Dad Grimes had just finished the story of his nose and the cabman, and the group in the bar of the Angel exploded like a shell. Dicky Freeman's mouth seemed to slip both ways at once till it reached his ears. The barman put down the glass he was wiping and twisted the cloth in his fingers till the tears stood in his eyes. The noise was deafening.
"An' 'e sez, 'Cum on, you an' yer nose, an' I'll fight the pair o' yez,'" spluttered Dicky, with hysterical gasps, and went off again. His chuckles ended in a dead silence. There was no sound but the rapid breathing of the men. The barman flattened a mosquito on his cheek, the smack sounded like a kiss. Dicky Freeman emptied his glass, and then stared through the bottom as if he wondered where the liquor had gone.
"I assure you for the moment I was staggered," said Dad, rounding off his story. "I am aware that my nose has added to the gaiety of nations, but it was the first time that it had been reckoned as a creature distinct from myself with an individuality of its own."
Dad Grimes was a man of fifty, wearing a frock coat that showed a faint green where the light fell on the shoulders, and a tall silk hat that had grown old with the wearer. But for his nose he might have been an undertaker. It was an impossible nose, the shape and size of a potato, and the colour of pickled cabbage—the nose for a clown in the Carnival of Venice. Its marvellous shape was none of Dad's choosing, but the colour was his own, laid on by years of patient drinking as a man colours a favourite pipe. Years ago, when he was a bank manager, his heart had bled at the sight of this ungainly protuberance; but since his downfall, he had led the chorus of laughter that his nose excited, with a degraded pride in his physical defect.
It was Dicky Freeman's turn to shout, and he began another story as Dad sucked the dregs of beer off his moustache. Dad recognized the opening sentence. It was one of the interminable stories out of the Decameron of the bar-room, realistic and obscene, that circulate among drinkers. Dad knew it by heart. He looked at his glass, and remembered that it was his fourth drink. Instantly he thought of the Duchess. With his usual formula "'Scuse me; I'm a married man, y'know," he hurried out of the bar in search of his little present.
It was nine o'clock, and the Duchess would be waiting for him with his tea since six. And always when he stopped at the "Angel" on his way home, he tried to soften her icy looks with a little present. Sometimes it was a bunch of grapes that he crushed to a pulp by rolling on them; sometimes a dozen apples that he spilt out of the bag, and recovered from the gutter with lurching steps. But tonight he happened to stop in front of the fish shop, and a lobster caught his eye. The beer had quickened the poetry in his soul, and the sight of this fortified inhabitant of the deep pleased him like a gorgeous sunset. He shuffled back to the Angel with the lobster under his arm, wrapped in a piece of paper.
One more drink and he would go home. He put the lobster carefully at his elbow and called for drinks. But Dicky was busy with a new trick with a box of matches, and Dad, who was a recognized expert in the idle devices of bar-room loafers—picking up glasses and bottles with a finger and thumb, opening a footrule with successive jerks from the wrist, drinking beer out of a spoon—forgot the lapse of time with the new toy.
Punctually on the stroke of eleven the swinging doors of the Angel were closed and the huge street lamps were extinguished. Dad's eye was glassy, but he remembered the lobster.
"Whersh my lil' present?" he wailed. "Mush 'ave lil' present for the Duchess, y'know. 'Ow could I g'ome, d'ye think?"
He made so much noise that the landlord came to see what was the matter, and then the barman pointed to where he had left the lobster on the counter. He tucked it under his arm and lurched into the street. Now, Dad could run when he couldn't walk. He swayed a little, then suddenly broke into a run whose speed kept him from falling and preserved his balance like a spinning top.
The Duchess, seen through a haze, seemed unusually stern tonight; but with beery pride he produced his little present, the mail-clad delicacy, the armoured crustacean. But Dicky Freeman, offended by Dad's sudden departure in the middle of the story, had taken a mean revenge with the aid of the barman, and, as Dad unfastened the wrapping, there appeared, not the shellfish in its vermilion armour, but something smooth and black—an empty beer-bottle! Dad stared and blinked. A look at the Duchess revealed a face like the Ten Commandments. The situation was too abject for words; he grinned vacantly and licked his lips.
The Grimes family lived in the third house in the terrace, counting from the lamp-post at the corner of Buckland Street, where, running parallel to Cardigan Street, it tumbles over the hill and is lost to sight on its way to Botany Road. It was a long, ugly row of two-storey houses, the model lodging-houses of the crowded suburbs, so much alike that Dad had forced his way, in a state of intoxication, into every house in the terrace at one time or another, under the impression that he lived there.
Ten years ago the Grimes family had come to live in Waterloo, when the Bank of New Guinea had finally dispensed with Dad's services as manager at Billabong. His wife had picked on this obscure suburb of working men to hide her shame, and Dad who could make himself at home on an ant-hill, had cheerfully acquiesced. He had started in business as a house-agent, and the family of three lived from hand to mouth on the profits that escaped the publican. Not that Dad was idle. He was for ever busy; but it was the busyness of a fly. He would call for the rent, and spend half the morning fixing a tap for Mrs Brown, instead of calling in the plumber; he would make a special journey to the other end of Sydney for Mrs Smith, to prove that he had a nose for bargains.
Mrs Grimes forgot with the greatest ease that her neighbours were made of the same clay as herself, but she never forgot that she had married a bank manager, and she never forgave Dad for lowering her pride to the dust. True, she was only the governess at Nullah Nullah station when Dad married her, but her cold aristocratic features had given her the pick of the neighbouring stations, and Dad was reckoned a lucky man when he carried her off. It was her fine, aquiline features and a royal condescension in manner that had won her the title of "Duchess" in this suburb of workmen. She tried to be affable, and her visitors smarted under a sense of patronage. The language of Buckland Street, coloured with oaths, the crude fashions of the slop-shop, and the drunken brawls, jarred on her nerves like the sharpening of a saw. So she lived, secluded as a nun, mocked and derided by her inferiors.
She was born with the love of the finer things that makes poverty tragic. She kept a box full of the tokens of the past—a scarf of Maltese lace, yellow with age, that her grandmother had sent from England; a long chain of fine gold, too frail to be worn; a brooch set with diamonds in a bygone fashion; a ring with her father's seal carved in onyx.
Her daughter Clara was the image of herself in face and manner, and her grudge against her husband hardened every time she thought of her only child's future. Clara was fifteen when they descended to Buckland Street, a pampered child, nursed in luxury. The Duchess belonged to the Church of England, and it had been one of the sights of Billabong to see her move down the aisle on Sunday like a frigate of Nelson's time in full sail; but she had overcome her scruples, and sent Clara to the convent school for finishing lessons in music, dancing, and painting.
We each live and act our parts on a stage built to our proportions, and set in a corner of the larger theatre of the world, and the revolution that displaces princes was not more surprising to them than the catastrophe that dropped the Grimes family in Buckland Street was to Clara and her mother.
Clara had been taught to look on her equals with scorn, and she stared at her inferiors with a mute contempt that roused the devil in their hearts. She had lived in the street ten years, and was a stranger in it. Buckland Street was never empty, but she learned to pick her time for going in and out when the neighbours were at their meals or asleep. She attended a church at an incredible distance from Waterloo, for fear people should learn her unfashionable address. Her few friends lived in other suburbs whose streets she knew by heart, so that they took her for a neighbour.
When she was twenty-two she had become engaged to a clerk in a Government office, who sang in the same choir. A year passed, and the match was suddenly broken off. This was her only serious love-affair, for, though she was handsome in a singular way, her flirtations never came to anything. She belonged to the type of woman who can take her pick of the men, and remains unmarried while her plainer friends are rearing families.
The natural destiny of the Waterloo girls was the factory, or the workshops of anaemic dressmakers, stitching slops at racing speed for the warehouses. A few of the better sort, marked out by their face and figure, found their way to the tea-rooms and restaurants. But the Duchess had encouraged her daughter's belief that she was too fine a lady to soil her hands with work, and she strummed idly on the dilapidated piano while her mother roughened her fine hands with washing and scrubbing. This was in the early days, when Dad, threatened with starvation, had passed the hotels at a run to avoid temptation, for which he made amends by drinking himself blind for a week at a time. Then, after years of genteel poverty, the Duchess had consented to Clara giving lessons on the piano—that last refuge of the shabby-genteel. But pupils were scarce in Waterloo, and Clara's manner chilled the enthusiasm of parents who only paid for lessons on the understanding that their child was to become the wonder of the world for a guinea a quarter.
This morning Clara was busy practising scales, while her mother dusted and swept with feverish haste, for Mr Jones, the owner of the great boot-shop, was bringing his son in the afternoon to arrange for lessons on the piano. The Duchess knew the singular history of Jonah, the boot king, and awaited his arrival with intense curiosity. She had married a failure, and adored success. She decided to treat Jonah as an equal, forgiving his lowly origin with a confused idea that it was the proper thing for millionaires to spring from the gutter, the better to show their contempt for the ordinary advantages of education and family. She had decided to wear her black silk, faded and darned, but by drawing the curtains; she hoped it would pass. From some receptacle unknown to Dad she had fished out a few relics of her former grandeur—an old-fashioned card-tray of solid silver, and the quaint silver tea-set with the tiny silver spoons that her grandmother had sent as a wedding present from England.
Clara had just finished a variation with three tremendous fortissimo chords when she heard the wheels of a cab. This was an event in itself, for cabs in Buckland Street generally meant doctors, hospitals, or sudden death. She ran to the window and saw the hunchback and the boy stepping out. Clara opened the door with an air of surprise, and led them to the parlour where the Duchess was waiting. Years and misfortune had added to her dignity, and Jonah felt his shop and success and money slip away from him, leaving him the street-arab sprung from the gutter before this aristocrat. Ray took to her at once, and climbed into her lap, bringing her heart into her mouth as he rubbed his feet on the famous black silk.
"I have never had the pleasure of meeting you, but I have heard of your romantic career," she said.
"Well, I've got on, there's no denying that," said Jonah. "Some people think it's luck, but I tell 'em it's 'ard graft."
"Exactly," said the Duchess, wondering what he meant by graft.
Jonah looked round the stuffy room. It had an indescribable air of antiquity. Every piece of furniture was of a pattern unknown to him, and there was a musty flavour in the air, for the Duchess, valuing privacy more than fresh air, never opened the windows. On the wall opposite was a large picture in oils, an English scene, with the old rustic bridge and the mill in the distance, painted at Billabong by Clara at an early age. The Duchess caught Jonah's eye.
"That was painted by my daughter ten years ago. Her teachers considered she had a wonderful talent, but misfortune came, and she was unable to follow it up," she said.
Jonah's amazement increased. It was a mere daub, but to his untrained eye it was like the pictures in the Art Gallery, where he had spent a couple of dull afternoons. Over the piano a framed certificate announced that Clara Grimes had passed the junior grade of Trinity College in 1890. And Jonah, who had an eye for business like a Jew, who moved in an atmosphere of profit and loss, suddenly felt ill at ease. His shop, his money, and his success must seem small things to these women who lived in the world of art. His thoughts were brought back to earth by a sudden crash. Ray was sitting on a chair, impatient for the music to begin, and, as he never sat on a chair in the ordinary fashion, he had paralysed the Duchess with a series of gymnastic feats, twining his legs round the chair, sitting on his feet, kneeling on the seat with his feet on the back of the chair, until at last an unlucky move had tilted the chair backwards into a pot-stand. The jar fell with a crash, and Ray laughed. The Duchess uttered a cry of terror.
"Yer young devil, keep still," cried Jonah, angrily. "Yer can pay fer that out of yer pocket-money," he added.
"It was of no value," said the Duchess, with frigid dignity.
"Perhaps Miss Grimes will play something," said Jonah. "Ray's talked of nothing else since daylight this morning."
Clara sat down at the piano and ran her fingers over the keys. She had selected her masterpiece, "The Wind Among the Pines", a tone-picture from a shilling album. Her fingers ran over the keys with amazing rapidity as she beat out the melody with the left hand on the groaning bass, while with the right she executed a series of scales to the top of the keyboard and back. Jonah listened spellbound to the clap-trap arrangement. He had the native ear for music, and he recognized that he was in the presence of a born musician. Ray crept near, and listened with open mouth to this display of musical fireworks. When she had finished, Clara turned to Jonah with a languid smile, the look of the artist conscious of divine gifts.
"My daughter was considered the best player at the convent where she was educated," said the Duchess—"a great talent wasted in this dreadful place."
"I niver 'eard anythin' like that in my natural," said Jonah with enthusiasm. "If yer can teach Ray ter play like that, I'm satisfied."
"You may depend upon her doing her best with your son, but it is not everyone who has Clara's talent," said the Duchess.
"Play some more," said Ray.
This time she selected a grand march, striking the dilapidated piano a series of stunning blows with both hands, filling the air with the noise of battle.
"That must be terrible 'ard," said Jonah.
"It takes it out of one," replied Clara, with the simplicity of an artist.
Then she gave Ray his first lesson, showing him how to sit and place his hands, anxious to impress the parent that she was a good teacher. She declared that Ray was very apt, and would learn rapidly. An hour later, Jonah paid for Ray's first quarter. Clara's terms were a guinea, but Jonah insisted on two guineas on the understanding that Ray would receive special attention.
But in spite of her promises, Ray's progress was slow. As Jonah had no piano, the boy came half an hour early to his lesson to practise, but the twenty minutes' journey from the Silver Shoe occupied the best part of an hour, for Ray, who took to the streets as a duck takes to water, could spend a morning idling before shop windows, following fiddlers on their rounds, watching navvies dig a drain, with a frank, sensuous delight in the sights and sounds of the streets, an inheritance from Jonah's years of vagabondage. Then the street-arabs fell on him, annoyed by his new clothes and immense white collar, and at the end of the third week he reached home after dark with a cut on his forehead and spattered with mud.
The next day Jonah called on Clara to make some other arrangements. His tone was brusque, and Clara noticed with surprise that he was inclined to blame her for Ray's mishap. He seemed to forget everything when it was a question of his son. But all of the Duchess in Clara came to the surface in her annoyance, and she suggested that the lessons had better come to an end. Absorbed in his egotistic feelings, Jonah looked up in surprise, and his anger vanished. He saw that he had offended her, and apologized. Then he remembered what had brought him. His overpowering desire to see this woman had surprised him like the first symptoms of an illness. He had not seen her for three weeks, and in the increased flow of business at the Silver Shoe had half forgotten his amazing emotions as one forgets a powerful dream. Women, he repeated, were worse than drink for taking a man's mind off his work.
In his experience he had observed with some curiosity that drink and women were alike in throwing men off their balance. Drink, fortunately, had no power over him. Beer only fuddled his brain, and he looked on its effect with the curious dislike women look on smoking, blind to its fascinations. As for women, Ada was the only one he had ever been on intimate terms with, and, judging by his sensations, people who talked about love were either fools or liars. True, he had heard Chook talking like a fool about Pinkey, swearing that he couldn't live without her, but thought naturally that he lied. And they had quarrelled so fiercely over the colour of her hair, that for years each looked the other way when they met in the street. But as he looked at Clara again, something vibrated within him, and he was conscious of nothing but a desire to look at her and hear her speak.
"My idea was to buy a piano, an' then yer could give Ray 'is lessons at 'ome," he said.
"That is the only way out of the difficulty," said Clara.
Jonah thought awhile, and made up his mind with a snap.
"Could yer come with me now, an' pick me a piano? I can tell a boot by the smell of the leather, but pianos are out of my line. Clara's manner changed instantly as she thought of the commission she would get from Kramer's, where she had a running account for music."
"I shall be only too pleased," she said.
As they left the house she remembered, with a slight repugnance, Jonah's deformity. She hoped people wouldn't notice them as they went down the street. But to her surprise and relief, Jonah hailed a passing cab.
"Time's money to me," he said, with an apologetic look.
Cabs were a luxury in Buckland Street, and Clara was delighted. She felt suddenly on the level of the rich people who could afford to ride where others trudged afoot. She leaned forward, hoping that the people would notice her.
At Kramer's she took charge of Jonah as a guide takes charge of tourists in a foreign land, anxious to show him that she was at home among this display of expensive luxuries. The floor was packed with pianos, glittering with varnish which reflected the strong light of the street. From another room came a monotonous sound repeated indefinitely, a tuner at work on a piano.
The salesman stepped up, glancing at the hunchback with the quick look of surprise which Clara had noticed in others. They stopped in front of an open piano, and Clara, taking off her gloves, ran her fingers over the keys. The rich, singing notes surprised Jonah, they were quite unlike those he had heard on Clara's piano. Clara played as much as she could remember of "The Wind Among the Pines", and Jonah decided to buy that one.
"'Ow much is that?" he inquired.
"A hundred guineas," replied the shopman, indifferently.
"Garn! Yer kiddin'?" cried Jonah, astounded.
The salesman looked in surprise from Jonah to Clara. She coloured slightly. Jonah saw that she was annoyed. The salesman led them to another instrument, and, with less deference in his tone, remarked that this was the firm's special cheap line at fifty guineas. But Jonah had noticed the change in Clara's manner, and decided against the cheaper instrument instantly. They thought he wasn't good for a hundred quid, did they? Well, he would show them. But, to his surprise, Clara opposed the idea. The Steinbech, she explained, was an instrument for artists. It would be a sacrilege for a beginner to touch it. Jonah persisted, but the shopman agreed with Clara that the celebrated Ropp at eighty guineas would meet his wants. A long discussion followed, and Jonah listened while Clara tried to beat the salesman down below catalogue price for cash. Here was a woman after his own heart, who could drive a bargain with the best of them. At the end of half an hour Jonah filled in a cheque for eighty guineas, and the salesman, reading the signature, bowed them deferentially out of the shop.
Clara walked out of the shop with the air of a millionaire. To be brought in contact even for a moment with this golden stream of sovereigns excited her like wine. All her life she had desired things whose price put them beyond her reach, and she felt suddenly friendly to this man who took what he wanted regardless of cost. She thought pleasantly of the ride home in the cab, but she was pulled up with a jerk when Jonah led the way to the tram. He wore an anxious look, as if he had spent more than he could afford, and yet the money was a mere flea-bite to him. But whenever he spent money, a panic terror seized him—a survival of the street-arab's instinct, who counted his money in pennies instead of pounds.
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