me."
"Do not excite yourself Pilar, I assure you that you are entirely wrong."
She shook her head.
"I am not a child. Let us talk it over seriously. I told you yesterday I would not let you go. Of course you understand what I mean by that. I will not keep you if you want to be free. But then be honest, and tell me frankly that you are tired of me, and want to be rid of me. I shall at least know what I have to do. Do not be afraid, I shall not make a scene, I shall not cause you any annoyance, not even reproach you. I shall receive my sentence of death in silence, and kiss the hand that inflicts it on me."
She buried her face in her hands, and tears trickled down between her fingers.
"And all this," said Wilhelm, "because I thought it better not to accompany you to-day. The whole affair is not worth one of your tears."
"Then you will come with me?" she cried excitedly, lifting her face to his.
"I suppose I shall have to, since you talk about death sentences and terrible things of the kind."
She embraced him frantically, rang the bell, threw the things that lay about anyhow into the box, and when the waiter came, ordered a carriage. As they went downstairs she gave a hurried order in the office, and with a beaming and triumphant face, passed through the hall on Wilhelm's arm to the carriage.
Their destination was a small house on the Boulevard Pereire, of two stories, three windows wide, and a balcony in front of the first-floor windows. At Wilhelm's ring the door was opened by Anne, who made him a careless courtesy, but greeted her mistress respectfully. Wilhelm was going to let Pilar precede him, but she said: "No, no; you go first. It is a better omen."
Assembled in the hall they found Auguste, an old woman with a red nose, and a man not in livery, who expressed their satisfaction at their mistress' return, and complimented her on her improved appearance, but were in reality chiefly engaged in taking stock of Wilhelm while they did so. Pilar gave the man some direction in Spanish, and then drew Wilhelm into the salon, which opened into the hall.
"Welcome, a thousand times, to this house," she said, clasping him in her arms; "and may your coming bring happiness to us both. I will take off my things now, and say a word, to my servants, and be with you again directly."
With that she hurried away, and Wilhelm found himself alone. He looked about him. The salon was luxuriously, if, according to Wilhelm's taste, somewhat gaudily furnished. The walls were draped in yellow silk, the portieres, window-curtains, and gilt-backed chairs being of the same brilliant hue, though its monotony was fortunately broken by numerous oil paintings, forming, as it were, dark islands in a sea of sulphur. Opposite to the window hung two life-sized portraits of a lady and an officer. The lady wore a Spanish costume with a mantilla, the gentleman a gorgeously embroidered general's uniform, with a quantity of stars and orders, and the ribbon of the Grand Cross. In another life-sized picture this personage figured in the robes of some unknown military order, and appeared a third time as a bronze bust in a corner, on a black marble pedestal. The chimney-piece was adorned by a strange and wonderful clock, a painfully accurate copy in gilt and colored enamel of the Mihrab of the Mosque in Cordova. Between the windows, on a high buhl cabinet, stood a marble bust of Queen Isabella, a gift, according to an inscription on the base, to her valued Adjutant-General Marquis de Henares. A charming pastel under glass showed Pilar as a very young girl. As Wilhelm gazed at the dewy freshness of this sixteen-year-old budding beauty, the dazzling complexion of milk and roses, the sparkle of the merry, childish eyes, an immense tenderness came over him, and he thought to himself that surely nature had not sufficiently protected all these charms against the desire they must necessarily awaken in the beholder. Such a ravishing creature might well be excused if her heart led her astray. How could she choose aright when her beauty roused men's passion before she had had time to gain experience or judgment enough to defend herself?
There were a thousand other attractions in this room. A picture, or rather a sketch, by Goya, with all the fantastic want of finish, the gorgeous dabs of color that make so many of that master's works like the visions of delirium; on an inlaid table, a little Moorish casket, through the crystal lid of which one saw a collection of old Spanish coins of astounding dimensions; a small cabinet on the wall, containing stars and orders, with their chains, on a white satin ground; a trophy formed of a sword, gold spurs, epaulettes, and a gold-fringed scarf; here and there great Catalonian knives with open blades, daggers in rich sheaths and with engraved handles, and even an open velvet-lined case with a pair of chased ivory pistols. Some photographs on the chimney-piece and on the gold brocade-covered piano arrested Wilhelm's attention. First of all, Pilar in two different positions, then the pictures of three children, a girl and two boys, and finally the full-length portrait of a gentleman in the embroidered dress coat and sword of the diplomatic service, and the handsome, vacuous, carefully groomed head of a fashion plate.
Wilhelm was engaged in studying this face, with its fashionably twirled mustache, when Pilar entered the room.
"You have changed your dress?" cried Wilhelm, surprised; for she had donned an emerald-green velvet tea-gown, with a long train, and her hair was hanging down.
"Yes," said she, as she kissed him fondly, "for we are not going away again just yet. You will stay and dine with me—I have given the necessary orders. You must be quite sick of the monotonous hotel meals. For my part, I simply yearn to eat at my own table with you."
So saying, she took his hat out of his hand, coaxingly relieved him of his greatcoat, then rang and ordered Auguste to take them away. Taking advantage of this distraction of Wilhelm's attention, she rapidly snatched up the photograph he had been examining when she came in, and hid it under the piano-cover. She then opened the piano, seated herself, and gazing passionately over her shoulder at Wilhelm standing behind her, she began playing the Wedding March out of "Midsummer Night's Dream." The melodious sounds rushed from under her fingers like a flight of startled doves, and fluttered about her, joyous and exultant. She went on with immense power and brilliancy till she came to the first repetition of the triumphant opening motif, with its jubilant blare of trumpets, then stopped abruptly, and jumping up and throwing her arms round Wilhelm:
"Isn't it that, my one and only Wilhelm?" she said, with a beaming look.
"My sweetest Pilar," he answered, and clasped her to his breast. His heart was really full to overflowing at that moment She took his arm and proceeded to lead him about the room, showing and explaining the various objects to him. "This is my mamma as she looked twenty-five years ago, when she went to the Feria at Seville. That is a sort of fair at Easter, and one of the most famous popular festivals of Spain. We must go to it some day together. And that is my late father as major-general. Here he is in the robes of a Knight of San Iago, one of our highest military orders. It has existed since the twelfth century, and, strangely enough, one of my ancestors was among its first members. These are my father's decorations and badges of office. Come and look at this clock, it is quite unique. The province of Cordova had it made, and presented it to my father when he gave up his command there. I suppose you recognized this pastel. It is a very good likeness. Do you think it pretty?"
"Pretty! The word is a gross injustice. Say rather exquisitely, ravishingly beautiful."
"Thanks, my Wilhelm. And if you had known me then, you would have loved me and wanted to marry me, would you not?"
"But you would hardly have wanted to marry me, a poor devil of a plebeian, who was badly dressed and did not even know how to dance."
"Do not make fun of me, you sweet, bad creature; if I had had as much sense then as I have now, I should have loved you then as I love you now, and I would have belonged to you, even if it had cost me my father's love." She gazed thoughtfully at the picture in which her innocent past confronted her in so angelic a form, and continued in tones of indescribable tenderness: "Why did I not know you sooner? Is it my fault that you who were made for me should live so far away and wait so long before you came to me? How I should have rejoiced to be able to offer you the pure young creature of this picture! But I can but give you all I have—my first real love, the virginity of my heart—surely that is something?"
Her hazel eyes pleaded for a great deal of compassion, and her full scarlet lips for a great deal of love, and only a heart of cast iron could have refused her either.
Beyond the salon was a roomy dining-room, hung with magnificent Cordova leather, and from this a glass door led into a pretty little garden with an arbor in the corner, and some old trees. High, ivy-clad walls inclosed the square green spot of nature. Up the stairs, on the walls of which hung many valuable pictures, for which there was no place in the rooms, Pilar and Wilhelm mounted to the second floor. They entered first a red salon with windows opening on to the balcony and in which the all-pervading scent of ylang-ylang betrayed that it was the favorite apartment of the lady of the house. She did not keep Wilhelm long in this dainty bower, but drew him into the large bedroom adjoining. The walls were draped with Japanese silk, patterned with strange landscapes, fabulous flowers, gay-colored birds on the wing, and a network of twining creatures, and drawn together at the ceiling like the roof of a tent. Out of the soft folds of the center rosette hung a lamp with golden dragons on its pink globe. There was a wardrobe with looking-glass doors, a toilette table, an immense bed of carved ebony inlaid with scenes from the antique in ivory, and chairs covered with Persian stuffs. Beside all this there was an old oak Gothic priedieu, a small altar draped in rose color and white lace, a mass of flowers, and numerous crucifixes and Madonnas of various sizes in silver, ivory and alabaster.
"Are you so devout? That is news to me," exclaimed Wilhelm, surprised. He little knew that the first thing Pilar had done on entering the house was to hasten to her bedroom, kiss the holy silver Madonna del Pilar with deepest devotion, and kneel for a few moments on her priedieu.
"Oh, no, I am not at all devout. I am just the pagan you have always known. But—que voulez-vouz?—one has old habits. I regard the Blessed Virgin chiefly in the light of Our Lady of Sorrows, whose heart is pierced with seven swords, and Christ as the eternal type of sublimest love. You are a heretic, but I know that pictures and symbols are not as offensive to you as to certain vulgar free-thinkers."
Going up to the bed, she clung still more fondly to Wilhelm, and murmured in coy and halting tones—"Perhaps you have not noticed that everything in this room, except the altar and the priedieu, is new; I had this fresh little nest arranged for us while we were in St. Valery. I hope our rest may be sweet and our dreams happy ones."
He sought nervously for some appropriate answer, but she gave him no time, and opening a door in the wall beside the fireplace, she went on—"And this is your room. Tell me, have I guessed your taste?"
Without even glancing into the cozy, one-windowed room, he said, taking Pilar's hand in his: "Why torture me, Pilar?—you know it cannot be."
"Wilhelm!" her voice was firm, and she looked him full in the eyes, "do you love me?"
"You know it."
"Do we belong to each other?"
"Yes—and no."
"That is not a straightforward answer. We do belong to one another. You know perfectly well that if I were free you would marry me, and then you certainly would have no scruples in coming into this house as its master. Where is the difference?"
"You know where the difference lies."
"It is enough to drive one crazy! Is a paltry prejudice to triumph over our right to be happy? We are both of age. We are accountable to no one on earth for our actions. An insurmountable obstacle, for the moment, prevents us making our relations respectable in the eyes of the butcher, the baker, and the candlestick-maker by paying a few francs to a registry-office and a priest. Has the mumbling of a priest so much meaning for you? Must you first enjoy the edifying spectacle of a mavre in a fringed scarf before you can feel like my husband? Or do you want any one else's consent? My father is dead, but my mother would adore you and do anything in the world for you, if I told her you made her only child unspeakably happy. What more do you want?"
"I could not reconcile myself to such a position, There is nothing to be said against your arguments. But for me to live on you—"
"For shame!" she cried, and tapped him lightly on the cheek with her forefinger. "Ah, you see I love you better than you love me. If you were very rich and I had not a penny, I would not hesitate for an instant to accept everything from you. I trust my heart is of more value to you than this paltry little house and its sticks of furniture. You have my heart—what is all the rest compared with that?"
He still shook his head unconvinced, but she knelt before him and said imploringly: "Wilhelm, you will not hurt me so. Even if it costs you a great deal, make this sacrifice for my sake. Give it a trial. You will see how soon you will get accustomed to it. And if not, then I am ready to go with you to the ends of the earth—to the Black Forest—wherever you will. Only try it, Wilhelm—have pity on me."
He stooped to lift her up, but reading in his eyes that he was yielding, she sprang to her feet and threw herself, gleeful as a child, upon his breast. Her victory filled her with such joy she could have shouted it out of the windows. She coaxed and fondled Wilhelm, called him by every endearing name, drew him over to the long mirror that he might see how handsome he was, dragged him into his room and then back into the bedroom, and required a considerable time to recover her self-control.
Meanwhile it had grown dark. She did not notice it till now, and rang for Anne to bring lamps.
"Has Don Pablo come back?" she asked of the maid.
"Half an hour ago, madame."
"Then send up the boxes at once."
"You have sent for the luggage already?" was Wilhelm's astonished inquiry when Anne had left the room.
"Naturally, my darling. I was certain, you know, that you would not break your Pilar's heart."
Auguste and the man whom Pilar called Don Pablo now carried up the one small box and two large ones Wilhelm always took about with him. Pilar asked him for the keys, and proceeded to put away his belongings in the various receptacles of the room. She would not suffer him to help her. Only his books she allowed him to pile up in a corner for the present; their orderly arrangement in the bookcase was put off till the daylight.
At dinner Pilar was in the seventh heaven, and more in love than ever before. In her wild spirits she threw all her glasses into the garden, and would only drink out of Wilhelm's. It was a real banquet: costly Spanish wines, red and white, rough and sweet, from her well-stocked cellar, accompanied by choice dishes, and finally champagne, of which Pilar partook—valiantly. After dessert she skipped into the salon, put the champagne glass down on the piano, and between sips and kisses played and sang Spanish love-songs that drove the flames to her cheeks. That evening she was all Bacchante. In the bedroom she tore off her clothes with impatient fingers, and held out her small, high-bred feet for Wilhelm to pull off her silk stockings. He knelt and kissed the little feet, while she gazed down at him with burning misty eyes, and between the blood-red lips slightly parted in a wanton smile gleamed pearly teeth that looked as if they could bite with satisfaction into a quivering heart. It was the Sphinx and the poor trembling mouse in the dust before her to the life.
When Wilhelm awoke next morning, he saw Pilar standing all fresh and ready at the bedside to greet him with a happy smile. With her iron nerves and superabundant animal strength, she required but little sleep, and had at once resumed her old habit of stealing away early to perform the rites of her toilette while he still slept.
He dressed quickly, she being occupied meanwhile in completing the coquettish adornment of his room with knots of ribbon, bouquets of flowers, Japanese fans, pictures and bronzes which she arranged with unerring taste on the walls beside the mirror, over the doors and window, or strewed about the secretaire, the table, or the chest of drawers, in studied negligence. They had breakfast in the red salon, after which she led him to her boudoir, which he had not yet seen, and that looked like a pink silk-lined jewel box. She drew up an armchair beside the crackling wood fire, begged Wilhelm to sit down put a little inlaid rosewood table before him, and out of a cabinet she fetched a large Russia leather pocketbook with a gold lock and laid it on the table.
"Let us settle these details once for all," she said to Wilhelm, who had watched her proceeding with surprise, "so that we need never refer to them again. You are my husband, and must relieve me now of all my business cares. Here—" she opened the pocketbook and spread out some formidable-looking papers, with stamps and seals attached, before him: "This is my check book, here the deposit receipts for my government stock and, bonds."
"What do you mean?" cried Wilhelm. "I understand nothing of such things; I have never had anything to do with them, and I am certainly not going to begin now, and with you." He gathered up the papers impatiently, thrust them back into the pocketbook, which he closed with a snap, and seeing Pilar standing there like a disappointed child balked of a surprise, he added: "However, I am grateful for the suggestion, as it helps me out of a dilemma. I was at a loss in what form to put what I must say to you—you have helped me in the nick of time. Pilar," he drew her on to his knee and kissed her, "at the seaside the matter was very simple, we had only to divide the bill between us. That will not do here. I am not well enough off to defray half the expense of such an establishment as yours."
"Oh, Wilhelm!" she exclaimed, horror-stricken, and attempted to jump down, but he held her fast and continued:
"I know this subject is painful to you, so it is to me; but, as you said yourself, it must be settled once for all. You must allow me to defray my own expenses as I would in a good family pension. I will put the trifling sum in your pocketbook once a month, and you will have a little more for your poor—one cannot have too much for them."
"I am simply petrified," murmured Pilar, "that you can take such a thing into consideration?"
"It is the one condition on which I stay here," returned Wilhelm firmly.
"What a dreadful proud boy you are! You will not accept a thing from me, and I told you yesterday that I would never be too proud to share your possessions with you. And if you had married me, you would no doubt have scorned to touch my dowry, and wanted to pay me for your board too."
"Dear heart, I imagine the question is settled between us, and never to be discussed again. I simply cannot live free of expense in the house of my—"
"Your wife," she broke in hastily.
"Of my—wife."
"Very well," she said, resigning herself, "you must have your own way, I suppose. But explain to me, my Teutonic philosopher, how comes it that so high-bred a body and so noble a mind can contain a corner holding such a tradesman's idea? How can one make these commonplace calculations when one is in love? Are you Germans all like that, or is it an inherited weakness in your family?"
"In my family," he answered simply, and without a trace of bitterness, "as far back as I know of (though that is certainly not anything like as far as your ancestor, the first knight of San Iago), we have always worked for our living, and owed all to our own industry. I am the first who found the table ready spread for him, and who knows if it has been an advantage to me."
"Now you are making fun of my ancestors, you disagreeable man—when did I ever say such a silly thing?"
"I never said you did, but you asked an explanation of the German philosopher, and the German philosopher has done his best to give you one."
She locked her pocketbook in the cabinet again, and there the matter ended between them.
The rest of the household, which seemed to accept the establishing of the new guest without the faintest surprise, consisted, beside Anne, of the man-servant Auguste, a young, knowing-looking southern Frenchman, with a clean-shaven, lackey's face, the old Spanish cook Isabel, a colossal, unwieldly, hippopotamus-like person with a red nose, watery, bloodshot eyes, and a strident voice, and Don Pablo, who seemed to be a mixture of servant, major-domo, and the confidential attendant of the old plays. Pilar esteemed him highly, and always spoke of him in terms of respect. According to her, he came of a good Catalonian family, had served with the Carlists and received titles and orders of distinction from Don Carlos. After the downfall of the cause for which he had fought he had come to Paris like so many of his compatriots and Pilar had rescued him from terrible want. He did not live in the house, but had an attic somewhere in the town. Every morning he appeared at the Boulevard Pereire to receive Pilar's orders, was occupied during the whole day in going on errands and doing shopping of every description, and his work over returned late in the evening to his lodging. He was a tall, thin, middle-aged man with a long leathery face, a long painted nose, long oily hair, and long gray mustache. The entire loose, bony figure looked like a reflection in a concave glass—all distorted into length. Don Pablo had a deeply melancholy air, never smiled and spoke but little. During the few spare hours which the countess' service—in which his legs were chiefly in demand—permitted, he might be seen in a back room on the ground floor, engaged in manufacturing pictures out of gummed hair—an art in which he was a proficient. He had even achieved a portrait of Pilar in blonde, brown, and red hair. It looked like the queen in a pack of cards, but Don Pablo was very proud of the masterpiece, and never forgave Pilar for not hanging it in one of the salons, but in quite another place. It was this accomplishment of his which led Auguste to declare firmly and with conviction that he was nothing more nor less than a common hairdresser. The relations between the two were altogether very strained. Auguste was annoyed by the Spaniard's high-and-mighty airs, and his French instincts of equality revolted against Don Pablo's pretensions to be better than the rest of the servants. They had their meals in common, but Don Pablo occupied the seat of honor and demanded to be waited upon, while Auguste, Anne and Isabel had to be content to wait upon themselves. As ill-luck would have it, Auguste had once got a sight of Don Pablo's uniform and great order; whereupon he instantly cut out a monstrous tin star out of the lid of a sardine box and wore it at meals. Don Pablo was so furious that he spoke seriously of challenging Auguste to a duel to the death, and it required a stern order from the countess to make him give up his bloodthirsty design and Auguste his practical joke.
The sharp-tongued Anne and noisy old Isabel were on a similar warlike footing. The maid was jealous of the cook because she had long, secret confabulations with the countess, who let her do exactly as she pleased, and even forgave her her pronounced liking for her excellent Val de Penas, of which she—Isabel—drank at least a barrel a year to her own account. One day Wilhelm, coming unexpectedly into the boudoir, surprised Pilar and the red-nosed cook together, the latter engaged in telling her mistress' fortune by the cards. This was the secret of Isabel's influence. She hurriedly took herself off with her cards, but Wilhelm shook his head: "I should not have believed it of my clever Pilar."
"What would you have?" she returned, half-laughing, half-ashamed; "we all of us have some little remnant of superstition in some dark corner of our minds. And after all, it is very odd that ever since our return she is continually turning up the knave of hearts." And as Wilhelm was obviously still unenlightened, she explained, "Barbarian, don't you know that that always means a sweetheart?"
Pilar arranged their life as if they were on their honeymoon. Every midday and evening meal was a banquet with flowers, choice dishes, and champagne, till Wilhelm forbade it; every day a drive in an elegant coupe; every evening to some theater in a half-concealed stage box, in which Pilar hid herself in the dim background. Wilhelm did not care for the theater, but Pilar insisted that he should become acquainted with the French stage. She showed him about Paris as if he were a schoolboy allowed to come to town in the holidays as a reward for having passed his examination well. And she was such an interesting, entertaining guide! She was thoroughly acquainted with the history or the anecdotes connected with the various streets and buildings, and on their way from the Column of July to the Opera House, from the Madeleine to the Arc de Triomphe, from the Odeon to the Pantheon, she unrolled a sparkling picture of Paris, past and present, now showing him the seething crowds of the lower classes and their customs and doings in good and bad hours, now describing well-known contemporaries with all that was absurd or commendable in them. Stories, scandals, traits of character, encounters she had had, adventures that had befallen her, all flowed from her lips in a gay, babbling, inexhaustible stream, and initiated her hearer into all the intricacies of Parisian life. She was as familiar with the galleries as with the famous buildings, and in front of the works of art in the one and the facades of the other she fired off a rocket-like shower of original remarks, paradoxes, and brilliant criticism. She knew exactly where to scoff and where to be enthusiastic, jeered with all the ruthless slang of the Paris gamins at the pompously mediocre sights recommended to the tourists' admiration by Baedeker, and gave evidence of deep and true comprehension of all that was really beautiful.
At the very beginning she dragged Wilhelm to a photographer's studio and disclosed to him, when it was too late to beat a retreat, that he was to be photographed. What for? A fancy of hers—she wanted to have his likeness. Half-length, full-length, full-face, profile. Only when the pictures were sent home did he discover, that she did not want them for herself, but to send to her mother. It was high time she should see what the man was like who alone made life worth living for her only child. That she should draw her mother into an affair of the kind of which women do not, as a rule, boast to their families, seemed to him peculiarly bad taste. "What," he cried, "you have told your mother the whole story?"
"My mother is a Spaniard, she will guess what one leaves unsaid."
"And you are not ashamed that she should know?"
"That is why I am sending her your likeness; she will then understand that, on the contrary, I have every reason to be proud."
What she did not consider it necessary to explain to him was, that she had palmed off a complete romance upon the Marquise de Henares, to the effect that Wilhelm had saved her life at Ault while bathing, that he was a celebrated German revolutionist, and the future President of the German Republic, to whom she was affording a refuge in her house because, for the time being, he was obliged to be in hiding from the German secret police, and so forth, and so forth.
The marquise believed every word. In her answer, she certainly reproached her daughter gently for having anything to do with foreign conspirators, but otherwise praised her evidence of gratitude toward her preserver, and frankly expressed her admiration for the handsome person of this interesting German. She even inclosed a note to him, in which she thanked him from her overflowing mother's heart for all he had done for her only child, and adjured him to be very prudent. He could make nothing out of it, and Pilar declared that she was equally in the dark. "I only see this much," she said in an off-hand manner, "that mamma loves you already, and will do still more so when she gets to know you personally. And that is all that matters."
It was on the second Sunday after their arrival in Paris that the children came to visit their mother. Pilar looked forward with some uneasiness to Wilhelm's first meeting with them, and he too felt far from comfortable when Pilar brought a half-grown girl and a ten-year old boy to him, and addressing herself to them said, "Embrace Monsieur le Docteur, and look at him well. He is the best friend your mother has on earth. You must love him very much, for he deserves it."
The girl was fair like her mother. She was already dressed with conspicuous elegance, and her manner betrayed extreme self-consciousness. She glanced at Wilhelm with sly and wanton eyes, in which it was easily to be read that she had a very good idea of the real state of the case. She offered her forehead for his kiss, bestowed a few cold and perfunctory caresses on her mother, and slipped away to Anne, with whom she spent the whole afternoon in eager whispered conversation, till the governess came to take her back to the fashionable boarding school where she was being trained to be a perfect great lady, and to make some enviable man happy in the future by the bestowal of her hand.
The boy, who was accompanied by a priest, and was being educated at a fashionable Jesuit institution, was of a better sort. He gave his hand to Wilhelm shyly but heartily, while his innocent eyes looked frankly and openly into his, and then hung over his mother with a tenderness that had a touch of chivalry in it—half-funny, half-affecting. Wilhelm felt decidedly drawn to the slender, healthy-looking boy.
But in the course of the afternoon another—a third child—appeared upon the scene; a lovely, brown, four-year-old boy, with bold black eyes and long raven curls, whom a maid-servant brought to Pilar that he might kiss his mamma.
Wilhelm was much surprised. "Three? You never told me that," he whispered.
"This is little Manuel, my sweet little Manuelito," she answered in a low voice, and buried her face in the child's black curls that she might not have to look at Wilhelm. She covered little Manuelito with kisses, and then pushed him gently over to Wilhelm, in whom the most conflicting emotions were struggling for the mastery. It was impossible to feel any ill-will toward this captivating mite with the dark Bronzino face, and yet to Wilhelm he seemed to represent a distinct act of treachery. How could she have been so underhand as to hide the fact from him that her connection with the fashion-plate diplomat had not been without results! He made as if to draw away from the boy, who stood staring nervously at him, but the next moment his natural love of children prevailed, and he clasped the sweet little fellow to his breast.
"Such a lovely child!" he said, "and so young, and in need of a mother's care. Why does it not live with you?"
"He lives with a sister of his father," she answered, hardly above her breath.
"And you let it go?"
"The father would not let me keep it. And I could not do anything against it because—it is not registered as my child, and does not bear my name."
The past, to which Wilhelm and Pilar had closed their eyes till now, presented itself that afternoon in incontestably lively form before them. Dispelled was the artificial fabric of their dream of a love that was as old as life itself—dispelled the poetic figment that they were in the honeymoon of a young pure union of the heart! These three children told a tale of Pilar in which Wilhelm bore no part, and the chapters of that story bore different names, as did the children themselves.
Pilar divined easily enough what was passing in Wilhelm's mind at sight of the children. She never let them come to the house again, but henceforth went to see them at their respective homes. He was sure that they liked coming to the Boulevard Pereire, and was sorry that they should miss this pleasure on his account. Pilar begged him, however, not to allude to the subject again—he was dearer to her than her children, and there was nothing she would not do to spare him a moment's unpleasantness.
The first visitor whom Wilhelm saw in Pilar's house was a little tubby gentleman with a clean-shaven face and a rosette in his buttonhole, composed of sixteen different colored ribbons at the very lowest computation. He enjoyed the privilege of coming at any hour of the day, and being instantly admitted to the boudoir. He was introduced to Wilhelm as Don Antonio Gorra, and Pilar explained afterward that Don Antonio was a lawyer, an old friend of her family, and that he conducted her business affairs for her. For a time she had long daily consultations, to which Wilhelm was not invited. As soon as he left, she would come to Wilhelm with a significant and mysterious air, evidently expecting that he would ask what all this putting together of heads might mean. As he did not evince the slightest curiosity, she grew impatient at last, and asked with assumed lightness:
"Are you not at all jealous, you fish-blooded German?"
"Jealous? No, I certainly am not. Besides which, you give me no cause."
"Indeed! and what about my tete-a-tetes with Don Antonio?"
"Oh, Don Antonio!" laughed Wilhelm.
"You are quite right, sweetheart, but it aggravates me that you should not want to know what he and I are brewing. You do not take nearly so much interest in my affairs as you ought."
"But you told me that Don Antonio was your man of business."
"Well, then—no—this time it is not a matter of business. I wanted to prepare a surprise for you." She seated herself on his knee, and laying her cheek to his, she whispered: "I have been trying to have myself naturalized in Belgium, and then, as a Belgian subject, get a divorce from Count Pozaldez. In that way I might have become your wife before the law as well."
He looked at her with a face expressive rather of alarm and astonishment than joy, and she went on with a sigh, "However, Don Antonio has just told me I must give up that pleasant dream—it cannot be realized."
He kissed her lips and brow, and stroked her silky hair. She laid her head on his shoulder, and remained long in silent thought. Presently she rose, walked up and down the room once or twice, and finally seated herself on a footstool at Wilhelm's feet. "But something I must do to bind you to me," she said. "I shall not rest till there is some written bond, something legal between us. I shall alter my will, and give you the place in it you occupy in my life."
"Pilar," exclaimed Wilhelm, "if you love me, and if you wish that we should remain what we are to one another, never say such a word again. If I ever find out that you have mentioned me in your will, all is at end between us." She drooped her head disconsolately, and he continued in a milder tone—"Dorfling's will has not brought me so much luck that I should ever wish to inherit money again."
The idea to which she had given expression did not leave Pilar, however. There should be something in writing—some document with stamps and seals to testify that Wilhelm belonged to her. This wish assumed the proportions of a superstition with her, and she never rested till it was satisfied.
One morning the inmates of the house on the Boulevard Pereire saw the arrival of three carriages, which discharged eight persons at the door. A well-dressed gentleman rang the bell, marshaled his seven companions in the hall, and desired to be shown up to the countess. She was expecting him, and received him in the red salon. After a short conversation, she went downstairs with him to the yellow salon, where Wilhelm, at her request, followed them. The visitor was the Spanish consul in Paris. He produced a casket ornamented with mother-o'-pearl, broke a seal with which it was fastened, unlocked it with a small silver key, and took out a document in a closed envelope, and handed it to Pilar. He then opened the door, and permitted his followers to enter. They came in in single file, and ranged themselves silently along the wall. They were tall, lean men in great circular Spanish cloaks of brown or bottle-green, defective in the matter of footgear, and with shapeless greasy hats in their ungloved hands. Their deportment was as dignified as if they had been the chapter of a religious order, and every face was turned with an air of contemplative solemnity toward the countess. With nervous haste she wrote a few lines at the foot of the document, read it over three or four times and altered a word here and there; she then folded the paper, returned it to the envelope, and handed it back to the consul. She sealed it with her seal and wrote something on it, the seven men then advanced one by one to the table, and with extreme gravity and precision put their signatures on the envelope. The casket was then relocked and resealed, and the company withdrew with a ceremonious bow, not, however, without leaving behind them such a piercing smell of garlic that the yellow salon was still full of it next day.
When Pilar found herself alone with Wilhelm, she asked: "I suppose you would like to know what all this means?"
"Well, yes."
"We have in Spain what we call mysterious wills, the contents of which may be kept secret. A will of that kind is valid if an official person and seven witnesses vouch for it by their signatures on the envelope that it has been written or altered in their presence. To-day I have added something to my secret will."
He made a movement, but she would not give him time to speak.
"Do not be afraid, I have not acted against your wishes nor wounded your pride. On our Vega de Henares in Old Castile, we have a family tomb where my ancestors have been laid to rest since the sixteenth century. It is the Renaissance mausoleum of the picture hanging in your room. The marble tomb stands in the middle of an oak wood, not far from a little brook, and it is cool and still there. I shall lie there some day, wherever I may die, and I have assigned you a place beside me. Promise me, Wilhelm, that you will accept it. Promise me that you, in your turn, will make the necessary arrangements for your remains to be brought at last to our vega. I do not know if I may ever belong to you as your wife in my lifetime, but in death I want to have you forever at my side. Grant me this consolation. Give me your hand upon it."
Great tears welled slowly into the hazel eyes, and it was plainly of such sacred and earnest import to her that Wilhelm had not the heart to smile at her strained and sentimental idea. Moved and touched, he clasped her to his heart in silence.
All books are sourced from Project Gutenberg