(For Fr. C. L. O'Donnell)
The interlacing trees Arise in Gothic traceries, As if a vast cathedral deep and dim; And through the solemn atmosphere The low winds hymn Such thoughts as solitude will hear. To lead your way across Gray carpet aisles of moss Unto the chantry stalls, The sumach candelabra are alight; Along the cloister walls, Like chorister and acolyte, The shrubs are vested white; The dutiful monastic oak In his gray-friar cloak Keeps penitential ways And solemn orisons of praise; For beads upon the cincture-vine Red berries warm with color shine, And to their constant rosary The bedesmen firs incline; And fair as frescoes be Among the shrines of Italy, These lights and shadows are, Impalpable in gray and green Upon the hills afar And the gold westering sun between. The music! Hark! Oh, an it be no rapturous lark, Yet has the lesser chant The blessedness of song. The snowbird mendicant Intones the antiphon— Et laboremus nos; And all the grottoed aisles along, Where servitors rejoice, The chorused echoes run— Oremus nos. The inspiration of the breeze Gives every reed a voice From tenebrae and silences; Over the valleys borne, Come organ harmonies; And when the low winds call, The pines with miserere mourn A requiem musical, Softer than moonbeams fall Across the starry oriels of night, Flooding the azure round With hushed delight And sanctity of sound.
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