When supper was announced, I went upstairs again to show my aunt the way to the room in which we took our meals.
"Well?" I said.
"Well," she answered coolly, "Madame Fontaine has promised to reconsider it."
I confess I was staggered. By what possible motives could the widow have been animated? Even Mr. Engelman's passive assistance was now of no further importance to her. She had gained Mr. Keller's confidence; her daughter's marriage was assured; her employment in the house offered her a liberal salary, a respectable position, and a comfortable home. Why should she consent to reconsider the question of marrying a man, in whom she could not be said to feel any sort of true interest, in any possible acceptation of the words? I began to think that my aunt was right, and that I really did know absolutely nothing about women.
At supper Madame Fontaine and her daughter were both unusually silent. Open-hearted Minna was not capable of concealing that her mother's concession had been made known to her in some way, and that the disclosure had disagreeably surprised her. However, there was no want of gaiety at the table—thanks to my aunt, and to her faithful attendant.
Jack Straw followed us into the room, without waiting to be invited, and placed himself, to Joseph's disgust, behind Mrs. Wagner's chair.
"Nobody waits on Mistress at table," he explained, "but me. Sometimes she gives me a bit or a drink over her shoulder. Very little drink—just a sip, and no more. I quite approve of only a sip myself. Oh, I know how to behave. None of your wine-merchant's fire in my head; no Bedlam breaking loose again. Make your minds easy. There are no cooler brains among you than mine." At this, Fritz burst into one of his explosions of laughter. Jack appealed to Fritz's father, with unruffled gravity. "Your son, I believe, sir? Ha! what a blessing it is there's plenty of room for improvement in that young man. I only throw out a remark. If I was afflicted with a son myself, I think I should prefer David."
This specimen of Jack's method of asserting himself, and other similar outbreaks which Fritz and I mischievously encouraged, failed apparently to afford any amusement to Madame Fontaine. Once she roused herself to ask Mr. Keller if his sister had written to him from Munich. Hearing that no reply had been received, she relapsed into silence. The old excuse of a nervous headache was repeated, when Mr. Keller and my aunt politely inquired if anything was amiss.
When the letters were delivered the next morning, two among them were not connected with the customary business of the office. One (with the postmark of Bingen) was for me. And one (with the postmark of Wurzburg) was for Madame Fontaine. I sent it upstairs to her immediately.
When I opened my own letter, I found sad news of poor Mr. Engelman. Time and change had failed to improve his spirits. He complained of a feeling of fullness and oppression in his head, and of hissing noises in his ears, which were an almost constant annoyance to him. On two occasions he had been cupped, and had derived no more than a temporary benefit from the employment of that remedy. His doctor recommended strict attention to diet, and regular exercise. He submitted willingly to the severest rules at table—but there was no rousing him to exert himself in any way. For hours together, he would sit silent in one place, half sleeping, half waking; noticing no one, and caring for nothing but to get to his bed as soon as possible.
This statement of the case seemed to me to suggest very grave considerations. I could no longer hesitate to inform Mr. Keller that I had received intelligence of his absent partner, and to place my letter in his hands.
Whatever little disagreements there had been between them were instantly forgotten. I had never before seen Mr. Keller so distressed and so little master of himself.
"I must go to Engelman directly," he said.
I ventured to submit that there were two serious objections to his doing this: In the first place, his presence in the office was absolutely necessary. In the second place, his sudden appearance at Bingen would prove to be a serious, perhaps a fatal, shock to his old friend.
"What is to be done, then?" he exclaimed.
"I think my aunt may be of some use, sir, in this emergency."
"Your aunt? How can she help us?"
I informed him of my aunt's project; and I added that Madame Fontaine had not positively said No. He listened without conviction, frowning and shaking his head.
"Mrs. Wagner is a very impetuous person," he said. "She doesn't understand a complex nature like Madame Fontaine's."
"At least I may show my aunt the letter from Bingen, sir?"
"Yes. It can do no harm, if it does no good."
On my way to my aunt's room, I encountered Minna on the stairs. She was crying. I naturally asked what was the matter.
"Don't stop me!" was the only answer I received.
"But where are you going, Minna?"
"I am going to Fritz, to be comforted."
"Has anybody behaved harshly to you?"
"Yes, mamma has behaved harshly to me. For the first time in my life," said the spoilt child, with a strong sense of injury, "she has locked the door of her room, and refused to let me in."
"But why?"
"How can I tell? I believe it has something to do with that horrid man I told you of. You sent a letter upstairs this morning. I met Joseph on the landing, and took the letter to her myself. Why shouldn't I look at the postmark? Where was the harm in saying to her, 'A letter, mamma, from Wurzburg'? She looked at me as if I had mortally offended her—and pointed to the door, and locked herself in. I have knocked twice, and asked her to forgive me. Not a word of answer either time! I consider myself insulted. Let me go to Fritz."
I made no attempt to detain her. She had set those every-ready suspicions of mine at work again.
Was the letter which I had sent upstairs a reply to the letter which Minna had seen her mother writing? Was the widow now informed that the senile old admirer who had advanced the money to pay her creditors had been found dead in his bed? and that her promissory note had passed into the possession of the heir-at-law? If this was the right reading of the riddle, no wonder she had sent her daughter out of the room—no wonder she had locked her door!
My aunt wasted no time in expressions of grief and surprise, when she was informed of Mr. Engelman's state of health. "Send the widow here directly," she said. "If there is anything like a true heart under that splendid silk dress of hers, I shall write and relieve poor Engelman by to-night's post."
To confide my private surmises, even to my aunt, would have been an act of inexcusable imprudence, to say the least of it. I could only reply that Madame Fontaine was not very well, and was (as I had heard from Minna) shut up in the retirement of her own room.
The resolute little woman got on her feet instantly. "Show me where she is, David—and leave the rest to me."
I led her to the door, and was dismissed with these words—"Go and wait in my room till I come back to you." As I retired, I heard a smart knock, and my aunt's voice announcing herself outside—"Mrs. Wagner, ma'am, with something serious to say to you." The reply was inaudible. Not so my aunt's rejoinder: "Oh, very well! Just read that letter, will you? I'll push it under the door, and wait for an answer." I lingered for a minute longer—and heard the door opened and closed again.
In little more than half an hour, my aunt returned. She looked serious and thoughtful. I at once anticipated that she had failed. Her first words informed me that I was wrong.
"I've done it," she said. "I am to write to Engelman to-night; and I have the widow's permission to tell him that she regrets her hasty decision. Her own words, mind, when I asked her how I should put it!"
"So there is a true heart under that splendid silk dress of hers?" I said.
My aunt walked up and down the room, silent and frowning—discontented with me, or discontented with herself; it was impossible to tell which. On a sudden, she sat down by me, and hit me a smart slap on the shoulder.
"David!" she said, "I have found out something about myself which I never suspected before. If you want to see a cold-blooded wretch, look at me!"
It was so gravely said, and so perfectly absurd, that I burst out laughing. She was far too seriously perplexed about herself to take the smallest notice of my merriment.
"Do you know," she resumed, "that I actually hesitate to write to Engelman? David! I ought to be whipped at the cart's tail. I don't believe in Madame Fontaine."
She little knew how that abrupt confession interested me. "Tell me why!" I said eagerly.
"That's the disgraceful part of it," she answered. "I can't tell you why. Madame Fontaine spoke charmingly—with perfect taste and feeling. And all the time some devilish spirit of distrust kept whispering to me, "Don't believe her; she has her motive!" Are you sure, David, it is only a little illness that makes her shut herself up in her room, and look so frightfully pale and haggard? Do you know anything about her affairs? Engelman is rich; Engelman has a position. Has she got into some difficulty since she refused him? and could he, by the barest possibility, be of any use in helping her out of it?"
I declare solemnly that the idea suggested by my aunt never occurred to me until she asked those questions. As a rejected suitor, Mr. Engelman could be of no possible use to the widow. But suppose he was her accepted husband? and suppose the note fell due before Minna was married? In that case, Mr. Engelman might unquestionably be of use—he might lend the money.
My aunt's sharp eyes were on me. "Out with it, David!" she cried. "You don't believe in her, either—and you know why."
"I know absolutely nothing," I rejoined; "I am guessing in the dark; and the event may prove that I am completely at fault. Don't ask me to degrade Madame Fontaine's character in your estimation, without an atom of proof to justify what I say. I have something to propose which I think will meet the difficulty."
With a strong exercise of self-restraint, my aunt resigned herself to listen. "Let's hear your proposal," she said. "Have you any Scotch blood in your veins, David? You are wonderfully prudent and cautious for so young a man."
I went straight on with what I had to say.
"Send the widow's message to Mr. Engelman, by all means," I proceeded; "but not by post. I was with him immediately after his offer of marriage had been refused; and it is my belief that he is far too deeply wounded by the manner in which Madame Fontaine expressed herself when she rejected him, to be either able, or willing, to renew his proposal. I even doubt if he will believe in her expression of regret. This view of mine may turn out, of course, to be quite wrong; but let us at least put it to the test. I can easily get leave of absence for a few days. Let me take your letter to Bingen tomorrow, and see with my own eyes how it is received."
At last I was fortunate enough to deserve my aunt's approval. "An excellent suggestion," she said. "But—I believe I have caught the infection of your prudence, David—don't let us tell Madame Fontaine. Let her suppose that you have gone to Bingen in consequence of the unfavorable news of Engelman's health." She paused, and considered a little. "Or, better still, Bingen is on the way to England. There will be nothing extraordinary in your stopping to visit Engelman, on your journey to London."
This took me completely, and far from agreeably, by surprise. I said piteously, "Must I really leave Frankfort?"
"My good fellow, I have other interests to consider besides Engelman's interests," my aunt explained. "Mr. Hartrey is waiting to hear from me. There is no hope that Engelman will be able to travel to London, in his present state of health, and no possibility of Mr. Keller taking his place until something is settled at Frankfort. I want you to explain all this to Mr. Hartrey, and to help him in the management of the business. There is nobody else here, David, whom I can trust, as I trust you. I see no alternative but to ask you to go to London."
On my side, I had no alternative but to submit—and, what is more (remembering all that I owed to my aunt), to submit with my best grace. We consulted Mr. Keller; and he entirely agreed that I was the fittest person who could be found to reconcile Mr. Hartrey to the commercial responsibilities that burdened him. After a day's delay at Bingen, to study the condition of Mr. Engelman's health and to write the fullest report to Frankfort, the faster I could travel afterwards, and the sooner I could reach London, the better.
So hard necessity compelled me to leave the stage, before the curtain rose on the final acts of the drama. The mail-post started at six in the morning. I packed up, and took leave of everybody, overnight—excepting Madame Fontaine, who still kept her room, and who was not well enough to see me. The dear kind-hearted Minna offered me her cheek to kiss, and made me promise to return for her marriage. She was strangely depressed at my departure. "You first consoled me," she said; "you have brought me happiness. I don't like your leaving us. Oh, David, I do wish you were not going away!" "Come! come!" my aunt interposed; "no crying, young lady! Always keep a man's spirits up when he leaves you. Give me a good hug, David—and think of the time when you will be a partner in the business." Ah! what a woman she was! Look as you may, my young friends, you will not find the like of her now.
Jack Straw was the one person up and stirring when the coach stopped the next morning at the door. I expected to be amused—but there was no reckoning with Jack. His farewell words literally frightened me.
"I say!" he whispered, as I hurried into the hall, "there's one thing I want to ask you before you go."
"Be quick about it, Jack."
"All right, David. I had a talk with Minna yesterday, about Mr. Keller's illness. Is it true that he was cured out of the blue-glass bottle?"
"Perfectly true.
"Look here, David! I have been thinking of it all night. I was cured out of the blue-glass bottle."
I suddenly stood still, with my eyes riveted on his face. He stepped close up to me, and lowered his voice suddenly.
"And I was poisoned," he said. "What I want to know is—Who poisoned Mr. Keller?"
Be pleased to read the following letter from Mr. Lawyer's-Clerk-Schmuckle to Mr. Town-Councilor-Hof:
"My honored Sir,—I beg to report that you may make your mind easy on the subject of Madame Fontaine. If she leaves Frankfort, she will not slip away privately as she did at Wurzburg. Wherever she may go now, we need not apply again to her relations in this place to help us to find her. Henceforth I undertake to keep her in view until the promissory note falls due.
"The lady is at present established as housekeeper in the employment of the firm of Wagner, Keller, and Engelman; and there (barring accidents, which I shall carefully look after) she is likely to remain.
"I have made a memorandum of the date at which her promissory note falls due—viz., the 31st December in the present year. The note being made payable at Wurzburg, you must take care (in the event of its not being honored) to have the document protested in that town, and to communicate with me by the same day's post. I will myself see that the law takes its regular course.
"Permit me most gratefully to thank you for the advance on my regular fees which you have so graciously transmitted, and believe me your obedient humble servant to command."
I next submit a copy of a letter addressed by the late Chemistry-Professor Fontaine to an honored friend and colleague. This gentleman is still living; and he makes it a condition of supplying the copy that his name shall not appear:—
"Illustrious Friend and Colleague,—You will be surprised at so soon hearing from me again. The truth is, that I have some interesting news for you. An alarming accident has enabled me to test the value of one of my preparations on a living human subject—that subject being a man.
"My last letter informed you that I had resolved on making no further use of the Formula for recomposing some of the Borgia Poisons (erroneously supposed to be destroyed) left to me on the death of my lamented Hungarian friend—my master in chemical science.
"The motives which have led me to this decision are, I hope, beyond the reach of blame.
"You will remember agreeing with me, that the two specimens of these resuscitated poisons which I have succeeded in producing are capable—like the poisons already known to modern medical practice—of rendering the utmost benefit in certain cases of disease, if they are administered in carefully regulated doses. Should I live to devote them to this good purpose, there will still be the danger (common to all poisonous preparations employed in medicine) of their doing fatal mischief, when misused by ignorance or crime.
"Bearing this in mind, I conceive it to be my duty to provide against dangerous results, by devoting myself to the discovery of efficient antidotes, before I adapt the preparations themselves to the capacities of the healing art. I have had some previous experience in this branch of what I call preservative chemistry, and I have already in some degree succeeded in attaining my object.
"The Formula in cipher which I now send to you, on the slip of paper enclosed, is an antidote to that one of the two poisons known to you and to me by the fanciful name which you suggested for it—'Alexander's Wine.'
"With regard to the second of the poisons, which (if you remember) I have entitled—in anticipation of its employment as medicine—'The Looking-Glass Drops,' I regret to say that I have not yet succeeded in discovering the antidote in this case.
"Having now sufficiently explained my present position, I may tell you of the extraordinary accident to which I have alluded at the beginning of my letter.
"About a fortnight since, I was sent for, just as I had finished my lecture to the students, to see one of my servants. He had been suffering from illness for one or two days. I had of course offered him my medical services. He refused, however, to trouble me; sending word that he only wanted rest. Fortunately one of my assistants happened to see him, and at once felt the necessity of calling in my help.
"The man was a poor half-witted friendless creature, whom I had employed out of pure pity to keep my laboratory clean, and to wash and dry my bottles. He had sense enough to perform such small services as these, and no more. Judge of my horror when I went to his bedside, and instantly recognized the symptoms of poisoning by "Alexander's Wine!"
"I ran back to my laboratory, and unlocked the medicine-chest which held the antidote. In the next compartment, the poison itself was always placed. Looking into the compartment now, I found it empty.
"I at once instituted a search, and discovered the bottle left out on a shelf. For the first time in my life, I had been guilty of inexcusable carelessness. I had not looked round me to see that I had left everything safe before quitting the room. The poor imbecile wretch had been attracted by the color of "Alexander's Wine," and had tasted it (in his own phrase) "to see if it was nice." My inquiries informed me that this had happened at least thirty-six hours since! I had but one hope of saving him—derived from experiments on animals, which had shown me the very gradual progress of the deadly action of the poison.
"What I felt when I returned to the suffering man, I shall not attempt to describe. You will understand how completely I was overwhelmed, when I tell you that I meanly concealed my own disgraceful thoughtlessness from my brethren in the University. I was afraid that my experiments might be prohibited as dangerous, and my want of common prudence be made the subject of public reprimand by the authorities. The medical professors were permitted by me to conclude that it was a case of illness entirely new in their experience.
"In administering the antidote, I had no previous experiments to guide me, except my experiments with rabbits and dogs. Whether I miscalculated or whether I was deluded by my anxiety to save the man's life, I cannot say. This at least is certain, I gave the doses too copiously and at too short intervals.
"The patient recovered—but it was after sustaining some incomprehensibly deteriorating change in the blood, which destroyed his complexion, and turned his hair gray. I have since modified the doses; and in dread of losing the memorandum, I have attached a piece of notched paper to the bottle, so as to render any future error of judgment impossible. At the same time, I have facilitated the future administration of the antidote by adding a label to the bottle, stating the exact quantity of the poison taken by my servant, as calculated by myself.
"I ought, by the way, to have mentioned in the cipher that experience has shown me the necessity, if the antidote is to be preserved for any length of time, of protecting it in blue glass from the influence of light.
"Let me also tell you that I found a vegetable diet of use in perfecting the effect of the treatment. That mean dread of discovery, which I have already acknowledged, induced me to avail myself of my wife's help in nursing the man. When he began to talk of what had happened to him, I could trust Madame Fontaine to keep the secret. When he was well enough to get up, the poor harmless creature disappeared. He was probably terrified at the prospect of entering the laboratory again. In any case, I have never seen him or heard of him since.
"If you have had patience to read as far as this, you will understand that I am not sure enough yet of my own discoveries to risk communicating them to any other person than yourself. Favor me with any chemical suggestions which may strike you—and then, in case of accidents, destroy the cipher. For the present farewell."
Note to Doctor Fontaine's Letter
"Alexander's Wine" refers to the infamous Roderic Borgia, historically celebrated as Pope Alexander the Sixth. He was accidentally, and most deservedly, killed by drinking one of the Borgia poisons, in a bowl of wine which he had prepared for another person.
The formula for "The Looking-Glass Drops" is supposed to have been found hidden on removing the wooden lining at the back of a looking-glass, which had been used by Lucrezia Borgia. Hence the name.
The third and last letter which I present is written by me, and was addressed to Mrs. Wagner during her stay at Frankfort:—
"I exaggerate nothing, my dear aunt, when I say that I write in great distress. Let me beg you to prepare yourself for very sad news.
"It was late yesterday evening before I arrived at Bingen. A servant was waiting to take my portmanteau, when I got out of the coach. After first asking my name, he communicated to me the melancholy tidings of dear Mr. Engelman's death. He had sunk under a fit of apoplexy, at an early hour that morning.
"Medical help was close at hand, and was (so far as I can hear) carefully and intelligently exercised. But he never rallied in the least. The fit appears to have killed him, as a bullet might have killed him.
"He had been very dull and heavy on the previous day. In the few words that he spoke before retiring to rest, my name was on his lips. He said, "If I get better I should like to have David here, and to go on with him to our house of business in London." He was very much flushed, and complained of feeling giddy; but he would not allow the doctor to be sent for. His brother assisted him to ascend the stairs to his room, and asked him some questions about his affairs. He replied impatiently, 'Keller knows all about it—leave it to Keller.'
"When I think of the good old man's benevolent and happy life, and when I remember that it was accidentally through me that he first met Madame Fontaine, I feel a bitterness of spirit which makes my sense of the loss of him more painful than I can describe. I call to mind a hundred little instances of his kindness to me—and (don't be offended) I wish you had sent some other person than myself to represent you at Frankfort.
"He is to be buried here, in two days' time. I hope you will not consider me negligent of your interest in accepting his brother's invitation to follow him to the grave. I think it will put me in a better frame of mind, if I can pay the last tribute of affection and respect to my old friend. When all is over, I will continue the journey to London, without stopping on the road night or day.
"Write to me at London, dear aunt; and give my love to Minna and Fritz—and ask them to write to me also. I beg my best respects to Mr. Keller. Please assure him of my true sympathy; I know, poor man, how deeply he will be grieved."
In the preceding portion of this narrative I spoke as an eye-witness. In the present part of it, my absence from Frankfort leaves me dependent on the documentary evidence of other persons. This evidence consists (first) of letters addressed to myself; (secondly) of statements personally made to me; (thirdly) of extracts from a diary discovered after the lifetime of the writer. In all three cases the materials thus placed at my disposal bear proof of truthfulness on the face of them.
Early in the month of December, Mr. Keller sent a message to Madame Fontaine, requesting to see her on a matter of importance to both of them.
"I hope you feel better to-day, madam," he said, rising to receive the widow when she entered the room.
"You are very good, sir," she answered, in tones barely audible—with her eyes on the ground. "I can't say that I feel much better."
"I have news for you, which ought to act as the best of all restoratives," Mr. Keller proceeded. "At last I have heard from my sister on the subject of the marriage."
He stopped, and, suddenly stepping forward, caught the widow by the arm. At his last words she had started to her feet. Her face suddenly turned from pale to red—and then changed again to a ghastly whiteness. She would have fallen if Mr. Keller had not held her up. He placed her at once in his own easy chair. "You must really have medical advice," he said gravely; "your nerves are seriously out of order. Can I get you anything?"
"A glass of water, sir, if you will be so kind as to ring for it."
"There is no need to ring for it; I have water in the next room."
She laid her hand on his arm, and stopped him as he was about to leave her.
"One word first, sir. You will forgive a woman's curiosity on such an interesting subject as the marriage of her child. Does your sister propose a day for the wedding?"
"My sister suggests," Mr. Keller answered, "the thirtieth of this month."
He left her and opened the door of the next room.
As he disappeared, she rapidly followed out a series of calculations on her fingers. Her eyes brightened, her energies rallied. "No matter what happens so long as my girl is married first," she whispered to herself. "The wedding on the thirtieth, and the money due on the thirty-first. Saved by a day! Saved by a day!"
Mr. Keller returned with a glass of water. He started as he looked at her.
"You seem to have recovered already—you look quite a different woman!" he exclaimed.
She drank the water nevertheless. "My unlucky nerves play me strange tricks, sir," she answered, as she set the empty glass down on a table at her side.
Mr. Keller took a chair and referred to his letter from Munich.
"My sister hopes to be with us some days before the end of the year," he resumed. "But in her uncertain state of health, she suggests the thirtieth so as to leave a margin in case of unexpected delays. I presume this will afford plenty of time (I speak ignorantly of such things) for providing the bride's outfit?"
Madame Fontaine smiled sadly. "Far more time than we want, sir. My poor little purse will leave my girl to rely on her natural attractions—with small help from the jeweler and the milliner, on her wedding day."
Mr. Keller referred to his letter again, and looked up from it with a grim smile.
"My sister will in one respect at least anticipate the assistance of the jeweler," he said. "She proposes to bring with her, as a present to the bride, an heirloom on the female side of our family. It is a pearl necklace (of very great value, I am told) presented to my mother by the Empress Maria Theresa—in recognition of services rendered to that illustrious person early in life. As an expression of my sister's interest in the marriage, I thought an announcement of the proposed gift might prove gratifying to you."
Madame Fontaine clasped her hands, with a fervor of feeling which was in this case, at least, perfectly sincere. A pearl necklace, the gift of an Empress, would represent in money value a little fortune in itself. "I can find no words to express my sense of gratitude," she said; "my daughter must speak for herself and for me."
"And your daughter must hear the good news as soon as possible," Mr. Keller added kindly. "I won't detain you. I know you must be anxious to see Minna. One word before you go. You will, of course, invite any relatives and friends whom you would like to see at the wedding."
Madame Fontaine lifted her sleepy eyes by slow gradations to the ceiling, and devoutly resigned herself to mention her family circumstances.
"My parents cast me off, sir, when I married," she said; "my other relatives here and in Brussels refused to assist me when I stood in need of help. As for friends—you, dear Mr. Keller, are our only friend. Thank you again and again."
She lowered her eyes softly to the floor, and glided out of the room. The back view of her figure was its best view. Even Mr. Keller—constitutionally inaccessible to exhibitions of female grace—followed her with his eyes, and perceived that his housekeeper was beautifully made.
On the stairs she met with the housemaid.
"Where is Miss Minna?" she asked impatiently. "In her room?"
"In your room, madam. I saw Miss Minna go in as I passed the door."
Madame Fontaine hurried up the next flight of stairs, and ran along the corridor as lightly as a young girl. The door of her room was ajar; she saw her daughter through the opening sitting on the sofa, with some work lying idle on her lap. Minna started up when her mother appeared.
"Am I in the way, mamma? I am so stupid, I can't get on with this embroidery——"
Madame Fontaine tossed the embroidery to the other end of the room, threw her arms round Minna, and lifted her joyously from the floor as if she had been a little child.
"The day is fixed, my angel!" she cried; "You are to be married on the thirtieth!"
She shifted one hand to her daughter's head, and clasped it with a fierce fondness to her bosom. "Oh, my darling, you had lovely hair even when you were a baby! We won't have it dressed at your wedding. It shall flow down naturally in all its beauty—and no hand shall brush it but mine." She pressed her lips on Minna's head, and devoured it with kisses; then, driven by some irresistible impulse, pushed the girl away from her, and threw herself on the sofa with a cry of pain.
"Why did you start up, as if you were afraid of me, when I came in?" she said wildly. "Why did you ask if you were in the way? Oh, Minna! Minna! can't you forget the day when I locked you out of my room? My child! I was beside myself—I was mad with my troubles. Do you think I would behave harshly to you? Oh, my own love! when I came to tell you of your marriage, why did you ask me if you were in the way? My God! am I never to know a moment's pleasure again without something to embitter it? People say you take after your father, Minna. Are you as cold-blooded as he was? There! there! I don't mean it; I am a little hysterical, I think—don't notice me. Come and be a child again. Sit on my knee, and let us talk of your marriage."
Minna put her arm round her mother's neck a little nervously. "Dear, sweet mamma, how can you think me so hard-hearted and so ungrateful? I can't tell you how I love you! Let this tell you."
With a tender and charming grace, she kissed her mother—then drew back a little and looked at Madame Fontaine. The subsiding conflict of emotions still showed itself with a fiery brightness in the widow's eyes. "Do you know what I am thinking?" Minna asked, a little timidly.
"What is it, my dear?"
"I think you are almost too fond of me, mamma. I shouldn't like to be the person who stood between me and my marriage—if you knew of it."
Madame Fontaine smiled. "You foolish child, do you take me for a tigress?" she said playfully. "I must have another kiss to reconcile me to my new character."
She bent her head to meet the caress—looked by chance at a cupboard fixed in a recess in the opposite wall of the room—and suddenly checked herself. "This is too selfish of me," she said, rising abruptly. "All this time I am forgetting the bridegroom. His father will leave him to hear the good news from you. Do you think I don't know what you are longing to do?" She led Minna hurriedly to the door. "Go, my dear one—go and tell Fritz!"
The instant her daughter disappeared, she rushed across the room to the cupboard. Her eyes had not deceived her. The key was left in the lock.
Madame Fontaine dropped into a chair, overwhelmed by the discovery.
She looked at the key left in the cupboard. It was of an old-fashioned pattern—but evidently also of the best workmanship of the time. On its flat handle it bore engraved the words, "Pink-Room Cupboard"—so called from the color of the curtains and hangings in the bedchamber.
"Is my brain softening?" she said to herself. "What a horrible mistake! What a frightful risk to have run!"
She got on her feet again, and opened the cupboard.
The two lower shelves were occupied by her linen, neatly folded and laid out. On the higher shelf, nearly on a level with her eyes, stood a plain wooden box about two feet in height by one foot in breadth. She examined the position of this box with breathless interest and care—then gently lifted it in both hands and placed it on the floor. On a table near the window lay a half-finished watercolor drawing, with a magnifying glass by the side of it. Providing herself with the glass, she returned to the cupboard, and closely investigated the place on which the box had stood. The slight layer of dust—so slight as to be imperceptible to the unassisted eye—which had surrounded the four sides of the box, presented its four delicate edges in perfectly undisturbed straightness of line. This mute evidence conclusively proved that the box had not been moved during her quarter of an hour's absence in Mr. Keller's room. She put it back again, and heaved a deep breath of relief.
But it was a bad sign (she thought) that her sense of caution had been completely suspended, in the eagerness of her curiosity to know if Mr. Keller's message of invitation referred to the wedding day. "I lose my best treasure," she said to herself sadly, "if I am beginning to lose my steadiness of mind. If this should happen again——"
She left the expression of the idea uncompleted; locked the door of the room; and returned to the place on which she had left the box.
Seating herself, she rested the box on her knee and opened it.
Certain tell-tale indentations, visible where the cover fitted into the lock, showed that it had once been forced open. The lock had been hampered on some former occasion; and the key remained so fast fixed in it that it could neither be turned nor drawn out. In her newly-aroused distrust of her own prudence, she was now considering the serious question of emptying the box, and sending it to be fitted with a lock and key.
"Have I anything by me," she thought to herself, "in which I can keep the bottles?"
She emptied the box, and placed round her on the floor those terrible six bottles which had been the special subjects of her husband's precautionary instructions on his death-bed. Some of them were smaller than others, and were manufactured in glass of different colors—the six compartments in the medicine-chest being carefully graduated in size, so as to hold them all steadily. The labels on three of the bottles were unintelligible to Madame Fontaine; the inscriptions were written in barbarously abridged Latin characters.
The bottle which was the fourth in order, as she took them out one by one, was wrapped in a sheet of thick cartridge-paper, covered on its inner side with characters written in mysterious cipher. But the label pasted on the bottle contained an inscription in good readable German, thus translated:
"The Looking-Glass Drops. Fatal dose, as discovered by experiment on animals, the same as in the case of 'Alexander's Wine.' But the effect, in producing death, more rapid, and more indistinguishable, in respect of presenting traces on post-mortem examination."
The lines thus written were partially erased by strokes of the pen—drawn through them at a later date, judging by the color of the ink. In the last blank space left at the foot of the label, these words were added—also in ink of a fresher color:
"After many patient trials, I can discover no trustworthy antidote to this infernal poison. Under these circumstances, I dare not attempt to modify it for medical use. I would throw it away—but I don't like to be beaten. If I live a little longer I will try once more, with my mind refreshed by other studies."
Madame Fontaine paused before she wrapped the bottle up again in its covering, and looked with longing eyes at the ciphers which filled the inner side of the sheet of paper. There, perhaps, was the announcement of the discovery of the antidote; or possibly, the record of some more recent experiment which placed the terrible power of the poison in a new light! And there also was the cipher defying her to discover its secret!
The fifth bottle that she took from the chest contained "Alexander's Wine." The sixth, and last, was of the well-remembered blue glass, which had played such an important part in the event of Mr. Keller's recovery.
David Glenney had rightly conjectured that the label had been removed from the blue-glass bottle. Madame Fontaine shook it out of the empty compartment. The inscription (also in the German language) ran as follows:—
"Antidote to Alexander's Wine. The fatal dose, in case of accident, is indicated by the notched slip of paper attached to the bottle. Two fluid drachms of the poison (more than enough to produce death) were accidentally taken in my experience. So gradual is the deadly effect that, after a delay of thirty-six hours before my attention was called to the case, the administration of the antidote proved successful. The doses are to be repeated every three or four hours. Any person watching the patient may know that the recovery is certain, and that the doses are therefore to be discontinued, by these signs: the cessation of the trembling in the hands; the appearance of natural perspiration; and the transition from the stillness of apathy to the repose of sleep. For at least a week or ten days afterwards a vegetable diet, with cream, is necessary as a means of completing the cure."
She laid the label aside, and looked at the two bottles—the poison and the antidote—ranged together at her feet.
"Power!" she thought, with a superb smile of triumph. "The power that I have dreamed of all my life is mine at last! Alone among mortal creatures, I have Life and Death for my servants. You were deaf, Mr. Keller, to my reasons, and deaf to my entreaties. What wonderful influence brought you to my feet, and made you the eager benefactor of my child? My servant Death, who threatened you in the night; and my servant Life, who raised you up in the morning. What a position! I stand here, a dweller in a populous city—and every creature in it, from highest to lowest, is a creature in my power!"
She looked through the window of her room over the houses of Frankfort. At last her sleepy eyes opened wide; an infernal beauty irradiated her face. For one moment, she stood—a demon in human form. The next, she suddenly changed into a timid woman, shaken in every limb by the cold grasp of fear.
What influence had wrought the transformation?
Nothing but a knock at the door.
"Who's there?" she cried.
The voice that answered her was the voice of Jack Straw.
"Hullo, there, Mrs. Fontaine! Let me in."
She placed a strong constraint on herself; she spoke in friendly tones. "What do you want, Jack?"
"I want to show you my keys."
"What do I care about the crazy wretch's keys?"—was the thought that passed through Madame Fontaine's mind, when Jack answered her from the outer side of the door. But she was still careful, when she spoke to him, to disguise her voice in its friendliest tones.
"Excuse me for keeping you waiting, Jack. I can't let you in yet."
"Why not?"
"Because I am dressing. Come back in half an hour; and I shall be glad to see you."
There was no reply to this. Jack's step was so light that it was impossible to hear, through the door, whether he had gone away or not. After waiting a minute, the widow ventured on peeping out. Jack had taken himself off. Not a sign of him was to be seen, when she bent over the railing of the corridor, and looked down on the stairs.
She locked herself in again. "I hope I haven't offended him!" she thought, as she returned to the empty medicine-chest.
The fear that Jack might talk of what had happened to him in the laboratory at Wurzburg, and that he might allude to his illness in terms which could not fail to recall the symptoms of Mr. Keller's illness, was constantly present to her mind. She decided on agreeably surprising him by a little present, which might help her to win his confidence and to acquire some influence over him. As a madman lately released from Bedlam, it might perhaps not greatly matter what he said. But suspicion was easily excited. Though David Glenney had been sent out of the way, his aunt remained at Frankfort; and an insolent readiness in distrusting German ladies seemed to run in the family.
Having arrived at these conclusions, she gave her mind again to the still unsettled question of the new lock to the medicine-chest.
Measuring the longest of the bottles (the bottle containing the antidote), she found that her dressing case was not high enough to hold it, while the chest was in the locksmith's workshop. Her trunks, on the other hand, were only protected by very ordinary locks, and were too large to be removed to the safe keeping of the cupboard. She must either leave the six bottles loose on the shelf or abandon the extra security of the new lock.
The one risk of taking the first of these two courses, was the risk of leaving the key again in the cupboard. Was this likely to occur, after the fright she had already suffered? The question was not really worth answering. She had already placed two of the bottles on the shelf—when a fatal objection to trusting the empty box out of her own possession suddenly crossed her mind.
Her husband's colleagues at Wurzburg and some of the elder students, were all acquainted (externally, at least) with the appearance of the Professor's ugly old medicine-chest. It could be easily identified by the initials of his name, inscribed in deeply-burnt letters on the lid. Suppose one of these men happened to be in Frankfort? and suppose he saw the stolen chest in the locksmith's shop? Two such coincidences were in the last degree improbable—but it was enough that they were possible. Who but a fool, in her critical position, would run the risk of even one chance in a hundred turning against her? Instead of trusting the chest in a stranger's hands, the wiser course would be to burn it at the first safe opportunity, and be content with the security of the cupboard, while she remained in Mr. Keller's house. Arriving at this conclusion, she put the chest and its contents back again on the shelf—with the one exception of the label detached from the blue-glass bottle.
In the preternatural distrust that now possessed her, this label assumed the character of a dangerous witness, if, through some unlucky accident, it happened to fall into the hands of any person in the house. She picked it up—advanced to the fireplace to destroy it—paused—and looked at it again.
Nearly two doses of the antidote were still left. Who could say, looking at the future of such a life as hers, that she might not have some need of it yet—after it had already served her so well? Could she be sure, if she destroyed it, of remembering the instructions which specified the intervals at which the doses were to be given, the signs which signified recovery, and the length of time during which the vegetable diet was to be administered?
She read the first sentences again carefully.
"Antidote to Alexander's Wine. The fatal dose, in case of accident, is indicated by the notched slip of paper attached to the bottle. Two fluid drachms of the poison (more than enough to produce death) were accidentally taken in my experience. So gradual is the deadly effect that, after a delay of thirty-six hours before my attention was called to the case, the administration of the antidote proved successful. The doses are to be repeated——"
The remaining instructions, beginning with this last sentence, were not of a nature to excite suspicion. Taken by themselves, they might refer to nothing more remarkable than a remedy in certain cases of illness. First she thought of cutting off the upper part of the label: but the lines of the writing were so close together, that they would infallibly betray the act of mutilation. She opened her dressing-case and took from it a common-looking little paper-box, purchased at the chemist's, bearing the ambitious printed title of "Macula Exstinctor, or Destroyer of Stains"—being an ordinary preparation, in powder, for removing stains from dresses, ink-stains included. The printed directions stated that the powder, partially dissolved in water, might also be used to erase written characters without in any way injuring the paper, otherwise than by leaving a slight shine on the surface. By these means, Madame Fontaine removed the first four sentences on the label, and left the writing on it to begin harmlessly with the instructions for repeating the doses.
"Now I can trust you to refresh my memory without telling tales," she said to herself, when she put the label back in the chest. As for the recorded dose of the poison, she was not likely to forget that. It was her medicine-measuring glass, filled up to the mark of two drachms. Having locked the cupboard, and secured the key in her pocket, she was ready for the reception of Jack. Her watch told her that the half-hour's interval had more than expired. She opened the door of her room. There was no sign of him outside. She looked over the stairs, and called to him softly. There was no reply; the little man's sensitive dignity had evidently taken offense.
The one thing to be done (remembering all that she had to dread from the wanton exercise of Jack's tongue) was to soothe his ruffled vanity without further delay. There would be no difficulty in discovering him, if he had not gone out. Wherever his Mistress might be at the moment, there he was sure to be found.
Trying Mrs. Wagner's room first, without success, the widow descended to the ground floor and made her way to the offices. In the private room, formerly occupied by Mr. Engelman, David Glenney's aunt was working at her desk; and Jack Straw was perched on the old-fashioned window-seat, putting the finishing touches to Minna's new straw hat.
In the gloom thrown over the household by Mr. Engelman's death, Mrs. Wagner, with characteristic energy and good sense, had kept her mind closely occupied. During the office hours, she studied those details of the business at Frankfort which differed from the details of the business in London; and soon mastered them sufficiently to be able to fill the vacancy which Mr. Engelman had left. The position that he had held became, with all its privileges and responsibilities, Mrs. Wagner's position—claimed, not in virtue of her rank as directress of the London house, but in recognition of the knowledge that she had specially acquired to fit her for the post.
Out of office-hours, she corresponded with the English writer on the treatment of insane persons, whose work she had discovered in her late husband's library, and assisted him in attracting public attention to the humane system which he advocated. Even the plan for the employment of respectable girls, in suitable departments of the office, was not left neglected by this indefatigable woman. The same friendly consideration which had induced her to spare Mr. Keller any allusion to the subject, while his health was not yet completely restored, still kept her silent until time had reconciled him to the calamity of his partner's death. Privately, however, she had caused inquiries to be made in Frankfort, which would assist her in choosing worthy candidates for employment, when the favorable time came—probably after the celebration of Fritz's marriage—for acting in the interests of the proposed reform.
"Pray send me away, if I interrupt you," said Madame Fontaine, pausing modestly on the threshold before she entered the room. She spoke English admirably, and made a point of ignoring Mrs. Wagner's equally perfect knowledge of German, by addressing her always in the English language.
"Come in by all means," Mrs. Wagner answered. "I am only writing to David Glenney, to tell him (at Minna's request) that the wedding-day is fixed."
"Give your nephew my kind regards, Mrs. Wagner. He will be one of the party at the wedding, of course?"
"Yes—if he can be spared from his duties in London. Is there anything I can do for you, Madame Fontaine?"
"Nothing, thank you—except to excuse my intrusion. I am afraid I have offended our little friend there, with the pretty straw hat in his hand, and I want to make my peace with him."
Jack looked up from his work with an air of lofty disdain. "Oh, dear me, it doesn't matter," he said, in his most magnificent manner.
"I was dressing when he knocked at my door," pursued Madame Fontaine; "and I asked him to come back, and show me his keys in half an hour. Why didn't you return, Jack? Won't you show me the keys now?"
"You see it's a matter of business," Jack replied as loftily as ever. "I am in the business—Keeper of the Keys. Mistress is in the business; Mr. Keller is in the business. You are not in the business. It doesn't matter. Upon my soul, it doesn't matter."
Mrs. Wagner held up her forefinger reprovingly. "Jack! don't forget you are speaking to a lady."
Jack audaciously put his hand to his head, as if this was an effort of memory which was a little too much to expect of him.
"Anything to please you, Mistress," he said. "I'll show her the bag."
He exhibited to Madame Fontaine a leather bag, with a strap fastened round it. "The keys are inside," he explained. "I wore them loose this morning: and they made a fine jingle. Quite musical to my ear. But Mistress thought the noise likely to be a nuisance in the long run. So I strapped them up in a bag to keep them quiet. And when I move about, the bag hangs from my shoulder, like this, by another strap. When the keys are wanted, I open the bag. You don't want them—you're not in the business. Besides, I'm thinking of going out, and showing myself and my bag in the fashionable quarter of the town. On such an occasion, I think I ought to present the appearance of a gentleman—I ought to wear gloves. Oh, it doesn't matter! I needn't detain you any longer. Good morning."
He made one of his fantastic bows, and waved his hand, dismissing Madame Fontaine from further attendance on him. Secretly, he was as eager as ever to show the keys. But the inordinate vanity which was still the mad side of him and the incurable side of him, shrank from opening the leather bag unless the widow first made a special request and a special favor of it. Feeling no sort of interest in the subject, she took the shorter way of making her peace with him. She took out her purse.
"Let me make you a present of the gloves," she said, with her irresistible smile.
Jack lost all his dignity in an instant.
He leapt off the window seat and snatched at the money, like a famished animal snatching at a piece of meat. Mrs. Wagner caught him by the arm, and looked at him. He lifted his eyes to hers, then lowered them again as if he was ashamed of himself.
"Oh, to be sure!" he said, "I have forgotten my manners, I haven't said Thank you. A lapse of memory, I suppose. Thank you, Mrs. Housekeeper." In a moment more, he and his bag were on their way to the fashionable quarter of the town.
"You will make allowances for my poor little Jack, I am sure," said Mrs. Wagner.
"My dear madam, Jack amuses me!"
Mrs. Wagner winced a little at the tone of the widow's reply. "I have cured him of all the worst results of his cruel imprisonment in the mad-house," she went on. "But his harmless vanity seems to be inbred; I can do nothing with him on that side of his character. He is proud of being trusted with anything, especially with keys; and he has been kept waiting for them, while I had far more important matters to occupy me. In a day or two he will be more accustomed to his great responsibility, as he calls it."
"Of course you don't trust him," said Madame Fontaine, "with keys that are of any importance; like the key of your desk there, for instance."
Mrs. Wagner's steady gray eyes began to brighten. "I can trust him with anything," she answered emphatically.
Madame Fontaine arched her handsome brows in a mutely polite expression of extreme surprise.
"In my experience of the world," Mrs. Wagner went on, "I have found that the rarest of all human virtues is the virtue of gratitude. In a hundred little ways my poor friendless Jack has shown me that he is grateful. To my mind that is reason enough for trusting him."
"With money?" the widow inquired.
"Certainly. In London I trusted him with money—with the happiest results. I quieted his mind by an appeal to his sense of trust and self-respect, which he thoroughly appreciated. As yet I have not given him the key of my desk here, because I reserve it as a special reward for good conduct. In a few days more I have no doubt he will add it to the collection in his bag."
"Ah," said Madame Fontaine, with the humility which no living woman knew better when and how to assume, "you understand these difficult questions—you have your grand national common-sense. I am only a poor limited German woman. But, as you say in England, 'Live and learn.' You have indescribably interested me. Good morning."
She left the room. "Hateful woman!" she said in her own language, on the outer side of the door.
"Humbug!" said Mrs. Wagner in her language, on the inner side of the door.
If there had been more sympathy between the two ladies, or if Madame Fontaine had felt a little curiosity on the subject of crazy Jack's keys, she might have taken away with her some valuable materials for future consideration. As it was, Mrs. Wagner had not troubled her with any detailed narrative of the manner in which she had contrived to fill Jack's leather bag.
In London, she had begun cautiously by only giving him some of the useless old keys which accumulate about a house in course of years. When the novelty of merely keeping them had worn off, and when he wanted to see them put to some positive use, she had added one or two keys of her own, and had flattered his pride by asking him to open the box or the desk for her, as the case might be. Proceeding on the same wisely gradual plan at Frankfort, she had asked Mr. Keller to help her, and had been taken by him (while Jack was out of the way) to a lumber-room in the basement of the house, on the floor of which several old keys were lying about. "Take as many as you like," he had said; "they have been here, for all I know, ever since the house was repaired and refurnished in my grandfather's time, and they might be sold for old iron, if there were only enough of them." Mrs. Wagner had picked up the first six keys that presented themselves, and had made Jack Straw the happiest of men. He found no fault with them for being rusty. On the contrary, he looked forward with delight to the enjoyment of cleaning away the rust. "They shall be as bright as diamonds," he had said to his mistress, "before I have done with them."
And what did Madame Fontaine lose, by failing to inform herself of such trifles as these? She never discovered what she had lost. But she had not done with Jack Straw yet.
After leaving Mrs. Wagner, the widow considered with herself, and then turned away from the commercial regions of the house, in search of her daughter.
She opened the dining-room door, and found the bagatelle-board on the table. Fritz and Minna were playing a game of the desultory sort—with the inevitable interruptions appropriate to courtship.
"Are you coming to join us, mamma? Fritz is playing very badly."
"This sort of thing requires mathematical calculation," Fritz remarked; "and Minna distracts my attention."
Madame Fontaine listened with a smile of maternal indulgence. "I am on my way back to my room," she said. "If either of you happen to see Jack Straw——"
"He has gone out," Fritz interposed. "I saw him through the window. He started at a run—and then remembered his dignity, and slackened his pace to a walk. How will he come back, I wonder?"
"He will come back with greater dignity than ever, Fritz. I have given him the money to buy himself a pair of gloves. If you or Minna happen to meet with him before I do, tell him he may come upstairs and show me his new gloves. I like to indulge the poor imbecile creature. You mustn't laugh at him—he is to be pitied."
Expressing these humane sentiments, she left the lovers to their game. While Jack was still pleasurably excited by the new gift, he would be in the right frame of mind to feel her influence. Now or never (if the thing could be done) was the time to provide against the danger of chance-allusions to what had happened at Wurzburg. It was well known in the house that Mrs. Wagner wished to return to London, as soon after the marriage as certain important considerations connected with the management of the office would permit. By Madame Fontaine's calculations, Jack would be happily out of the way of doing mischief (if she could keep him quiet in the meanwhile) in a month or six weeks' time.
The game went on in the dining-room—with the inevitable intervals. Beyond reproach as a lover, Fritz showed no signs of improvement as a bagatelle-player. In a longer pause than usual, during which the persons concerned happened to have their backs turned to the door, a disagreeable interruption occurred. At a moment of absolute silence an intruding voice made itself heard, inviting immediate attention in these words:—
"I say, you two! If you want to see the finest pair of gloves in Frankfort, just look here."
There he stood with outstretched hands, exhibiting a pair of bright green gloves, and standing higher in his own estimation than ever.
"Why do you always come in without knocking?" Fritz asked, with excusable indignation.
"Why have you always got your arm round her waist?" Jack retorted. "I say, Miss Minna (I only offer a remark), the more he kisses you the more you seem to like it."
"Send him away, for Heaven's sake!" Minna whispered.
"Go upstairs!" cried Fritz.
"What! do you want to be at it again?" asked Jack.
"Go and show your new gloves to Madame Fontaine," said Minna.
The girl's quick wit had discovered the right way to get rid of Jack. He accepted the suggestion with enthusiasm. "Ah!" he exclaimed, "that's a good idea! It would never have entered your head, Fritz, would it?"
Before Fritz could reply, Jack was out of his reach.
The widow sat in her room, innocently reading the newspaper. A cake happened to be on the table at her side; and a bottle of sparkling lemonade, by the merest coincidence, was in the near neighborhood of the cake. Jack's eyes brightened, as they turned towards the table when he entered the room.
"And those are the gloves!" said Madame Fontaine, with her head held critically a little on one side, as if she was a connoisseur enjoying a fine picture. "How very pretty! And what good taste you have!"
Jack (with his eyes still on the cake) accepted these flattering expressions as no more than his due. "I am pleased with my walk," he remarked. "I have made a successful appearance in public. When the general attention was not occupied with my bag of keys, it was absorbed in my gloves. I showed a becoming modesty—I took no notice of anybody."
"Perhaps your walk has given you a little appetite?" the widow suggested.
"What did you say?" cried Jack. "Appetite! Upon my soul, I could eat—— No, that's not gentleman-like. Mistress gave me one of her looks when I said 'Upon my soul' down in the office. Thank you. Yes; I like cake. Excuse me—I hope it has got plums in it?"
"Plums and other fine things besides. Taste!"
Jack tried hard to preserve his good manners, and only taste as he was told. But the laws of Nature were too much for him. He was as fond of sweet things as a child—he gobbled. "I say, you're uncommonly good to me all of a sudden," he exclaimed between the bites. "You didn't make much of me like this at Wurzburg!"
He had given Madame Fontaine her opportunity. She was not the woman to let it slip. "Oh, Jack!" she said, in tones of gentle reproach, "didn't I nurse you at Wurzburg?"
"Well," Jack admitted, "you did something of the sort."
"What do you mean?"
He had finished his first slice of cake; his politeness began to show signs of wearing out.
"You did what my master the Doctor told you to do," he said. "But I don't believe you cared whether I lived or died. When you had to tuck me up in bed, for instance, you did it with the grossest indifference. Ha! you have improved since that time. Give me some more cake. Never mind cutting it thick. Is that bottle of lemonade for me?"
"You hardly deserve it, Jack, after the way you have spoken of me. Don't you remember," she added, cautiously leading him back to the point, "I used to make your lemonade when you were ill?"
Jack persisted in wandering away from the point. "You are so hungry for compliments," he objected. "Haven't I told you that you have improved? Only go on as you are going on now, and I dare say I shall put you next to Mistress in my estimation, one of these days. Let the cork go out with a pop; I like noises of all kinds. Your good health! Is it manners to smack one's lips after lemonade?—it is such good stuff, and there's such pleasure in feeling it sting one's throat as it goes down. You didn't give me such lemonade as this, when I was ill—Oh! that reminds me."
"Reminds you of something that happened at Wurzburg?" Madame Fontaine inquired.
"Yes. Wait a bit. I'm going to try how the cake tastes dipped in lemonade. Ha! ha! how it fizzes as I stir it round! Yes; something that happened at Wurzburg, as you say. I asked David about it, the morning he went away. But the coach was waiting for him; and he ran off without saying a word. I call that rude."
He was still stirring his lemonade with his bit of cake—or he might have seen something in the widow's face that would have startled him. He did look up, when she spoke to him. His sense of hearing was his quickest sense; and he was struck by the sudden change in her voice.
"What did you ask David?"—was all she ventured to say.
Jack still looked at her. "Anything the matter with you?" he inquired.
"Nothing. What did you ask David?"
"Something I wanted to know."
"Perhaps I can tell you what you want to know?"
"I shouldn't wonder. No: dipping the cake in lemonade doesn't improve it, and it leaves crumbs in the drink."
"Throw away that bit of cake, Jack, and have some more.
"May I help myself?"
"Certainly. But you haven't told me yet what you want to know."
At last he answered directly. "What I want to know is this," he said. "Who poisoned Mr. Keller?"
He was cutting the cake as he spoke, and extracted a piece of candied orange peel with the point of the knife. Once more, the widow's face had escaped observation. She turned away quickly, and occupied herself in mending the fire. In this position, her back was turned towards the table—she could trust herself to speak.
"You are talking nonsense!" she said.
Jack stopped—with the cake half-way to his mouth. Here was a direct attack on his dignity, and he was not disposed to put up with it. "I never talk nonsense," he answered sharply.
"You do," Madame Fontaine rejoined, just as sharply on her side. "Mr. Keller fell ill, as anyone else might fall ill. Nobody poisoned him."
Jack got on his legs. For the moment he actually forgot the cake. "Nobody?" he repeated. "Tell me this, if you please: Wasn't Mr. Keller cured out of the blue-glass bottle—like me?"
(Who had told him this? Joseph might have told him; Minna might have told him. It was no time for inquiry; the one thing needful was to eradicate the idea from his mind. She answered boldly, "Quite right, so far"—and waited to see what came of it.)
"Very well," said Jack, "Mr. Keller was cured out of the blue-glass bottle, like me. And I was poisoned. Now?"
She flatly contradicted him again. "You were not poisoned!"
Jack crossed the room, with a flash of the old Bedlam light in his eyes, and confronted her at the fire place. "The devil is the father of lies," he said, lifting his hand solemnly. "No lies! I heard my master the Doctor say I was poisoned."
She was ready with her answer. "Your master the Doctor said that to frighten you. He didn't want you to taste his medicines in his absence again. You drank double what any person ought to have drunk, you greedy Jack, when you tasted that pretty violet-colored medicine in your master's workshop. And you had yourself to thank—not poison, when you fell ill."
Jack looked hard at her. He could reason so far as that he and Mr. Keller must have taken the same poison, because he and Mr. Keller had been cured out of the same bottle. But to premise that he had been made ill by an overdose of medicine, and that Mr. Keller had been made ill in some other way, and then to ask, how two different illnesses could both have been cured by the same remedy—was an effort utterly beyond him. He hung his head sadly, and went back to the table.
"I wish I hadn't asked you about it," he said. "You puzzle me horribly." But for that unendurable sense of perplexity, he would still have doubted and distrusted her as resolutely as ever. As it was, his bewildered mind unconsciously took its refuge in belief. "If it was medicine," asked the poor creature vacantly, "what is the medicine good for?"
At those words, an idea of the devil's own prompting entered Madame Fontaine's mind. Still standing at the fireplace, she turned her head slowly, and looked at the cupboard.
"It's a better remedy even than the blue-glass bottle," she said; "it cures you so soon when you are tired, or troubled in your mind, that I have brought it away with me from Wurzburg, to use it for myself."
Jack's face brightened with a new interest. "Oh," he said eagerly, "do let me see it again!"
She put her hand in her pocket, took out the key, and hesitated at the last moment.
"Just one look at it," Jack pleaded, "to see if it's the same."
She unlocked the cupboard.
Jack attempted to follow her, and look in. She waved him back with her hand.
"Wait at the window," she said, "where you can see the medicine in the light." She took the bottle of "Alexander's Wine" from the chest, and having locked the cupboard again, replaced the key in her pocket. "Do you remember it?" she asked, showing him the bottle.
He shuddered as he recognized the color. "Medicine?" he said to himself—troubled anew by doubts which he was not able to realize. "I don't remember how much I took when I tasted it. Do you?"
"I have told you already. You took twice the proper dose."
"Did my master the Doctor say that?"
"Yes."
"And did he tell you what the proper dose was?"
"Yes."
Jack was not able to resist this. "I should like to see it!" he said eagerly. "My master was a wonderful man—my master knew everything."
Madame Fontaine looked at him. He waited to see his request granted, like a child waiting to see a promised toy. "Shall I measure it out, and show you?" she said. "I suppose you don't know what two drachms mean?"
"No, no! Let me see it."
She looked at him again and hesitated. With a certain reluctance of manner, she opened her dressing-case. As she took out a medicine-measuring-glass, her hand began to tremble. A faint perspiration showed itself on her forehead. She put the glass on the table, and spoke to Jack.
"What makes you so curious to see what the dose is?" she said. "Do you think you are likely to want some of it yourself?"
His eyes looked longingly at the poison. "It cures you when you are tired or troubled in your mind," he answered, repeating her own words. "I am but a little fellow—and I'm more easily tired sometimes than you would think."
She passed her handkerchief over her forehead. "The fire makes the room rather warm," she said.
Jack took no notice of the remark; he had not done yet with the confession of his little infirmities. He went on proving his claim to be favored with some of the wonderful remedy.
"And as for being troubled in my mind," he said, "you haven't a notion how bad I am sometimes. If I'm kept away from Mistress for a whole day—when I say or do something wrong, you know—I tell you this, I'm fit to hang myself! If you were to see me, I do think your heart would be touched; I do indeed!"
Instead of answering him, she rose abruptly, and hurried to the door.
"Surely there's somebody outside," she exclaimed—"somebody wanting to speak to me!"
"I don't hear it," said Jack; "and mine are the quickest ears in the house."
"Wait a minute, and let me see."
She opened the door: closed it again behind her; and hurried along the lonely corridor. Throwing up the window at the end, she put her head out into the keen wintry air, with a wild sense of relief. She was almost beside herself, without knowing why. Poor Jack's innocent attempts to persuade her to his destruction had, in their pitiable simplicity, laid a hold on that complex and terrible nature which shook it to its center. The woman stood face to face with her own contemplated crime, and trembled at the diabolical treachery of it. "What's the matter with me?" she wondered inwardly. "I feel as if I could destroy every poison in the chest with my own hands."
Slowly she returned along the corridor, to her room. The refreshing air had strung up her nerves again! she began to recover herself. The strengthened body reacted on the wavering mind. She smiled as she recalled her own weakness, looking at the bottle of poison which she had mechanically kept in her hand. "That feeble little creature might do some serious mischief, between this and the wedding-day," she thought; "and yet——and yet——"
"Well, was there anybody outside?" Jack asked.
"Nothing to matter," she said. The answer was spoken mechanically. Something in him or something in herself, it was impossible to say which, had suddenly set her thinking of the day when her husband had dragged him out of the jaws of death. It seemed strange that the memory of the dead Doctor should come between them in that way, and at that time.
Jack recalled her to the passing moment. He offered her the medicine-measuring-glass left on the table. "It frightens me, when I think of what I did," he said. "And yet it's such a pretty color—I want to see it again."
In silence, she took the glass; in silence, she measured out the fatal two drachms of the poison, and showed it to him.
"Do put it in something," he pleaded, "and let me have it to keep: I know I shall want it."
Still in silence, she turned to the table, and searching again in her dressing-case, found a little empty bottle. She filled it and carefully fitted in the glass stopper. Jack held out his hand. She suddenly drew her own hand back. "No," she said. "On second thoughts, I won't let you have it."
"Why not?"
"Because you can't govern your tongue, and can't keep anything to yourself. You will tell everybody in the house that I have given you my wonderful medicine. They will all be wanting some—and I shall have none left for myself."
"Isn't that rather selfish?" said Jack. "I suppose it's natural, though. Never mind, I'll do anything to please you; I'll keep it in my pocket and not say a word to anybody. Now?"
Once more, he held out his hand. Once more Madame Fontaine checked herself in the act of yielding to him. Her dead husband had got between them again. The wild words he had spoken to her, in the first horror of the discovery that his poor imbecile servant had found and tasted the fatal drug, came back to her memory—"If he dies I shall not survive him. And I firmly believe I shall not rest in my grave." She had never been, like her husband, a believer in ghosts: superstitions of all sorts were to her mind unworthy of a reasonable being. And yet at that moment, she was so completely unnerved that she looked round the old Gothic room, with a nameless fear throbbing at her heart.
It was enough—though nothing appeared: it was enough—though superstitions of all sorts were unworthy of a reasonable being—to shake her fell purpose, for the time. Nothing that Jack could say had the least effect on her. Having arrived at a determination, she was mistress of herself again. "Not yet," she resolved; "there may be consequences that I haven't calculated on. I'll take the night to think of it." Jack tried a last entreaty as she put her hand into her pocket, searching for the cupboard key, and tried it in vain. "No," she said; "I will keep it for you. Come to me when you are really ill, and want it."
Her pocket proved to be entangled for the moment in the skirt of her dress. In irritably trying to disengage it, she threw out the key on the floor. Jack picked the key up and noticed the inscription on the handle. "Pink-Room Cupboard," he read. "Why do they call it by that name?"
In her over-wrought state of mind, she had even felt the small irritating influence of an entangled pocket. She was in no temper to endure simple questions patiently. "Look at the pink curtains, you fool!" she said—and snatched the key out of his hand.
Jack instantly resented the language and the action. "I didn't come here to be insulted," he declared in his loftiest manner.
Madame Fontaine secured the poison in the cupboard without noticing him, and made him more angry than ever.
"Take back your new gloves," he cried, "I don't want them!" He rolled up his gloves, and threw them at her. "I wish I could throw all the cake I've eaten after them!" he burst out fervently.
He delivered this aspiration with an emphatic stamp of his foot. The hysterical excitement in Madame Fontaine forced its way outwards under a new form. She burst into a frantic fit of laughter. "You curious little creature," she said; "I didn't mean to offend you. Don't you know that women will lose their patience sometimes? There! Shake hands and make it up. And take away the rest of the cake, if you like it." Jack looked at her in speechless surprise. "Leave me to myself!" she cried, relapsing into irritability. "Do you hear? Go! go! go!"
Jack left the room without a word of protest. The rapid changes in her, the bewildering diversity of looks and tones that accompanied them, completely cowed him. It was only when he was safe outside in the corridor, that he sufficiently recovered himself to put his own interpretation on what had happened. He looked back at the door of Madame Fontaine's room, and shook his little gray head solemnly.
"Now I understand it," he thought to himself "Mrs. Housekeeper is mad. Oh, dear, dear me—Bedlam is the only place for her!"
He descended the first flight of stairs, and stopped again to draw the moral suggested by his own clever discovery. "I must speak to Mistress about this," he concluded. "The sooner we are back in London, the safer I shall feel."
Mrs. Wagner was still hard at work at her desk, when Jack Straw made his appearance again in the private office.
"Where have you been all this time?" she asked. "And what have you done with your new gloves?"
"I threw them at Madame Fontaine," Jack answered. "Don't alarm yourself. I didn't hit her."
Mrs. Wagner laid down her pen, smiling. "Even business must give way to such an extraordinary event as this," she said. "What has gone wrong between you and Madame Fontaine?"
Jack entered into a long rambling narrative of what he had heard on the subject of the wonderful remedy, and of the capricious manner in which a supply of it had been first offered to him, and then taken away again. "Turn it over in your own mind," he said grandly, "and tell me what your opinion is, so far."
"I think you had better let Madame Fontaine keep her medicine in the cupboard," Mrs. Wagner answered; "and when you want anything of that sort, mention it to me." The piece of cake which Jack had brought away with him attracted her attention, as she spoke. Had he bought it himself? or had he carried it off from the housekeeper's room? "Does that belong to you, or to Madame Fontaine?" she asked. "Anything that belongs to Madame Fontaine must be taken back to her."
"Do you think I would condescend to take anything that didn't belong to me?" said Jack indignantly. He entered into another confused narrative, which brought him, in due course of time, to the dropping of the key and the picking of it up. "I happened to read 'Pink-Room Cupboard' on the handle," he proceeded; "and when I asked what it meant she called me a fool, and snatched the key out of my hand. Do you suppose I was going to wear her gloves after that? No! I am as capable of self-sacrifice as any of you—I acted nobly—I threw them at her. Wait a bit! You may laugh at that, but there's something terrible to come. What do you think of a furious person who insults me, suddenly turning into a funny person who shakes hands with me and bursts out laughing? She did that. On the honor of a gentleman, she did that. Follow my wise example; keep out of her way—and let's get back to London as soon as we can. Oh, I have got a reason for what I say. Just let me look through the keyhole before I mention it. All right; there's nobody at the keyhole; I may say it safely. It's a dreadful secret to reveal—Mrs. Housekeeper is mad! No, no; there can be no possible mistake about it. If there's a creature living who thoroughly understands madness when he sees it—by Heaven, I'm that man!"
Watching Jack attentively while he was speaking. Mrs. Wagner beckoned to him to come nearer, and took him by the hand.
"No more now," she said quietly; "you are beginning to get a little excited."
"Who says that?" cried Jack.
"Your eyes say it. Come here to your place."
She rose, and led him to his customary seat in the recess of the old-fashioned window. "Sit down," she said.
"I don't want to sit down."
"Not if I ask you?"
He instantly sat down. Mrs. Wagner produced her pocket-book, and made a mark in it with her pencil. "One good conduct-mark already for Jack," she said. "Now I must go on with my work; and you must occupy yourself quietly, in some way that will amuse you. What will you do?"
Jack, steadily restraining himself under the firm kind eyes that rested on him, was not in the right frame of mind for discovering a suitable employment. "You tell me," he said.
Mrs. Wagner pointed to the bag of keys, hanging over his shoulder. "Have you cleaned them yet?" she asked.
His attention was instantly diverted to the keys; he was astonished at having forgotten them. Mrs. Wagner rang the bell, and supplied him with sandpaper, leather, and whiting. "Now then," she said, pointing to the clock, "for another hour at least—silence and work!"
She returned to her desk; and Jack opened his bag.
He spread out the rusty keys in a row, on the seat at his side. Looking from one to the other before he began the cleansing operations, he started, picked out one key, and held it up to the light. There was something inscribed on the handle, under a layer of rust and dirt. He snatched up his materials, and set to work with such good will that the inscription became visible in a few minutes. He could read it plainly—"Pink-Room Cupboard." A word followed which was not quite so intelligible to him—the word "Duplicate." But he had no need to trouble himself about this. "Pink-Room Cupboard," on a second key, told him all he wanted to know.
His eyes sparkled—he opened his lips—looked at Mrs. Wagner, busily engaged with her pen—and restrained himself within the hard limits of silence. "Aha! I can take Mrs. Housekeeper's medicine whenever I like," he thought slily.
His faith in the remedy was not at all shaken by his conviction that Madame Fontaine was mad. It was the Doctor who had made the remedy—and the Doctor could not commit a mistake. "She's not fit to have the keeping of such a precious thing," he concluded. "I'll take the whole of it under my own charge. Shall I tell Mistress, when we have done work?"
He considered this question, cleaning his keys, and looking furtively from time to time at Mrs. Wagner. The cunning which is almost invariably well developed in a feeble intelligence, decided him on keeping his discovery to himself. "Anything that belongs to Madame Fontaine must be taken back to her"—was what the Mistress had just said to him. He would certainly be ordered to give up the duplicate key (which meant giving up the wonderful remedy) if he took Mrs. Wagner into his confidence. "When I have got what I want," he thought, "I can throw away the key—and there will be an end of it."
The minutes followed each other, the quarters struck—and still the two strangely associated companions went on silently with their strangely dissimilar work. It was close on the time for the striking of the hour, when a third person interrupted the proceedings—that person being no other than Madame Fontaine again.
"A thousand pardons, Mrs. Wagner! At what time can I say two words to you in confidence?"
"You could not have chosen your time better, Madame Fontaine. My work is done for to-day." She paused, and looked at Jack, ostentatiously busy with his keys. The wisest course would be to leave him in the window-seat, harmlessly employed. "Shall we step into the dining-room?" she suggested, leading the way out. "Wait there, Jack, till I return; I may have another good mark to put in my pocket-book."
The two ladies held their conference, with closed doors, in the empty dining-room.
"My only excuse for troubling you, madam," the widow began, "is that I speak in the interest of that poor little Jack, whom we have just left in the office. May I ask if you have lately observed any signs of excitement in him?"
"Certainly!" Mrs. Wagner answered, with her customary frankness of reply; "I found it necessary to compose him, when he came to me about an hour ago—and you have just seen that he is as quiet again as a man can be. I am afraid you have had reason to complain of his conduct yourself?"
Madame Fontaine lifted her hands in gently-expressed protest. "Oh, dear, no—not to complain! To pity our afflicted Jack, and to feel, perhaps, that your irresistible influence over him might be required—no more."
"You are very good," said Mrs. Wagner dryly. "At the same time, I beg you to accept my excuses—not only for Jack, but for myself. I found him so well behaved, and so capable of restraining himself in London, that I thought I was running no risk in bringing him with me to Frankfort."
"Pray say no more, dear madam—you really confuse me. I am the innocent cause of his little outbreak. I most unfortunately reminded him of the time when he lived with us at Wurzburg—and in that way I revived one of his old delusions, which even your admirable treatment has failed to remove from his mind."
"May I ask what the delusion is, Madame Fontaine?"
"One of the commonest delusions among insane persons, Mrs. Wagner—the delusion that he has been poisoned. Has he ever betrayed it in your presence?"
"I heard something of it," Mrs. Wagner answered, "from the superintendent at the madhouse in London."
"Ah, indeed? The superintendent merely repeated, I suppose, what Jack had told him?"
"Exactly. I was careful not to excite him, by referring to it myself, when I took him under my charge. At the same time, it is impossible to look at his hair and his complexion, without seeing that some serious accident must have befallen him."
"Most unquestionably! He is the victim, poor creature—not of poison—but of his own foolish curiosity, in my husband's surgery, and you see the result. Alas! I cannot give you the scientific reasons for it."
"I shouldn't understand them, Madame Fontaine, if you could."
"Ah, dear lady, you kindly say so, because you are unwilling to humiliate me. Is there anything Jack may have said to you about me, which seems to require an explanation—if I can give it?"
She slipped in this question, concealing perfectly the anxiety that suggested it, so far as her voice and her eyes were concerned. But the inner agitation rose to the surface in a momentary trembling of her lips.
Slight as it was, that sign of self-betrayal did not escape Mrs. Wagner's keen observation. She made a cautious reply. "On the contrary," she said, "from what Jack has told me, the conclusion is plain that you have really done him a service. You have succeeded in curing that delusion you spoke of—and I applaud your good sense in refusing to trust him with the medicine."
Madame Fontaine made a low curtsey. "I shall remember those kind words, among the happy events of my life," she said, with her best grace. "Permit me to take your hand." She pressed Mrs. Wagner's hand gratefully—and made an exit which was a triumph of art. Even a French actress might have envied the manner in which she left the room.
But, when she ascended the stairs, with no further necessity for keeping up appearances, her step was as slow and as weary as the step of an old woman. "Oh, my child," she thought sadly, with her mind dwelling again on Minna, "shall I see the end of all these sacrifices, when your wedding-day comes with the end of the year?" She sat down by the fire in her room, and for the first time in her life, the harmless existence of one of those domestic drudges whom she despised began to seem enviable to her. There were merits visible now, in the narrow social horizon that is bounded by gossip, knitting, and tea.
Left by herself in the dining-room, Mrs. Wagner took a turn up and down, with her mind bent on penetrating Madame Fontaine's motives.
There were difficulties in her way. It was easy to arrive at the conclusion that there was something under the surface; but the obstacles to advancing beyond this point of discovery seemed to defy removal. To distrust the graceful widow more resolutely than ever, and to lament that she had not got wise David Glenney to consult with, were the principal results of Mrs. Wagner's reflections when she returned to the office.
There was Jack—in the nursery phrase, as good as gold—still in his place on the window seat, devoted to his keys. His first words related entirely to himself.
"If this isn't good conduct," he said, "I should like to know what is. Give me my other mark."
Mrs. Wagner took out her pocket-book and made the new mark.
"Thank you," said Jack. "Now I want something else. I want to know what Mrs. Housekeeper has been saying. I have been seriously alarmed about you."
"Why, Jack?"
"She hasn't bitten you, has she? Oh, they do it sometimes! What lies has she been telling you of me? Oh, they lie in the most abominable manner! What? She has been talking of me in the kindest terms? Then why did she want to get out of my hearing? Ah, they're so infernally deceitful! I do hate mad people."
Mrs. Wagner produced her pocket-book again. "I shall scratch out your mark," she said sternly, "if I hear any more talk of that sort."
Jack gathered his keys together with a strong sense of injury, and put them back in his leather bag. "You're a little hard on me," he said, "when I'm only warning you for your own good. I don't know why it is, you're not as kind to me here, as you used to be in London. And I feel it, I do!" He laid himself down on the window seat, and began to cry.
Mrs. Wagner was not the woman to resist this expression of the poor little man's feeling. In a moment she was at the window comforting him and drying his eyes, as if he had been a child. And, like a child, Jack took advantage of the impression that he had made. "Look at your desk," he said piteously; "there's another proof how hard you are on me. I used to keep the key of your desk in London. You won't trust it to me here."
Mrs. Wagner went to the desk, locked it, and returned to Jack. Few people know how immensely an act of kindness gains in effect, by being performed in silence. Mrs. Wagner was one of the few. Without a word, she opened the leather bag and dropped the key into it. Jack's gratitude rushed innocently to an extreme which it had never reached yet. "Oh!" he cried, "would you mind letting me kiss you?"
Mrs. Wagner drew back, and held up a warning hand. Before she could express herself in words, Jack's quick ear caught the sound of footsteps approaching the door. "Is she coming back?" he cried, still suspicious of Madame Fontaine. Mrs. Wagner instantly opened the door, and found herself face to face with Joseph the footman.
"Do you know, ma'am, when Mr. Keller will be back?" he asked.
"I didn't even know that he was out, Joseph. Who wants him?"
"A gentleman, ma'am, who says he comes from Munich."
On further inquiry, it turned out that "the gentleman from Munich" had no time to spare. In the absence of Mr. Keller, he had asked if he could see "one of the other partners." This seemed to imply that commercial interests were in some way connected with the stranger's visit—in which case, Mrs. Wagner was perfectly competent to hear what he had to say.
"Where is the gentleman?" she asked.
"In the drawing-room," Joseph answered.
Mrs. Wagner at once left the office. She found herself in the presence of a dignified elderly gentleman, dressed entirely in black, and having the ribbon of some order of merit attached to the buttonhole of his long frock-coat. His eyes opened wide in surprise, behind his gold spectacles, when he found himself face to face with a lady. "I fear there is some mistake," he said, in the smoothest of voices, and with the politest of bows; "I asked to see one of the partners."
Mrs. Wagner added largely to his amazement, by informing him of the position that she held in the firm. "If you come on a matter of business," she proceeded, "you may trust me to understand you, sir, though I am only a woman. If your visit relates to private affairs, I beg to suggest that you should write to Mr. Keller—I will take care that he receives your letter the moment he returns."
"There is not the least necessity for my troubling you," the stranger replied. "I am a physician; and I have been summoned to Frankfort to consult with my colleagues here, on a serious case of illness. Mr. Keller's sister is one of my patients in Munich. I thought I would take the present opportunity of speaking to him about the state of her health."
He had just introduced himself in those words, when Mr. Keller entered the room. The merchant and the physician shook hands like old friends.
"No alarming news of my sister, I hope?" said Mr. Keller.
"Only the old trouble, my good friend. Another attack of asthma."
Mrs. Wagner rose to leave the room. Mr. Keller stopped her. "There is not the least necessity for you to leave us," he said. "Unless my presentiments deceive me, we may even have occasion to ask your advice.—Is there any hope, doctor, of her being well enough to leave Munich, towards the end of the month?"
"I am sorry to say it," answered the physician—"having heard of the interesting occasion on which she had engaged to be one of your guests—but, at her age, I must ask for a little more time."
"In other words, it is impossible for my sister to be with us, on the day of my son's marriage?"
"Quite impossible. She has so few pleasures, poor soul, and she is so bitterly disappointed, that I volunteered to take advantage of my professional errand here, to make a very bold request. Let me first do your excellent sister justice. She will not hear of the young people being disappointed by any postponement of the wedding, on her account. And here is the famous necklace, committed to my care, to prove that she is sincere."
He took his little traveling-bag from the chair on which he had placed it, and produced the case containing the necklace. No woman—not even a head-partner in a great house of business—could have looked at those pearls, and preserved her composure. Mrs. Wagner burst out with a cry of admiration.
Mr. Keller passed the necklace over without notice; his sister was the one object of interest to him. "Would she be fit to travel," he asked, "if we put off the marriage for a month?"
"She shall be fit to travel, barring accidents," said the physician, "if you can put off the marriage for a fortnight. I start this evening on my return to Munich, and not a day shall pass without my seeing her."
Mr. Keller appealed to Mrs. Wagner. "Surely, we might make this trifling sacrifice?" he said. "The pleasure of seeing her nephew married is likely to be the last pleasure of my sister's life."
"In your place," said Mrs. Wagner, "I should not hesitate for an instant to grant the fortnight's delay. But the bride and bridegroom must be consulted, of course."
"And the bride's parents," suggested the discreet physician, "if they are still living."
"There is only her mother living," said Mr. Keller. "She is too high-minded a person to raise any objection, I am sure." He paused, and reflected for awhile. "Fritz counts for nothing," he went on. "I think we ought to put the question, in the first instance, to the bride?" He rang the bell, and then took the necklace out of Mrs. Wagner's hands. "I have a very high opinion of little Minna," he resumed. "We will see what the child's own kind heart says—undisturbed by the influence of the pearls, and without any prompting on the part of her mother."
He closed the jewel case, and put it into a cabinet that stood near him. Joseph was sent upstairs, with the necessary message. "Don't make any mistake," said his master; "I wish to see Miss Minna, alone."
The physician took a pinch of snuff while they were waiting. "The test is hardly conclusive," he remarked slily; "women are always capable of sacrificing themselves. What will the bridegroom say?"
"My good sir," Mr. Keller rejoined a little impatiently, "I have mentioned already that Fritz counts for nothing."
Minna came in. Her color rose when she found herself unexpectedly in the presence of a dignified and decorated stranger. The physician tapped his snuff-box, with the air of a man who thoroughly understood young women. "Charming indeed!" he said confidentially to Mrs. Wagner; "I am young enough (at heart, madam) to wish I was Fritz."
Mr. Keller advanced to meet Minna, and took her hand.
"My dear," he said, "what would you think of me, if I requested you to put off your marriage for two whole weeks—and all on account of an old woman?"
"I should think you had surely some reason, sir, for asking me to do that," Minna replied; "and I confess I should be curious to know who the old woman was."
In the fewest and plainest words, Mr. Keller repeated what the physician had told him. "Take your own time to think of it," he added; "and consult your mother first, if you like."
Minna's sweet face looked lovelier than ever, glowing with the heavenly light of true and generous feeling. "Oh, Mr. Keller!" she exclaimed, "do you really suppose I am cold-hearted enough to want time to think of it? I am sure I may speak for my mother, as well as for myself. Fraulein Keller's time shall be our time. Please tell her so, with my duty—or, may I be bold enough to say already, with my love?"
Mr. Keller kissed her forehead with a fervor of feeling that was rare with him. "You are well worthy of my sister's bridal gift," he said—and took the necklace out of the cabinet, and gave it to her.
For some moments Minna stood looking at the magnificent pearls, in a state of speechless enchantment. When she did speak, her first delightful ardor of admiration had cooled under the chilling perception of a want of proper harmony between her pearls and herself. "They are too grand for me," she said sadly; "I ought to be a great lady, with a wardrobe full of magnificent dresses, to wear such pearls as these!" She looked at them again, with the natural longing of her sex and age. "May I take the necklace upstairs," she asked, with the most charming inconsistency, "and see how it looks when I put it on?"
Mr. Keller smiled and waved his hand. "You can do what you like with your own necklace, my dear," he said. "When I have written a line to my sister, perhaps I may follow you, and admire my daughter-in-law in all her grandeur."
The physician looked at his watch. "If you can write your letter in five minutes," he suggested, "I can take it with me to Munich."
Mrs. Wagner and Minna left the room together. "Come and see how it looks," said Minna; "I should so like to have your opinion."
"I will follow you directly, my dear. There is something I have forgotten in the office."
The events of the day had ended in making Jack drowsy; he was half-asleep on the window-seat. Mrs. Wagner effectually roused him.
"Mr. Keeper of the Keys," she said; "I want my desk opened."
Jack was on his legs in an instant. "Ha, Mistress, it's jolly to hear you say that—it's like being in London again."
The desk was of the spacious commercial sort, with a heavy mahogany lid. Everything inside was in the most perfect order. A row of "pigeon-holes" at the back had their contents specified by printed tickets. "Abstracts of correspondence, A to Z;" "Terms for commission agency;" "Key of the iron safe." "Key of the private ledger"—and so on. The ledger—a stout volume with a brass lock, like a private diary—was placed near the pigeon-holes. On the top of it rested a smaller book, of the pocket—size, entitled "Private Accounts." Mrs. Wagner laid both books open before her, at the pages containing the most recent entries, and compared them. "I felt sure I had forgotten it!" she said to herself—and transferred an entry in the ledger to the private account-book. After replacing the ledger, she locked the desk, and returned the key to Jack.
"Remember," she said, "the rule in London is the rule here. My desk is never to be opened, except when I ask you to do it. And if you allow the key to pass out of your own possession, you cease to be Keeper."
"Did I ever do either of those two things in London?" Jack asked.
"Never."
"Then don't be afraid of my doing them here. I say! you haven't put back the little book." He produced the key again, and put it into the lock—while Mrs. Wagner was occupied in placing her account-book in her pocket.
"Its proper place is not in the desk," she explained; "I usually keep it about me."
Jack's ready suspicion was excited. "Ah," he cried, with an outburst of indignation, "you won't trust it to me!"
"Take care I don't set a bad-conduct mark against you!" said Mrs. Wagner. "You foolish fellow, the little book is a copy of what is in the big book—and I trust you with the big book."
She knew Jack thoroughly well. His irritable dignity was at once appeased when he heard that the biggest of the duplicate books was in his keeping. He took the key out of the lock again. At the same moment, Mr. Keller entered the office. Jack possessed the dog's enviable faculty of distinguishing correctly between the people who are, and the people who are not, their true friends. Mr. Keller privately disliked the idea of having a person about him who had come out of a madhouse. Jack's instincts warned him to leave a room when Mr. Keller entered it. He left the office now.
"Is it possible that you trust that crazy creature with the key of your desk?" said Mr. Keller. "Even your bitterest enemy, Mrs. Wagner, would not believe you could be guilty of such an act of rashness."
"Pardon me, sir, it is you who are guilty of an act of rashness in forming your judgment. 'Fancy a woman in her senses trusting her keys to a man who was once in Bedlam!' Everybody said that of me, when I put Jack to the proof in my own house."
"Aha! there are other people then who agree with me?" said Mr. Keller.
"There are other people, sir (I say it with all needful respect), who know no more of the subject than you do. The most certain curative influence that can be exercised over the poor martyrs of the madhouse, is to appeal to their self-respect. From first to last, Jack has never been unworthy of the trust that I have placed in him. Do you think my friends owned they had been mistaken? No more than you will own it! Make your mind easy. I will be personally answerable for anything that is lost, while I am rash enough to trust my crazy creature with my key."
Mr. Keller's opinion was not in the least shaken; he merely checked any further expression of it, in deference to an angry lady. "I dare say you know best," he remarked politely. "Let me mention the little matter that has brought me here. David Glenney is, no doubt, closely occupied in London. He ought to know at once that the wedding-day is deferred. Will you write to him, or shall I?"
Mrs. Wagner began to recover her temper.
"I will write with pleasure, Mr. Keller. We have half an hour yet before post-time. I have promised Minna to see how the wonderful necklace looks on her. Will you excuse me for a few minutes? Or will you go upstairs with me?—I think you said something about it in the drawing-room."
"Certainly," said Mr. Keller, "if the ladies will let me in."
They ascended the stairs together. On the landing outside the drawing-room, they encountered Fritz and Minna—one out of temper, and the other in tears.
"What's wrong now?" Mr. Keller asked sharply. "Fritz! what does that sulky face mean?"
"I consider myself very badly used," Fritz answered. "I say there's a great want of proper consideration for Me, in putting off our marriage. And Madame Fontaine agrees with me."
"Madame Fontaine?" He looked at Minna, as he repeated the name. "Is this really true?"
Minna trembled at the bare recollection of what had passed. "Oh, don't ask me!" she pleaded piteously; "I can't tell what has come to my mother—she is so changed, she frightens me. And as for Fritz," she said, rousing herself, "if he is to be a selfish tyrant, I can tell him this—I won't marry him at all!"
Mr. Keller turned to Fritz, and pointed contemptuously down the stairs.
"Leave us!" he said. Fritz opened his lips to protest. Mr. Keller interposed, with a protest of his own. "One of these days," he went on, "you may possibly have a son. You will not find his society agreeable to you, when he happens to have made a fool of himself." He pointed down the stairs for the second time. Fritz retired, frowning portentously. His father addressed Minna with marked gentleness of manner. "Rest and recover yourself, my child. I will see your mother, and set things right."
"Don't go away by yourself, my dear," Mrs. Wagner added kindly; "come with me to my room."
Mr. Keller entered the drawing-room, and sent Joseph with another message. "Go up to Madame Fontaine, and say I wish to see her here immediately."
The widow presented herself, with a dogged resignation singularly unlike her customary manner. Her eyes had a set look of hardness; her lips were fast closed; her usually colorless complexion had faded to a strange grayish pallor. If her dead husband could have risen from the grave, and warned Mr. Keller, he would have said, "Once or twice in my life, I have seen her like that—mind what you are about!"
She puzzled Mr. Keller. He tried to gain time—he bowed and pointed to a chair. Madame Fontaine took the chair in silence. Her hard eyes looked straight at the master of the house, overhung more heavily than usual by their drooping lids. Her thin lips never opened. The whole expression of the woman said plainly, "You speak first!"
Mr. Keller spoke. His kindly instinct warned him not to refer to Minna, in alluding to the persons from whom he had derived his information. "I hear from my son," he said, "that you do not approve of our putting off the wedding-day, though it is only for a fortnight. Are you aware of the circumstances?"
"I am aware of the circumstances."
"Your daughter informed you of my sister's illness, I suppose?"
At that first reference to Minna, some inner agitation faintly stirred the still surface of Madame Fontaine's face.
"Yes," she said. "My thoughtless daughter informed me."
The epithet applied to Minna, aggravated by the deliberate emphasis laid on it, jarred on Mr. Keller's sense of justice. "It appears to me," he said, "that your daughter acted in this matter, not only with the truest kindness, but with the utmost good sense. Mrs. Wagner and my sister's physician were both present at the time, and both agreed with me in admiring her conduct. What has she done to deserve that you should call her thoughtless?"
"She ought to have remembered her duty to her mother. She ought to have consulted me, before she presumed to decide for herself."
"In that case, Madame Fontaine, would you have objected to change the day of the marriage?"
"I am well aware, sir, that your sister has honored my daughter by making her a magnificent present——"
Mr. Keller's face began to harden. "May I beg you to be so good as answer my question plainly?" he said, in tones which were peremptory for the first time. "Would you have objected to grant the fortnight's delay?"
She answered him, on the bare chance that a strong expression of her opinion, as the bride's mother, might, even now, induce him to revert to the date originally chosen for the wedding. "I should certainly have objected," she said firmly.
"What difference could it possibly make to you?" There was suspicion in his manner, as well as surprise, when he put that question. "For what reason would you have objected?"
"Is my objection, as Minna's mother, not worthy of some consideration, sir, without any needless inquiry into motives?"
"Your daughter's objection—as the bride—would have been a final objection, to my mind," Mr. Keller answered. "But your objection is simply unaccountable; and I press you for your motives, having this good reason for doing so on my side. If I am to disappoint my sister—cruelly to disappoint her—it must be for some better cause than a mere caprice."
It was strongly put, and not easily answered. Madame Fontaine made a last effort—she invented the likeliest motives she could think of. "I object, sir, in the first place, to putting off the most important event in my daughter's life, and in my life, as if it was some trifling engagement. Besides, how do I know that some other unlucky circumstance may not cause more delays; and perhaps prevent the marriage from taking place at all?"
Mr. Keller rose from his chair. Whatever her true motives might be, it was now perfectly plain that she was concealing them from him. "If you have any more serious reasons to give me than these," he said quietly and coldly, "let me hear them between this and post-time tomorrow. In the meanwhile, I need not detain you any longer."
Madame Fontaine rose also—but she was not quite defeated yet.
"As things are, then," she resumed, "I am to understand, sir, that the marriage is put off to the thirteenth of January next?"
"Yes, with your daughter's consent."
"Suppose my daughter changes her mind, in the interval?"
"Under your influence?"
"Mr. Keller! you insult me."
"I should insult your daughter, Madame Fontaine—after what she said in this room before me and before other witnesses—if I supposed her to be capable of changing her mind, except under your influence.
"Good evening, sir."
"Good evening, madam."
She went back to her room.
The vacant spaces on the walls were prettily filled up with prints and water-color drawings. Among these last was a little portrait of Mr. Keller, in a glazed frame. She approached it—looked at it—and, suddenly tearing it from the wall, threw it on the floor. It happened to fall with the glass uppermost. She stamped on it, in a perfect frenzy of rage; not only crushing the glass, but even breaking the frame, and completely destroying the portrait as a work of art. "There! that has done me good," she said to herself—and kicked the fragments into a corner of the room.
She was now able to take a chair at the fireside, and shape out for herself the course which it was safest to follow.
Minna was first in her thoughts. She could bend the girl to her will, and send her to Mr. Keller. But he would certainly ask, under what influence she was acting, in terms which would place the alternative between a downright falsehood, or a truthful answer. Minna was truth itself; in her youngest days, she had been one of those rare children who never take their easy refuge in a lie. What influence would be most likely to persuade her to deceive Fritz's father? The widow gave up the idea, in the moment when it occurred to her. Once again, "Jezebel's Daughter" unconsciously touched Jezebel's heart with the light of her purity and her goodness. The mother shrank from deliberately degrading the nature of her own child.
The horrid question of the money followed. On the thirty-first of the month, the promissory note would be presented for payment. Where was the money to be found?
Some little time since, having the prospect of Minna's marriage on the thirtieth of December before her, she had boldly resolved on referring the holder of the note to Mr. Keller. Did it matter to her what the sordid old merchant said or thought, after Minna had become his son's wife? She would coolly say to him, "The general body of the creditors harassed me. I preferred having one creditor to deal with, who had no objection to grant me time. His debt has fallen due; and I have no money to pay it. Choose between paying it yourself, and the disgrace of letting your son's mother-in-law be publicly arrested in Frankfort for debt."
So she might have spoken, if her daughter had been a member of Mr. Keller's family. With floods of tears, with eloquent protestations, with threats even of self-destruction, could she venture on making the confession now?
She remembered how solemnly she had assured Mr. Keller that her debts were really and truly paid. She remembered the inhuman scorn with which he had spoken of persons who failed to meet their pecuniary engagements honestly. Even if he forgave her for deceiving him—which was in the last degree improbable—he was the sort of man who would suspect her of other deceptions. He would inquire if she had been quite disinterested in attending at his bedside, and saving his life. He might take counsel privately with his only surviving partner, Mrs. Wagner. Mrs. Wagner might recall the interview in the drawing-room, and the conversation about Jack; and might see her way to consulting Jack's recollections of his illness at Wurzburg. The risk to herself of encountering these dangers was trifling. But the risk to Minna involved nothing less than the breaking off of the marriage. She decided on keeping up appearances, at any sacrifice, until the marriage released her from the necessities of disguise.
So it came back again to the question of how the money was to be found.
Had she any reasonable hope of success, if she asked for a few days' leave of absence, and went to Wurzburg? Would the holder of the bill allow her to renew it for a fortnight?
She got up, and consulted her glass—and turned away from it again, with a sigh. "If I was only ten years younger!" she thought.
The letter which she received from Wurzburg had informed her that the present holder of the bill was "a middle-aged man." If he had been very young, or very old, she would have trusted in the autumn of her beauty, backed by her ready wit. But experience had taught her that the fascinations of a middle-aged woman are, in the vast majority of cases, fascinations thrown away on a middle-aged man. Even if she could hope to be one of the exceptions that prove the rule, the middle-aged man was an especially inaccessible person, in this case. He had lost money by her already—money either paid, or owing, to the spy whom he had set to watch her. Was this the sort of man who would postpone the payment of his just dues?
She opened one of the drawers in the toilette table, and took out the pearl necklace. "I thought it would come to this," she said quietly. "Instead of paying the promissory note, Mr. Keller will have to take the necklace out of pledge."
The early evening darkness of winter had set in. She dressed herself for going out, and left her room, with the necklace in its case, concealed under her shawl.
Poor puzzled Minna was waiting timidly to speak to her in the corridor. "Oh mamma, do forgive me! I meant it for the best."
The widow put one arm (the other was not at liberty) round her daughter's waist. "You foolish child," she said, "will you never understand that your poor mother is getting old and irritable? I may think you have made a great mistake, in sacrificing yourself to the infirmities of an asthmatic stranger at Munich; but as to being ever really angry with you——! Kiss me, my love; I never was fonder of you than I am now. Lift my veil. Oh, my darling, I don't like giving you to anybody, even to Fritz."
Minna changed the subject—a sure sign that she and Fritz were friends again. "How thick and heavy your veil is!" she said.
"It is cold out of doors, my child, to-night."
"But why are you going out?"
"I don't feel very well, Minna. A brisk walk in the frosty air will do me good."
"Mamma, do let me go with you!"
"No, my dear. You are not a hard old woman like me—and you shall not run the risk of catching cold. Go into my room, and keep the fire up. I shall be back in half an hour.
"Where is my necklace, mamma?"
"My dear, the bride's mother keeps the bride's necklace—and, when we do try it on, we will see how it looks by daylight."
In a minute more, Madame Fontaine was out in the street, on her way to the nearest jeweler.
The widow stopped at a jeweler's window in the famous street called the Zeil. The only person in the shop was a simple-looking old man, sitting behind the counter, reading a newspaper.
She went in. "I have something to show you, sir," she said, in her softest and sweetest tones. The simple old man first looked at her thick veil, and then at the necklace. He lifted his hands in amazement and admiration. "May I examine these glorious pearls?" he asked—and looked at them through a magnifying glass, and weighed them in his hand. "I wonder you are not afraid to walk out alone in the dark, with such a necklace as this," he said. "May I send to my foreman, and let him see it?"
Madame Fontaine granted his request. He rang the bell which communicated with the work-rooms. Being now satisfied that she was speaking to the proprietor of the shop, she risked her first inquiry.
"Have you any necklace of imitation pearls which resembles my necklace?" she asked.
The old gentleman started, and looked harder than ever at the impenetrable veil. "Good heavens—no!" he exclaimed. "There is no such thing in all Frankfort.
"Could an imitation be made, sir?"
The foreman entered the shop—a sullen, self-concentrated man. "Fit for a queen," he remarked, with calm appreciation of the splendid pearls. His master repeated to him Madame Fontaine's last question. "They might do it in Paris," he answered briefly. "What time could you give them, madam?"
"I should want the imitation sent here before the thirteenth of next month."
The master, humanely pitying the lady's ignorance, smiled and said nothing. The foreman's decision was rough and ready. "Nothing like time enough; quite out of the question."
Madame Fontaine had no choice but to resign herself to circumstances. She had entered the shop with the idea of exhibiting the false necklace on the wedding-day, whilst the genuine pearls were pledged for the money of which she stood in need. With the necklace in pawn, and with no substitute to present in its place, what would Minna say, what would Mr. Keller think? It was useless to pursue those questions—some plausible excuse must be found. No matter what suspicions might be excited, the marriage would still take place. The necklace was no essential part of the ceremony which made Fritz and Minna man and wife—and the money must be had.
"I suppose, sir, you grant loans on valuable security—such as this necklace?" she said.
"Certainly, madam."
"Provided you have the lady's name and address," the disagreeable foreman suggested, turning to his master.
The old man cordially agreed. "Quite true! quite true! And a reference besides—some substantial person, madam, well known in this city. The responsibility is serious with such pearls as these."
"Is the reference absolutely necessary?" Madame Fontaine asked.
The foreman privately touched his master behind the counter. Understanding the signal, the simple old gentleman closed the jewel-case, and handed it back. "Absolutely necessary," he answered.
Madame Fontaine went out again into the street. "A substantial reference" meant a person of some wealth and position in Frankfort—a person like Mr. Keller, for example. Where was she to find such a reference? Her relatives in the city had deliberately turned their backs on her. Out of Mr. Keller's house, they were literally the only "substantial" people whom she knew. The one chance left seemed to be to try a pawnbroker.
At this second attempt, she was encountered by a smart young man. The moment he saw the necklace, he uttered a devout ejaculation of surprise and blew a whistle. The pawnbroker himself appeared—looked at the pearls—looked at the veiled lady—and answered as the jeweler had answered, but less civilly. "I'm not going to get myself into a scrape," said the pawnbroker; "I must have a good reference."
Madame Fontaine was not a woman easily discouraged. She turned her steps towards the noble medieval street called the Judengasse—then thickly inhabited; now a spectacle of decrepit architectural old age, to be soon succeeded by a new street.
By twos and threes at a time, the Jews in this quaint quarter of the town clamorously offered their services to the lady who had come among them. When the individual Israelite to whom she applied saw the pearls, he appeared to take leave of his senses. He screamed; he clapped his hands; he called upon his wife, his children, his sisters, his lodgers, to come and feast their eyes on such a necklace as had never been seen since Solomon received the Queen of Sheba.
The first excitement having worn itself out, a perfect volley of questions followed. What was the lady's name? Where did she live? How had she got the necklace? Had it been given to her? and, if so, who had given it? Where had it been made? Why had she brought it to the Judengasse? Did she want to sell it? or to borrow money on it? Aha! To borrow money on it. Very good, very good indeed; but—and then the detestable invitation to produce the reference made itself heard once more.
Madame Fontaine's answer was well conceived. "I will pay you good interest, in place of a reference," she said. Upon this, the Jewish excitability, vibrating between the desire of gain and the terror of consequences, assumed a new form. Some of them groaned; some of them twisted their fingers frantically in their hair; some of them called on the Deity worshipped by their fathers to bear witness how they had suffered, by dispensing with references in other cases of precious deposits; one supremely aged and dirty Jew actually suggested placing an embargo on the lady and her necklace, and sending information to the city authorities at the Town Hall. In the case of a timid woman, this sage's advice might actually have been followed. Madame Fontaine preserved her presence of mind, and left the Judengasse as freely as she had entered it. "I can borrow the money elsewhere," she said haughtily at parting. "Yes," cried a chorus of voices, answering, "you can borrow of a receiver of stolen goods."
It was only too true! The extraordinary value of the pearls demanded, on that account, extraordinary precautions on the part of moneylenders of every degree. Madame Fontaine put back the necklace in the drawer of her toilette-table. The very splendor of Minna's bridal gift made it useless as a means of privately raising money among strangers.
And yet, the money must be found—at any risk, under any circumstances, no matter how degrading or how dangerous they might be.
With that desperate resolution, she went to her bed. Hour after hour she heard the clock strike. The faint cold light of the new day found her still waking and thinking, and still unprepared with a safe plan for meeting the demand on her, when the note became due. As to resources of her own, the value of the few jewels and dresses that she possessed did not represent half the amount of her debt.
It was a busy day at the office. The work went on until far into the evening.
Even when the household assembled at the supper-table, there was an interruption. A messenger called with a pressing letter, which made it immediately necessary to refer to the past correspondence of the firm. Mr. Keller rose from the table. "The Abstracts will rake up less time to examine," he said to Mrs. Wagner; "you have them in your desk, I think?" She at once turned to Jack, and ordered him to produce the key. He took it from his bag, under the watchful eyes of Madame Fontaine, observing him from the opposite side of the table. "I should have preferred opening the desk myself," Jack remarked when Mr. Keller had left the room; "but I suppose I must give way to the master. Besides, he hates me."
The widow was quite startled by this strong assertion. "How can you say so?" she exclaimed. "We all like you, Jack. Come and have a little wine, out of my glass."
Jack refused this proposal. "I don't want wine," he said; "I am sleepy and cold—I want to go to bed."
Madame Fontaine was too hospitably inclined to take No for an answer. "Only a little drop," she pleaded. "You look so cold."
"Surely you forget what I told you?" Mrs. Wagner interposed. "Wine first excites, and then stupefies him. The last time I tried it, he was as dull and heavy as if I had given him laudanum. I thought I mentioned it to you." She turned to Jack. "You look sadly tired, my poor little man. Go to bed at once."
"Without the key?" cried Jack indignantly. "I hope I know my duty better than that."
Mr. Keller returned, perfectly satisfied with the result of his investigation. "I knew it!" he said. "The mistake is on the side of our clients; I have sent them the proof of it."
He handed back the key to Mrs. Wagner. She at once transferred it to Jack. Mr. Keller shook his head in obstinate disapproval. "Would you run such a risk as that?" he said to Madame Fontaine, speaking in French. "I should be afraid," she replied in the same language. Jack secured the key in his bag, kissed his mistress's hand, and approached the door on his way to bed. "Won't you wish me good-night?" said the amiable widow. "I didn't know whether German or English would do for you," Jack answered; "and I can't speak your unknown tongue."
He made one of his fantastic bows, and left the room. "Does he understand French?" Madame Fontaine asked. "No," said Mrs. Wagner; "he only understood that you and Mr. Keller had something to conceal from him."
In due course of time the little party at the supper-table rose, and retired to their rooms. The first part of the night passed as tranquilly as usual. But, between one and two in the morning, Mrs. Wagner was alarmed by a violent beating against her door, and a shrill screaming in Jack's voice. "Let me in! I want a light—I've lost the keys!"
She called out to him to be quiet, while she put on her dressing-gown, and struck a light. They were fortunately on the side of the house occupied by the offices, the other inhabited bedchambers being far enough off to be approached by a different staircase. Still, in the silence of the night, Jack's reiterated cries of terror and beatings at the door might possibly reach the ears of a light sleeper. She pulled him into the room and closed the door again, with an impetuosity that utterly confounded him. "Sit down there, and compose yourself!" she said sternly. "I won't give you the light until you are perfectly quiet. You disgrace me if you disturb the house."
Between cold and terror, Jack shuddered from head to foot. "May I whisper?" he asked, with a look of piteous submission.
Mrs. Wagner pointed to the last living embers in the fireplace. She knew by experience the tranquilizing influence of giving him something to do. "Rake the fire together," she said; "and warm yourself first."
He obeyed, and then laid himself down in his dog-like way on the rug. A quarter of an hour, at least, passed before his mistress considered him to be in a fit state to tell his story. There was little or nothing to relate. He had put his bag under his pillow as usual; and (after a long sleep) he had woke with a horrid fear that something had happened to the keys. He had felt in vain for them under the pillow, and all over the bed, and all over the floor. "After that," he said, "the horrors got hold of me; and I am afraid I went actually mad, for a little while. I'm all right now, if you please. See! I'm as quiet as a bird with its head under its wing."
Mrs. Wagner took the light, and led the way to his little room, close by her own bedchamber. She lifted the pillow—and there lay the leather bag, exactly where he had placed it when he went to bed.
Jack's face, when this discovery revealed itself, would have pleaded for mercy with a far less generous woman than Mrs. Wagner. She took his hand. "Get into bed again," she said kindly; "and the next time you dream, try not to make a noise about it."
No! Jack refused to get into bed again, until he had been heard in his own defense. He dropped on his knees, and held up his clasped hands, as if he was praying.
"When you first taught me to say my prayers," he answered, "you said God would hear me. As God hears me now Mistress, I was wide awake when I put my hand under the pillow—and the bag was not there. Do you believe me?"
Mrs. Wagner was strongly impressed by the simple fervor of this declaration. It was no mere pretense, when she answered that she did believe him. At her suggestion, the bag was unstrapped and examined. Not only the unimportant keys (with another one added to their number) but the smaller key which opened her desk were found safe inside. "We will talk about it to-morrow," she said. Having wished him good-night, she paused in the act of opening the door, and looked at the lock. There was no key in it, but there was another protection in the shape of a bolt underneath. "Did you bolt your door when you went to bed?" she asked.
"No."
The obvious suspicion, suggested by this negative answer, crossed her mind.
"What has become of the key of your door?" she inquired next.
Jack hung his head. "I put it along with the other keys," he confessed, "to make the bag look bigger."
Alone again in her own room, Mrs. Wagner stood by the reanimated fire, thinking.
While Jack was asleep, any person, with a soft step and a delicate hand, might have approached his bedside, when the house was quiet for the night, and have taken his bag. And, again, any person within hearing of the alarm that he had raised, some hours afterwards, might have put the bag back, while he was recovering himself in Mrs. Wagner's room. Who could have been near enough to hear the alarm? Somebody in the empty bedrooms above? Or somebody in the solitary offices below? If a theft had really been committed, the one likely object of it would be the key of the desk. This pointed to the probability that the alarm had reached the ears of the thief in the offices. Was there any person in the house, from the honest servants upwards, whom it would be reasonably possible to suspect of theft? Mrs. Wagner returned to her bed. She was not a woman to be daunted by trifles—but on this occasion her courage failed her when she was confronted by her own question.
The office hours, in the winter-time, began at nine o'clock. From the head-clerk to the messenger, not one of the persons employed slept in the house: it was Mr. Keller's wish that they should all be absolutely free to do what they liked with their leisure time in the evening: "I know that I can trust them, from the oldest to the youngest man in my service," he used to say; "and I like to show it."
Under these circumstances, Mrs. Wagner had only to rise earlier than usual, to be sure of having the whole range of the offices entirely to herself. At eight o'clock, with Jack in attendance, she was seated at her desk, carefully examining the different objects that it contained.
Nothing was missing; nothing had been moved out of its customary place. No money was kept in the desk. But her valuable watch, which had stopped on the previous day, had been put there, to remind her that it must be sent to be cleaned. The watch, like everything else, was found in its place. If some person had really opened her desk in the night, no common thief had been concerned, and no common object had been in view.
She took the key of the iron safe from its pigeon-hole, and opened the door. Her knowledge of the contents of this repository was far from being accurate. The partners each possessed a key, but Mr. Keller had many more occasions than Mrs. Wagner for visiting the safe. And to make a trustworthy examination more difficult still, the mist of the early morning was fast turning into a dense white fog.
Of one thing, however, Mrs. Wagner was well aware—a certain sum of money, in notes and securities, was always kept in this safe as a reserve fund. She took the tin box in which the paper money was placed close to the light, and counted its contents. Then, replacing it in the safe, she opened the private ledger next, to compare the result of her counting with the entry relating to the Fund.
Being unwilling to cause surprise, perhaps to excite suspicion, by calling for a candle before the office hours had begun, she carried the ledger also to the window. There was just light enough to see the sum total in figures. To her infinite relief, it exactly corresponded with the result of her counting. She secured everything again in its proper place; and, after finally locking the desk, handed the key to Jack. He shook his head, and refused to take it. More extraordinary still, he placed his bag, with all the other keys in it, on the desk, and said, "Please keep it for me; I'm afraid to keep it myself."
Mrs. Wagner looked at him with a first feeling of alarm, which changed instantly to compassion. The tears were in his eyes; his sensitive vanity was cruelly wounded. "My poor boy," she said gently, "what is it that troubles you?"
The tears rolled down Jack's face. "I'm a wretched creature," he said; "I'm not fit to keep the keys, after letting a thief steal them last night. Take them back, Mistress—I'm quite broken-hearted. Please try me again, in London."
"A thief?" Mrs. Wagner repeated. "Haven't you seen me examine everything? And mind, if there had been any dishonest person about the house last night, the key of my desk is the only key that a thief would have thought worth stealing. I happen to be sure of that. Come! come! don't be down-hearted. You know I never deceive you—and I say you are quite wrong in suspecting that your bag was stolen last night."
Jack solemnly lifted his hand, as his custom was in the great emergencies of his life. "And I say," he reiterated, "there is a thief in the house. And you will find it out before long. When we are back in London again, I will be Keeper of the Keys. Never, never, never more, here!"
It was useless to contend with him; the one wise course was to wait until his humor changed. Mrs. Wagner locked up his bag, and put the key of the desk back in her pocket. She was not very willing to own it even to herself—Jack's intense earnestness had a little shaken her.
After breakfast that morning, Minna lingered at the table, instead of following her mother upstairs as usual. When Mr. Keller also had left the room, she addressed a little request of her own to Mrs. Wagner.
"I have got a very difficult letter to write," she said, "and Fritz thought you might be kind enough to help me."
"With the greatest pleasure, my dear. Does your mother know of this letter?"
"Yes; it was mamma who said I ought to write it. But she is going out this morning; and, when I asked for a word of advice, she shook her head. 'They will think it comes from me,' she said, 'and the whole effect of it will be spoilt.' It's a letter, Mrs. Wagner, announcing my marriage to mamma's relations here, who have behaved so badly to her—and she says they may do something for me, if I write to them as if I had done it all out of my own head. I don't know whether I make myself understood?"
"Perfectly, Minna. Come to my writing-room, and we will see what we can do together."
Mrs. Wagner led the way out. As she opened the door, Madame Fontaine passed her in the hall, in walking costume, with a small paper-packet in her hand.
"There is a pen, Minna. Sit down by me, and write what I tell you."
The ink-bottle had been replenished by the person charged with that duty; and he had filled it a little too full. In a hurry to write the first words dictated, Minna dipped her pen too deeply in the bottle. On withdrawing it she not only blotted the paper but scattered some of the superfluous ink over the sleeve of Mrs. Wagner's dress. "Oh, how awkward I am!" she exclaimed. "Excuse me for one minute. Mamma has got something in her dressing-case which will take out the marks directly."
She ran upstairs, and returned with the powder which her mother had used, in erasing the first sentences on the label attached to the blue-glass bottle. Mrs. Wagner looked at the printed instructions on the little paper box, when the stains had been removed from her dress, with some curiosity. "Macula Exstinctor," she read, "or Destroyer of Stains. Partially dissolve the powder in a teaspoonful of water; rub it well over the place, and the stain will disappear, without taking out the color of the dress. This extraordinary specific may also be used for erasing written characters without in any way injuring the paper, otherwise than by leaving a slight shine on the surface."
"Is this to be got in Frankfort?" asked Mrs. Wagner. "I only know lemon-juice as a remedy against ink-marks, when I get them on my dress or my fingers."
"Keep it, dear Mrs. Wagner. I can easily buy another box for mamma where we got this one, at a chemist's in the Zeil. See how easily I can take off the blot that I dropped on the paper! Unless you look very close, you can hardly see the shine—and the ink has completely disappeared."
"Thank you, my dear. But your mother might meet with some little accident, and might want your wonderful powder when I am out of the way. Take it back when we have done our letter. And we will go to the chemist together and buy another box in a day or two."
On the thirtieth of December, after dinner, Mr. Keller proposed a toast—"Success to the adjourned wedding-day!" There was a general effort to be cheerful, which was not rewarded by success. Nobody knew why; but the fact remained that nobody was really merry.
On the thirty-first, there was more hard work at the office. The last day of the old year was the day on which the balance was struck.
Towards noon, Mr. Keller appeared in Mrs. Wagner's office, and opened the safe.
"We must see about the Reserve Fund," he said; "I will count the money, if you will open the ledger and see that the entry is right. I don't know what you think, but my idea is that we keep too much money lying idle in these prosperous times. What do you say to using half of the customary fund for investment? By the by, our day for dividing the profits is not your day in London. When my father founded this business, the sixth of January was the chosen date—being one way, among others, of celebrating his birthday. We have kept to the old custom, out of regard for his memory; and your worthy husband entirely approved of our conduct. I am sure you agree with him?"
"With all my heart," said Mrs. Wagner. "Whatever my good husband thought, I think."
Mr. Keller proceeded to count the Fund. "Fifteen thousand florins," he announced. "I thought it had been more than that. If poor dear Engelman had been here—Never mind! What does the ledger say?"
"Fifteen thousand florins," Mrs. Wagner answered.
"Ah, very well, my memory must have deceived me. This used to be Engelman's business; and you are as careful as he was—I can say no more."
Mr. Keller replaced the money in the safe, and hastened back to his own office.
Mrs. Wagner raised one side of the ledger off the desk to close the book—stopped to think—and laid it back again.
The extraordinary accuracy of Mr. Keller's memory was proverbial in the office. Remembering the compliment which he had paid to her sense of responsibility as Mr. Engelman's successor, Mrs. Wagner was not quite satisfied to take it for granted that he had made a mistake—even on the plain evidence of the ledger. A reference to the duplicate entry, in her private account-book, would at once remove even the shadow of a doubt.
The last day of the old year was bright and frosty; the clear midday light fell on the open page before her. She looked again at the entry, thus recorded in figures—"15,000 florins"—and observed a trifling circumstance which had previously escaped her.
The strokes which represented the figures "15" were unquestionably a little, a very little, thicker than the strokes which represented the three zeros or "noughts" that followed. Had a hair got into the pen of the head-clerk, who had made the entry? or was there some trifling defect in the paper, at that particular part of the page?
She once more raised one side of the ledger so that the light fell at an angle on the writing. There was a difference between that part of the paper on which the figures "15" were written, and the rest of the page—and the difference consisted in a slight shine on the surface.
The side of the ledger dropped from her hand on the desk. She left the office, and ran upstairs to her own room. Her private account-book had not been wanted lately—it was locked up in her dressing-case. She took it out, and referred to it. There was the entry as she had copied it, and compared it with the ledger—"20,000 florins."
"Madame Fontaine!" she said to herself in a whisper.
The New Year had come.
On the morning of the second of January, Mrs. Wagner (on her way to the office at the customary hour) was stopped at the lower flight of stairs by Madame Fontaine—evidently waiting with a purpose.
"Pardon me," said the widow, "I must speak to you."
"These are business hours, madam; I have no time to spare."
Without paying the slightest heed to this reply—impenetrable, in the petrifying despair that possessed her, to all that looks, tones, and words could say—Madame Fontaine stood her ground, and obstinately repeated, "I must speak to you."
Mrs. Wagner once more refused. "All that need be said between us has been said," she answered. "Have you replaced the money?"
"That is what I want to speak about?"
"Have you replaced the money?"
"Don't drive me mad, Mrs. Wagner! As you hope for mercy yourself, at the hour of your death, show mercy to the miserable woman who implores you to listen to her! Return with me as far as the drawing-room. At this time of day, nobody will disturb us there. Give me five minutes!"
Mrs. Wagner looked at her watch.
"I will give you five minutes. And mind, I mean five minutes. Even in trifles, I speak the truth."
They returned up the stairs, Mrs. Wagner leading the way.
There were two doors of entrance to the drawing-room—one, which opened from the landing, and a smaller door, situated at the farther end of the corridor. This second entrance communicated with a sort of alcove, in which a piano was placed, and which was only separated by curtains from the spacious room beyond. Mrs. Wagner entered by the main door, and paused, standing near the fire-place. Madame Fontaine, following her, turned aside to the curtains, and looked through. Having assured herself that no person was in the recess, she approached the fire-place, and said her first words.
"You told me just now, madam, that you spoke the truth. Does that imply a doubt of the voluntary confession——?"
"You made no voluntary confession," Mrs. Wagner interposed. "I had positive proof of the theft that you have committed, when I entered your room. I showed you my private account-book, and when you attempted to defend yourself, I pointed to the means of falsifying the figures in the ledger which lay before me in your own dressing-case. What do you mean by talking of a voluntary confession, after that?"
"You mistake me, madam. I was speaking of the confession of my motives—the motives which, in my dreadful position, forced me to take the money, or to sacrifice the future of my daughter's life. I declare that I have concealed nothing from you. As you are a Christian woman, don't be hard on me!"
Mrs. Wagner drew back, and eyed her with an expression of contemptuous surprise.
"Hard on you?" she repeated. "Do you know what you are saying? Have you forgotten already how I have consented to degrade myself? Must I once more remind you of my position? I am bound to tell Mr. Keller that his money and mine has been stolen; I am bound to tell him that he has taken into his house, and has respected and trusted, a thief. There is my plain duty—and I have consented to trifle with it. Are you lost to all sense of decency? Have you no idea of the shame that an honest woman must feel, when she knows that her unworthy silence makes her—for the time at least—the accomplice of your crime? Do you think it was for your sake—not to be hard on You—that I have consented to this intolerable sacrifice? In the instant when I discovered you I would have sent for Mr. Keller, but for the sweet girl whose misfortune it is to be your child. Once for all, have you anything to say which it is absolutely necessary that I should hear? Have you, or have you not, complied with the conditions on which I consented—God help me!—to be what I am?"
Her voice faltered. She turned away proudly to compose herself. The look that flashed out at her from the widow's eyes, the suppressed fury struggling to force its way in words through the widow's lips, escaped her notice. It was the first, and last, warning of what was to come—and she missed it.
"I wished to speak to you of your conditions," Madame Fontaine resumed, after a pause. "Your conditions are impossibilities. I entreat you, in Minna's interests—oh! not in mine!—to modify them."
The tone in which those words fell from her lips was so unnaturally quiet, that Mrs. Wagner suddenly turned again with a start, and faced her.
"What do you mean by impossibilities? Explain yourself."
"You are an honest woman, and I am a thief," Madame Fontaine answered, with the same ominous composure. "How can explanations pass between you and me? Have I not spoken plainly enough already? In my position, I say again, your conditions are impossibilities—especially the first of them."
There was something in the bitterly ironical manner which accompanied this reply that was almost insolent. Mrs. Wagner's color began to rise for the first time. "Honest conditions are always possible conditions to honest people," she said.
Perfectly unmoved by the reproof implied in those words, Madame Fontaine persisted in pressing her request. "I only ask you to modify your terms," she explained. "Let us understand each other. Do you still insist on my replacing what I have taken, by the morning of the sixth of this month?"
"I still insist."
"Do you still expect me to resign my position here as director of the household, on the day when Fritz and Minna have become man and wife?"
"I still expect that."
"Permit me to set the second condition aside for awhile. Suppose I fail to replace the five thousand florins in your reserve fund?"
"If you fail, I shall do my duty to Mr. Keller, when we divide profits on the sixth of the month."
"And you will expose me in this way, knowing that you make the marriage impossible—knowing that you doom my daughter to shame and misery for the rest of her life?"
"I shall expose you, knowing that I have kept your guilty secret to the last moment—and knowing what I owe to my partner and to myself. You have still four days to spare. Make the most of your time."
"I can do absolutely nothing in the time."
"Have you tried?"
The suppressed fury in Madame Fontaine began to get beyond her control.
"Do you think I should have exposed myself to the insults that you have heaped upon me if I had not tried?" she asked. "Can I get the money back from the man to whom it was paid at Wurzburg, when my note fell due on the last day of the old year? Do I know anybody who will lend me five thousand florins? Will my father do it? His house has been closed to me for twenty years—and my mother, who might have interceded for me, is dead. Can I appeal to the sympathy and compassion (once already refused in the hardest terms) of my merciless relatives in this city? I have appealed! I forced my way to them yesterday—I owned that I owed a sum of money which was more, far more, than I could pay. I drank the bitter cup of humiliation to the dregs—I even offered my daughter's necklace as security for a loan. Do you want to know what reply I received? The master of the house turned his back on me; the mistress told me to my face that she believed I had stolen the necklace. Was the punishment of my offense severe enough, when I heard those words? Surely I have asserted some claim to your pity, at last? I only want more time. With a few months before me—with my salary as housekeeper, and the sale of my little valuables, and the proceeds of my work for the picture-dealers—I can, and will, replace the money. You are rich. What is a loan of five thousand florins to you? Help me to pass through the terrible ordeal of your day of reckoning on the sixth of the month! Help me to see Minna married and happy! And if you still doubt my word, take the pearl necklace as security that you will suffer no loss."
Struck speechless by the outrageous audacity of this proposal, Mrs. Wagner answered by a look, and advanced to the door. Madame Fontaine instantly stopped her.
"Wait!" cried the desperate creature. "Think—before you refuse me!"
Mrs. Wagner's indignation found its way at last into words. "I deserved this," she said, "when I allowed you to speak to me. Let me pass, if you please."
Madame Fontaine made a last effort—she fell on her knees. "Your hard words have roused my pride," she said; "I have forgotten that I am a disgraced woman; I have not spoken humbly enough. See! I am humbled now—I implore your mercy on my knees. This is not only my last chance; it is Minna's last chance. Don't blight my poor girl's life, for my fault!"
"For the second time, Madame Fontaine, I request you to let me pass.
"Without an answer to my entreaties? Am I not even worthy of an answer?"
"Your entreaties are an insult. I forgive you the insult."
Madame Fontaine rose to her feet. Every trace of agitation disappeared from her face and her manner. "Yes," she said, with the unnatural composure that was so strangely out of harmony with the terrible position in which she stood—"Yes, from your point of view, I can't deny that it may seem like an insult. When a thief, who has already robbed a person of money, asks that same person to lend her more money, by way of atoning for the theft, there is something very audacious (on the surface) in such a request. I can't fairly expect you to understand the despair which wears such an insolent look. Accept my apologies, madam; I didn't see it at first in that light. I must do what I can, while your merciful silence still protects me from discovery—I must do what I can between this and the sixth of the month. Permit me to open the door for you." She opened the drawing-room door, and waited.
Mrs. Wagner's heart suddenly quickened its beat.
Under what influence? Could it be fear? She was indignant with herself at the bare suspicion of it. Her face flushed deeply, under the momentary apprehension that some outward change might betray her. She left the room, without even trusting herself to look at the woman who stood by the open door, and bowed to her with an impenetrable assumption of respect as she passed out.
Madame Fontaine remained in the drawing-room.
She violently closed the door with a stroke of her hand—staggered across the room to a sofa—and dropped on it. A hoarse cry of rage and despair burst from her, now that she was alone. In the fear that someone might hear her, she forced her handkerchief into her mouth, and fastened her teeth into it. The paroxysm passed, she sat up on the sofa, and wiped the perspiration from her face, and smiled to herself. "It was well I stopped here," she thought; "I might have met someone on the stairs."
As she rose to leave the drawing-room, Fritz's voice reached her from the far end of the corridor.
"You are out of spirits, Minna. Come in, and let us try what a little music will do for you."
The door leading into the recess was opened. Minna's voice became audible next, on the inner side of the curtains.
"I am afraid I can't sing to-day, Fritz. I am very unhappy about mamma. She looks so anxious and so ill; and when I ask what is troubling her, she puts me off with an excuse."
The melody of those fresh young tones, the faithful love and sympathy which the few simple words expressed, seemed to wring with an unendurable pain the whole being of the mother who heard them. She lifted her hands above her head, and clenched them in the agony which could only venture to seek that silent means of relief. With swift steps, as if the sound of her daughter's voice was unendurable to her, she made for the door. But her movements, on ordinary occasions the perfection of easy grace, felt the disturbing influence of the agitation that possessed her. In avoiding a table on one side, as she passed it, she struck against a chair on the other.
Fritz instantly opened the curtains, and looked through. "Why, here is mamma!" he exclaimed, in his hearty boyish way.
Minna instantly closed the piano, and hastened to her mother. When Madame Fontaine looked at her, she paused, with an expression of alarm. "Oh, how dreadfully pale and ill you look!" She advanced again, and tried to throw her arms round her mother, and kiss her. Gently, very gently, Madame Fontaine signed to her to draw back.
"Mamma! what have I done to offend you?"
"Nothing, my dear."
"Then why won't you let me come to you?"
"No time now, Minna. I have something to do. Wait till I have done it."
"Not even one little kiss, mamma?"
Madame Fontaine hurried out of the room without answering and ran up the stairs without looking back. Minna's eyes filled with tears. Fritz stood at the open door, bewildered.
"I wouldn't have believed it, if anybody had told me," he said; "your mother seems to be afraid to let you touch her."
Fritz had made many mistaken guesses in his time—but, for once, he had guessed right. She was afraid.
As the presiding genius of the household, Madame Fontaine was always first in the room when the table was laid for the early German dinner. A knife with a speck on the blade, a plate with a suspicion of dirt on it, never once succeeded in escaping her observation. If Joseph folded a napkin carelessly, Joseph not only heard of it, but suffered the indignity of seeing his work performed for him to perfection by the housekeeper's dexterous hands.
On the second day of the New Year, she was at her post as usual, and Joseph stood convicted of being wasteful in the matter of wine.
He had put one bottle of Ohligsberger on the table, at the place occupied by Madame Fontaine. The wine had already been used at the dinner and the supper of the previous day. At least two-thirds of it had been drunk. Joseph set down a second bottle on the opposite side of the table, and produced his corkscrew. Madame Fontaine took it out of his hand.
"Why do you open that bottle, before you are sure it will be wanted?" She asked sharply. "You know that Mr. Keller and his son prefer beer."
"There is so little left in the other bottle," Joseph pleaded; "not a full tumbler altogether."
"It may be enough, little as it is, for Mrs. Wagner and for me." With that reply she pointed to the door. Joseph retired, leaving her alone at the table, until the dinner was ready to be brought into the room.
In five minutes more, the family assembled at their meal.
Joseph performed his customary duties sulkily, resenting the housekeeper's reproof. When the time came for filling the glasses, he had the satisfaction of hearing Madame Fontaine herself give him orders to draw the cork of a new bottle, after all.
Mrs. Wagner turned to Jack, standing behind her chair as usual, and asked for some wine. Madame Fontaine instantly took up the nearly empty bottle by her side, and, half-filling a glass, handed it with grave politeness across the table. "If you have no objection," she said, "we will finish one bottle, before we open another."
Mrs. Wagner drank her small portion of wine at a draught. "It doesn't seem to keep well, after it has once been opened," she remarked, as she set down her glass. "The wine has quite lost the good flavor it had yesterday."
"It ought to keep well," said Mr. Keller, speaking from his place at the top of the table. "It's old wine, and good wine. Let me taste what is left."
Joseph advanced to carry the remains of the wine to his master. But Madame Fontaine was beforehand with him. "Open the other bottle directly," she said—and rose so hurriedly to take the wine herself to Mr. Keller, that she caught her foot in her dress. In saving herself from falling, she lost her hold of the bottle. It broke in two pieces, and the little wine left in it ran out on the floor.
"Pray forgive me," she said, smiling faintly. "It is the first thing I have broken since I have been in the house."
The wine from the new bottle was offered to Mrs. Wagner. She declined to take any: and she left her dinner unfinished on her plate.
"My appetite is very easily spoilt," she said. "I dare say there might have been something I didn't notice in the glass—or perhaps my taste may be out of order."
"Very likely," said Mr. Keller. "You didn't find anything wrong with the wine yesterday. And there is certainly nothing to complain of in the new bottle," he added, after tasting it. "Let us have your opinion, Madame Fontaine."
He filled the housekeeper's glass. "I am a poor judge of wine," she remarked humbly. "It seems to me to be delicious."
She put her glass down, and noticed that Jack's eyes were fixed on her, with a solemn and scrutinizing attention. "Do you see anything remarkable in me?" she asked lightly.
"I was thinking," Jack answered.
"Thinking of what?"
"This is the first time I ever saw you in danger of tumbling down. It used to be a remark of mine, at Wurzburg, that you were as sure-footed as a cat. That's all."
"Don't you know that there are exceptions to all rules?" said Madame Fontaine, as amiably as ever. "I notice an exception in You," she continued, suddenly changing the subject. "What has become of your leather bag? May I ask if you have taken away his keys, Mrs. Wagner?"
She had noticed Jack's pride in his character as "Keeper of the Keys." There would be no fear of his returning to the subject of what he had remarked at Wurzburg, if she stung him in that tender place. The result did not fail to justify her anticipations. In fierce excitement, Jack jumped up on the hind rail of his mistress's chair, eager for the most commanding position that he could obtain, and opened his lips to tell the story of the night alarm. Before he could utter a word, Mrs. Wagner stopped him, with a very unusual irritability of look and manner. "The question was put to me," she said. "I am taking care of the keys, Madame Fontaine, at Jack's own request. He can have them back again, whenever he chooses to ask for them."
"Tell her about the thief," Jack whispered.
"Be quiet!"
Jack was silenced at last. He retired to a corner. When he followed Mrs. Wagner as usual, on her return to her duties in the office he struck his favorite place on the window seat with his clenched fist. "The devil take Frankfort!" he said.
"What do you mean?"
"I hate Frankfort. You were always kind to me in London. You do nothing but lose your temper with me here. It's really too cruel. Why shouldn't I have told Mrs. Housekeeper how I lost my keys in the night? Now I come to think of it, I believe she was the thief."
"Hush! hush! you must not say that. Come and shake hands, Jack, and make it up. I do feel irritable—I don't know what's the matter with me. Remember, Mr. Keller doesn't like your joining in the talk at dinner-time—he thinks it is taking a liberty. That was one reason why I stopped you. And you might have said something to offend Madame Fontaine—that was another. It will not be long before we go back to our dear old London. Now, be a good boy, and leave me to my work."
Jack was not quite satisfied; but he was quiet again.
For awhile he sat watching Mrs. Wagner at her work. His thoughts went back to the subject of the keys. Other people—the younger clerks and the servants, for example—might have observed that he was without his bag, and might have injuriously supposed that the keys had been taken away from him. Little by little, he reached the conclusion that he had been in too great a hurry perhaps to give up the bag. Why not prove himself to be worthier of it than ever, by asking to have it back again, and taking care always to lock the door of his bedroom at night? He looked at Mrs. Wagner, to see if she paused over her work, so as to give him an opportunity of speaking to her.
She was not at work; she was not pausing over it. Her head hung down over her breast; her hands and arms lay helpless on the desk.
He got up and crossed the room on tiptoe, to look at her.
She was not asleep.
Slowly and silently, she turned her head. Her eyes stared at him awfully. Her mouth was a little crooked. There was a horrid gray paleness all over her face.
He dropped terrified on his knees, and clasped her dress in both hands. "Oh, Mistress, Mistress, you are ill! What can I do for you?"
She tried to reassure him by a smile. Her mouth became more crooked still. "I'm not well," she said, speaking thickly and slowly, with an effort. "Help me down. Bed. Bed."
He held out his hands. With another effort, she lifted her arms from the desk, and turned to him on the high office-stool.
"Take hold of me," she said.
"I have got hold of you, Mistress! I have got your hands in my hands. Don't you feel it?"
"Press me harder."
He closed his hands on hers with all his strength. Did she feel it now?
Yes; she could just feel it now.
Leaning heavily upon him, she set her feet on the floor. She felt with them as if she was feeling the floor, without quite understanding that she stood on it. The next moment, she reeled against the desk. "Giddy," she said, faintly and thickly. "My head." Her eyes looked at him, cold and big and staring. They maddened the poor affectionate creature with terror. The frightful shrillness of the past days in Bedlam was in his voice, as he screamed for help.
Mr. Keller rushed into the room from his office, followed by the clerks.
"Fetch the doctor, one of you," he cried. "Stop."
He mastered himself directly, and called to mind what he had heard of the two physicians who had attended him, during his own illness. "Not the old man," he said. "Fetch Doctor Dormann. Joseph will show you where he lives." He turned to another of the clerks, supporting Mrs. Wagner in his arms while he spoke. "Ring the bell in the hall—the upstairs bell for Madame Fontaine!"
Madame Fontaine instantly left her room. Alarmed by the violent ringing of the bell, Minna followed her mother downstairs. The door of the office was open; they both saw what had happened as soon as they reached the hall. In sending for Madame Fontaine, Mr. Keller had placed a natural reliance on the experience and presence of mind of a woman of her age and character. To his surprise, she seemed to be as little able to control herself as her daughter. He was obliged to summon the assistance of the elder of the female servants, in carrying Mrs. Wagner to her room. Jack went with them, holding one of his mistress's helpless hands.
His first paroxysm of terror had passed away with the appearance of Mr. Keller and the clerk, and had left his weak mind stunned by the shock that had fallen on it. He looked about him vacantly. Once or twice, on the slow sad progress up the stairs, they heard him whispering to himself, "She won't die—no, no, no; she won't die." His only consolation seemed to be in that helpless confession of faith. When they laid her on the bed, he was close at the side of the pillow. With an effort, her eyes turned on him. With an effort she whispered, "The Key!"
He understood her—the desk downstairs had been left unlocked.
"I'll take care of the key, Mistress; I'll take care of them all," he said.
As he left the room, he repeated his comforting words, "She won't die—no, no, no; she won't die." He locked the desk and placed the key with the rest in his bag.
Leaving the office with the bag slung over his shoulder, he stopped at the door of the dining-room, on the opposite side of the hall. His head felt strangely dull. A sudden suspicion that the feeling might show itself in his face, made him change his mind and pause before he ascended the stairs. There was a looking-glass in the dining-room. He went straight to the glass, and stood before it, studying the reflection of his face with breathless anxiety. "Do I look stupid-mad?" he asked himself. "They won't let me be with her; they'll send me away, if I look stupid-mad."
He turned from the glass, and dropped on his knees before the nearest chair. "Perhaps God will keep me quiet," he thought, "if I say my prayers."
Repeating his few simple words, the poor creature's memory vaguely recalled to him the happy time when his good mistress had first taught him his prayers. The one best relief that could come to him, came—the relief of tears. Mr. Keller, descending to the hall in his impatience for the arrival of the doctor, found himself unexpectedly confronted by Mrs. Wagner's crazy attendant.
"May I go upstairs to Mistress?" Jack asked humbly. "I've said my prayers, sir, and I've had a good cry—and my head's easier now."
Mr. Keller spoke to him more gently than usual. "You had better not disturb your mistress before the doctor comes."
"May I wait outside her door, sir? I promise to be very quiet."
Mr. Keller consented by a sign. Jack took off his shoes, and noiselessly ascended the stairs. Before he reached the first landing, he turned and looked back into the hall. "Mind this!" he announced very earnestly; "I say she won't die—I say that!"
He went on up the stairs. For the first time Mr. Keller began to pity the harmless little man whom he had hitherto disliked. "Poor wretch!" he said to himself, as he paced up and down the hall, "what will become of him, if she does die?"
In ten minutes more, Doctor Dormann arrived at the house.
His face showed that he thought badly of the case, as soon as he looked at Mrs. Wagner. He examined her, and made all the necessary inquiries, with the unremitting attention to details which was part of his professional character. One of his questions could only be answered generally. Having declared his opinion that the malady was paralysis, and that some of the symptoms were far from being common in his medical experience, he inquired if Mrs. Wagner had suffered from any previous attack of the disease. Mr. Keller could only reply that he had known her from the time of her marriage, and that he had never (in the course of a long and intimate correspondence with her husband) heard of her having suffered from serious illness of any kind. Doctor Dormann looked at his patient narrowly, and looked back again at Mr. Keller with unconcealed surprise.
"At her age," he said, "I have never seen any first attack of paralysis so complicated and so serious as this."
"Is there danger?" Mr. Keller asked in a whisper.
"She is not an old woman," the doctor answered; "there is always hope. The practice in these cases generally is to bleed. In this case, the surface of the body is cold; the heart's action is feeble—I don't like to try bleeding, if I can possibly avoid it."
After some further consideration, he directed a system of treatment which, in some respects, anticipated the practice of a later and wiser time. Having looked at the women assembled round the bed—and especially at Madame Fontaine—he said he would provide a competent nurse, and would return to see the effect of the remedies in two hours.
Looking at Madame Fontaine, after the doctor had gone away, Mr. Keller felt more perplexed than ever. She presented the appearance of a woman who was completely unnerved. "I am afraid you are far from well yourself," he said.
"I have not felt well, sir, for some time past," she answered, without looking at him.
"You had better try what rest and quiet will do for you," he suggested.
"Yes, I think so." With that reply—not even offering, for the sake of appearances, to attend on Mrs. Wagner until the nurse arrived—she took her daughter's arm, and went out.
The woman-servant was fortunately a discreet person. She remembered the medical instructions, and she undertook all needful duties, until the nurse relieved her. Jack (who had followed the doctor into the room, and had watched him attentively) was sent away again for the time. He would go no farther than the outer side of the door. Mr. Keller passed him, crouched up on the mat, biting his nails. He was apparently thinking of the doctor. He said to himself, "That man looked puzzled; that man knows nothing about it."
In the meantime, Madame Fontaine reached her room.
"Where is Fritz?" she asked, dropping her daughter's arm.
"He has gone out, mamma. Don't send me away! You seem to be almost as ill as poor Mrs. Wagner—I want to be with you."
Madame Fontaine hesitated. "Do you love me with all your heart and soul?" she asked suddenly. "Are you worthy of any sacrifice that a mother can make for her child?"
Before the girl could answer, she spoke more strangely still.
"Are you just as fond of Fritz as ever? would it break your heart if you lost him?"
Minna placed her mother's hand on her bosom.
"Feel it, mamma," she said quietly. Madame Fontaine took her chair by the fire-side—seating herself with her back to the light. She beckoned to her daughter to sit by her. After an interval, Minna ventured to break the silence.
"I am very sorry for Mrs. Wagner, mamma; she has always been so kind to me. Do you think she will die?" Resting her elbows on her knees, staring into the fire, the widow lifted her head—looked round—and looked back again at the fire.
"Ask the doctor," she said. "Don't ask me."
There was another long interval of silence. Minna's eyes were fixed anxiously on her mother. Madame Fontaine remained immovable, still looking into the fire.
Afraid to speak again, Minna sought refuge from the oppressive stillness in a little act of attention. She took a fire-screen from the chimney-piece, and tried to place it gently in her mother's hand.
At that light touch, Madame Fontaine sprang to her feet as if she had felt the point of a knife. Had she seen some frightful thing? had she heard some dreadful sound? "I can't bear it!" she cried—"I can't bear it any longer!"
"Are you in pain, mamma? Will you lie down on the bed?" Her mother only looked at her. She drew back trembling, and said no more.
Madame Fontaine crossed the room to the wardrobe. When she spoke next, she was outwardly quite calm again. "I am going out for a walk," she said.
"A walk, mamma? It's getting dark already."
"Dark or light, my nerves are all on edge—I must have air and exercise."
"Let me go with you?"
She paced backwards and forwards restlessly, before she answered. "The room isn't half large enough!" she burst out. "I feel suffocated in these four walls. Space! space! I must have space to breathe in! Did you say you wished to go out with me? I want a companion, Minna. Don't you mind the cold?"
"I don't even feel it, in my fur cloak."
"Get ready, then, directly."
In ten minutes more, the mother and daughter were out of the house.
Doctor Dormann was punctual to his appointment. He was accompanied by a stranger, whom he introduced as a surgeon. As before, Jack slipped into the room, and waited in a corner, listening and watching attentively.
Instead of improving under the administration of the remedies, the state of the patient had sensibly deteriorated. On the rare occasions when she attempted to speak, it was almost impossible to understand her. The sense of touch seemed to be completely lost—the poor woman could no longer feel the pressure of a friendly hand. And more ominous still, a new symptom had appeared; it was with evident difficulty that she performed the act of swallowing. Doctor Dormann turned resignedly to the surgeon.
"There is no other alternative," he said; "you must bleed her."
At the sight of the lancet and the bandage, Jack started out of his corner. His teeth were fast set; his eyes glared with rage. Before he could approach the surgeon Mr. Keller took him sternly by the arm and pointed to the door. He shook himself free—he saw the point of the lancet touch the vein. As the blood followed the incision, a cry of horror burst from him: he ran out of the room.
"Wretches! Tigers! How dare they take her blood from her! Oh, why am I only a little man? why am I not strong enough to fling the brutes out of the window? Mistress! Mistress! is there nothing I can do to help you?"
These wild words poured from his lips in the solitude of his little bedchamber. In the agony that he suffered, as the sense of Mrs. Wagner's danger now forced itself on him, he rolled on the floor, and struck himself with his clenched fists. And, again and again, he cried out to her, "Mistress! Mistress! is there nothing I can do to help you?"
The strap that secured his keys became loosened, as his frantic movements beat the leather bag, now on one side, and now on the other, upon the floor. The jingling of the keys rang in his ears. For a moment, he lay quite still. Then, he sat up on the floor. He tried to think calmly. There was no candle in the room. The nearest light came from a lamp on the landing below. He got up, and went softly down the stairs. Alone on the landing, he held up the bag and looked at it. "There's something in my mind, trying to speak to me," he said to himself. "Perhaps, I shall find it in here?"
He knelt down under the light, and shook out the keys on the landing.
One by one he ranged them in a row, with a single exception. The key of the desk happened to be the first that he took up. He kissed it—it was her key—and put it back in the bag. Placing the others before him, the duplicate key was the last in the line. The inscription caught his eye. He held it to the light and read "Pink-Room Cupboard."
The lost recollection now came back to him in intelligible form. The "remedy" that Madame Fontaine had locked up—the precious "remedy" made by the wonderful master who knew everything—was at his disposal. He had only to open the cupboard, and to have it in his own possession.
He threw the other keys back into the bag. They rattled as he ran down the lower flight of stairs. Opposite to the offices, he stopped and buckled them tight with the strap. No noise! Nothing to alarm Mrs. Housekeeper! He ascended the stairs in the other wing of the house, and paused again when he approached Madame Fontaine's room. By this time, he was in the perilous fever of excitement, which was still well remembered among the authorities of Bedlam. Suppose the widow happened to be in her room? Suppose she refused to let him have the "remedy"?
He looked at the outstretched fingers of his right hand. "I am strong enough to throttle a woman," he said, "and I'll do it."
He opened the door without knocking, without stopping to listen outside. Not a creature was in the room.
In another moment the fatal dose of "Alexander's Wine," which he innocently believed to be a beneficent remedy, was in his possession.
As he put it into the breast-pocket of his coat, the wooden chest caught his eye. He reached it down and tried the lid. The lid opened in his hand, and disclosed the compartments and the bottles placed in them. One of the bottles rose higher by an inch or two than any of the others. He drew that one out first to look at it, and discovered—the "blue-glass bottle."
From that moment all idea of trying the effect on Mrs. Wagner of the treacherous "remedy" in his pocket vanished from his mind. He had secured the inestimable treasure, known to him by his own experience. Here was the heavenly bottle that had poured life down his throat, when he lay dying at Wurzburg! This was the true and only doctor who had saved Mr. Keller's life, when the poor helpless fools about his bed had given him up for lost! The Mistress, the dear Mistress, was as good as cured already. Not a drop more of her precious blood should be shed by the miscreant, who had opened his knife and wounded her. Oh, of all the colors in the world, there's no color like blue! Of all the friends in the world, there never was such a good friend as this! He kissed and hugged the bottle as if it had been a living thing. He jumped up and danced about the room with it in his arms. Ha! what music there was in the inner gurgling and splashing of the shaken liquid, which told him that there was still some left for the Mistress! The striking of the clock on the mantelpiece sobered him at the height of his ecstasy. It told him that time was passing. Minute by minute, Death might be getting nearer and nearer to her; and there he was, with Life in his possession, wasting the time, far from her bedside.
On his way to the door, he stopped. His eyes turned slowly towards the inner part of the room. They rested on the open cupboard—and then they looked at the wooden chest, left on the floor.
Suppose the housekeeper should return, and see the key in the cupboard, and the chest with one of the bottles missing?
His only counselor at that critical moment was his cunning; stimulated into action by the closely related motive powers of his inbred vanity, and his devotion to the benefactress whom he loved.
The chance of being discovered by Madame Fontaine never entered into his calculations. He cared nothing whether she discovered him or not—he had got the bottle, and woe to her if she tried to take it away from him! What he really dreaded was, that the housekeeper might deprive him of the glory of saving Mrs. Wagner's life, if she found out what had happened. She might follow him to the bedside; she might claim the blue-glass bottle as her property; she might say, "I saved Mr. Keller; and now I have saved Mrs. Wagner. This little man is only the servant who gave the dose, which any other hand might have poured out in his place."
Until these considerations occurred to him, his purpose had been to announce his wonderful discovery publicly at Mrs. Wagner's bedside. This intention he now abandoned, without hesitation. He saw a far more inviting prospect before him. What a glorious position for him it would be, if he watched his opportunity of administering the life-giving liquid privately—if he waited till everybody was astonished at the speedy recovery of the suffering woman—and then stood up before them all, and proclaimed himself as the man who had restored her to health!
He replaced the chest, and locked the cupboard; taking the key away with him. Returning to the door, he listened intently to make sure that nobody was outside, and kept the blue-glass bottle hidden under his coat when he ventured at last to leave the room. He reached the other wing of the house, and ascended the second flight of stairs, without interruption of any kind. Safe again in his own room, he watched through the half-opened door.
Before long, Doctor Dormann and the surgeon appeared, followed by Mr. Keller. The three went downstairs together. On the way, the Doctor mentioned that he had secured a nurse for the night.
Still keeping the bottle concealed, Jack knocked softly at the door, and entered Mrs. Wagner's room.
He first looked at the bed. She lay still and helpless, noticing nothing; to all appearance, poor soul, a dying woman. The servant was engaged in warming something over the fire. She shook her head gloomily, when Jack inquired if any favorable change had place in his absence. He sat down, vainly trying to discover how he might find the safe opportunity of which he was in search.
The slow minutes followed each other. After a little while the woman-servant looked at the clock. "It's time Mrs. Wagner had her medicine," she remarked, still occupied with her employment at the fire. Jack saw his opportunity in those words. "Please let me give the medicine," he said.
"Bring it here," she answered; "I mustn't trust anybody to measure it out.
"Surely I can give it to her, now it's ready?" Jack persisted.
The woman handed the glass to him. "I can't very well leave what I am about," she said. "Mind you are careful not to spill any of it. She's as patient as a lamb, poor creature. If she can only swallow it, she won't give you any trouble."
Jack carried the glass round to the farther side of the bed, so as to keep the curtains as a screen between himself and the fire-place. He softly dropped out the contents of the glass on the carpet, and filled it again from the bottle concealed under his coat. Waiting a moment after that, he looked towards the door. What if the housekeeper came in, and saw the blue-glass bottle? He snatched it up—an empty bottle now—and put it in the side-pocket of his coat, and arranged his handkerchief so as to hide that part of it which the pocket was not deep enough to conceal. "Now!" he thought to himself, "now I may venture!" He gently put his arm round Mrs. Wagner, and raised her on the pillow.
"Your medicine, dear Mistress," he whispered. "You will take it from poor Jack, won't you?"
The sense of hearing still remained. Her vacant eyes turned towards him by slow degrees. No outward expression answered to her thought; she could show him that she submitted, and she could do no more.
He dashed away the tears that blinded him. Supported by the firm belief that he was saving her life, he took the glass from the bedside-table and put it to her lips.
With painful efforts, with many intervals of struggling breath, she swallowed the contents of the glass, by a few drops at a time. He held it up under the shadowed lamplight, and saw that it was empty.
As he laid her head back on the pillows, he ventured to touch her cold cheek with his lips. "Has she taken it?" the woman asked. He was just able to answer "Yes"—just able to look once more at the dear face on the pillow. The tumult of contending emotions, against which he had struggled thus far, overpowered his utmost resistance. He ran to hide the hysterical passion in him, forcing its way to relief in sobs and cries, on the landing outside.
In the calmer moments that followed, the fear still haunted him that Madame Fontaine might discover the empty compartment in the medicine-chest—might search every room in the house for the lost bottle—and might find it empty. Even if he broke it, and threw the fragments into the dusthole, the fragments might be remarked for their beautiful blue color, and the discovery might follow. Where could he hide it?
While he was still trying to answer that question, the hours of business came to an end, and the clerks were leaving the offices below. He heard them talking about the hard frost as they went out. One of them said there were blocks of ice floating down the river already. The river! It was within a few minutes' walk of the house. Why not throw the bottle into the river?
He waited until there was perfect silence below, and then stole downstairs. As he opened the door, a strange man met him, ascending the house-steps, with a little traveling bag in his hand.
"Is this Mr. Keller's?" asked the strange man.
He was a jolly-looking old fellow with twinkling black eyes and a big red nose. His breath was redolent of the smell of wine, and his thick lips expanded into a broad grin, when he looked at Jack.
"My name's Schwartz," he said; "and here in this bag are my sister's things for the night."
"Who is your sister?" Jack inquired.
Schwartz laughed. "Quite right, little man, how should you know who she is? My sister's the nurse. She's hired by Doctor Dormann, and she'll be here in an hour's time. I say! that's a pretty bottle you're hiding there under your coat. Is there any wine in it?"
Jack began to tremble. He had been discovered by a stranger. Even the river might not be deep enough to keep his secret now!
"The cold has got into my inside," proceeded the jolly old man. "Be a good little fellow—and give us a drop!"
"I haven't got any wine in it," Jack answered.
Schwartz laid his forefinger confidentially along the side of his big red nose. "I understand," he said, "you were just going out to get some." He put his sister's bag on one of the chairs in the hall, and took Jack's arm in the friendliest manner. "Suppose you come along with me?" he suggested. "I am the man to help you to the best tap of wine in Frankfort. Bless your heart! you needn't feel ashamed of being in my company. My sister's a most respectable woman. And what do you think I am? I'm one of the city officers. Ho! ho! just think of that! I'm not joking, mind. The regular Night Watchman at the Deadhouse is ill in bed, and they're obliged to find somebody to take his place till he gets well again. I'm the Somebody. They tried two other men—but the Deadhouse gave them the horrors. My respectable sister spoke for me, you know. "The regular watchman will be well in a week," she says; "try him for a week." And they tried me. I'm not proud, though I am a city officer. Come along—and let me carry the bottle."
"The bottle" again! And, just as this intrusive person spoke of it, Joseph's voice was audible below, and Joseph's footsteps gave notice that he was ascending the kitchen stairs. In the utter bewilderment of the moment, Jack ran out, with the one idea of escaping the terrible possibilities of discovery in the hall. He heard the door closed behind him—then heavy boots thumping the pavement at a quick trot. Before he had got twenty yards from the house, the vinous breath of Schwartz puffed over his shoulder, and the arm of the deputy-night-watchman took possession of him again.
"Not too fast—I'm nimble on my legs for a man of my age—but not too fast," said his new friend. "You're just the sort of little man I like. My sister will tell you I take sudden fancies to people of your complexion. My sister's a most respectable woman. What's your name?—Jack? A capital name! Short, with a smack in it like the crack of a whip. Do give me the bottle!" He took it this time, without waiting to have it given to him. "There! might drop it, you know," he said. "It's safe in my friendly hands. Where are you going to? You don't deal, I hope, at the public-house up that way? A word in your ear—the infernal scoundrel waters his wine. Here's the turning where the honest publican lives. I have the truest affection for him. I have the truest affection for you. Would you like to see the Deadhouse, some night? It's against the rules; but that don't matter. The cemetery overseer is a deal too fond of his bed to turn out these cold nights and look after the watchman. It's just the right place for me. There's nothing to do but to drink, when you have got the liquor; and to sleep, when you haven't. The Dead who come our way, my little friend, have one great merit. We are supposed to help them, if they're perverse enough to come to life again before they're buried. There they lie in our house, with one end of the line tied to their fingers, and the other end at the spring of the alarm-bell. And they have never rung the bell yet—never once, bless their hearts, since the Deadhouse was built! Come and see me in the course of the week, and we'll drink a health to our quiet neighbors."
They arrived at the door of the public-house.
"You've got some money about you, I suppose?" said Schwartz.
Madame Fontaine's generosity, when she gave Jack the money to buy a pair of gloves, had left a small surplus in his pocket. He made a last effort to escape from the deputy-watchman. "There's the money," he said. "Give me back the bottle, and go and drink by yourself."
Schwartz took him by the shoulder, and surveyed him from head to foot by the light of the public-house lamp. "Drink by myself?" he repeated. "Am I a jolly fellow, or am I not? Yes, or No?"
"Yes," said Jack, trying hard to release himself.
Schwartz tightened his hold. "Did you ever hear of a jolly fellow, who left his friend at the public-house door?" he asked.
"If you please, sir, I don't drink," Jack pleaded.
Schwartz burst into a great roar of laughter, and kicked open the door of the public-house. "That's the best joke I ever heard in my life," he said. "We've got money enough to fill the bottle, and to have a glass a-piece besides. Come along!"
He dragged Jack into the house. The bottle was filled; the glasses were filled. "My sister's health! Long life and prosperity to my respectable sister! You can't refuse to drink the toast." With those words, he put the fatal glass into his companion's hand.
Jack tasted the wine. It was cool; it was good. Perhaps it was not so strong as Mr. Keller's wine? He tried it again—and emptied the glass.
An hour later, there was a ring at the door of Mr. Keller's house.
Joseph opened the door, and discovered a red-nosed old man, holding up another man who seemed to be three parts asleep, and who was quite unable to stand on his legs without assistance. The light of the hall lamp fell on this helpless creature's face, and revealed—Jack.
"Put him to bed," said the red-nosed stranger. "And, look here, take charge of the bottle for him, or he'll break it. Somehow, the wine has all leaked out. Where's my sister's bag?"
"Do you mean the nurse?"
"Of course I do! I defy the world to produce the nurse's equal. Has she come?"
Joseph held up his hand with a gesture of grave reproof.
"Not so loud," he said. "The nurse has come too late."
"Has the lady got well again?"
"The lady is dead."
Doctor Dormann had behaved very strangely.
He was the first person who made the terrible discovery of the death. When he came to the house, on his evening visit to his patient, Mr. Keller was in the room. Half an hour before, Mrs. Wagner had spoken to him. Seeing a slight movement of her lips, he had bent over her, and had just succeeded in hearing her few last words, "Be kind to Jack." Her eyelids dropped wearily, after the struggle to speak. Mr. Keller and the servant in attendance both supposed that she had fallen asleep. The doctor's examination was not only prolonged beyond all customary limits of time in such cases—it was the examination (judging by certain expressions which escaped him) of a man who seemed to be unwilling to trust his own experience. The new nurse arrived, before he had definitely expressed his opinion; and the servant was instructed to keep her waiting downstairs. In expectation of the doctor's report, Mr. Keller remained in the bedroom. Doctor Dormann might not have noticed this circumstance, or might not have cared to conceal what was passing in his mind. In either case, when he spoke at last, he expressed himself in these extraordinary terms:—
"The second suspicious illness in this house! And the second incomprehensible end to it!"
Mr. Keller at once stepped forward, and showed himself.
"Did you mean me to hear what you have just said?" he asked.
The doctor looked at him gravely and sadly. "I must speak to you privately, Mr. Keller. Before we leave the room, permit me to send for the nurse. You may safely trust her to perform the last sad duties."
Mr. Keller started. "Good God!" he exclaimed, "is Mrs. Wagner dead?"
"To my astonishment, she is dead." He laid a strong emphasis on the first part of his reply.
The nurse having received her instructions, Mr. Keller led the way to his private room. "In my responsible position," he said, "I may not unreasonably expect that you will explain yourself without reserve."
"On such a serious matter as this," Doctor Dormann answered, "it is my duty to speak without reserve. The person whom you employ to direct the funeral will ask you for the customary certificate. I refuse to give it."
This startling declaration roused a feeling of anger, rather than of alarm, in a man of Mr. Keller's resolute character. "For what reason do you refuse?" he asked sternly.
"I am not satisfied, sir, that Mrs. Wagner has died a natural death. My experience entirely fails to account for the suddenly fatal termination of the disease, in the case of a patient of her healthy constitution, and at her comparatively early age."
"Doctor Dormann, do you suspect there is a poisoner in my house?"
"In plain words, I do."
"In plain words on my side, I ask why?"
"I have already given you my reason."
"Is your experience infallible? Have you never made a mistake?"
"I made a mistake, Mr. Keller (as it appeared at the time), in regard to your own illness."
"What! you suspected foul play in my case too?"
"Yes; and, by way of giving you another reason, I will own that the suspicion is still in my mind. After what I have seen this evening—and only after that, observe—I say the circumstances of your recovery are suspicious circumstances in themselves. Remember, if you please, that neither I nor my colleague really understood what was the matter with you; and that you were cured by a remedy, not prescribed by either of us. You were rapidly sinking; and your regular physician had left you. I had to choose between the certainty of your death, and the risk of letting you try a remedy, with the nature of which (though I did my best to analyze it) I was imperfectly acquainted. I ran the risk. The result has justified me—and up to this day, I have kept my misgivings to myself. I now find them renewed by Mrs. Wagner's death—and I speak."
Mr. Keller's manner began to change. His tone was sensibly subdued. He understood the respect which was due to the doctor's motives at last.
"May I ask if the symptoms of my illness resembled the symptoms of Mrs. Wagner's illness?" he said.
"Far from it. Excepting the nervous derangement, in both cases, there was no other resemblance in the symptoms. The conclusion, to my mind, is not altered by this circumstance. It simply leads me to the inference that more than one poison may have been used. I don't attempt to solve the mystery. I have no idea why your life has been saved, and Mrs. Wagner's life sacrificed—or what motives have been at work in the dark. Ask yourself—don't ask me—in what direction suspicion points. I refuse to sign the certificate of death; and I have told you why."
"Give me a moment," said Mr. Keller, "I don't shrink from my responsibility; I only ask for time to compose myself."
It was the pride of his life to lean on nobody for help. He walked to the window; hiding all outward betrayal of the consternation that shook him to the soul. When he returned to his chair, he scrupulously avoided even the appearance of asking Doctor Dormann for advice.
"My course is plain," he said quietly. "I must communicate your decision to the authorities; and I must afford every assistance in my power to the investigation that will follow. It shall be done, when the magistrates meet to-morrow morning."
"We will go together to the town-hall, Mr. Keller. It is my duty to inform the burgomaster that this is a case for the special safeguards, sanctioned by the city regulations. I must also guarantee that there is no danger to the public health, in the removal of the body from your house."
"The immediate removal?" Mr. Keller asked.
"No! The removal twenty-four hours after death."
"To what place?"
"To the Deadhouse."
Acting on the doctor's information, the burgomaster issued his order. At eight o'clock in the evening, on the third of January, the remains of Mrs. Wagner were to be removed to the cemetery-building, outside the Friedberg Gate of Frankfort.
Long before the present century, the dread of premature interment—excited by traditions of persons accidentally buried alive—was a widely-spread feeling among the people of Germany. In other cities besides Frankfort, the municipal authorities devised laws, the object of which was to make this frightful catastrophe impossible. In the early part of the present century, these laws were re-enacted and revised by the City of Frankfort. The Deadhouse was attached to the cemetery, with a double purpose. First, to afford a decent resting-place for the corpse, when death occurred among the crowded residences of the poorer class of the population. Secondly, to provide as perfect a safeguard as possible against the chances of premature burial. The use of the Deadhouse (strictly confined to the Christian portion of the inhabitants) was left to the free choice of surviving relatives or representatives—excepting only those cases in which a doctor's certificate justified the magistrate in pronouncing an absolute decision. Even in the event of valid objections to the Deadhouse as a last resting-place on the way to the grave, the doctor in attendance on the deceased person was subjected to certain restrictions in issuing his certificate. He was allowed to certify the death informally, for the purpose of facilitating the funeral arrangements. But he was absolutely forbidden to give his written authority for the burial, before the expiration of three nights from the time of the death; and he was further bound to certify that the signs of decomposition had actually begun to show themselves. Have these multiplied precautions, patiently applied in many German cities, through a long lapse of years, ever yet detected a case in which Death has failed to complete its unintelligible work? Let the answer be found in the cells of the dead. Pass, with the mourners, through the iron gates—hear and see!
On the evening of the third, as the time approached for the arrival of the hearse, the melancholy stillness in the house was only broken by Mr. Keller's servants, below-stairs. Collecting together in one room, they talked confidentially, in low voices. An instinctive horror of silence, in moments of domestic distress, is, in all civilized nations, one of the marked characteristics of their class.
"In ten minutes," said Joseph, "the men from the cemetery will be here to take her away. It will be no easy matter to carry her downstairs on the couch."
"Why is she not put in her coffin, like other dead people?" the housemaid asked.
"Because the crazy creature she brought with her from London is allowed to have his own way in the house," Joseph answered irritably. "If I had been brought to the door drunk last night, I should have been sent away this morning. If I had been mad enough to screech out, 'She isn't dead; not one of you shall put her in a coffin!'—I should have richly deserved a place in the town asylum, and I should have got my deserts. Nothing of the sort for Master Jack. Mr. Keller only tells him to be quiet, and looks distressed. The doctor takes him away, and speaks to him in another room—and actually comes back converted to Jack's opinion!"
"You don't mean to tell us," exclaimed the cook, "that the doctor said she wasn't dead?"
"Of course not. It was he who first found out that she was dead—I only mean that he let Jack have his own way. He asked me for a foot rule, and he measured the little couch in the bedroom. 'It's no longer than the coffin' (he says); 'and I see no objection to the body being laid on it, till the time comes for the burial.' Those were his own words; and when the nurse objected to it, what do you think he said?—'Hold your tongue! A couch is a pleasanter thing all the world over than a coffin.'"
"Blasphemous!" said the cook—"that's what I call it."
"Ah, well, well!" the housemaid remarked, "couch or coffin, she looks beautiful, poor soul, in her black velvet robe, with the winter flowers in her pretty white hands. Who got the flowers? Madame Fontaine, do you think?"
"Bah! Madame Fontaine, indeed! Little Crazybrains went out (instead of eating the good dinner I cooked for him), and got the flowers. He wouldn't let anybody put them into her hands but himself—at least, so the nurse said. Has anybody seen Madame Housekeeper? Was she downstairs at dinner to-day, Joseph?"
"Not she! You mark my words," said Joseph, "there's some very serious reason for her keeping her room, on pretense of being ill."
"Can you give any guess what it is?"
"You shall judge for yourself," Joseph answered. "Did I tell you what happened yesterday evening, before Jack was brought home by the nurse's brother? I answered a ring at the door-bell—and there was Mr. Fritz in a towering passion, with Miss Minna on his arm looking ready to drop with fatigue. They rang for some wine; and I heard what he said to his father. It seems that Madame Fontaine had gone out walking in the dark and the cold (and her daughter with her), without rhyme or reason. Mr. Fritz met them, and insisted on taking Miss Minna home. Her mother didn't seem to care what he said or did. She went on walking by herself, as hard as she could lay her feet to the ground. And what do you suppose her excuse was? Her nerves were out of order! Mr. Fritz's notion is that there is something weighing on her mind. An hour afterwards she came back to the house—and I found reason to agree with Mr. Fritz."
"Tell us all about it, Joseph! What did she do?"
"You shall hear. It happened, just after I had seen crazy Jack safe in his bed. When I heard the bell, I was on my way downstairs, with a certain bottle in my hand. One of you saw the nurse's brother give it to me, I think? How he and Crazybrains came into possession of it, mind you, is more than I know."
"It looked just like the big medicine-bottle that cured Mr. Keller," said the cook.
"It was the bottle; and, what is more, it smelt of wine, instead of medicine, and it was empty. Well, I opened the door to Madame Housekeeper, with the bottle in my hand. The instant she set eyes on it, she snatched it away from me. She looked—I give you my word of honor, she looked as if she could have cut my throat. "You wretch!"—nice language to use to a respectable servant, eh?—"You wretch" (she says), "how did you come by this?" I made her a low bow. I said, "Civility costs nothing, ma'am; and sometimes buys a great deal" (severe, eh?). I told her exactly what had happened, and exactly what Schwartz had said. And then I ended with another hard hit. "The next time anything of yours is put into my hands," I said, "I shall leave it to take care of itself." I don't know whether she heard me; she was holding the bottle up to the light. When she saw it was empty—well! I can't tell you, of course, what was passing in her mind. But this I can swear; she shivered and shuddered as if she had got a fit of the ague; and pale as she was when I let her into the house, I do assure you she turned paler still. I thought I should have to take her upstairs next. My good creatures, she's made of iron! Upstairs she went. I followed her as far as the first landing, and saw Mr. Keller waiting—to tell her the news of Mrs. Wagner's death, I suppose. What passed between them I can't say. Mr. Fritz tells me she has never left her room since; and his father has not even sent a message to know how she is. What do you think of that?"
"I think Mr. Fritz was mistaken, when he told you she had never left her room," said the housemaid. "I am next to certain I heard her whispering, early this morning, with crazy Jack. Do you think she will follow the hearse to the Deadhouse, with Mr. Keller and the doctor?"
"Hush!" said Joseph. As he spoke, the heavy wheels of the hearse were heard in the street. He led the way to the top of the kitchen stairs. "Wait here," he whispered, "while I answer the door—and you will see."
Upstairs, in the drawing-room, Fritz and Minna were alone. Madame Fontaine's door, closed to everyone, was a closed door even to her daughter.
Fritz had refused to let Minna ask a second time to be let in. "It will soon be your husband's privilege, my darling, to take care of you and comfort you," he said. "At this dreadful time, there must be no separation between you and me."
His arm was round her; her head rested on his shoulder. She looked up at him timidly.
"Are you not going with them to the cemetery?" she asked.
"I am going to stay with you, Minna."
"You were angry yesterday, Fritz, when you met me with my mother. Don't think the worse of her, because she is ill and troubled in her mind. You will make allowances for her as I do—won't you?"
"My sweet girl, there is nothing I won't do to please you! Kiss me, Minna. Again! again!"
On the higher floor of the house, Mr. Keller and the doctor were waiting in the chamber of death.
Jack kept his silent watch by the side of the couch, on which the one human creature who had befriended him lay hushed in the last earthly repose. Still, from time to time, he whispered to himself the sad senseless words, "No, no, no—not dead, Mistress! Not dead yet!"
There was a soft knock at the door. The doctor opened it. Madame Fontaine stood before him. She spoke in dull monotonous tones—standing in the doorway; refusing, when she was invited by a gesture, to enter the room.
"The hearse has stopped at the door," she said. "The men wish to ask you if they can come in."
It was Joseph's duty to make this announcement. Her motive for forestalling him showed itself dimly in her eyes. They were not on Mr. Keller; not on the doctor; not on the couch. From the moment when the door had been opened to her, she fixed her steady look on Jack. It never moved until the bearers of the dead hid him from her when they entered the room.
The procession passed out. Jack, at Mr. Keller's command, followed last. Standing back at the doorway, Madame Fontaine caught him by the arm as he came out.
"You were half asleep this morning," she whispered. "You are not half asleep now. How did you get the blue-glass bottle? I insist on knowing."
"I won't tell you!"
Madame Fontaine altered her tone.
"Will you tell me who emptied the bottle? I have always been kind to you—it isn't much to ask. Who emptied it?"
His variable temper changed; he lifted his head proudly. Absolutely sure of his mistress's recovery, he now claimed the merit that was his due.
"I emptied it!"
"How did you empty it?" she asked faintly. "Did you throw away what was in it? Did you give it to anybody?"
He seized her in his turn—and dragged her to the railing of the corridor. "Look there!" he cried, pointing to the bearers, slowly carrying their burden down the stairs. "Do you see her, resting on her little sofa till she recovers? I gave it to her!"
He left her, and descended the stairs. She staggered back against the wall of the corridor. Her sight seemed to be affected. She groped for the stair-rail, and held by it. The air was wafted up through the open street-door. It helped her to rally her energies. She went down steadily, step by step, to the first landing—paused, and went down again. Arrived in the hall, she advanced to Mr. Keller, and spoke to him.
"Are you going to see the body laid in the Deadhouse?"
"Yes."
"Is there any objection to my seeing it too?"
"The authorities have no objection to admitting friends of the deceased person," Mr. Keller answered. He looked at her searchingly, and added, "Do you go as a friend?"
It was rashly said; and he knew it. The magistrates had decided that the first inquiries should be conducted with the greatest secrecy. For that day, at least, the inmates of the house were to enjoy their usual liberty of action (under private superintendence), so that no suspicion might be excited in the mind of the guilty person. Conscious of having trifled with the serious necessity of keeping a guard over his tongue, Mr. Keller waited anxiously for Madame Fontaine's reply.
Not a word fell from her lips. There was a slight hardening of her face, and no more. In ominous silence, she turned about and ascended the stairs again.
The departure from the house was interrupted by an unforeseen cause of delay.
Jack refused to follow the hearse with Doctor Dormann and Mr. Keller. "I won't lose sight of her!" he cried—"no! not for a moment! Of all living creatures, I must be the first to see her when she wakes."
Mr. Keller turned to the doctor. "What does he mean?"
The doctor, standing back in the shadow of the house, seemed to have some reason for not answering otherwise than by gesture. He touched his forehead significantly; and, stepping out into the road, took Jack by the hand. The canopy of the hearse, closed at the sides, was open at either end. From the driver's seat, the couch became easily visible on looking round. With inexhaustible patience the doctor quieted the rising excitement in Jack, and gained him permission to take his place by the driver's side. Always grateful for kindness, he thanked Doctor Dormann, with the tears falling fast over his cheeks. "I'm not crying for her," said the poor little man; "she will soon be herself again. But it's so dreadful, sir, to go out driving with her in such a carriage as this!"
The hearse moved away.
Doctor Dormann, walking with Mr. Keller, felt his arm touched, and, looking round, saw the dimly-outlined figure of a woman beckoning to him. He drew back, after a word of apology to his companion, who continued to follow the hearse. The woman met him half way. He recognized Madame Fontaine.
"You are a learned man," she began abruptly. "Do you understand writing in cipher?"
"Sometimes."
"If you have half an hour to spare this evening, look at that—and do me the favor of telling me what it means."
She offered something to him, which appeared in the dim light to be only a sheet of paper. He hesitated to take it from her. She tried to press it on him.
"I found it among my husband's papers," she said. "He was a great chemist, as you know. It might be interesting to you."
He still hesitated.
"Are you acquainted with chemical science?" he asked.
"I am perfectly ignorant of chemical science."
"Then what interest can you have in interpreting the cipher?"
"I have a very serious interest. There may be something dangerous in it, if it fell into unscrupulous hands. I want to know if I ought to destroy it."
He suddenly took the paper from her. It felt stiff, like a sheet of cartridge-paper.
"You shall hear," he said. "In case of necessity, I will destroy it myself. Anything more?"
"One thing more. Does Jack go to the cemetery with you and Mr. Keller?"
"Yes."
Walking away rapidly to overtake Mr. Keller, he looked behind him once or twice. The street was dimly lit, in those days, by a few oil lamps. He might be mistaken—but he thought that Madame Fontaine was following him.
On leaving the city, the lanterns were lit to guide the hearse along the road that led to the cemetery. The overseer met the bearers at the gates.
They passed, under a Doric portico, into a central hall. At its right-hand extremity, an open door revealed a room for the accommodation of mourners. Beyond this there was a courtyard; and, farther still, the range of apartments devoted to the residence of the cemetery-overseer. Turning from the right-hand division of the building, the bearers led the way to the opposite extremity of the hall; passed through a second room for mourners; crossed a second courtyard beyond it; and, turning into a narrow passage, knocked at a closed door.
The door was opened by a watchman. He admitted them into a long room, situated between the courtyard at one end, and the cemetery at the other, and having ten side recesses which opened out of it. The long room was the Watchman's Chamber. The recesses were the cells which held the dead.
The couch was set down in the Watchman's Chamber. It was a novelty in the Deadhouse; and the overseer asked for an explanation. Doctor Dormann informed him that the change had been made, with his full approval, to satisfy a surviving friend, and that the coffin would be provided before the certificate was granted for the burial.
While the persons present were all gathered round the doctor and the overseer, Madame Fontaine softly pushed open the door from the courtyard. After a look at the recesses—situated, five on either side of the length of the room, and closed by black curtains—she parted the curtains of the nearest recess to her, on her left hand; and stepped in without being noticed by anyone.
"You take the responsibility of the couch, doctor, if the authorities raise any objection?" said the overseer.
This condition being complied with, he addressed himself to the watchman. "The cells are all empty to-night, Duntzer, are they not?"
"Yes, sir."
"Are you off duty, early or late this evening?"
"I am off duty in half an hour, sir."
The overseer pointed to the couch. "You can attend to this," he said. "Take the cell that is the nearest to you, where the watchman's chair is placed—Number Five."
He referred to the fifth recess, at the upper end of the room on the right, counting from the courtyard door. The watchman looped up the black curtains, while the bearers placed the couch in the cell. This done, the bearers were dismissed.
Doctor Dormann pointed through the parted curtains to the lofty cell, ventilated from the top, and warmed (like the Watchman's Chamber) by an apparatus under the flooring. In the middle of the cell was a stand, placed there to support the coffin. Above the stand a horizontal bar projected, which was fixed over the doorway. It was furnished with a pulley, through which passed a long thin string hanging loosely downward at one end, and attached at the other to a small alarm-bell, placed over the door on the outer side—that is to say, on the side of the Watchman's Chamber.
"All the cells are equal in size," said the doctor to Mr. Keller, "and are equally clean, and well warmed. The hot bath, in another room, is always ready; and a cabinet, filled with restorative applications, is close by. Now look at the watchman, and mark the care that is taken—in the event, for instance, of a cataleptic trance, and of a revival following it."
Duntzer led the way into the cell. He took the loose end of the string, hanging from above, and attached to it two shorter and lighter strings, each of which terminated in five loose ends.
From these ten ends hung ten little thimble-shaped objects, made of brass.
First slightly altering the position of the couch on the stand, Duntzer lifted the dead hands—fitted the ten brass thimbles to the fingers and the thumbs—and gently laid the hands back on the breast of the corpse. When he had looked up, and had satisfied himself of the exact connection between the hands and the line communicating with the alarm-bell outside, his duty was done. He left the cell; and, seating himself in his chair, waited the arrival of the night-watchman who was to relieve him.
Mr. Keller came out into the chamber, and spoke to the overseer.
"Is all done now?"
"All is done."
"I should like, while I am here, to speak to you about the grave."
The overseer bowed. "You can see the plan of the cemetery," he said, "in my office on the other side of the building."
Mr. Keller looked back into the cell. Jack had taken his place in it, when the couch had been carried in; and Doctor Dormann was quietly observing him. Mr. Keller beckoned to Jack. "I am waiting for you," he said. "Come!"
"And leave Mistress?" Jack answered. "Never!"
Mr. Keller was on the point of stepping into the cell, when Doctor Dormann took his arm, and led him away out of hearing.
"I want to ask you a question," said the doctor. "Was that poor creature's madness violent madness, when Mrs. Wagner took him out of the London asylum?"
"I have heard her say so."
"Be careful what you do with him. Mrs. Wagner's death has tried his weak brain seriously. I am afraid of a relapse into that violent madness—leave him to me."
Mr. Keller left the room with the overseer. Doctor Dormann returned to the cell.
"Listen to me, Jack," he said. "If your mistress revives (as you think), I want you to see for yourself how she will tell it to the man who is on the watch." He turned, and spoke to Duntzer. "Is the alarm-bell set?"
"Yes, sir."
The doctor addressed himself once more to Jack.
"Now look, and listen!" he said.
He delicately touched one of the brass thimbles, fitted to the fingers of the corpse. The bell rang instantly in the Watchman's Chamber.
"The moment the man hears that," he resumed, "he will make the signal, which calls the overseer and the nurses to help your mistress back to life. At the same time, a messenger will be sent to Mr. Keller's house to tell you what has happened. You see how well she is taken care of—and you will behave sensibly, I am sure? I am going away. Come with me."
Jack answered as he had answered Mr. Keller.
"Never!" he said.
He flung himself on the floor, and clasped his arms round one of the pillars supporting the stand on which the couch was placed. "Tear my arms out of their sockets," he cried—"you won't get me away till you've done that!"
Before the doctor could answer, footsteps were heard in the Watchman's Chamber. A jolly voice asked a question. "Any report for the night, Duntzer?"
Jack seemed to recognize the voice. He looked round eagerly.
"A corpse in Number Five," Duntzer answered. "And strangers in the cell. Contrary to the order for the night, as you know. I have reported them; it's your duty to send them away. Good night."
A red-nosed old man looked in at the doorway of the cell. Jack started to his feet. "Here's Schwartz!" he cried—"leave me with Schwartz!"
The discovery of Jack agreeably surprised Schwartz, without in the least perplexing him.
His little friend (as he reasoned) had, no doubt, remembered the invitation to the Deadhouse, and had obtained admission through the interference of the strange gentleman who was with him. But who was the gentleman? The deputy night-watchman (though he might carry messages for his relative the nurse) was not personally acquainted with his sister's medical patrons in Frankfort. He looked at the doctor with an expression of considerable doubt.
"I beg your pardon, sir," he ventured to say, "you're not a member of the city council, are you?"
"I have nothing to do with the city council."
"And nothing to do with managing the Deadhouse?"
"Nothing. I am Doctor Dormann."
Schwartz snapped his clumsy fingers, as an appropriate expression of relief. "All right, sir! Leave the little man with me—I'll take care of him."
"Do you know this person?" asked the doctor, turning to Jack.
"Yes! yes! leave me here with him," Jack answered eagerly. "Good-night, sir—good-night!"
Doctor Dormann looked again at Jack's friend.
"I thought strangers were not allowed here at night," he said.
"It's against the rules," Schwartz admitted. "But, Lord love you, sir, think of the dullness of this place! Besides, I'm only a deputy. In three nights more, the regular man will come on duty again. It's an awful job, doctor, watching alone here, all night. One of the men actually went mad, and hanged himself. To be sure he was a poet in his way, which makes it less remarkable. I'm not a poet myself—I'm only a sociable creature. Leave little Jack with me! I'll send him home safe and sound—I feel like a father to him."
The doctor hesitated. What was he to do? Jack had already returned to the cell in which his mistress lay. To remove him by the brutal exercise of main force was a proceeding from which Doctor Dormann's delicacy of feeling naturally recoiled—to say nothing of the danger of provoking that outbreak of madness against which the doctor had himself warned Mr. Keller. Persuasion he had already tried in vain. Delegated authority to control Jack had not been conferred on him. There seemed to be no other course than to yield.
"If you persist in your obstinacy," he said to Jack, "I must return alone to Mr. Keller's house, and tell him that I have left you here with your friend."
Jack was already absorbed in his own thoughts. He only repeated vacantly, "Good-night."
Doctor Dormann left the room. Schwartz looked in at his guest. "Wait there for the present," he said. "The porter will be here directly: I don't want him to see you."
The porter came in after an interval. "All right for the night?" he asked.
"All right," Schwartz answered.
The porter withdrew in silence. The night-watchman's reply was his authority for closing the gates of the Deadhouse until the next morning.
Schwartz returned to Jack—still watching patiently by the side of the couch. "Was she a relation of yours?" he asked.
"All the relations in the world to me!" Jack burst out passionately. "Father and mother—and brother and sister and wife."
"Aye, aye? Five relations in one is what I call an economical family," said Schwartz. "Come out here, to the table. You stood treat last time—my turn now. I've got the wine handy. Yes, yes—she was a fine woman in her time, I dare say. Why haven't you put her into a coffin like other people?"
"Why?" Jack repeated indignantly. "I couldn't prevent them from bringing her here; but I could have burnt the house down over their heads, if they had dared to put her into a coffin! Are you stupid enough to suppose that Mistress is dead? Don't you know that I'm watching and waiting here till she wakes? Ah! I beg your pardon—you don't know. The rest of them would have let her die. I saved her life. Come here, and I'll tell you how."
He dragged Schwartz into the cell. As the watchman disappeared from view, the wild white face of Madame Fontaine appeared between the curtains of her hiding-place, listening to Jack's narrative of the opening of the cupboard, and the discovery that had followed.
Schwartz humored his little friend (evidently, as he now concluded, his crazy little friend), by listening in respectful silence. Instead of making any remark at the end, he mentioned once more that the wine was handy. "Come!" he reiterated; "come to the table!"
Madame Fontaine drew back again behind the curtains. Jack remained obstinately in the cell. "I mean to see it," he said, "the moment she moves."
"Do you think your eyes will tell you?" Schwartz remonstrated. "You look dead-beat already; your eyes will get tired. Trust the bell here, over the door. Brass and steel don't get tired; brass and steel don't fall asleep; brass and steel will ring, and call you to her. Take a rest and a drink."
These words reminded Jack of the doctor's experiment with the alarm-bell. He could not disguise from himself the stealthily-growing sense of fatigue in his head and his limbs. "I'm afraid you're right," he said sadly. "I wish I was a stronger man." He joined Schwartz at the table, and dropped wearily into the watchman's chair.
His head sank on his breast, his eyes closed. He started up again. "She may want help when she wakes!" he cried, with a look of terror. "What must we do? Can we carry her home between us? Oh! Schwartz, I was so confident in myself a little while since—and it seems all to have left me now!"
"Don't worry that weary little head of yours about nothing," Schwartz answered, with rough good-nature. "Come along with me, and I'll show you where help's to be got when help's wanted. No! no! you won't be out of hearing of the bell—if it rings. We'll leave the door open. It's only on the other side of the passage here."
He lighted a lantern, and led Jack out.
Leaving the courtyard and the waiting-room on their left hand, he advanced along the right-hand side of the passage, and opened the door of a bed-chamber, always kept ready for use. A second door in the bed-chamber led to a bath-room. Here, opposite the bath, stood the cabinet in which the restorative applications were kept, under the care of the overseer.
When the two men had gone out, Madame Fontaine ventured into the Watchman's Chamber. Her eyes turned towards the one terrible cell, at the farther end of the row of black curtains. She advanced towards it; and stopped, lifting her hands to her head in the desperate effort to compose herself.
The terror of impending discovery had never left her, since Jack had owned the use to which he had put the contents of the blue-glass bottle.
Animated by that all-mastering dread, she had thrown away every poison in the medicine-chest—had broken the bottles into fragments—and had taken those fragments out with her, when she left the house to follow Doctor Dormann. On the way to the cemetery, she had scattered the morsels of broken glass and torn paper on the dark road outside the city gate. Nothing now remained but the empty medicine-chest, and the writing in cipher, once rolled round the poison called the "Looking-Glass Drops."
Under these altered circumstances, she had risked asking Doctor Dormann to interpret the mysterious characters, on the bare chance of their containing some warning by which she might profit, in her present ignorance of the results which Jack's ignorant interference might produce.
Acting under the same vague terror of that possible revival, to which Jack looked forward with such certain hope, she had followed him to the Deadhouse, and had waited, hidden in the cells, to hear what dangerous confidences he might repose in the doctor or in Mr. Keller, and to combat on the spot the suspicion which he might ignorantly rouse in their minds. Still in the same agony of doubt, she now stood, with her eyes on the cell, trying to summon the resolution to judge for herself. One look at the dead woman, while the solitude in the room gave her the chance—one look might assure her of the livid pallor of death, or warn her of the terrible possibilities of awakening life. She hurried headlong over the intervening space, and looked in.
There, grand and still, lay her murderous work! There, ghostly white on the ground of the black robe, were the rigid hands, topped by the hideous machinery which was to betray them, if they trembled under the mysterious return of life!
In the instant when she saw it, the sight overwhelmed her with horror. She turned distractedly, and fled through the open door. She crossed the courtyard, like a deeper shadow creeping swiftly through the darkness of the winter night. On the threshold of the solitary waiting-room, exhausted nature claimed its rest. She wavered—groped with her hands at the empty air—and sank insensible on the floor.
In the meantime, Schwartz revealed the purpose of his visit to the bath-room.
The glass doors which protected the upper division of the cabinet were locked; the key being in the possession of the overseer. The cupboard in the lower division, containing towels and flannel wrappers, was left unsecured. Opening the door, the watchman drew out a bottle and an old traveling flask, concealed behind the bath-linen. "I call this my cellar," he explained. "Cheer up, Jacky; we'll have a jolly night of it yet."
"I don't want to see your cellar!" said Jack impatiently. "I want to be of use to Mistress—show me the place where we call for help."
"Call?" repeated Schwartz, with a roar of laughter. "Do you think they can hear us at the overseer's, through a courtyard, and a waiting-room, and a grand hall, and another courtyard, and another waiting-room beyond? Not if we were twenty men all bawling together till we were hoarse! I'll show you how we can make the master hear us—if that miraculous revival of yours happens," he added facetiously in a whisper to himself.
He led the way back into the passage, and held up his lantern so as to show the cornice. A row of fire-buckets was suspended there by books. Midway between them, a stout rope hung through a metal-lined hole in the roof.
"Do you see that?" said Schwartz. "You have only to pull, and there's an iron tongue in the belfry above that will speak loud enough to be heard at the city gate. The overseer will come tumbling in, with his bunch of keys, as if the devil was at his heels, and the two women-servants after him—old and ugly, Jack!—they attend to the bath, you know, when a woman wants it. Wait a bit! Take the light into the bedroom, and get a chair for yourself—we haven't much accommodation for evening visitors. Got it? that's right. Would you like to see where the mad watchman hung himself? On the last hook at the end of the row there. We've got a song he made about the Deadhouse. I think it's in the drawer of the table. A gentleman had it printed and sold, for the benefit of the widow and children. Wait till we are well warmed with our liquor, and I'll tell you what I'll do—I'll sing you the mad watchman's song; and Jacky, my man, you shall sing the chorus! Tow-row-rub-a-dub-boom—that's the tune. Pretty, isn't it? Come along back to our snuggery." He led the way to the Watchman's Chamber.
Jack looked eagerly into the cell again. There was no change—not a sign of that happy waking in which he so firmly believed.
Schwartz opened the drawer of the table. Tobacco and pipes; two or three small drinking-glasses; a dirty pack of playing-cards; the mad watchman's song, with a woodcut illustration of the suicide—all lay huddled together. He took from the drawer the song, and two of the drinking-glasses, and called to his little guest to come out of the cell.
"There;" he said, filling the glasses, "you never tasted such wine as that in all your life. Off with it!"
Jack turned away with a look of disgust. "What did you say of wine, when I drank with you the other night?" he asked reproachfully. "You said it would warm my heart, and make a man of me. And what did it do? I couldn't stand on my legs. I couldn't hold up my head—I was so sleepy and stupid that Joseph had to take me upstairs to bed. I hate your wine! Your wine's a liar, who promises and doesn't perform! I'm weary enough, and wretched enough in my mind, as it is. No more wine for me!"
"Wrong!" remarked Schwartz, emptying his glass, and smacking his lips after it.
"You made a serious mistake the other night—you didn't drink half enough. Give the good liquor a fair chance, my son. No, you won't? Must I try a little gentle persuasion before you will come back to your chair?" Suiting the action to the word, he put his arm round Jack. "What's this I feel under my hand?" he asked. "A bottle?" He took it out of Jack's breast-pocket. "Lord help us!" he exclaimed; "it looks like physic!"
Jack snatched it away from him, with a cry of delight. "The very thing for me—and I never thought of it!"
It was the phial which Madame Fontaine had repentantly kept to herself, after having expressly filled it for him with the fatal dose of "Alexander's Wine"—the phial which he had found, when he first opened the "Pink-Room Cupboard." In the astonishment and delight of finding the blue-glass bottle immediately afterwards, he had entirely forgotten it. Nothing had since happened to remind him that it was in his pocket, until Schwartz had stumbled on the discovery.
"It cures you when you are tired or troubled in your mind," Jack announced in his grandest manner, repeating Madame Fontaine's own words. "Is there any water here?"
"Not a drop, thank Heaven!" said Schwartz, devoutly.
"Give me my glass, then. I once tried the remedy by itself, and it stung me as it went down. The wine won't hurt me, with this splendid stuff in it. I'll take it in the wine."
"Who told you to take it?" Schwartz asked, holding back the glass.
"Mrs. Housekeeper told me."
"A woman!" growled Schwartz, in a tone of sovereign contempt. "How dare you let a woman physic you, when you've got me for a doctor? Jack! I'm ashamed of you."
Jack defended his manhood. "Oh, I don't care what she says! I despise her—she's mad. You don't suppose she made this? I wouldn't touch it, if she had. No, no; her husband made it—a wonderful man! the greatest man in Germany!"
He reached across the table and secured his glass of wine. Before it was possible to interfere, he had emptied the contents of the phial into it, and had raised it to his lips. At that moment, Schwartz's restraining hand found its way to his wrist. The deputy watchman had far too sincere a regard for good wine to permit it to be drunk, in combination with physic, at his own table.
"Put it down!" he said gruffly. "You're my visitor, ain't you? Do you think I'm going to let housekeeper's cat-lap be drunk at my table? Look here!"
He held up his traveling-flask, with the metal drinking-cup taken off, so as to show the liquor through the glass. The rich amber color of it fascinated Jack. He put his wine-glass back on the table. "What is it?" he asked eagerly.
"Drinkable gold, Jack! My physic. Brandy!"
He poured out a dram into the metal cup. "Try that," he said, "and don't let me hear any more about the housekeeper's physic."
Jack tasted it. The water came into his eyes—he put his hands on his throat. "Fire!" he gasped faintly.
"Wait!" said Schwartz.
Jack waited. The fiery grip of the brandy relaxed; the genial warmth of it was wafted through him persuasively from head to foot. He took another sip. His eyes began to glitter. "What divine being made this?" he asked. Without waiting to be answered, he tried it again, and emptied the cup. "More!" he cried. "I never felt so big, I never felt so strong, I never felt so clever, as I feel now!"
Schwartz, drinking freely from his own bottle, recovered, and more than recovered, his Bacchanalian good humor. He clapped Jack on the shoulder. "Who's the right doctor now?" he asked cheerfully. "A drab of a housekeeper? or Father Schwartz? Your health, my jolly boy! When the bottle's empty, I'll help you to finish the flask. Drink away! and the devil take all heel-taps!"
The next dose of brandy fired Jack's excitable brain with a new idea. He fell on his knees at the table, and clasped his hands in a sudden fervor of devotion. "Silence!" he commanded sternly. "Your wine's only a poor devil. Your drinkable gold is a god. Take your cap off, Schwartz—I'm worshipping drinkable gold!"
Schwartz, highly diverted, threw his cap up to the ceiling. "Drinkable gold, ora pro nobis!" he shouted, profanely adapting himself to Jack's humor. "You shall be Pope, my boy—and I'll be the Pope's butler. Allow me to help your sacred majesty back to your chair."
Jack's answer betrayed another change in him. His tones were lofty; his manner was distant. "I prefer the floor," he said; "hand me down my mug." As he reached up to take it, the alarm-bell over the door caught his eye. Debased as he was by the fiery strength of the drink, his ineradicable love for his mistress made its noble influence felt through the coarse fumes that were mounting to his brain. "Stop!" he cried. "I must be where I can see the bell—I must be ready for her, the instant it rings."
He crawled across the floor, and seated himself with his back against the wall of one of the empty cells, on the left-hand side of the room. Schwartz, shaking his fat sides with laughter, handed down the cup to his guest. Jack took no notice of it. His eyes, reddened already by the brandy, were fixed on the bell opposite to him. "I want to know about it," he said. "What's that steel thing there, under the brass cover?"
"What's the use of asking?" Schwartz replied, returning to his bottle.
"I want to know!"
"Patience, Jack—patience. Follow my fore-finger. My hand seems to shake a little; but it's as honest a hand as ever was. That steel thing there, is the bell hammer, you know. And, bless your heart, the hammer's everything. Cost, Lord knows how much. Another toast, my son. Good luck to the bell!"
Jack changed again; he began to cry. "She's sleeping too long on that sofa, in there," he said sadly. "I want her to speak to me; I want to hear her scold me for drinking in this horrid place. My heart's all cold again. Where's the mug?" He found it, as he spoke; the fire of the brandy went down his throat once more, and lashed him into frantic high spirits. "I'm up in the clouds!" he shouted; "I'm riding on a whirlwind. Sing, Schwartz! Ha! there are the stars twinkling through the skylight! Sing the stars down from heaven!"
Schwartz emptied his bottle, without the ceremony of using the glass. "Now we are primed!" he said—"now for the mad watchman's song!" He snatched up the paper from the table, and roared out hoarsely the first verse:
The moon was shining, cold and bright,
In the Frankfort Deadhouse, on New Year's night
And I was the watchman, left alone,
While the rest to feast and dance were gone;
I envied their lot, and cursed my own—
Poor me!
"Chorus, Jack! 'I envied their lot and cursed my own'——"
The last words of the verse were lost in a yell of drunken terror. Schwartz started out of his chair, and pointed, panic-stricken, to the lower end of the room. "A ghost!" he screamed. "A ghost in black, at the door!"
Jack looked round, and burst out laughing. "Sit down again, you old fool," he said. "It's only Mrs. Housekeeper. We are singing, Mrs. Housekeeper! You haven't heard my voice yet—I'm the finest singer in Germany."
Madame Fontaine approached him humbly. "You have a kind heart, Jack—I am sure you will help me," she said. "Show me how to get out of this frightful place."
"The devil take you!" growled Schwartz, recovering himself. "How did you get in?"
"She's a witch!" shouted Jack. "She rode in on a broomstick—she crept in through the keyhole. Where's the fire? Let's take her downstairs, and burn her!"
Schwartz applied himself to the brandy-flask, and began to laugh again. "There never was such good company as Jack," he said, in his oiliest tones. "You can't get out to-night, Mrs. Witch. The gates are locked—and they don't trust me with the key. Walk in, ma'am. Plenty of accommodation for you, on that side of the room where Jack sits. We are slack of guests for the grave, to-night. Walk in."
She renewed her entreaties. "I'll give you all the money I have about me! Who can I go to for the key? Jack! Jack! speak for me!"
"Go on with the song!" cried Jack.
She appealed again in her despair to Schwartz. "Oh, sir, have mercy on me! I fainted, out there—and, when I came to myself, I tried to open the gates—and I called, and called, and nobody heard me."
Schwartz's sense of humor was tickled by this. "If you could bellow like a bull," he said, "nobody would hear you. Take a seat, ma'am."
"Go on with the song!" Jack reiterated. "I'm tired of waiting."
Madame Fontaine looked wildly from one to the other of them. "Oh, God, I'm locked in with an idiot and a drunkard!" The thought of it maddened her as it crossed her mind. Once more, she fled from the room. Again, and again, in the outer darkness, she shrieked for help.
Schwartz advanced staggering towards the door, with Jack's empty chair in his hand. "Perhaps you'll be able to pipe a little higher, ma'am, if you come back, and sit down? Now for the song, Jack!"
He burst out with the second verse:
Backwards and forwards, with silent tread,
I walked on my watch by the doors of the dead.
And I said, It's hard, on this New Year,
While the rest are dancing to leave me here,
Alone with death and cold and fear—
Poor me!
"Chorus, Jack! Chorus, Mrs. Housekeeper! Ho! ho! look at her! She can't resist the music—she has come back to us already. What can we do for you, ma'am? The flask's not quite drained yet. Come and have a drink."
She had returned, recoiling from the outer darkness and silence, giddy with the sickening sense of faintness which was creeping over her again. When Schwartz spoke she advanced with tottering steps. "Water!" she exclaimed, gasping for breath. "I'm faint—water! water!"
"Not a drop in the place, ma'am! Brandy, if you like?"
"I forbid it!" cried Jack, with a peremptory sign of the hand. "Drinkable gold is for us—not for her!"
The glass of wine which Schwartz had prevented him from drinking caught his notice. To give Madame Fontaine her own "remedy," stolen from her own room, was just the sort of trick to please Jack in his present humor. He pointed to the glass, and winked at the watchman. After a momentary hesitation, Schwartz's muddled brain absorbed the new idea. "Here's a drop of wine left, ma'am," he said. "Suppose you try it?"
She leaned one hand on the table to support herself. Her heart sank lower and lower; a cold perspiration bedewed her face. "Quick! quick!" she murmured faintly. She seized the glass, and emptied it eagerly to the last drop.
Schwartz and Jack eyed her with malicious curiosity. The idea of getting away was still in her mind. "I think I can walk now," she said. "For God's sake, let me out!"
"Haven't I told you already? I can't get out myself."
At that brutal answer, she shrank back. Slowly and feebly she made her way to the chair, and dropped on it.
"Cheer up, ma'am!" said Schwartz. "You shall have more music to help you—you shall hear how the mad watchman lost his wits. Another drop of the drinkable gold, Jack. A dram for you and a dram for me—and here goes!" He roared out the last verses of the song:—
Any company's better than none, I said:
If I can't have the living, I'd like the dead.
In one terrific moment more,
The corpse-bell rang at each cell door,
The moonlight shivered on the floor—
Poor me!
The curtains gaped; there stood a ghost,
On every threshold, as white as frost,
You called us, they shrieked, and we gathered soon;
Dance with your guests by the New Year's moon!
I danced till I dropped in a deadly swoon—
Poor me!
And since that night I've lost my wits,
And I shake with ceaseless ague-fits:
For the ghosts they turned me cold as stone,
On that New Year's night when the white moon shone,
And I walked on my watch, all, all alone—
Poor me!
And, oh, when I lie in my coffin-bed,
Heap thick the earth above my head!
Or I shall come back, and dance once more,
With frantic feet on the Deadhouse floor,
And a ghost for a partner at every door—
Poor me!
The night had cleared. While Schwartz was singing, the moon shone in at the skylight. At the last verse of the song, a ray of the cold yellow light streamed across Jack's face. The fire of the brandy leapt into flame—the madness broke out in him, with a burst of its by-gone fury. He sprang, screaming, to his feet.
"The moon!" he shouted—"the mad watchman's moon! The mad watchman himself is coming back. There he is, sliding down on the slanting light! Do you see the brown earth of the grave dropping from him, and the rope round his neck? Ha! how he skips, and twists, and twirls! He's dancing again with the dead ones. Make way there! I mean to dance with them too. Come on, mad watchman—come on! I'm as mad as you are!"
He whirled round and round with the fancied ghost for a partner in the dance. The coarse laughter of Schwartz burst out again at the terrible sight. He called, with drunken triumph, to Madame Fontaine. "Look at Jacky, ma'am. There's a dancer for you! There's good company for a dull winter night!" She neither looked nor moved—she sat crouched on the chair, spellbound with terror. Jack threw up his arms, turned giddily once or twice, and sank exhausted on the floor. "The cold of him creeps up my hands," he said, still possessed by the vision of the watchman. "He cools my eyes, he calms my heart, he stuns my head. I'm dying, dying, dying—going back with him to the grave. Poor me! poor me!"
He lay hushed in a strange repose; his eyes wide open, staring up at the moon. Schwartz drained the last drop of brandy out of the flask. "Jack's name ought to be Solomon," he pronounced with drowsy solemnity; "Solomon was wise; and Jack's wise. Jack goes to sleep, when the liquor's done. Take away the bottle, before the overseer comes in. If any man says I am not sober, that man lies. The Rhine wine has a way of humming in one's head. That's all, Mr. Overseer—that's all. Do I see the sun rising, up there in the skylight? I wish you good-night; I wish—you—good—night."
He laid his heavy arms on the table; his head dropped on them—he slept.
The time passed. No sound broke the silence but the lumpish snoring of Schwartz. No change appeared in Jack; there he lay, staring up at the moon.
Somewhere in the building (unheard thus far in the uproar) a clock struck the first hour of the morning.
Madame Fontaine started. The sound shook her with a new fear—a fear that expressed itself in a furtive look at the cell in which the dead woman lay. If the corpse-bell rang, would the stroke of it be like the single stroke of the clock?
"Jack!" she whispered. "Do you hear the clock? Oh, Jack, the stillness is dreadful—speak to me."
He slowly raised himself. Perhaps the striking of the clock—perhaps some inner prompting—had roused him. He neither answered Madame Fontaine, nor looked at her. With his arms clasped round his knees, he sat on the floor in the attitude of a savage. His eyes, which had stared at the moon, now stared with the same rigid, glassy look at the alarm-bell over the cell-door.
The time went on. Again the oppression of silence became more than Madame Fontaine could endure. Again she tried to make Jack speak to her.
"What are you looking at?" she asked. "What are you waiting for? Is it——?" The rest of the sentence died away on her lips: the words that would finish it were words too terrible to be spoken.
The sound of her voice produced no visible impression on Jack. Had it influenced him, in some unseen way? Something did certainly disturb the strange torpor that held him. He spoke. The tones were slow and mechanical—the tones of a man searching his memory with pain and difficulty; repeating his recollections, one by one, as he recovered them, to himself.
"When she moves," he muttered, "her hands pull the string. Her hands send a message up: up and up to the bell." He paused, and pointed to the cell-door.
The action had a horrible suggestiveness to the guilty wretch who was watching him.
"Don't do that!" she cried. "Don't point there!"
His hand never moved; he pursued his newly-found recollections of what the doctor had shown to him.
"Up and up to the bell," he repeated. "And the bell feels it. The steel thing moves. The bell speaks. Good bell! Faithful bell!"
The clock struck the half-hour past one. Madame Fontaine shrieked at the sound—her senses knew no distinction between the clock and the bell.
She saw his pointing hand drop back, and clasp itself with the other hand, round his knees. He spoke—softly and tenderly now—he was speaking to the dead. "Rise Mistress, rise! Dear soul, the time is long; and poor Jack is waiting for you!"
She thought the closed curtains moved: the delusion was reality to her. She tried to rouse Schwartz.
"Watchman! watchman! Wake up!"
He slept on as heavily as ever.
She half rose from her chair. She was almost on her feet—when she sank back again. Jack had moved. He got up on his knees. "Mistress hears me!" he said. The light of vivid expression showed itself in his eyes. Their vacancy was gone: they looked longingly at the door of the cell. He got on his feet—he pressed both hands over his bosom. "Come!" he said. "Oh, Mistress, come!"
There was a sound—a faint premonitory rustling sound—over the door.
The steel hammer moved—rose—struck the metal globe. The bell rang.
He stood rooted to the floor, sobbing hysterically. The iron grasp of suspense held him.
Not a cry, not a movement escaped Madame Fontaine. The life seemed to have been struck out of her by the stroke of the bell. It woke Schwartz. Except that he looked up, he too never moved: he too was like a living creature turned to stone.
A minute passed.
The curtains swayed gently. Tremulous fingers crept out, parting them. Slowly, over the black surface of the curtain, a fair naked arm showed itself, widening the gap.
The figure appeared, in its velvet pall. On the pale face the stillness of repose was barely ruffled yet. The eyes alone were conscious of returning life. They looked out on the room, softly surprised and perplexed—no more. They looked downwards: the lips trembled sweetly into a smile. She saw Jack, kneeling in ecstasy at her feet.
And now again, there was stillness in the room. Unutterable happiness rejoiced, unutterable dread suffered, in the same silence.
The first sound heard came suddenly from the lonely outer hall. Hurrying footsteps swept over the courtyard. The flash of lights flew along the dark passage. Voices of men and women, mingled together, poured into the Watchman's Chamber.
On the twelfth of December, I received a letter from Mrs. Wagner, informing me that the marriage of Fritz and Minna had been deferred until the thirteenth of January. Shortly afterwards I left London, on my way to Frankfort.
My departure was hurried, to afford me time to transact business with some of our correspondents in France and in Northern Germany. Our head-clerk, Mr. Hartrey (directing the London house in Mrs. Wagner's absence), had his own old-fashioned notions of doing nothing in a hurry. He insisted on allowing me a far larger margin of time, for treating with our correspondents, than I was likely to require. The good man little suspected to what motive my ready submission to him was due. I was eager to see my aunt and the charming Minna once more. Without neglecting any of my duties (and with the occasional sacrifice of traveling by night), I contrived to reach Frankfort a week before I was expected—that is to say, in the forenoon of the fourth of January.
Joseph's face, when he opened the door, at once informed me that something extraordinary was going on in the house.
"Anything wrong?" I asked.
Joseph looked at me in a state of bewilderment. "You had better speak to the doctor," he said.
"The doctor! Who is ill? My aunt? Mr. Keller? Who is it?" In my impatience, I took him by the collar of his coat, and shook him. I shook out nothing but the former answer, a little abridged:—
"Speak to the doctor."
The office-door was close by me. I asked one of the clerks if Mr. Keller was in his room. The clerk informed me that Mr. Keller was upstairs with the doctor. In the extremity of my suspense, I inquired again if my aunt was ill. The man opened his eyes. "Is it possible you haven't heard?" he said.
"Is she dead or alive?" I burst out, losing all patience.
"Both," answered the clerk.
I began—not unnaturally, I think—to wonder whether I was in Mr. Keller's house, or in an asylum for idiots. Returning to the hall, I collared Joseph for the second time. "Take me up to the doctor instantly!" I said.
Joseph led the way upstairs—not on my aunt's side of the house, to my infinite relief. On the first landing, he made a mysterious communication. "Mr. David, I have given notice to leave," he said. "There are some things that no servant can put up with. While a person lives, I expect a person to live. When a person dies, I expect a person to die. There must be no confusion on such a serious subject as life and death. I blame nobody—I understand nothing—I merely go. Follow me, if you please, sir."
Had he been drinking? He led the way up the next flight of stairs, steadily and quietly. He knocked discreetly at Madame Fontaine's door. "Mr. David Glenney," he announced, "to see Doctor Dormann."
Mr. Keller came out first, closing the door behind him. He embraced me, with a demonstrative affection far from characteristic of him at other times. His face was disturbed; his voice faltered, as he spoke his first words to me.
"Welcome back, David—more welcome than ever!"
"My aunt is well, I hope?"
He clasped his hands fervently. "God is merciful," he said. "Thank God!"
"Is Madame Fontaine ill?"
Before he could answer, the door was opened again. Doctor Dormann came out.
"The very man I want!" he exclaimed. "You could not possibly have arrived at a better time." He turned to Mr. Keller. "Where can I find writing-materials? In the drawing-room? Come down, Mr. Glenney. Come down, Mr. Keller."
In the drawing-room, he wrote a few lines rapidly. "See us sign our names," he said. He handed the pen to Mr. Keller after he had signed himself—and then gave me the paper to read.
To my unspeakable amazement, the writing certified that, "the suspended vital forces in Mrs. Wagner had recovered their action, in the Deadhouse of Frankfort, at half-past one o'clock on the morning of the fourth of January; that he had professionally superintended the restoration to life; and that he thereby relieved the magistrates from any further necessity for pursuing a private inquiry, the motive for which no longer existed." To this statement there was a line added, declaring that Mr. Keller withdrew his application to the magistrates; authenticated by Mr. Keller's signature.
I stood with the paper in my hand, looking from one to the other of them, as completely bewildered as Joseph himself.
"I can't leave Madame Fontaine," said the doctor; "I am professionally interested in watching the case. Otherwise, I would have made my statement in person. Mr. Keller has been terribly shaken, and stands in urgent need of rest and quiet. You will do us both a service if you will take that paper to the town-hall, and declare before the magistrates that you know us personally, and have seen us sign our names. On your return, you shall have every explanation that I can give; and you shall see for yourself that you need feel no uneasiness on the subject of your aunt."
Having arrived at the town-hall, I made the personal statement to which the doctor had referred. Among the questions put to me, I was asked if I had any direct interest in the matter—either as regarded Mrs. Wagner or any other person. Having answered that I was Mrs. Wagner's nephew, I was instructed to declare in writing, that I approved (as Mrs. Wagner's representative) of the doctor's statement and of Mr. Keller's withdrawal of his application.
With this, the formal proceedings terminated, and I was free to return to the house.
Joseph had his orders, this time. He spoke like a reasonable being—he said the doctor was waiting for me, in Madame Fontaine's room. The place of the appointment rather surprised me.
The doctor opened the door—but paused before he admitted me.
"I think you were the first person," he said, "who saw Mr. Keller, on the morning when he was taken ill?"
"After the late Mr. Engelman," I answered, "I was the first person.
"Come in, then. I want you to look at Madame Fontaine."
He led me to the bedside. The instant I looked at her, I saw Mr. Keller's illness reproduced, in every symptom. There she lay, in the same apathy; with the same wan look on her face, and the same intermittent trembling of her hands. When I recovered the first shock of the discovery, I was able to notice poor Minna, kneeling at the opposite side of the bed, weeping bitterly. "Oh, my dear one!" she cried, in a passion of grief, "look at me! speak to me!"
The mother opened her eyes for a moment—looked at Minna—and closed them again wearily. "Leave me quiet," she said, in tones of fretful entreaty. Minna rose and bent over the pillow tenderly. "Your poor lips look so parched," she said; "let me give you some lemonade?" Madame Fontaine only repeated the words, "Leave me quiet." The same reluctance to raise her heavy eyelids, the same entreaty to be left undisturbed, which had alarmed me on the memorable morning when I had entered Mr. Keller's room!
Doctor Dormann signed to me to follow him out. As he opened the door, the nurse inquired if he had any further instructions for her. "Send for me, the moment you see a change," he answered; "I shall be in the drawing-room, with Mr. Glenney." I silently pressed poor Minna's hand, before I left her. Who could have presumed, at that moment, to express sympathy in words?
The doctor and I descended the stairs together. "Does her illness remind you of anything?" he asked.
"Of Mr. Keller's illness," I answered, "exactly as I remember it."
He made no further remark. We entered the drawing-room. I inquired if I could see my aunt.
"You must wait a little," he said. "Mrs. Wagner is asleep. The longer she sleeps the more complete her recovery will be. My main anxiety is about Jack. He is quiet enough now, keeping watch outside her door; but he has given me some trouble. I wish I knew more of his early history. From all I can learn, he was only what is called "half-witted," when they received him at the asylum in London. The cruel repressive treatment in that place aggravated his imbecility into violent madness—and such madness has a tendency to recur. Mrs. Wagner's influence, which has already done so much, is my main hope for the future. Sit down, and let me explain the strange position in which you find us here, as well as I can."
"Do you remember how Mr. Keller's illness was cured?" the doctor began.
Those words instantly reminded me, not only of Doctor Dormann's mysterious suspicions at the time of the illness, but of Jack's extraordinary question to me, on the morning when I left Frankfort. The doctor saw that I answered him with some little embarrassment.
"Let us open our minds to each other, without reserve," he said. "I have set you thinking of something. What is it?"
I replied, concealing nothing. Doctor Dormann was equally candid on his side. He spoke to me, exactly as he is reported to have spoken to Mr. Keller, in the Second Part of this narrative.
"You now know," he proceeded, "what I thought of Mr. Keller's extraordinary recovery, and what I feared when I found Mrs. Wagner (as I then firmly believed) dead. My suspicions of poisoning pointed to the poisoner. Madame Fontaine's wonderful cure of Mr. Keller, by means of her own mysterious remedy, made me suspect Madame Fontaine. My motive, in refusing to give the burial certificate, was to provoke the legal inquiry, which I knew that Mr. Keller would institute, on the mere expression of a doubt, on my part, whether your aunt had died a natural death. At that time, I had not the slightest anticipation of the event that has actually occurred. Before, however, we had removed the remains to the Deadhouse, I must own I was a little startled—prepare yourself for a surprise—by a private communication, addressed to me by Jack."
He repeated Jack's narrative of the opening of the Pink-Room cupboard, and the administration of the antidote to Mrs. Wagner.
"You will understand," he went on, "that I was too well aware of the marked difference between Mr. Keller's illness and Mrs. Wagner's illness to suppose for a moment that the same poison had been given to both of them. I was, therefore, far from sharing Jack's blind confidence in the efficacy of the blue-glass bottle, in the case of his mistress. But I tell you, honestly, my mind was disturbed about it. Towards night, my thoughts were again directed to the subject, under mysterious circumstances. Mr. Keller and I accompanied the hearse to the Deadhouse. On our way through the streets, I was followed and stopped by Madame Fontaine. She had something to give me. Here it is."
He laid on the table a sheet of thick paper, closely covered with writing in cipher.
"Whose writing is this?" I asked.
"The writing of Madame Fontaine's late husband."
"And she put it into your hands!"
"Yes—and asked me to interpret the cipher for her."
"It's simply incomprehensible."
"Not in the least. She knew the use to which Jack had put her antidote, and (in her ignorance of chemistry) she was eager to be prepared for any consequences which might follow. Can you guess on what chance I calculated, when I consented to interpret the cipher?"
"On the chance that it might tell you what poison she had given to Mrs. Wagner?"
"Well guessed, Mr. Glenney!"
"And you have actually discovered the meaning of these hieroglyphics?"
He laid a second sheet of paper on the table.
"There is but one cipher that defies interpretation," he said. "If you and your correspondent privately arrange to consult the same edition of the same book, and if your cipher, or his, refers to a given page and to certain lines on that page, no ingenuity can discover you, unaided by a previous discovery of the book. All other ciphers, so far as I know, are at the mercy of skill and patience. In this case I began (to save time and trouble) by trying the rule for interpreting the most simple, and most elementary, of all ciphers—that is to say, the use of the ordinary language of correspondence, concealed under arbitrary signs. The right way to read these signs can be described in two words. On examination of the cipher, you will find that some signs will be more often repeated than others. Count the separate signs, and ascertain, by simple addition, which especial sign occurs oftenest—which follows next in point of number—and so on. These comparisons established, ask yourself what vowel occurs oftenest, and what consonant occurs oftenest, in the language in which you suppose the cipher to be written. The result is merely a question of time and patience."
"And this is the result?" I said, pointing to the second sheet of paper.
"Read it," he answered; "and judge for yourself."
The opening sentence of the interpreted cipher appeared to be intended by Doctor Fontaine to serve the purpose of a memorandum; repeating privately the instructions already attached by labels to the poison called "Alexander's Wine," and to its antidote.
The paragraphs that followed were of a far more interesting kind. They alluded to the second poison, called "The Looking-Glass Drops;" and they related the result of one of the Professor's most remarkable experiments in the following words:—
"The Looking-Glass Drops. Fatal Dose, as discovered by experiments on animals, the same as in the case of Alexander's Wine. But the effect, in producing death, more rapid, and more indistinguishable, in respect of presenting traces on post-mortem examination.
"After many patient trials, I can discover no trustworthy antidote to this infernal poison. Under these circumstances, I dare not attempt to modify it for medical use. I would throw it away—but I don't like to be beaten. If I live a little longer, I will try once more, with my mind refreshed by other studies.
"A month after writing these lines (which I have repeated in plain characters, on the bottle, for fear of accidents), I tried again—and failed again. Annoyed by this new disappointment, I did something unworthy of me as a scientific man.
"After first poisoning an animal with the Looking-Glass Drops, I administered a dose from the blue bottle, containing the antidote to Alexander's Wine—knowing perfectly well the different nature of the two poisons; expecting nothing of any scientific importance to follow; and yet trusting stupidly to chance to help me.
"The result was startling in the last degree. It was nothing less than the complete suspension of all the signs of life (as we know them) for a day, and a night, and part of another day. I only knew that the animal was not really dead, by observing, on the morning of the second day, that no signs of decomposition had set in—the season being summer, and the laboratory badly ventilated.
"An hour after the first symptoms of revival had astonished me, the creature was as lively again as usual, and ate with a good appetite. After a lapse of ten days, it is still in perfect health. This extraordinary example of the action and reaction of the ingredients of the poison and the ingredients of the antidote on each other, and on the sources of life, deserves, and shall have, the most careful investigation. May I live to carry the inquiry through to some good use, and to record it on another page!"
There was no other page, and no further record. The Professor's last scientific aspiration had not been fulfilled.
"It was past midnight," said the doctor, "when I made the discovery, with which you are now acquainted. I went at once to Mr. Keller. He had fortunately not gone to bed; and he accompanied me to the Deadhouse. Knowing the overseer's private door, at the side of the building, I was able to rouse him with very little delay. In the excitement that possessed me, I spoke of the revival as a possible thing in the hearing of the servants. The whole household accompanied us to the Deadhouse, at the opposite extremity of the building. What we saw there, I am utterly incapable of describing to you. I was in time to take the necessary measures for keeping Mrs. Wagner composed, and for removing her without injury to Mr. Keller's house. Having successfully accomplished this, I presumed that my anxieties were at an end. I was completely mistaken."
"You refer to Madame Fontaine, I suppose?"
"No; I refer to Jack. The poor wretch's ignorant faith had unquestionably saved his mistress's life. I should never have ventured (even if I had been acquainted with the result of the Professor's experiment, at an earlier hour) to run the desperate risk, which Jack confronted without hesitation. The events of the night (aggravated by the brandy that Schwartz had given to him) had completely overthrown the balance of his feeble brain. He was as mad, for the time being, as ever he could have been in Bedlam. With some difficulty, I prevailed on him to take a composing mixture. He objected irritably to trust me; and, even when the mixture had begun to quiet him, he was ungrateful enough to speak contemptuously of what I had done for him. 'I had a much better remedy than yours,' he said, 'made by a man who was worth a hundred of you. Schwartz and I were fools enough to give it to Mrs. Housekeeper, last night.' I thought nothing of this—it was one of the eccentricities which were to be expected from him, in his condition. I left him quietly asleep; and I was about to go home, and get a little rest myself—when Mr. Keller's son stopped me in the hall. 'Do go and see Madame Fontaine,' he said; 'Minna is alarmed about her mother.' I went upstairs again directly."
"Had you noticed anything remarkable in Madame Fontaine," I asked, "before Fritz spoke to you?"
"I noticed, at the Deadhouse, that she looked frightened out of her senses; and I was a little surprised—holding the opinion I did of her—that such a woman should show so much sensibility. Mr. Keller took charge of her, on our way back to the house. I was quite unprepared for what I saw afterwards, when I went to her room at Fritz's request.
"Did you discover the resemblance to Mr. Keller's illness?"
"No—not till afterwards. She sent her daughter out of the room; and I thought she looked at me strangely, when we were alone. 'I want the paper that I gave you in the street, last night,' she said. I asked her why she wanted it. She seemed not to know how to reply; she became excited and confused. 'To destroy it, to be sure!' she burst out suddenly. 'Every bottle my husband left is destroyed—strewed here, there, and everywhere, from the Gate to the Deadhouse. Oh, I know what you think of me—I defy you!' She seemed to forget what she had said, the moment she had said it—she turned away, and opened a drawer, and took out a book closed by metal clasps. My presence in the room appeared to be a lost perception in her mind. The clasps of the book, as well as I could make it out, opened by touching some spring. I noticed that her hands trembled as they tried to find the spring. I attributed the trembling to the terrors of the night, and offered to help her. 'Let my secrets alone,' she said—and pushed the book under the pillow of her bed. It was my professional duty to assist her, if I could. Though I attached no sort of importance to what Jack had said, I thought it desirable, before I prescribed for her, to discover whether she had really taken some medicine of her own or not. She staggered back from me, on my repeating what I had heard from Jack, as if I had terrified her. 'What remedy does he mean? I drank nothing but a glass of wine. Send for him directly—I must, and will speak to him!' I told her this was impossible; I could not permit his sleep to be disturbed. 'The watchman!' she cried; 'the drunken brute! send for him.' By this time I began to conclude that there was really something wrong. I called in her daughter to look after her while I was away, and then left the room to consult with Fritz. The only hope of finding Schwartz (the night-watch at the Deadhouse being over by that time) was to apply to his sister the nurse. I knew where she lived; and Fritz most kindly offered to go to her. By the time Schwartz was found, and brought to the house, Madame Fontaine was just able to understand what he said, and no more. I began to recognize the symptoms of Mr. Keller's illness. The apathy which you remember was showing itself already. 'Leave me to die,' she said quietly; 'I deserve it.' The last effort of the distracted mind, rousing for a moment the sinking body, was made almost immediately afterwards. She raised herself on the pillow, and seized my arm. 'Mind!' she said, 'Minna is to be married on the thirteenth!' Her eyes rested steadily on me, while she spoke. At the last word, she sank back, and relapsed into the condition in which you have just seen her."
"Can you do nothing for her?"
"Nothing. Our modern science is absolutely ignorant of the poisons which Professor Fontaine's fatal ingenuity revived. Slow poisoning by reiterated doses, in small quantities, we understand. But slow poisoning by one dose is so entirely beyond our experience, that medical men in general refuse to believe in it."
"Are you sure that she is poisoned?" I asked.
"After what Jack told me this morning when he woke, I have no doubt she is poisoned by 'Alexander's Wine.' She appears to have treacherously offered it to him as a remedy—and to have hesitated, at the last moment, to let him have it. As a remedy, Jack's ignorant faith gave it to her by the hands of Schwartz. When we have more time before us, you shall hear the details. In the meanwhile, I can only tell you that the retribution is complete. Madame Fontaine might even now be saved, if Jack had not given all that remained of the antidote to Mrs. Wagner.
"Is there any objection to my asking Jack for the particulars?"
"The strongest possible objection. It is of the utmost importance to discourage him from touching on the subject, in the future. He has already told Mrs. Wagner that he has saved her life; and, just before you came in, I found him comforting Minna. 'Your mamma has taken her own good medicine, Missy; she will soon get well.' I have been obliged—God forgive me!—to tell your aunt and Minna that he is misled by insane delusions, and that they are not to believe one word of what he has said to them."
"No doubt your motive justifies you," I said—not penetrating his motive at the moment.
"You will understand me directly," he answered. "I trust to your honor under any circumstances. Why have I taken you into my confidence, under these circumstances? For a very serious reason, Mr. David. You are likely to be closely associated, in the time to come, with your aunt and Minna—and I look to you to help the good work which I have begun. Mrs. Wagner's future life must not be darkened by a horrible recollection. That sweet girl must enjoy the happy years that are in store for her, unembittered by the knowledge of her mother's guilt. Do you understand, now, why I am compelled to speak unjustly of poor Jack?"
As a proof that I understood him, I promised the secrecy which he had every right to expect from me.
The entrance of the nurse closed our conference. She reported Madame Fontaine's malady to be already altering for the worse.
The doctor watched the case. At intervals, I too saw her again.
Although it happened long ago, I cannot prevail upon myself to dwell on the deliberate progress of the hellish Borgia poison, in undermining the forces of life. The nervous shudderings reached their climax, and then declined as gradually as they had arisen. For hours afterwards, she lay in a state of complete prostration. Not a last word, not a last look, rewarded the devoted girl, watching faithfully at the bedside. No more of it—no more! Late in the afternoon of the next day, Doctor Dormann, gently, most gently, removed Minna from the room. Mr. Keller and I looked at each other in silence. We knew that Madame Fontaine was dead.
I had not forgotten the clasped book that she had tried vainly to open, in Doctor Dormann's presence. Taking it myself from under the pillow, I left Mr. Keller and the doctor to say if I should give it, unopened, to Minna.
"Certainly not!" said the doctor.
"Why not?"
"Because it will tell her what she must never know. I believe that book to be a Diary. Open it, and see."
I found the spring and opened the clasps. It was a Diary.
"You judged, I suppose, from the appearance of the book?" I said.
"Not at all. I judged from my own experience, at the time when I was Medical Officer at the prison here. An educated criminal is almost invariably an inveterate egotist. We are all interesting to ourselves—but the more vile we are, the more intensely we are absorbed in ourselves. The very people who have, logically speaking, the most indisputable interest in concealing their crimes, are also the very people who, almost without exception, yield to the temptation of looking at themselves in the pages of a Diary."
"I don't doubt your experience, doctor. But your results puzzle me."
"Think a little, Mr. David, and you will not find the riddle so very hard to read. The better we are, the more unselfishly we are interested in others. The worse we are, the more inveterately our interest is concentrated on ourselves. Look at your aunt as an example of what I say. This morning there were some letters waiting for her, on the subject of those reforms in the treatment of mad people, which she is as resolute as ever to promote—in this country as well as in England. It was with the greatest difficulty that I prevailed on her not to answer those letters just yet: in other words, not to excite her brain and nervous system, after such an ordeal as she has just passed through. Do you think a wicked woman—with letters relating merely to the interests of other people waiting for her—would have stood in any need of my interference? Not she! The wicked woman would have thought only of herself, and would have been far too much interested in her own recovery to run the risk of a relapse. Open that book of Madame Fontaine's at any of the later entries. You will find the miserable woman self-betrayed in every page."
It was true! Every record of Madame Fontaine's most secret moments, presented in this narrative, was first found in her Diary.
As an example:—Her Diary records, in the fullest detail, the infernal ingenuity of the stratagem by which she usurped her title to Mr. Keller's confidence, as the preserver of his life. "I have only to give him the Alexander's Wine," she writes, "to make sure, by means of the antidote, of curing the illness which I have myself produced. After that, Minna's mother becomes Mr. Keller's guardian angel, and Minna's marriage is a certainty."
On a later page, she is similarly self described—in Mrs. Wagner's case—as acting from an exactly opposite motive, in choosing the Looking-Glass Drops. "They not only kill soonest, and most surely defy detection," she proceeds, "but I have it on the authority of the label, that my husband has tried to find the antidote to these Drops, and has tried in vain. If my heart fails me, when the deed is done, there can be no reprieve for the woman whose tongue I must silence for ever—or, after all I have sacrificed, my child's future is ruined."
There is little doubt that she intended to destroy these compromising pages, on her return to Mr. Keller's house—and that she would have carried out her intention, but for those first symptoms of the poison, which showed themselves in the wandering of her mind, and the helpless trembling of her hands.
The final entry in the Diary has an interest of its own, which I think justifies the presentation of it in this place. It shows the purifying influence of the maternal instinct in a wicked nature, surviving to the last. Even Madame Fontaine's nature preserved, in this way, a softer side. On the memorable occasion of her meeting with Mr. Keller in the hall, she had acted as imprudently as if she had been the most foolish woman living, in her eagerness to plead Minna's cause with the man on whom Minna's marriage depended. She had shrunk from poisoning harmless Jack, even for her own protection. She would not even seduce Minna into telling a lie, when a lie would have served them both at the most critical moment of their lives.
Are such redeeming features unnatural in an otherwise wicked woman? Think of your own "inconsistencies." Read these last words of a sinner—and thank God that you were not tempted as she was:
"... Sent Minna out of my room, and hurt my sensitive girl cruelly. I am afraid of her! This last crime seems to separate me from that pure creature—all the more, because it has been committed in her dearest interests, and for her sweet sake. Every time she looks at me, I am afraid she may see what I have done for her, in my face. Oh, how I long to take her in my arms, and devour her with kisses! I daren't do it—I daren't do it."
Lord, have mercy on her—miserable sinner!
The night is getting on; and the lamp I am writing by grows dim.
My mind wanders away from Frankfort, and from all that once happened there. The picture now in my memory presents an English scene.
I am at the house of business in London. Two friends are waiting for me. One of them is Fritz. The other is the most popular person in the neighborhood; a happy, harmless creature, known to everyone by the undignified nickname of Jack Straw. Thanks to my aunt's influence, and to the change of scene, no return of the relapse at Frankfort has shown itself. We are easy about the future of our little friend.
As to the past, we have made no romantic discoveries, relating to the earlier years of Jack's life. Who were his parents; whether they died or whether they deserted him; how he lived, and what he suffered, before he drifted into the service of the chemistry-professor at Wurzburg—these, and other questions like them, remain unanswered. Jack himself feels no sort of interest in our inquiries. He either will not or cannot rouse his feeble memory to help us. "What does it matter now?" he says. "I began to live when Mistress first came to see me. I don't remember, and won't remember, anything before that."
So the memoirs of Jack remain unwritten, for want of materials—like the memoirs of many another foundling, in real life.
While I am speaking of Jack, I am keeping my two friends waiting in the reception-room. I dress myself in my best clothes and join them. Fritz is silent and nervous; unreasonably impatient for the arrival of the carriage at the door. Jack promenades the room, with a superb nosegay in the button-hole of a glorious blue coat. He has a watch; he carries a cane; he wears white gloves, and tight nankeen pantaloons. He struts out before us, when the carriage comes at last. "I don't deny that Fritz is a figure in the festival," he says, when we drive away; "but I positively assert that the thing is not complete without Me. If my dress fails in any respect to do me justice, for Heaven's sake mention it, one of you, before we pass the tailor's door!" I answer Jack, by telling him that he is in all respects perfect. And Jack answers me, "David, you have your faults; but your taste is invariably correct. Give me a little more room; I can't face Mistress with crumpled coat-tails."
We reach a little village in the neighborhood of London, and stop at the gate of the old church.
We walk up to the altar-rails, and wait there. All the women in the place are waiting also. They merely glance at Fritz and at me—their whole attention is concentrated on Jack. They take him for the bridegroom. Jack discovers it; and is better pleased with himself than ever.
The organist plays a wedding-march. The bride, simply and unpretendingly dressed, just fluttered enough to make her eyes irresistible, and her complexion lovely, enters the church, leaning on Mr. Keller's arm.
Our good partner looks younger than usual. At his own earnest request, the business in Frankfort has been sold; the head-partner first stipulating for the employment of a given number of reputable young women in the office. Removed from associations which are inexpressibly repellent to him, Mr. Keller is building a house, near Mrs. Wagner's pretty cottage, on the hill above the village. Here he proposes to pass the rest of his days peacefully, with his two married children.
On their way to the altar, Mr. Keller and Minna are followed by Doctor Dormann (taking his annual holiday, this year, in England). The doctor gives his arm to the woman of all women whom Jack worships and loves. My kind and dear aunt—with the old bright charm in her face; the firm friend of all friendless creatures—why does my calmness desert me, when I try to draw my little portrait of her; Minna's second mother, standing by Minna's side, on the greatest day of her life?
I can't even see the paper. Nearly fifty years have passed, since that wedding-day. Oh, my coevals, who have outlived your dearest friends, like me, you know what is the matter with my eyes! I must take out my handkerchief, and put down my pen—and leave some of you younger ones to finish the story of the marriage for yourself.
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