I went home to Ohio; and sent on the bond I was to file in the Treasury Department; but it was mislaid there, and to prevent another chance of that kind I carried on the duplicate myself. It was on my second visit that I met the generous young Irishman William D. O’Connor, at the house of my friend Piatt, and heard his ardent talk. He was one of the promising men of that day, and he had written an anti-slavery novel in the heroic mood of Victor Hugo, which greatly took my fancy; and I believe he wrote poems too. He had not yet risen to be the chief of Walt Whitman’s champions outside of the Saturday Press, but he had already espoused the theory of Bacon’s authorship of Shakespeare, then newly exploited by the poor lady of Bacon’s name, who died constant to it in an insane asylum. He used to speak of the reputed dramatist as “the fat peasant of Stratford,” and he was otherwise picturesque of speech in a measure that consoled, if it did not convince. The great war was then full upon us, and when in the silences of our literary talk its awful breath was heard, and its shadow fell upon the hearth where we gathered round the first fires of autumn, O’Connor would lift his beautiful head with a fine effect of prophecy, and say, “Friends, I feel a sense of victory in the air.” He was not wrong; only the victory was for the other aide.
Who beside O’Connor shared in these saddened symposiums I cannot tell now; but probably other young journalists and office-holders, intending litterateurs, since more or less extinct. I make certain only of the young Boston publisher who issued a very handsome edition of ‘Leaves of Grass’, and then failed promptly if not consequently. But I had already met, in my first sojourn at the capital, a young journalist who had given hostages to poetry, and whom I was very glad to see and proud to know. Mr. Stedman and I were talking over that meeting the other day, and I can be surer than I might have been without his memory, that I found him at a friend’s house, where he was nursing himself for some slight sickness, and that I sat by his bed while our souls launched together into the joyful realms of hope and praise. In him I found the quality of Boston, the honor and passion of literature, and not a mere pose of the literary life; and the world knows without my telling how true he has been to his ideal of it. His earthly mission then was to write letters from Washington for the New York World, which started in life as a good young evening paper, with a decided religious tone, so that the Saturday Press could call it the Night-blooming Serious. I think Mr. Stedman wrote for its editorial page at times, and his relation to it as a Washington correspondent had an authority which is wanting to the function in these days of perfected telegraphing. He had not yet achieved that seat in the Stock Exchange whose possession has justified his recourse to business, and has helped him to mean something more single in literature than many more singly devoted to it. I used sometimes to speak about that with another eager young author in certain middle years when we were chafing in editorial harness, and we always decided that Stedman had the best of it in being able to earn his living in a sort so alien to literature that he could come to it unjaded, and with a gust unspoiled by kindred savors. But no man shapes his own life, and I dare say that Stedman may have been all the time envying us our tripods from his high place in the Stock Exchange. What is certain is that he has come to stand for literature and to embody New York in it as no one else does. In a community which seems never to have had a conscious relation to letters, he has kept the faith with dignity and fought the fight with constant courage. Scholar and poet at once, he has spoken to his generation with authority which we can forget only in the charm which makes us forget everything else.
But his fame was still before him when we met, and I could bring to him an admiration for work which had not yet made itself known to so many; but any admirer was welcome. We talked of what we had done, and each said how much he liked certain thing of the other’s; I even seized my advantage of his helplessness to read him a poem of mine which I had in my pocket; he advised me where to place it; and if the reader will not think it an unfair digression, I will tell here what became of that poem, for I think its varied fortunes were amusing, and I hope my own sufferings and final triumph with it will not be without encouragement to the young literary endeavorer. It was a poem called, with no prophetic sense of fitness, “Forlorn,” and I tried it first with the ‘Atlantic Monthly’, which would not have it. Then I offered it in person to a former editor of ‘Harper’s Monthly’, but he could not see his advantage in it, and I carried it overseas to Venice with me. From that point I sent it to all the English magazines as steadily as the post could carry it away and bring it back. On my way home, four years later, I took it to London with me, where a friend who knew Lewes, then just beginning with the ‘Fortnightly Review’, sent it to him for me. It was promptly returned, with a letter wholly reserved as to its quality, but full of a poetic gratitude for my wish to contribute to the Fortnightly. Then I heard that a certain Mr. Lucas was about to start a magazine, and I offered the poem to him. The kindest letter of acceptance followed me to America, and I counted upon fame and fortune as usual, when the news of Mr. Lucas’s death came. I will not poorly joke an effect from my poem in the fact; but the fact remains. By this time I was a writer in the office of the ‘Nation’ newspaper, and after I left this place to be Mr. Fields’s assistant on the Atlantic, I sent my poem to the Nation, where it was printed at last. In such scant measure as my verses have pleased it has found rather unusual favor, and I need not say that its misfortunes endeared it to its author.
But all this is rather far away from my first meeting with Stedman in Washington. Of course I liked him, and I thought him very handsome and fine, with a full beard cut in the fashion he has always worn it, and with poet’s eyes lighting an aquiline profile. Afterwards, when I saw him afoot, I found him of a worldly splendor in dress, and envied him, as much as I could envy him anything, the New York tailor whose art had clothed him: I had a New York tailor too, but with a difference. He had a worldly dash along with his supermundane gifts, which took me almost as much, and all the more because I could see that he valued himself nothing upon it. He was all for literature, and for literary men as the superiors of every one. I must have opened my heart to him a good deal, for when I told him how the newspaper I had written for from Canada and New England had ceased to print my letters, he said, “Think of a man like sitting in judgment on a man like you!” I thought of it, and was avenged if not comforted; and at any rate I liked Stedman’s standing up so stiffly for the honor of a craft that is rather too limp in some of its votaries.
I suppose it was he who introduced me to the Stoddards, whom I met in New York just before I sailed, and who were then in the glow of their early fame as poets. They knew about my poor beginnings, and they were very, very good to me. Stoddard went with me to Franklin Square, and gave the sanction of his presence to the ineffectual offer of my poem there. But what I relished most was the long talks I had with them both about authorship in all its phases, and the exchange of delight in this poem and that, this novel and that, with gay, wilful runs away to make some wholly irrelevant joke, or fire puns into the air at no mark whatever. Stoddard had then a fame, with the sweetness of personal affection in it, from the lyrics and the odes that will perhaps best keep him known, and Mrs. Stoddard was beginning to make her distinct and special quality felt in the magazines, in verse and fiction. In both it seems to me that she has failed of the recognition which her work merits. Her tales and novels have in them a foretaste of realism, which was too strange for the palate of their day, and is now too familiar, perhaps. It is a peculiar fate, and would form the scheme of a pretty study in the history of literature. But in whatever she did she left the stamp of a talent like no other, and of a personality disdainful of literary environment. In a time when most of us had to write like Tennyson, or Longfellow, or Browning, she never would write like any one but herself.
I remember very well the lodging over a corner of Fourth Avenue and some downtown street where I visited these winning and gifted people, and tasted the pleasure of their racy talk, and the hospitality of their good-will toward all literature, which certainly did not leave me out. We sat before their grate in the chill of the last October days, and they set each other on to one wild flight of wit after another, and again I bathed my delighted spirit in the atmosphere of a realm where for the time at least no
“——rumor of oppression or defeat,
Of unsuccessful or successful war,”
could penetrate. I liked the Stoddards because they were frankly not of that Bohemia which I disliked so much, and thought it of no promise or validity; and because I was fond of their poetry and found them in it. I liked the absolutely literary keeping of their lives. He had then, and for long after, a place in the Custom house, but he was no more of that than Lamb was of India House. He belonged to that better world where there is no interest but letters, and which was as much like heaven for me as anything I could think of.
The meetings with the Stoddards repeated themselves when I came back to sail from New York, early in November. Mixed up with the cordial pleasure of them in my memory is a sense of the cold and wet outdoors, and the misery of being in those infamous New York streets, then as for long afterwards the squalidest in the world. The last night I saw my friends they told me of the tragedy which had just happened at the camp in the City Hall Park. Fitz James O’Brien, the brilliant young Irishman who had dazzled us with his story of “The Diamond Lens,” and frozen our blood with his ingenious tale of a ghost—“What was It”—a ghost that could be felt and heard, but not seen—had enlisted for the war, and risen to be an officer with the swift process of the first days of it. In that camp he had just then shot and killed a man for some infraction of discipline, and it was uncertain what the end would be. He was acquitted, however, and it is known how he afterwards died of lockjaw from a wound received in battle.
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