Gabriella had brought with her into this neighborhood of good-natured, non-reading people the recollections of literature. These became her library of the mind; and deep joy she drew from its invisible volumes. She had transported a fine collection of the heroes and heroines of good fiction (Gabriella, according to the usage of her class and time, had never read any but standard works). These, when the earlier years of adversity came on, had been her second refuge from the world: religion was the first. Now they were the means by which she returned to the world in imagination. The failure to gather together so durable a company of friends leaves every mind the more destitute—especially a woman's, which has greater need to live upon ideals, and cannot always find these in actual life. Then there were short poems and parts of long poems, which were as texts out of a high and beautiful Gospel of Nature. One of these was on the snowstorm; and this same morning her memory long was busy, fitting the poem within her mind to the scenery around the farmhouse, as she passed joyously from window to window, looking out far and near.
There it all was as the great New England poet had described it: that masonry out of an unseen quarry, that frolic architecture of the snow, nightwork of the North Wind, fierce artificer. In a few hours he had mimicked with wild and savage fancy the structures which human art can scarce rear, stone by stone, in an age: white bastions curved with projected roof round every windward stake or tree or door; the gateway overtopped with tapering turrets; coop and kennel hung mockingly with Parian wreaths; a swanlike form investing the hidden thorn.
From one upper window under the blue sky in the distance she could see what the poet had never beheld: a field of hemp shocks looking like a winter camp, dazzlingly white. The scene brought to her mind some verses written by a minor Kentucky writer on his own soil and people.
SONG OF THE HEMP
Ah, gentle are the days when the Year is young
And rolling fields with rippling hemp are green
And from old orchards pipes the thrush at morn.
No land, no land like this is yet unsung
Where man and maid at twilight meet unseen
And Love is born.
Oh, mighty summer days and god of flaming tress
When in the fields full-headed bends the stalk,
And blossoms what was sown!
No land, no land like this for tenderness
When man and maid as one together walk
And Love is grown.
Oh, dim, dim autumn days of sobbing rain
When on the fields the ripened hemp is spread
And woods are brown.
No land, no land like this for mortal pain
When Love stands weeping by the sweet, sweet bed
For Love cut down.
Ah, dark, unfathomably dark, white winter days
When falls the sun from out the crystal deep
On muffled farms.
No land, no land like this for God's sad ways
When near the tented fields Love's Soldier lies asleep
With empty arms.
The verses were too sorrowful for this day, with its new, half-awakened happiness. Had Gabriella been some strong-minded, uncompromising New England woman, she might have ended her association with David the night before—taking her place triumphantly beside an Accusing Judge. Or she might all the more fiercely have set on him an acrid conscience, and begun battling with him through the evidences of Christianity, that she might save his soul. But this was a Southern girl of strong, warm, deep nature, who felt David's life in its simple entirety, and had no thought of rejecting the whole on account of some peculiarity in one of its parts; the white flock was more to her than one dark member. Inexpressibly dear and sacred as was her own church, her own faith, she had never been taught to estimate a man primarily with reference to his. What was his family, how he stood in his profession, his honorable character, his manners, his manhood—these were what Gabriella had always been taught to look for first in a man.
In many other ways than in his faith and doubt David was a new type of man to her. He was the most religious, the only religious, one she had ever known—a new spiritual growth arising out of his people as a young oak out of the soil. Had she been familiar with the Greek idea, she might have called him a Kentucky autochthon. It was the first time also that she had ever encountered in a Kentuckian the type of student mind—that fitness and taste for scholarship which sometimes moves so unobtrusively and rises so high among that people, but is usually unobserved unless discovered pre-eminent and commanding far from the confines of the state.
Touching his scepticism she looked upon him still as she had thought of him at first,—as an example of a sincere soul led astray for a time only. Strange as were his views (and far stranger they seemed in those years than now), she felt no doubt that when the clouds marshalled across his clear vision from the minds of others had been withdrawn, he would once more behold the Sun of Righteousness as she did. Gabriella as by intuition reasoned that a good life most often leads to a belief in the Divine Goodness; that as we understand in others only what we are in ourselves, so it is the highest elements of humanity that must be relied upon to believe in the Most High: and of David's lofty nature she possessed the whole history of his life as evidence.
Her last act, then, the night before had been, in her nightgown, on her knees, to offer up a prayer that he might be saved from the influences of false teachers and guided back to the only Great One. But when a girl, with all the feelings which belong to her at that hour, seeks this pure audience and sends upward the name of a man on her spotless prayers, he is already a sacred happiness to her as well as a care.
On this day she was radiant with tender happiness. The snow of itself was exhilarating. It spread around her an enchanted land. It buried out of sight in the yard and stable lots all mire, all ugly things. This ennoblement of eternal objects reacted with comic effect on the interior of the house itself; outside it was a marble palace, surrounded by statuary; within—alas! It provoked her humor, that innocent fun-making which many a time had rendered her environment the more tolerable.
When she went down into the parlor early that evening to await David's coming, this gayety, this laughter of the generations of men and women who made up her past, possessed her still. She made a fresh investigation of the parlor, took a new estimate of its peculiar furnishings. The hearthstones—lead color. The mohair furniture—cold at all temperatures of the room and slippery in every position of the body. The little marble-top table on which rested a glass case holding a stuffed blue jay clutching a varnished limb: tail and eyes stretched beyond the reach of muscles. Near the door an enormous shell which, on summer days, the cook blew as a dinner horn for the hands in the field. A collection of ambrotypes which, no matter how held, always caused the sitter to look as though the sun was shining in his eyes. The violence of the Brussels carpet. But the cheap family portraits in thin wooden frames—these were Gabriella's delight in a mood like this.
The first time she saw these portraits, she turned and walked rapidly out of the parlor. She had enough troubles of her own without bearing the troubles of all these faces. Later on she could confront them with equanimity—that company of the pallid, the desperately sick, the unaccountably uncomfortable. All looked, not as though there had been a death in the family, but a death in the collection: only the same grief could have so united them as mourners. And whatever else they lacked, each showed two hands, the full number, placed where they were sure to be counted.
She was in the midst of this psychological reversion to ancestral gayety when David arrived. Each looked quickly at the other with unconscious fear. Within a night and a day each had drawn nearer to the other; and each secretly inquired whether the other now discovered this nearness. Gabriella saw at least that he, too, was excited with happiness.
He appeared to her for the first time handsome. He WAS better looking. When one approaches the confines of love, one nears the borders of beauty. Nature sets going a certain work of decoration, of transformation. Had David about this time been a grouse, he would probably have displayed a prodigious ruff. Had he been a bulbul and continued to feel as he did, he would have poured into the ear of night such roundelays as had never been conceived of by that disciplined singer. Had he been a master violinist, he would have been unable to play a note from a wild desire to flourish the bow. He had long stood rooted passively in the soil of being like a century plant when it is merely keeping itself in existence. But latterly, feeling in advance the approach of the Great Blossoming Hour, he had begun to shoot up rapidly into a lofty life-stalk; there were inches of the rankest growth on him within the last twenty-four hours. To-night he was not even serious in his conversation; and therefore he was the more awkward. His emotions were unmanageable; much more his talk. But she who witnesses this awkwardness and understands—does she ever fail to pardon?
"Last night," he said with a droll twinkle, after the evening was about half spent, "there was one subject I did not speak to you about—Man's place in Nature. Have you ever thought about that?"
"I've been too busy thinking about my place in the school!" said Gabriella, laughing—Gabriella who at all times was simplicity and clearness.
"You see Nature does nothing for Man except what she enables him to do for himself. In this way she has made a man of him; she has given him his resources and then thrown him upon them. Beyond that she cares nothing, does nothing, provides, arranges nothing. I used to think, for instance, that the greenness of the earth was intended for his eyes—all the loveliness of spring. On the contrary, she merely gave him an eye which has adapted itself to get pleasure out of the greenness. The beauty of spring would have been the same, year after year, century after century, had he never existed. And the blue of the sky—I used to think it was hung about the earth for his sake; and the colors of the clouds, the great sunsets. But the blueness of the sky is nothing but the dust of the planet floating deep around it, too light to sink through the atmosphere, but reflecting the rays of the sun. These rays fall on the clouds and color them. It would all have been so, had Man never been born. The earth's springs of drinking water, refreshing showers, the rainbow on the cloud,—they would have been the same, had no human being ever stood on this planet to claim them for ages as the signs of providence and of covenant."
Gabriella had her own faith as to the rainbow.
"So, none of the other animals was made for Man," resumed David, who seemed to have some ulterior purpose in all this. "I used to think the structure and nature of the ass were given him that he might be adapted to bear Man's burdens; they were given him that he might bear his own burdens. Horses were not made for cavalry. And a camel—I never doubted that he was a wonderful contrivance to enable man to cross the desert; he is a wonderful contrivance in order that the contrivance itself may cross the desert."
"I hope I may never have to use one," said Gabriella, "when I commence to ride again. I prefer horses and carriages—though I suppose you would say that only the carriage was designed for me and that I had no right to be drawn in that way."
"Some day a horse may be designed for you, just as the carriage is. We do not use horses on railroads now; we did use them at first in Kentucky. Sometime you may not use horses in your carriage. You may have a horse that was designed for you."
"I think," said Gabriella, "I should prefer a horse that was designed for itself."
"And so," resumed David, moving straight on toward his concealed climax, "if I were a poet, I'd never write poems about flowers and clouds and lakes and mountains and moonbeams and all that; those things are not for a man. If I were a novelist, I'd never write stories about a grizzly bear, or a dog, or a red bird. If I were a sculptor, I'd not carve a lynx or a lion. If I were a painter, I'd never paint sheep. In all this universe there is only one thing that Nature ever created for a man. I'd write poems about that one thing! I'd write novels about it! I'd paint it! I'd carve it! I'd compose music to it!"
"Why, what is that?" said Gabriella, led sadly astray.
"A woman!" said David solemnly, turning red.
Gabriella fled into the uttermost caves of silence.
"And there was only one thing ever made for woman."
"I understand perfectly."
David felt rebuffed. He hardly knew why. But after a moment or two of silence he went on, still advancing with rough paces toward his goal:—
"Sometimes," he said mournfully, "it's harder for a man to get the only thing in the world that was ever made for him than anything else! This difficulty, however, appertains exclusively to the human species."
Gabriella touched her handkerchief quickly to her lips and held it there.
"But then, many curious things are true of our species," he continued, with his eyes on the fire and in the manner of a soliloquy, "that never occur elsewhere. A man, for instance, is the only animal that will settle comfortably down for the rest of its days to live on the exertions of the female."
"It shows how a woman likes to be depended on," said Gabriella, with her deep womanliness.
"Tom-cats of the fireside," said David, "who are proud of what fat mice their wives feed them on. It may show what you say in the nature of the woman. But what does it show in the nature of the man?"
"That depends."
"I don't think it depends," replied David. "I think it is either one of the results of Christianity or a survival of barbarism. As one of the results of Christianity, it demonstrates what women will endure when they are imposed upon. As a relic of barbarism—when it happens in our country—why not regard it as derived from the North American Indians? The chiefs lounged around the house and smoked the best tobacco and sent the squaws out to work for them. Occasionally they broke silence by briefly declaring that they thought themselves immortal."
Gabriella tried to draw the conversation into other channels, but David was not to be diverted.
"It has been a great fact in the history of your sex," he said, looking across at her, with a shake of his head, as though she did not appreciate the subject, "that idea that everything in the universe was made for Man."
"Why?" inquired Gabriella, resigning herself to the perilous and the irresistible.
"Well, in old times it led men to think that since everything else belonged to them, so did woman: therefore when they wanted her they did not ask for her; they took her."
"It is much better arranged at present, whatever the reason."
"Now a man cannot always get one, even when he asks for her," and David turned red again and knotted his hands.
"I am so glad the schoolhouse was not damaged by the storm," observed Gabriella, reflecting.
David fell into a revery but presently awoke.
"There are more men than women in the world. On an average, that is only a fraction of a woman to every man. Still the men cannot take care of them. But it ought to be a real pleasure to every man to take care of an entire woman."
"Did you ever notice the hands in that portrait?"
David glanced at the portrait without noticing it, and went his way.
"Since a man knows nothing else was created for him, he feels his loneliness without her so much more deeply. They ought to be very good and true to each other—a man and a woman—since they two are alone in the universe."
He gulped down his words and stood up, trembling.
"I must be going," he said, without even looking at Gabriella, and went out into the hall for his coat.
"Bring it in here." she called. "It is cold out there." She watched how careless he was about making himself snug for his benumbing walk. He had a woollen comforter which he left loosely tied about his neck.
"Tie it closer," she commanded. "You had a cold last night, and it is worse tonight. Tuck it in close about your neck."
David made the attempt. He was not thinking.
"This way!" And Gabriella showed him by using her fingers around her own neck and collar.
He tried again and failed, standing before her with a mingling of embarrassment and stubborn determination.
"That will never do!" she cried with genuine concern. She took hold of the comforter by the ends and drew the knot up close to his throat, he lifting his head to receive it as it came. Then David with his eyes on the ceiling felt his coat collar turned up and her soft warm fingers tucking the comforter in around his neck. When he looked down, she was standing over by the fireplace.
"Good night," she said positively, with a quick gesture of dismissal as she saw the look in his eyes.
Each of the million million men who made up the past of David, that moment reached a hand out of the distance and pushed him forward. But of them all there was none so helpless with modesty,—so in need of hiding from every eye,—even his own,—the sacred annals of that moment.
He was standing by the table on which burned the candles. He bent down quickly and blew them out and went over to her by the dim firelight.
All books are sourced from Project Gutenberg