Reminiscences of Captain Gronow


THE ITALIAN OPERA.—CATALANI

The greatest vocalist of whom I have a recollection, is Madame Catalani. In her youth, she was the finest singer in Europe, and she was much sought after by all the great people during her sejour in London. She was extremely handsome, and was considered a model as wife and mother. Catalani was very fond of money, and would never sing unless paid beforehand. She was invited, with her husband, to pass some time at Stowe, where a numerous but select party had been invited; and Madame Catalani, being asked to sing soon after dinner, willingly complied. When the day of her departure came, her husband placed in the hands of the Marquis of Buckingham the following little billet:—"For seventeen songs, seventeen hundred pounds." This large sum was paid at once, without hesitation; proving that Lord Buckingham was a refined gentleman, in every sense of the word.

Catalani's husband, M. de Valabreque, once fought a duel with a German baron who had insulted the prima donna; the weapons used were sabres, and Valabreque cut half of the Baron's nose clean off. Madame Catalani lived for many years, highly respected, at a handsome villa near Florence. Her two sons are now distinguished members of the Imperial court in Paris; the eldest being Prefet du Palais, and the youngest colonel of a regiment of hussars.

When George the Fourth was Regent, Her Majesty's Theatre, as the Italian Opera in the Haymarket is still called, was conducted on a very different system from that which now prevails. Some years previous to the period to which I refer, no one could obtain a box or a ticket for the pit without a voucher from one of the lady patronesses; who, in 1805, were the Duchesses of Marlborough, Devonshire, and Bedford, Lady Carlisle, and some others. In their day, after, the singing and the ballet were over, the company used to retire into the concert-room, where a ball took place, accompanied by refreshments and a supper. There all the rank and fashion of England were assembled on a sort of neutral ground. At a later period, the management of the Opera House fell into the hands of Mr. Waters, when it became less difficult to obtain admittance; but the strictest etiquette was still kept up as regarded the dress of the gentlemen, who were only admitted with knee-buckles, ruffles, and chapeau bras. If there happened to be a drawing-room, the ladies would appear in their court-dresses, as well as the gentlemen, and on all occasions the audience of Her Majesty's Theatre was stamped with aristocratic elegance. In the boxes of the first tier might have been seen the daughters of the Duchess of Argyle, four of England's beauties; in the next box were the equally lovely Marchioness of Stafford and her daughter, Lady Elizabeth Gore, now the Duchess of Norfolk: not less remarkable was Lady Harrowby and her daughters Lady Susan and Lady Mary Ryder. The peculiar type of female beauty which these ladies so attractively exemplified, is such as can be met with only in the British Isles: the full, round, soul-inspired eye of Italy, and the dark hair of the sunny south, often combined with that exquisitely pearly complexion which seems to be concomitant with humidity and fog. You could scarcely gaze upon the peculiar beauty to which I refer without being as much charmed with its kindly expression as with its physical loveliness.




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